8
If
the
connected
effects
processor
receives
no
input
signal
.
the
FX
SEND
control
is
probably
too
low
.
This
also
goes
for
the
built
-
in
effects
processor
.
Adjust
your
external
effects
processor
to
100
%
wet
(
effects
signal
only
),
before
the
effects
signal
is
added
to
the
main
mix
along
with
“
dry
”
channel
signals
.
In
this
instance
,
the
FX
control
of
the
channel
being
used
as
an
effects
return
should
be
turned
fully
counterclockwise
.
otherwise
feedback
problems
can
occur
!
The
stereo
PHONES
connector
(
at
the
top
of
the
connector
panel
)
is
where
you
connect
headphones
.
The
unbalanced
CTRL
ROOM
OUT
connector
carry
the
summed
effects
and
main
mix
signals
,
as
well
as
soloed
channel
signals
.
The
PHONE
/
CONTROL
ROOM
control
adjusts
the
level
of
both
headphones
and
main
monitor
outputs
.
The
MAIN
OUT
connectors
are
unbalanced
mono
.
The
main
mix
signal
appears
here
at
a
level
of
0
dBu
.
The
MAIN
MIX
fader
adjusts
the
volume
of
these
outputs
.
Depending
on
how
you
wish
to
use
your
mixer
and
which
gear
you
own
,
you
can
connect
the
following
equipment
.
connector
MAIN
OUT
PHONES
/
CONTROL
ROOM
OUT
The
CD
/
TAPE
INPUTS
are
used
to
bring
an
external
signal
source
(
e
.
g
.
CD
player
,
tape
deck
,
etc
.)
into
the
console
.
They
can
also
be
used
as
a
standard
stereo
line
input
,
so
the
output
of
a
second
ME
.
CD
/
TAPE
INPUT
Alternatively
the
line
or
tape
output
of
a
hi
-
fi
amplifier
with
source
selection
switch
could
also
be
hooked
up
here
,
allowing
you
to
easily
listen
to
additional
sources
.
These
connectors
are
laid
out
RCA
connectors
and
are
wired
parallel
with
the
MAIN
OUT
.
Connect
the
inputs
of
a
computer
sound
card
or
a
recorder
here
.
The
output
signal
level
is
setup
using
the
highly
accurate
MAIN
MIX
fader
.
TAPE
OUTPUT
A
stereo
dynamics
processor
(
optional
),
stereo
equalizer
(
optional
)
and
the
stereo
power
amplifier
for
full
-
range
loudspeakers
with
passive
crossovers
.
LIVE
PA
SYSTEMS
:
If
you
wish
to
use
multi
-
way
loudspeaker
systems
without
an
integrated
crossovers
.
Active
crossovers
are
impiemented
directly
before
the
power
amplifier
,
and
they
divide
the
frequency
range
into
several
segments
that
are
first
amplified
in
the
amplifiers
and
then
passed
on
to
the
corresponding
For
mastering
using
a
stereo
compressor
can
be
recommended
.
Use
it
to
custom
-
tailor
the
dynamic
characteristics
of
you
signal
to
the
dynamic
range
of
the
recording
equipment
you
are
using
.
The
signal
is
in
the
case
passed
on
from
the
compressor
into
the
recorder
.
RECORDING
11
The
SIGNAL
LED
on
the
effects
module
shows
the
presence
of
a
signal
whose
level
is
high
enough
.
This
LED
should
always
be
on
.
However
,
make
sure
that
the
CLIP
LED
lights
up
only
sporadically
.
If
it
is
constantly
,
you
are
overdriving
thr
effects
processor
,
which
leads
to
unpleasant
distortion
.
If
this
occurs
,
turn
the
FX
controls
down
somewhat
.
SIGNAL
and
CLIP
LED
100
FIRST
-
CLASS
EFFECTS
The
PROGRAM
control
has
two
functions
:
by
turning
the
PROGRAM
control
,
you
dialed
the
number
of
an
effect
.
The
number
of
the
preset
you
just
dialed
up
blinks
in
the
display
.
To
confirm
your
selection
,
press
the
PROGRAM
control
;
the
blinking
stops
.
PROGRAM
features
a
built
-
in
digital
stereo
effects
processor
.
This
effects
processor
offers
a
large
number
of
standard
effects
such
as
Hall
,
Chorus
,
Flanger
,
Delay
and
various
combination
effects
.
Using
the
FX
control
,
you
can
feed
signals
into
the
effects
processor
.
The
integrated
effects
module
has
the
advantage
of
requiring
no
wiring
.
This
way
,
the
danger
of
creating
ground
loops
or
uneven
signal
levels
is
eliminated
at
the
output
,
completely
simplifying
the
handing
.
The
StudioMix 10 / StudioMix 12
The
FX
TO
MAIN
control
feeds
the
effects
signal
into
the
main
mix
.
If
the
control
is
turned
all
the
way
counterclockwise
,
no
effects
signal
is
present
in
the
signal
of
the
mixing
console
.
FX
TO
MAIN
The
appendix
contains
an
overview
of
all
presets
of
the
multi
effects
processor
.
2
.
5
Digital
effects
processor
0
-
+
15
8
FX
SENDS
PROGRAM
(
PUSH
)
REVERB
00
-
39
ER
/
DLY
40
-
59
MOD
60
-
73
PITCH
74
-
79
MULTI
80
-
89
-
3
-
6
-
10
-
15
-
20
CLP
24
-
BIT
DUAL
ENGINE
DSP
24
-
BIT
A
/
D
&
D
/
A
CONVERTER
88
Fig
.
2
.
5
:
Effects
section
AMB
90-99
Summary of Contents for studiomix 10
Page 1: ...USER S MANUAL...
