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9

ENGLISH

TYPE: 

This knob lets you dial in an effect (a chorus, a flanger and

so forth). It actually serves two purposes: 

W

Turn the knob to select from among the different modulation,
delay and reverb effects depending on which effect block is
currently active (to find out which effects you have available,
check out the following example table and the tables in the
appendix under 11.1). 

Note: The TYPE knob will only respond when an effect block has
been activated. For more on this, see MOD FX, DELAY, REVERB
above.

r

Tap it to select the PRE signal routing option, which is akin to

plugging a stomp box into the front panel
input. The display indicates that this option has
been selected when the bar located below
DELAY, MOD FX or REVERB lights up. Tap it
again to switch the effect to POST, in other

words, in front of the power amp and therefore generally in
stereo. The bar will disappear from the display. The two options
yield very different sonic results. A pre effect runs through all amp
sectors while a post effect is inserted very near the end of the
signal chain. Here too you should experiment to find out which
signal routing configuration works best for which situation.     

Example table featuring modulation effects. 

TYPE

PARA 1

PARA 2

Chorus Mono

Rate

0.1 - 10.0

Depth

0 - 100

Chorus Stereo

Rate

0.1 - 10.0

Depth

0 - 100

Flanger 1 Mono

Rate

0.1 - 10.0

Intensity

0 - 100

Flanger 1 Stereo

Rate

0.1 - 10.0

Intensity

0 - 100

Flanger 2 Mono

Rate

0.0 - 10.0

Intensity

0 - 100

Flanger 2 Stereo

Rate

0.0 - 10.0

Intensity

0 - 100

Phaser

Rate

0.1 - 10.0

Colour

0 - 100

Phaser XL

Rate

0.1 - 10.0

Colour

0 - 100

Tremolo

Rate

0.5 - 10.0

Shape

0 - 100

PARA 1 and PARA 2:

These also serve two purposes

W

Turn the knob to edit the parameters of the selected effect.

To learn more about editing an effect, see the table above and
the tables in the appendix depicted under 11.1. 

r

Tap it to load the current value of the parameter into the
display without changing it. 

s

PARA 2 also serves another purpose: A standard sustain pedal
for switching presets may be connected to the zenTera (see
also Rear Panel Connections, FOOTSWITCH). To be able to
switch back and forth between two presets, you must first
mark one of the presets. To do this, simply double click

s

PARA 2

. To learn more about this, read section 6.5,

FOOTSWITCH.

MASTER

W

:

It controls the level of the power amp. 

This knob is global, meaning that it affects all presets. 
Its setting cannot be stored. 

TUNER:

It performs three functions:

r

Tap it to activate the built-in tuning device. You'll find a

detailed description of this function under 6.3, TUNER.

t

Press and hold it to access the system menu (see 7.0). 

r

You can tap TUNER once or twice (depending on the
currently active mode) to exit all functions and menus and
return to standard display mode. 

STORE:

It saves preset settings (see 6.4, STORE).

TAP: 

This button lets you manually sync the delay effect up to the

tempo of a song. Simply 

r

tap in the desired speed. The

zenTera

®

gauges the time between taps and synchronizes the

delay accordingly. TAP will of course only work when a delay
effect is active. (To learn how to activate it, see MOD FX, DELAY,
REVERB above.) 

Beyond that, the TAP function lets you record short guitar patterns
(e.g. rhythmic sequences) that the 

zenTera

®

will play back in

repetitive loops, which you can then solo over or use to create
interlocking grooves. You'll out more about this sampling option
under 6.6, TAP.

ZENTERA - MANUAL

GAIN

AMP TYPE

BASS

MID

TREBLE

PRESENCE

PRESET

DELAY

MOD FX

REVERB

TYPE

PARA 1

PARA 2

TUNER

STORE

INPUT

POWER

VOLUME

MASTER

W

: TURN KNOB

r

: CLICK

s

: DOUBLE-CLICK

t

: CLICK AND HOLD BRIEFLY

Zentera Manu 2.0 E-D  28.08.2001 15:00 Uhr  Seite 9

Summary of Contents for DSM

Page 1: ...ENGLISH BEDIENUNGSANLEITUNG MANUAL www hughes and kettner com 2 0 ...

Page 2: ...ng reverb These effects just like the amp s parameter controls are intuitive to tweak without the nerve racking tedium of stepping through menus All settings may be stored as presets in 128 slots 100 user presets 28 factory sounds and called up via the front panel footswitch or MIDI controllers With this array of user friendly features the zenTera handles like a dream Packing a powerful punch the ...

Page 3: ...es you a lot more musically meaningful tweaking options without sacrificing the tone that makes this amp type so special TWEED 4 x 10 The ultimate vintage blues amp revered by almost all historic greats of the genre it still spells bliss for many a modern day blues blaster The breadth and depth of its dynamic range and its fat expressive lead tone are what made it famous From squeaky clean to a th...

Page 4: ...eter that you are currently editing and jumps to the next display as soon as you activate another knob or menu There s one exception the amp s master level as determined by the MASTER knob on the far right is independent of all other settings Note that the master volume is not indicated in the display In standard display mode the zenTera indicates the name of the preset the number of its memory sl...

