PAGE 5
MICROPHONE input for CH1/2/3/4/5. These are balanced ¼” TRS connectors, which can
be internally set to either carry phantom power or not, thus these inputs can be used both with
condenser and dynamic microphones. Please see section “microphone phantom power
setting”. The signal of these inputs is controlled by the front panel controls (20)/(21).
LINE input for CH1/2/3/4/5. These RCA connectors provide inputs for line-level signals to
the assigned channels.
SOURCE selector switch for CH1/2/3/4/5. Allows to switch the input source between the
connected LINE signal (14) or microphone signal (13) of the respective channel.
GAIN control for input channels 1/2/3/4/5. This allows the sensitivity (input gain) for every
input to be adjusted, so that sources of different output level can be mixed at properly
balanced levels.
LINE input for channel A (FOH). This is a ¼’’ TRS balanced stereo input specifically designed to
allow the connection of the output of a stage mixer or any other balanced audio source at
larger distance, in order to use the connected sound system for the replay of such source‘s
signal. This is useful in applications where e.g. apart from stereo source replay also live music
is performed over the same sound system, or where a source signal from a different
room/area needs to be replayed. The volume of this input is controlled by a rotary front-panel
control (19). Note that this input is disabled when a connector is inserted into the front-panel
AUX jack (18).
AUX Input for CHANNEL A. This is a 3.5mm Mini-TRS stereo socket which allows to connect
sources like MP3 players etc. without removing the mixer from its mounting position. Once a
plug is inserted, the rear panel balanced line inputs for CHANNEL A (17) are disabled and the
connected source is active.
VOLUME control for channel A. Controls the volume of the signal inserted in the balanced
rear-panel input (17) or the front-panel TRS input (18) respectively.
VOLUME controls for channels 1/2/3/4/5. Control the volume of the signal inserted in the
rear-panel microphone inputs (13) or line inputs (14) depending on the setting of the source
selector switch (15). The maximum attainable volume is adjustable by the rear-panel gain
control (16).
EQUALIZER for channels 1/2/3/4/5. Allows the adjustment of the tonal balance for the
respective input in two frequency bands with an adjustment range of ±12dB.
VOLUME control for priority microphone channel. Controls the volume of the signal inserted in
the rear-panel prirority microphone input (11). The maximum attainable volume is adjustable
by the rear-panel gain control (12).
EQUALIZER for priority microphone channel. Allows the adjustment of the tonal balance for the
priority microphone in two frequency bands with an adjustment range of ±12dB.
Talkover Damping Control. This control determines the amount of damping applied to the
program signal when the priority microphone is spoken into. Being fully turned clockwise, once
speaking into the microphone, the program signal is completely suppressed. Being turned fully
counter-clockwise, the talkover function is off. Any position in between allows seamless adjust-
ment of the amount of damping applied to the program signal. The threshold level from which
on this function is enabled can be set by the rear panel sensitivity level control (6).
15
14
20
18
13
19
17
16
21
22
23
24
USER MANUAL - IPM1610V2 MIC-LINE MIXER
Summary of Contents for IPM-1610V2
Page 1: ...RevB 06 2017...
