IC
L
ive
Operators Guide
IC
L
ive
Operators Guide
Page 8
Page 5
Assembly (continued)
5. Slide the two joining bars into the channels
as shown and lock the joining bars into place
with the short quick release pins to complete the
physical assembly.
6.
The next step is to electrically link the two
modules together
Plug one end of the short CAT5 linking cable
into the interconnect socket on the lower
module and the other end into the socket
on the upper module.
Then plug one end of the short AC power cable
into the looping power socket on the lower
module and the other end into the power socket
on the upper module.
7.
The final step is to verify that the setting of the
Master/Slave dip switches is correct.
The lower module always functions as the Mas
-
ter and the upper module is the Slave. The dip
switches should be set as shown in the graphic
below. All signal and AC power connections
should be made to the Master module.
When properly set both digital readouts in a dual
array will read 20.
Note: If you connected power to the array
before setting the dip switches, you will need to
disconnect it and then reconnect it before the dip
switch settings will take effect.
Do not attempt to mount a two array stack onto
a subwoofer standing vertically. The resulting
assembly is unstable.
The procedure for mounting an ICL-R array onto an IC215S-R subwoofer is the same. The only dif
-
ference is the the array’s rear cylinder sleeve drops into the socket on either the top or the end of the
subwoofer. When mounting a stack (two ICL-R arrays) on top of one or two subwoofers, it is best to first
mount the lower line array module onto the subwoofer and then attach the top line array. It’s easier and
safer.
Master / Slave Dip Switches
Switch Setting Illustration
ICL-R Presets
Preset 11
ICL-R with a 30 degree
opening angle and a -2.27
degree aiming angle; sug
-
gested for venues with 50
foot deep audience areas.
Preset 12
ICL-R with a 25 degree
opening angle and a -1.53
degree aiming angle; sug
-
gested for venues with foot
deep audience areas.
Preset 13
ICL-R with a 20 degree
opening angle and a -1.14
degree aiming angle; sug
-
gested for venues with 100
foot deep audience areas.
