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The pattern switch (reverse)
The Omnidirectional pattern is sensitive to sound sources from all directions. Try
using this pattern when recording the sound of a room, such as when you want to
use the Nova3 as a ‘drum room mic’ or when recording a wide sound source – such
as an orchestra or choir. It is also great when recording a moveable source, such as
an instrumentalist who moves around as part of their performance.
The Figure 8 pattern is sensitive to sound sources at the back and front of the
microphone – ignoring sounds to the side of the microphone. Try using this pattern
when recording a duet, a face-to-face interview, or recording a source when you
need to isolate sounds in close proximity and reject sounds to the sides of the
microphone – experiment with mic placement to achieve this..
The Cardioid pattern records what the front of the microphone is pointed at, ignoring
everything else. It is ideal for vocals and can be used for a wide range of sources
including drums, acoustic instruments and guitar cabinets.
Low cut switch (left)
Cuts low frequency content below 100 Hz. Useful for voices and instruments to
reduce low frequency rumble. Think of this as your first EQ move, at the source.
Pad switch (right)
The pad switch reduces the signal from the microphone by -10 dB. This is useful for
high volume sources such as guitar cabinets, loud singers or a drum kit. This should
be your first choice if you can hear distortion.
