background image

 

Legatia SE Carbon User’s Manual 

©Hybrid Audio Technologies 

Page 28 of 30 

 

 

200-member  orchestra,  or  a  four-piece  fusion  band,  nothing  compares  to  the  phenomenon  of  live 
music. 
 
Take this as Hybrid Audio’s official request: become a student of music and your mobile audio sound 
system  will  be  better  for  it.  We  want  nothing  more  than  to  know  there  are  great  sounding  audio 
systems  around  the  world  using  our  products,  and  you’d  make  us  all  very  proud  if  you  became  a 
student of music and learned its beauty and passion. 
 

Advanced Installation of the Legatia SE Carbon Component Systems 

 

Mounting Baffle Considerations 

 
Now that  we have revealed five of our most important “Lessons Learned”, we can now  apply these 
lessons to the Legatia SE Carbon installation. The first important matter is the physical installation of 
your  Legatia  SE  Carbon  midbass,  and  more  specifically  with  respect  to  improving  the  Legatia  SE 
Carbon  midbass’  mounting  baffles.  Most  vehicles’  factory  mounting  locations  for  speakers  are  less 
than  ideal.  In  most  cases,  the  OEM  speaker  mounting  flanges  are  likely  nothing  more  than  flimsy 
extruded plastic, and provide no sonic benefit to your Legatia SE Carbon installation. The Legatia SE 
Carbon drivers are long-throw midbass and the plastic mounting baffles that come from the factory in 
virtually every vehicle will lead to buzzes, rattles, vibrations, and resonances, all of which negatively 
affect  the  Legatia  SE  Carbon  installation.  In  other  vehicles,  you  may  have  attached  the  Legatia  SE 
Carbon  midbass’  directly  to  the  door  metal  (hopefully  with  a  layer  or  two  of  self-adhesive  sound 
damping in between), but this is still not entirely ideal. In whatever scenario you have installed your 
Legatia SE Carbon midbass, there are certain “tricks” and techniques that may be applied to get the 
most out of your Legatia SE Carbon component set, specifically the midbass installation, as follows: 
 

Mounting the baffle, sound damping, and “decoupling”

: the mounting baffle or mounting location 

should  either  be  secured  extremely  well  to  the  vehicle’s  body,  or  completely  isolated  from  the 
vehicle’s  chassis.  The  reasoning  is  that  the speaker  baffle  panel will  vibrate  and  will  radiate  sound. 
Even  small  vibrations  can  result  in  the  baffle  itself  radiating  more  sound  than  the  actual  speaker  at 
certain  frequencies.  The  mounting  baffle  or  mounting  location  should  be  damped  with  a  layer  of 
typical  sound  damping  to  reduce  the  Q  of  the  baffle  and  lower  its  vibration  resonance  frequency 
below  the  range  of  the  driver’s  frequency  response.  In  many  cases,  using  thicker  baffle  panel  in 
concert with self-adhesive sound damping can also be advantageous, provided the rearward wave of 
the speaker has no obstructions created by the baffle itself.  Finally, if possible, the speaker should be 
mechanically decoupled from the baffle. This can be something as simple as a layer of self-adhesive 
foam tape, to more exotic examples of decoupling, including rubberized rings or multiple-layer septum 
shielding.  
 

Building solid mounting baffles

: in many cases, it is advisable to mount your Legatia SE Carbon 

midbass’  in  high-stiffness  wood  or  high-density  fiberglass  (or  wood  treated  with  fiberglass  resin). 
Hybrid Audio Technologies recommends the use of a solid hardwood, such as birch or oak, namely 
because  these  woods  are  stiff  and  help  to  dissipate  resonance,  and  screws  can  be  inserted  and 
removed multiple times without stripping. Avoid Medium Density Fiberboard (MDF), particularly in wet 
environments  like  the  door,  as  the  MDF  will  act  like  a  sponge  with  humidity  and  moisture,  and  not 
only  that,  the  MDF  is  a  dense,  but  not  stiff  type  of  wood,  and  the  results  may  not  be  particularly 
noticeable  if  you  use  MDF.  Once  your  baffle  is  built,  it  must  be  covered  in  one  or  two  layers  of  a 
good-quality,  brand  name  self-adhesive  damping  product;  a  solid  wood  mounting  baffle  with  sound 
damping treatment will augment the Legatia SE Carbon installation by eliminating resonances. 

Summary of Contents for Legatia L4SE Stage VI Carbon

Page 1: ...Legatia SE Carbon Series Component Speakers Specifications Library Car Audio Reference Guide...

Page 2: ...E Carbon Midbass 10 History 10 Attributes 10 Summary 12 Mechanical Drawing 13 Thiele Small Parameters 14 Frequency Response Graph 15 Legatia L6SE Carbon Midbass 16 History 16 Attributes 16 Summary 18...

Page 3: ...ation of the Legatia SE Carbon Component Systems 28 Mounting Baffle Considerations 28 Crossovers 29 Time Correction 30 Scenario 1 30 Scenario 2 30 Scenario 3 31 Amplitude Equalization 31 Acoustic Trea...

Page 4: ...vel of performance out of Legatia SE Carbon component speakers and sets using straight forward installation advice and practical application of timeless acoustic principles The first part of this manu...

Page 5: ...al strength while balancing moving mass and resonance frequency The following design tenets are similar by comparison to the Legatia SE series wide bandwidth drivers Same basket diameter mounting hole...

