24
25
moD Destination
Description
Groove Amount
The selection of the rhythm delay’s groove type is controlled by the MOD
signal. This is not an offset, but directly overrides the current setting.
Delay wet/Dry
The selection of the rhythm delay’s wet/dry mix is controlled by the MOD
signal. This is not an offset, but directly overrides the current setting.
Comb Density
The selection of the number of taps used by the comb resonator (aka the
comb density
) is controlled by the MOD signal. This is not an offset, but
directly overrides the current setting.
Comb Pattern
The selection of the comb resonator’s pattern of tap spacings is controlled
by the MOD signal. This is not an offset, but directly overrides the current
setting.
Comb Mod wave
The waveform selection for the comb size modulation lfo is controlled by
the MOD signal. This is not an offset, but directly overrides the current
setting.
Comb Mod Level
The amplitude of the comb size modulation lfo output is controlled by the
MOD signal. This is not an offset, but directly overrides the current set
-
ting.
Comb Mod Rate
The oscillation rate of the comb size modulation lfo is controlled by the
MOD signal. This is not an offset, but directly overrides the current set
-
ting.
stereo spread
Spreads the pan values of adjacent taps between left and right.
This di-
rectly overrides the current settings.
Preset #
Sets the number of preset to load. Use this in conjuction with the preset
load trigger function. This is not an offset, but directly overrides the cur
-
rent setting.
All Tap Pitch
Sets the per-tap pitch shift applied to all taps (all taps will have the same
pitch shift value). This is not an offset, but directly overrides the current
setting.
Grid
The GRID setting for the rhythm delay is controlled by the MOD signal.
This is not an offset, but directly overrides the current setting.
Delay CLK Div
The DIV setting for the rhythm delay is controlled by the MOD signal. This
is not an offset, but directly overrides the current setting.
The red buttons on the upper right hand side of the module provide utility operations which determine the overall
functioning of the module, as well as managing the storage of parameter values into presets.
●
ConFig
Pressing this button first brings up the routing display. Turning the rotary encoder
selects between four different routings of the rhythm delay and comb effects. These routings are:
◊
DLY > CMB
In this configuration the module’s audio input is fed into the rhythm delay and the output of
the delay is fed into the comb resonator. The module’s audio output is taken from the comb output.
◊
CMB > DLY
In this configuration the module’s audio input is fed into the comb resonator and the output
of the comb is fed into the rhythm delay. The module’s audio output is taken from the delay output.
◊
Dly + Cmb
In this configuration the module’s audio input is sent in parallel to both the rhythm delay
and the comb resonator. The outputs of the delay and comb are summed and sent to the modules audio
output.
◊
l: Dly r: Cmb
In this configuration the module’s left channel audio input is sent to the rhythm delay’s
left input, and the delay’s right input is set to zero. The module’s right channel audio input is sent to the
comb resonator’s right input, and the comb’s left input is set to zero. The delay’s left channel output is sent
to the module’s left audio output and the comb’s right channel output is sent to the module’s right audio
output.
●
Pressing the CONFIG button a second time highlights the input mode. There are three different
input modes available:
◊
sTeReO
In this configuration the left audio input signal is passed to the left channel of the delay/comb
effects, and the right audio input signal is passed to the right channel of the delay/comb effects.
◊
mono l+r
In this configuration the two input channels, INL and INR, are summed and the sum is sent to
both the Left and RIght channels of the delay/comb effects.
◊
MONO L
In this configuration the left input channel is sent to both the Left and RIght channels of the
delay/comb effects. In this situation the INR signal is ignored. A similar arrangement can also be had by
using the STEREO input mode and leaving the INR jack unconnected. In that case the INL signal is normaled
(directly connected) to the INR signal. The two situations are not exactly the same, since the right channel
analog to digital converter is not used in the MONO L configuration, while it is in the STEREO case. Thus in
the stereo case there may be slight differences between the left and right channels.
●
Pressing the CONFIG button yet a third time displays the TRIGGER MODE display page. This page
displays the operation that is controlled by the TRIGGER button and/or the TRIG external input. The Trigger
operation is highlighted, and turning the rotary encoder selects the active trigger operation from the list of
possible operations. The current state of the Freeze and Reverse operations (ON or OFF) is also displayed, but
these are not changeable here. The list of possible Trigger operations is given in the table below.
utility operations
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