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Functional Description
The IPM-1610V2 is a 7-Channel mic/line mixer with 5 multi-purpose mic/line inputs, one dedicated
microphone input and talkover feature. All inputs feature EQ’s and Gain control. The balanced output
is provided both on TRS jacks as well as Phoenix-compatible connectors. Remote muting and emer-
gency signal replay facilitate the use in installed sound systems.
2
1
3
4
9
10
7
8
6
11
5
AC inlet and fuse holder. Use the supplied AC cord to connect the unit to AC mains. Make sure
voltage and frequency stated and set on the unit comply with your local AC supply. The fuse
can be accessed by the small drawer at the AC inlet. To change the fuse, unplug the AC cord
first, pull out the fuse drawer and replace the fuse ONLY with a fuse of SAME voltage and
rating. If the fuse blows again after replacement, hand over the unit to qualified service person-
nel.
Stereo Main output. This is a balanced stereo ¼’’ TRS output carrying the main output signal
controlled by (25).
Stereo Main output. This is a balanced terminal block output carrying the same signal as
output (2)
Mono switch for main output. Sums the left and right channel to a mono signal when
pressed.The signal is then available on both the L and R outputs (2, 3).
Maximum level setting for Stereo Main output. This control allows to limit the maximum level
at the outputs (2)/(3) in order to match the connected sound system. Adjustments made on
this control will not be displayed by the output level meter (26). Adjustments shall be made
with a small screw driver. Note that the total angle is 300 degrees; do not apply excessive
force with the screw driver.
Talkover threshold adjustment for Stereo Main output. This controls allow to set the level at
which the talkover is enabled. The amount of damping which is applied once the talkover is
active (DPG) is set by a front panel control (24). Adjustments shall be made with a small screw
driver. Note that the total angle is 300 degrees; do not apply excessive force with the screw
driver.
Record output. This is an unbalanced stereo output carrying the same signal as the main
outputs (2)/(3), but not influenced by the main volume control (25). This is normally used for
recording the output to an external tape, CD or memory device.
Music Mute input. This is a terminal block input which allows to remotely mute the main output
by simply shortening the contacts.
Emergency input. This is an auto-sensing, balanced terminal block input which allows the
connection to an emergency evacuation system. Once a signal is present on this input, the
main output signal will be muted and the emergency message/signal from this input will
become audible instead. Note that the unit can be set to include or exclude the microphone
signals from this muting process, please see section “microphone emergency priority setting”.
Emergency volume control. This control allows to set the level with which the signal fed into the
emergency input (9) will be replayed at the two main outputs (2)/(3).
Priority microphone input “M”. This is a balanced ¼” TRS input with adjustable priority over
other signals by means of the talkover controls (6) and (24). Phantom power can be enabled
or disabled depending on the connected microphone type, see section “microphone phantom
power setting”.
GAIN control for priority microphone input. “M” This allows the sensitivity (input gain) for input
(11) to be adjusted to match different microphone output levels.
USER MANUAL - IPM1610V2 MIC-LINE MIXER
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Summary of Contents for IPM-1610V2
Page 1: ...RevB 06 2017...
