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Bypass Switch and LED

: This switch activates a hard-wire relay bypass system, which allows the

audio signal to pass through the compressor directly from input to output, even when the 162SL is
turned off. That is to say that the XLR Pin 2 at the input connector is directly connected to the XLR
Pin 2 at the output connector, and the XLR Pin 3 at the input connector is directly connected to the
XLR Pin 3 at the output connector. When the 162SL is in bypass mode the LED directly above the
Bypass switch is lit.

Note

Bypass mode can be very useful for applications such as  

A-B

comparisons, comparing processed signal

with un-processed signal.

Output Gain Control

: This control adjusts the amount of gain in the 162SL’s output amplifier stage.

The signal can be attenuated or boosted by a full 20dB relative to a “0” center setting, representing
unity gain. This control is independent of the threshold or compression ratio settings. Because 20dB
of gain can be added at the 162SL output, it is possible to cause clipping even when the input level
is within the specified range. When the compression ratio is set at a low number, extreme clockwise
rotation of the Output Gain control could cause the 162SL output stage to clip audio program peaks.
Therefore, for normal operation we suggest setting the Output Gain control to “0dB” (12 o’clock posi-
tion) as a starting position. Where the circuit fed by the 162SL has a high input sensitivity, lowering
the output gain setting can avoid the need for an attenuation pad in subsequent equipment.

Pe ak LED

: This LED is located to the left of the VU Meter. It is set to light when the signal level at the

output level r21dBu. This represents a headroom measurement of approximately 3dB before
hard clipping will occur, due to the maximum output level of the 162SL (+24dBu).

VU Meter

: The custom designed analog meter is made to serve 3 different functions: first, it measures

the amount of input signal presented at the input connector corresponding to its channel. Second, it
measures the output signal at the output connector, after all processing has taken place, including
output gain. Third, it shows the amount of gain reduction being induced into the input signal, mea-
sured after both the compressor settings and limiter settings. Note that the meter, in input and out-
put mode, measures accurately from -30dB to +6dB. There is 15dB between the upper end of the
meter, and the setting at which the Peak LED lights. Be aware that while the occasional “pegging” of
the meter will likely not effect the internal dynamics of the 162SL, it is possible that the output sig-
nal from the 162SL could cause distortion in subsequent gear, if the output signal stays above the
+6dB marking on the meter for an extended period of time. The dynamic range of the 162SL is meant
to provide an extremely low noise floor at optimum operating level (“0”dB, which is +4dBu), and to
provide protection for the occasional excursion above the nominal operating range. It was not meant
to provide continuous operation in the 15dB of “no-man’s-land” between the upper end of the ana-
log meter and the setting of the Peak LED.

In Gain Reduction mode, the meter moves to indicate the amount of gain reduction, in dB, the com-
pressor/limiter settings are imposing on the output signal. When first activated, the meter’s needle
will jump to the “0” mark of the lower scale on the meter (only if there is no gain reduction hap-
pening), indicating “zero gain reduction”, and will move to the left indicating the amount of gain
reduction in the signal level, up to a maximum of 30dB of gain reduction. 

13

Summary of Contents for DBX 162SL

Page 1: ...User Manual C o m p r e s s o r L i m i t e r 162SL...

Page 2: ...hock refer servicing to qualified service personnel or equivalent This Equipment is intended for rack mount use only SAFETY INSTRUCTIONS NOTICE FOR CUSTOMERS IF YOUR UNIT IS EQUIPPED WITH A POWER CORD...

Page 3: ...nce that may cause undesired operation Operation of this unit within significant electromagnetic fields should be avoided use only shielded interconnecting cables DECLARATION OF CONFORMITY Manufacture...

Page 4: ...ntrols 10 Front Panel Description 10 Rear Panel Description 15 Operating Notes 17 OverEasy and hard knee 17 Using the Compression Control 17 Using the Stereo Couple Switch 18 Using the Auto Switch 18...

Page 5: ...s occur Technically speaking we refer to this reserve as headroom usually about 10 20dB A reduction of the operating level would allow for greater headroom i e the risk of signal distortion due to hig...

Page 6: ...limiters perform similar tasks one essential point makes them different Limiters abruptly limit the signal above a certain level while compressors control the signal gently over a wide range A limiter...