Page 5: ...nce some of the original amps don t have a presence knob or a 3 band EQ the zenTera s knobs are assigned special functions to replicate all of the originals tweaking options for an in depth explanation of this see 3 0 AMP MODELS VOLUMEW Controls preset volume Unlike the setting of the power amp MASTER knob located on the far right you can store this parameter This is a handy feature because it let...

Page 6: ...rameters of the selected effect To learn more about editing an effect see the table above and the tables in the appendix depicted under 11 1 r Tap it to load the current value of the parameter into the display without changing it s PARA 2 also serves another purpose A standard sustain pedal for switching presets may be connected to the zenTera see also Rear Panel Connections FOOTSWITCH To be able ...

Page 7: ...akers turn the MASTER volume knob all the way down RECORDING OUT Analog and digital stereo output for connecting the zenTera to a mixing console or a PC Note The EFFECTS LOOP is not routed to the RECORDING OUT ANALOG LEFT RIGHT Patches out the RECORDING OUT signal at line level with integrated simulation of the original amps speakers DIGITAL S PDIF The digital version of the RECORDING OUT 24 bits ...

Page 8: ...nce more The EQ will activate and the BASS MID TREBLE and PRESENCE knobs are enabled WBASS adjusts the bottom end WMID the low mids WTREBLE the upper mids and WPRESENCE the top end frequencies You can switch the EQ tPRESET on and off to hear how the modifications affect the sound Once you are satisfied leave the EQ on and exit the menu by briefly tapping rTUNER Note If the GLOBAL EQ was on when yo...

Page 9: ...le to repeat at an unvarying volume level set FEEDBACK to 100 via WPARA 2 At values lower than 100 the volume of the sample becomes softer with every repetition Press and hold the TAP button while you record your sample When you release the button the zenTera will generate a loop that is played back repeatedly DELAY TYPE PARA 1 PARA 2 Hold Echo PLEASE USE TAP BUTTON Feedback 0 100 Hold Ping Pong F...

Page 10: ...the WPARA 1 or WPARA 2 knobs 7 9 MIDI SYSEX RECEIVE This submenu lets you set the zenTera so that it is able to Receive SysEx data Turn WTYPE until MIDI SYSEX RECEIVE appears in the display Then enter YES or NO via the WPARA 1 or WPARA 2 knobs 7 10 MIDI DUMP This menu lets you create backups of your settings on an external storage medium such as your PC This comes in handy if for example you play ...

Page 11: ...ithout accessing a preset directly You then have to activate one of this bank s presets separately by stepping on the appropriate switch on the Z Board Turn WTYPE until the menu appears in the display Use WPARA 1 to select DIR for the former BNK for the latter option Note For an in depth explanation of the workings of the Z Board please consult the Z Board owner s manual 7 18 Z BOARDCALIB As descr...

Page 12: ...ions MAINS VOLTAGE 230 volts AC European version 117 volts AC North American version 100 volts AC Japanese version MAX POWER CONSUMP 708 VA MAINS FUSE T 2 5 A 230 V model T 5 A 117 V model T 6 3 A 100 V model EXTERNAL FUSES T 500 mA MIDI Phantom INTERNAL FUSES 2 x T 5 A power amp 1 x T 2 5 A DSP 2 x T 500 mA analog section DIMENSIONS W X H X D 750 x 585 x 300 mm WEIGHT 30 kg 11 0 APPENDIX 11 1 TAB...

Page 13: ...ation Information Yes No Turn GM1 System On Yes No Turn GM2 System On Yes No Turn GM System On Yes No Other note in Remarks column No No No No No No No No No Yes No No No No No No No No No Yes Data Dumps for User Preset Data Global Data Firmware Update MIDI Program Change Map Factory Preset Data NRPNs Yes No No No RPN 00 Pitch Bend Sensitivity Yes No RPN 01 Channel Fine Tune Yes No RPN 02 Channel ...

Page 14: ...Purpose Controller 1 MSB No No 17 General Purpose Controller 2 MSB No No 18 General Purpose Controller 3 MSB No No 19 General Purpose Controller 4 MSB No No 20 21 22 23 24 25 26 27 28 29 30 31 32 Bank Select LSB Yes Yes 33 Modulation Wheel LSB No No 34 Breath Controller LSB No No 35 36 Foot Controller LSB No No 37 Portamento Time LSB No No 38 Data Entry LSB No No 39 Channel Volume LSB No No 40 Bal...

Page 15: ...ound Controller 10 No No 80 General Purpose Controller 5 No No 81 General Purpose Controller 6 No No 82 General Purpose Controller 7 No No 83 General Purpose Controller 8 No No 84 Portamento Control No No 85 86 87 88 89 90 91 Effects 1 Depth Reverb Send Level No No 92 Effects 2 Depth No No 93 Effects 3 Depth Chorus Send Level No No 94 Effects 4 Depth No No 95 Effects 5 Depth No No 96 Data Incremen...

Page 16: ... correct voltage rating is legible in the VOLTAGE SELECTOR window 3 11 3 NETZANSCHLUSS UND WELTSPANNUNGSADAPTION HINWEIS Stellen Sie bitte vor dem Anschluß des zenTera sicher daß die vorhandene Netzspannung mit dem im Sichtfenster des VOLTAGE SELECTORS angegebenen Spannungswert überein stimmt Überprüfen Sie auch die Sicherungswerte entsprechend dem Aufdruck nahe der Anschlußbuchse Der zenTera kann...

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