56
APPENDIX
Table A12 –
continued
Surround Mode
Description
Incoming Bitstream or Signal
DTS Stereo
Delivers a 2-channel downmix of DTS Digital materials, or presents
• DTS 1/0/.0 or .1, 2/0/.0 or .1, 3/0/.0 or .1,
a matrix-encoded surround presentation.
3/1/.0 or .1, 2/2/.0 or .1, 3/2/.0 or .1
• DTS 96/24
• DTS-ES Matrix
• DTS-ES Discrete
DTS Neo:6
DTS Neo:6 analog processing is available with DTS and DTS 96/24
See below
Mode Group
signals and 2-channel analog or PCM signals to create a 3-, 5- or 6-channel
presentation.
DTS Neo:6
Depending on the number of speakers in your system, select 3-, 5- or
• DTS 2/2/.0 or .1, 3/2/.0 or .1
Cinema
6-channel modes, enhanced for movie or video presentations.
• DTS 96/24
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
DTS Neo:6
Available only in 5- and 6-channel modes, creates a surround presentation • DTS 2/2/.0 or .1, 3/2/.0 or .1
Music
suitable for music recordings.
• DTS 96/24
• Analog (2-channel)
• PCM (32kHz, 44.1kHz or 48kHz)
Logic 7
A Harman International proprietary technology, Logic 7 technology enhances
See below
Mode Group
2-channel and matrix-encoded recordings by deriving separate information
for the surround back channels. This provides more accurate placement of
sound, improves panning and expands the sound field, even when used
with 5.1-channel systems. Logic 7 technology uses 96kHz processing, and
is available in 5.1-or 7.1-channel modes. Three variants are available.
Logic 7
Especially suited to 2-channel sources containing Dolby Surround or matrix • Analog (2-channel)
Movie
encoding, Logic 7 Movie mode increases center channel intelligibility.
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Logic 7
The AVR 3600 is programmed at the factory to default to this mode for
• Analog (2-channel)
Music
2-channel signals. Logic 7 Music mode is well suited to conventional
• Tuner
2-channel music recordings.
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
Logic 7 Game
Use Logic 7 Game mode to enhance enjoyment of video game consoles.
• Analog (2-channel)
• Tuner
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
5-Channel Stereo
Useful for parties, the left- and right-channel information is played
• Analog (2-channel)
through both the front and surround speakers on each side, while the
• Tuner
center speaker plays a summed mono mix.
• PCM (32kHz, 44.1kHz or 48kHz, 96kHz, 192kHz)
7-Channel Stereo
Expands the 5-Channel Stereo presentation to include the surround back
• Analog (2-channel)
channels.
• Tuner
• PCM (32kHz, 44.1kHz or 48kHz, 96kHz, 192kHz)
2-Channel Stereo
Turns off all surround processing and plays a pure 2-channel signal
• Analog (2-channel; DSP downmix available
or a downmix of a multichannel signal. The signal is digitized and bass
for multichannel)
management settings are applied, making it appropriate when a
• Tuner
subwoofer is used.
• PCM (32kHz, 44.1kHz, 48kHz, 96kHz)
2-Channel Stereo
Maintains an analog input signal in that form, bypassing all digital processing
• Analog (2-channel)
(Analog Bypass)
(i.e., surround and bass management). Requires Tone Control setting to be off.
• Tuner