Page 6: ...n midbass drivers come equipped with copper shorting cups The shorting cups consist of an optimally sized and placed cup of copper Cu to create a total inductance profile that is not just low but flat...

Page 7: ...overly brittle or stiff where vibrations in the spider are well damped and do not translate into the former or the cone Basket The basket of the Stage VI Legatia SE Carbon series drivers are a shared...

Page 8: ...barrier at best and the result of the high amount of energy being pushed into a small enclosure is the energy transmitting through to the outside of the cone an additive phenomenon to the incidental w...

Page 9: ...ce afforded in a dipole configuration and the speaker will reach its mechanical limits much quicker and will net increased distortion However in certain instances a dipole style midbass may work well...

Page 10: ...118mm 4 65 inch midbass driver to compliment both two way and three way system designs where a shallow depth long throw small format midbass is required The following are the L4SE Carbon s design attr...

Page 11: ...the former or the cone Cone As noted in the introduction the SE Carbon is a complete departure from the typical Hybrid Audio Technologies philosophy of point source midbass and midrange full range dri...

Page 12: ...ormat midbass driver Mechanical and electrical parameters are amenable to a variety of different installations and speaker locations This driver is intended to be used in an infinite baffle configurat...

Page 13: ...Legatia SE Carbon User s Manual Hybrid Audio Technologies Page 13 of 30 Mechanical Drawing...

Page 14: ...24 dB octave highpass Pnom Rated Power Input No Crossover 35 watts AES Standard Pmax Rated Power Input No Crossover 75 watts AES Standard Pmax With Recommended Minimum Crossover 150 watts Frequency R...

Page 15: ...Frequency Response Graph Please note that the response peak at approximately 170 Hz is a testing room mode and is not indicative of the speaker s performance at that frequency All speakers tested sho...

Page 16: ...also in universal applications where mounting depth was at a premium The L6SE Carbon project required several iterations of alpha samples for real world testing as we refined the performance of the dr...

Page 17: ...winding with good power handling and low inductance Suspension The unique double S shaped surround is treated fine cloth which is highly consistent and does not suffer the variance one might find in n...

Page 18: ...aded push terminals for both positive and negative The terminals optimize contact and give the end user flexibility in tinned wire or binding post terminations Summary The Legatia L6SE Carbon is the w...

Page 19: ...Legatia SE Carbon User s Manual Hybrid Audio Technologies Page 19 of 30 Mechanical Drawing...

Page 20: ...4 dB octave highpass Pnom Rated Power Input No Crossover 60 watts AES Standard Pmax Rated Power Input No Crossover 125 watts AES Standard Pmax With Recommended Minimum Crossover 200 watts Frequency Ra...

Page 21: ...Frequency Response Graph Please note that the response peak at approximately 170 Hz is a testing room mode and is not indicative of the speaker s performance at that frequency All speakers tested sho...

Page 22: ...ia SE Carbon User s Manual Hybrid Audio Technologies Page 22 of 30 Legatia L4G Grille Assembly Note The Legatia L4G grille has application for the Legatia L4SE Legatia L4 as well as the Legatia L4SE C...

Page 23: ...Audio Technologies Page 23 of 30 Legatia L6G Grille Assembly Note The Legatia L6G grille has application for the Legatia L6SE Legatia L6V2 as well as the original Legatia L6 offering The L6SE Carbon c...

Page 24: ...anding and incorporating some or all of the techniques in the following sections Lessons Learned We like to call this our Lessons Learned section where we expose some critical lessons that we have lea...

Page 25: ...about 0 9 milliseconds earlier than the furthest channel It is Hybrid Audio s opinion that the end user should try to keep PLD s to less than 30 centimeters in a vehicle which is intended to have goo...

Page 26: ...f the kick panels present in most vehicles The kick panels are the small panel next to the throttle and brake pedals down by your feet While it is not immediately obvious looking at a two dimensional...

Page 27: ...an area where intensity differences can be equalized either mechanically or electronically to ensure good imaging and sound staging The lesson to be learned is that like Lesson Two the Legatia SE Carb...

Page 28: ...installation as follows Mounting the baffle sound damping and decoupling the mounting baffle or mounting location should either be secured extremely well to the vehicle s body or completely isolated f...

Page 29: ...l roll off This rolloff typically amounts to about 12 dB octave and needs to be taken into account especially when designing passive crossover systems Simply adding a capacitor and inductor in series...

Page 30: ...0 4 000 Hz for low pass in combination with a low resonance tweeter like the Legatia L1 Pro or the Legatia L1 Pro R2 In all cases the chosen crossover frequencies should be evaluated for sonic charact...

Page 31: ...ertainly be helpful in fine tuning the system to your own personal taste or in the quest for playback accuracy to the original musical composition One important consideration of amplitude equalization...

Page 32: ...uld the Legatia SE Carbon midbass be placed in the kick panel locations one may find that a notable improvement can be made by adding acoustical treatments such as open cell foam into the underside of...

Page 33: ...d function Warranty of the replacement parts is limited to 90 days or the unexpired portion of the warranty period of the product on which the parts are being used whichever is longer This warranty do...

Page 34: ...a great product offering backed up with unsurpassed customer service and technical support will advance the Hybrid Audio Technologies namesake in the coming years We are pleased that you have joined...

Page 35: ...nd Power Output AES Convention New York 1987 JAES Vol 35 No 12 December 1987 Linkwitz Siegfried A Three Enclosure Loudspeaker System with Active Delay and Crossover Parts 1 2 3 Speaker Builder 2 80 3...

Reviews: