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9

5 & 8-CHANNEL 

MIXERS

L502 & L802  Owner's Manual

AUX SEND

*

The Aux Send is separate buss on the L802 mixer. This means that 
you can have a different mix on the aux buss than you do on the 
main outputs. This comes in handy in a few scenarios: 
•  Sending different amounts to the effects section, so that some 

instruments have more reverb than others

•  Setting up a headphone mix, so that a recording musician can 

hear exactly what they want while you listen to your own mix

•  Creating a monitor mix on stage, so that band members can hear 

what they need to perform while you mix for the rest of the club

The L802's Aux Send is post fader. This means that if the Level is 
turned all the way down, you can't send anything to the aux buss. 
The aux send can be sent to different parts of the mixer, depending 
on what application you need it for. It always shows up at the Aux 
Send output of the mixer, and you might plug that into the input of 
a stage monitor or external effects processor. It also gets sent to the 
internal effects processor. 
Finally, you can send it to the Control Room and headphone outputs 
by pressing the "Aux Send To Phones" button, next to the Control 

Room/Phones level control. This allows a musician to hear their own 
mix while recording with headphones. 
If you would like to listen to a different mix through the Control Room 
than your artist on headphones, you will need to plug the Aux out 
into a headphone amplifier for the artist while you monitor the main 
mix. 

PAN

 

The Pan control moves the signal between the left and right outputs. 
When turned fully to the left, that channel will only show up on the 
left main output. When turned to the center, it will be send in equal 
volume to the left and right outputs. Turned fully to the right, you will 
only hear it through the right output. 
 

Tip: You can use the pan control to create two mono mixes 
from the L502/802. This might be more useful than a 
stereo mix in a large club, house of worship, conference 
room, or other special application. 

PEAK

The Peak LED lights up when the level coming into that channel is too 
loud. If you see this light flash, turn that channel's Gain control down 
and the Level control up. 

 

CHANNELS 5-12: STEREO LINE INPUTS

 

LEFT/MONO INPUT

This ¼" input expects a line level signal. It accepts either balanced 
(TRS) or unbalanced (TS) ¼" cables. If only the Left/Mono input 
is used on a channel, that signal will be sent to the left and right 
outputs. If the Right input is also used, this input will be sent to the 
left output. 

RIGHT INPUT

As above, this is a line level input, either balanced or unbalanced. It 
is sent to the right output. 

AUX SEND

*

This sends the channel to the aux buss. See the previous section for 
more information. 

BALANCE (BAL)

The Balance knob has a similar effect to the pan control explained 
in the previous section. But the Balance control just turns down one 
input or the other. As you turn Balance to the right, the signal coming 
into the Left/Mono input gets softer. This allows you to control the 
panning in your mix without collapsing the stereo width of the input. 

LEVEL

This controls the level of the channel going to the Main Outs. See the 
previous section for more information. 

 
 

  RCA INPUT

The Aux RCA Inputs are a pair of unbalanced RCA phono line 
inputs. They can be used for a variety of applications: 
•  Monitoring a mixdown recorder. Since these inputs aren't sent 

to the Main Outputs, there is no chance of a feedback loop. 

•  Playing an MP3 player through the PA between band sets, 

muting all microphones

•  Sending a signal to the headphone outputs but not to the main 

outputs. You might plug a set of outputs from a computer inter-
face into these inputs, so that the metronome click can be sent 
to the headphones but not the main out. 

There are two buttons that control where these inputs are heard. 
One is Aux RCA To Mix and the other is Aux RCA To Phones (Cntl 
Room.*) 
When AUX RCA TO MIX is switched on, all of the inputs are muted 
except for the Aux RCA input. All that you will hear from the L/R 
outputs is what is playing into the Aux RCA input. You might use this 
in the example above to play an MP3 player to the PA between sets. 
Pressing AUX RCA TO PHONES/CONTROL ROOM* means that 
only the Aux RCA input is heard through the Control Room* and 
Phones outputs. This is useful if you are recording the mix and only 
want to hear what is coming back from the recorder. This ensures 
that the recorder is getting the mix that you expect to hear. It also 
allows you to monitor the recorder output without creating a feed-
back loop in the speakers.

*L802 ONLY

10168 Harbinger Lvl L502 802 Manual.indd   9

7/8/14   3:15 PM

Summary of Contents for L502

Page 1: ...L502 5 CHANNEL MIXER L802 8 CHANNEL MIXER 10168 Harbinger Lvl L502 802 Manual indd 1 7 8 14 3 15 PM ...

Page 2: ...at produce heat 8 POWER SOURCES This product should be operated only from the type of power source indicated on the rating label If you are not sure of the type of power supply to your home consult your product dealer or local power company 9 GROUNDING OR POLARIZATION Do not defeat the safety purpose of the polarization or grounding type plug The wide blade or the third prong is provided for your ...

Page 3: ...nts 16 WELCOME Congratulations on your recent purchase of a new Harbinger LvL Series mixer They are the perfect choice for bands or individual musicians who are looking for great sounding mixes live performance durability and audio specs that studio users demand To get the most out of your new mixer we suggest that you read through this entire manual at least once then refer back to it as needed 1...

Page 4: ...ing into the microphone You should hear your voice through the headphones Don t hear anything Here are a few things to check Do you need to switch phantom power on Look at the markings on your microphone If it says condenser then Phantom Power should be switched on If it says dynamic then leave it off although phantom power won t damage a dynamic mic Are the level and gain knobs turned up on chann...