Page 7: ...ion and limiting is shown visually below In the first diagram below compression squashes the signal Its peaks are lowered but the overall level of the signal is raised due to applied make up gain Outp...

Page 8: ...attack times When compressing a mix that includes a wide range of frequencies a compromise is made when setting the attack time The attack setting would generally suit the lowest frequency components...

Page 9: ...plementation was complete the result was stunning Here is a partial list of the features found on the 162SL You won t hear about most of them anywhere else but they are critical to the amazing specs c...

Page 10: ......

Page 11: ...ot exceed 113 F 45 C when equipment is powered Caution Never remove the cover There are no user serviceable parts inside Make connections via XLR or 1 4 connectors Plug in AC power cable and power ON...

Page 12: ...w end to 20dBu 7 75V rms at the high end of the scale Threshold LEDs These LEDs above the Threshold control indicate the relationship between the input signal and the threshold set by the Threshold co...

Page 13: ...The 162SL s release times range from 4000dB second very fast release time to 10dB second slow release time A very fast attack setting control maximum counterclockwise will cause the com pressor to act...

Page 14: ...Great care has gone into the design of the PeakStopPlus limiter to keep it acoustically transparent Appropriate use of it can protect your gear while keeping the signal free of artifacts A bi color LE...

Page 15: ...measurement of approximately 3dB before hard clipping will occur due to the maximum output level of the 162SL 24dBu VU Meter The custom designed analog meter is made to serve 3 different functions fir...

Page 16: ...ection Switch and LED Selecting this mode via the switch allows the user to monitor the amount of gain reduction in dB applied to the signal on the linear lower scale of the VU meter When in gain redu...

Page 17: ...g This allows the 162SL to be very ver satile in many applications from ducking to frequency specific compression or limiting Two sepa rate cables are used in favor of the conventional single Y cable...

Page 18: ......

Page 19: ...l must change in level to produce a 1dB increase in the sig nal level at the output of the 162SL A setting of 2 1 indicates an input output ratio wherein a 2dB increase in input signal above threshold...

Page 20: ...eo linked The Bypass switch and LED Sidechain switch and LED and the Meter Mode switches and LEDs remain channel independent and function normally in linked mode The Auto switch sets the 162SL for aut...

Page 21: ...ortion It rounds the corners of a peak rather than cutting it off sharply as clippers do By making a signal s leading and trailing edges curved instead of sharp corners it reduces the amount of higher...

Page 22: ...f compression are more audible in a mixed stereo program than they might be on the separate tracks that were mixed to create the program Raising a signal out of a mix Since reducing dynamic range incr...

Page 23: ...wise 1 1 posi tion the Threshold control to full clockwise position 20 and the Output Gain control to whatever setting is required for the application Remember that as with any amplifier excessive gai...

Page 24: ...lone before or after the dominant tone in the voice Increasing sustain To increase the sustain of a musical instrument e g a guitar or bass use an equalizer in the sidechain circuit and boost the EQ i...

Page 25: ...ious stomp boxes and rack mount audio products Such sources can be balanced or unbalanced this is no problem for the 162SL Microphones and bass guitars like guitars typically have low level outputs an...

Page 26: ......

Page 27: ...hip parcel post This warranty is valid only for the original purchaser and only in the United States 1 The warranty registration card that accompanies this product must be mailed within 30 days after...

Page 28: ...26...

Page 29: ...surement bandwidth Dynamic Range 117dB THD Noise 0 008 typical at 4dBu 1kHz unity gain 0 02 typical at 20dBu 1kHz unity gain 0 1 any amount of compression up to 30dB 1kHz IMD 0 02 SMPTE 4 1 no gain re...

Page 30: ...und INDICATORS Compressor Threshold Meter 3 LED indicators at Below OverEasy and Above Sidechain 1 LED to indicate when external sidechain is selected Auto 1 LED to indicate when Auto mode is selected...

Page 31: ...8760 South Sandy Pkwy Sandy Utah 84070 Phone 801 568 7660 Fax 801 568 7662 Questions or comments E mail us at customer dbxpro com or visit our World Wide Web home page at www dbxpro com 18 0280 C...

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