Page 5: ...s on channels 1 and 2 5 If you re using a condenser microphone switch on the PHANTOM POWER function If you re using a dynamic mic or don t know which type you re using leave phantom power off 6 Turn the MAIN MIX fader up way 7 Slowly turn the GAIN control on channel 1 up to about way Watch the meters above the main fader If they go up to 0 or if the PEAK light flashes red on your channel turn the ...

Page 6: ...be connected to a stage monitor or effects processor 8 Phones Out Stereo output for driving a pair of headphones The output level is controlled by the Control Room Phones knob CONTROL SECTION A High EQ Controls a high shelving EQ boosting or cutting frequencies from 12kHz and above B Mid EQ A peaking EQ control boosting or cutting frequen cies centered around 2 5kHz C Low EQ Controls a low shelvin...

Page 7: ...the Phones outputs M Phantom Power Sends L802 48V L502 15V phantom power to the XLR inputs N Meter Shows the signal level being sent to the Main Outs If the red 0 or 5 lights are on the output is being distorted O Power LED Shows that the mixer is switched on P Main Mix Sets the level to the Main Outs Q Aux Send Master The Aux Send master is the master output volume for the individual Aux Sends pe...

Page 8: ...n controls the level of the microphone or line level signal plugged into the mixer If the gain is set too low the output signal will be noisy when you turn it up at the level control If gain is set too high it will distort For best performance set the gain while looking at the meters Turn the Level control so that it s facing straight up Then turn the gain up until you see the first or second ligh...

Page 9: ...S LEFT MONO INPUT This input expects a line level signal It accepts either balanced TRS or unbalanced TS cables If only the Left Mono input is used on a channel that signal will be sent to the left and right outputs If the Right input is also used this input will be sent to the left output RIGHT INPUT As above this is a line level input either balanced or unbalanced It is sent to the right output ...

Page 10: ...ntl Rm the Aux RCA input will be sent to both the control room outs and the headphones If you turn the control room level all the way down there will be no signal in the headphones AUX SEND This jack sends the aux buss out of the mixer Turn up the Aux knob on any channel to send it to the Aux Send output See page 9 for more information about the aux buss AUX RCA OUTPUT This is a pair of unbalanced...

Page 11: ...ecrease of a frequency range centered at a specific point resulting in an EQ curve that looks like a hill increase or a valley decrease Compare to Shelving Equalizer Control see pages 8 9 for more information PHANTOM POWER A voltage signal that runs through a microphone cable to power condenser microphones Harmless to microphones that don t need it except for very old and or damaged ribbon microph...

Page 12: ...er T Positive Left S S R R T T T Positive Positive Positive Negative 2 Positive 2 Shield R Negative Right 2 2 1 1 1 2 3 3 R Negative Negative S Shield S Shield 3 Negative S Shield S Shield S Shield S Shield XLR F RCA TRS TS UNBALANCED CABLE UNBALANCED STEREO 10168 Harbinger Lvl L502 802 Manual indd 12 7 8 14 3 15 PM ...

Page 13: ...IGH 80 12K LOW PAN LEVEL LEVEL MAIN MIX STEREO CHANNELS 2 3 and 4 5 L L R R PAN L R HEADPHONE OUTPUT LEFT RIGHT AUX RCA TO PHONES AUX RCA TO MIX PHONES LEFT MAIN MIX OUT RIGHT MAIN MIX OUT CD AUX RCA OUT LEFT RIGHT CD AUX RCA IN LEFT MAIN BUS RIGHT MAIN BUS METER PHANTOM 15 VDC 10168 Harbinger Lvl L502 802 Manual indd 13 7 8 14 3 15 PM ...

Page 14: ...LEVEL LEVEL AUX MAIN MIX STEREO CHANNELS AUX RETURNS 3 4 and 5 6 L L R R PAN AUX AUX RETURN TO MAIN MIX L R L R AUX SEND HEADPHONE OUTPUT LEFT RIGHT AUX RCA TO CTRL RM PHONES AUX RCA TO MIX CONTROL ROOM PHONES LEFT MAIN MIX OUT RIGHT MAIN MIX OUT LEFT CONTROL ROOM OUTPUTS RIGHT CD AUX RCA OUT LEFT RIGHT CD AUX RCA IN LEVEL METER LEFT MAIN BUS RIGHT MAIN BUS AUX BUS BLOCK DIAGRAM L802 10168 Harbing...

Page 15: ...15 dB 2 5 kHz n a Stereo Channel Low n a 15 dB 80 Hz n a Output Level Maximum 20 dBu 20 dBu 20 dBu Maximum Input Levels Mic 12 dBu Gain 10 dB 12 dBu Gain 10 dB 12 dBu Gain 10 dB Line Input 20 dBu Gain 10 dB 20 dBu Gain 10 dB 20 dBu Gain 10 dB Aux RCA Input and Aux Return 20 dBu 20 dBu 20 dBu Input Impedance Mic Input 2 6 kΩ balanced 2 6 kΩ balanced 2 6 kΩ balanced Line Input 20 kΩ balanced 20 kΩ b...

Page 16: ...nties apply after that period Retailer and manufacturer shall not be liable for damages based upon inconvenience loss of use of product loss of time interrupted operation or commercial loss or any other incidental or consequential damages including but not limited to lost profits downtime goodwill damage to or replacement of equipment and property and any costs of recovering reprogramming or repro...

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