Gotharman Tiny LD User Manual Download | Manualshive

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Now you will enter this page:

Select the part, that you would like to set up as internal or external, by holding down the
Steps/part button, while pushing the step button, that has the desired part number.

Set the Int/Ext parameter to Int (Internal) or Ext (External).

If you set the part to external, set the Chan parameter to a MIDI channel that matches the MIDI
gear, that you would like to control.

Set other track up, if desired.

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Summary of Contents for Tiny LD

Page 1: ...1 Gotharman s Tiny LD Granular Workstation User Manual V13 80 ...

Page 2: ... Trigger synth sampler parts manually 30 Starting stopping Sequencer 31 Selecting a Part Track 32 Selecting Effects Processors 32 Note Tracks Steps view edit 33 Mute Unmute Note Tracks 34 Copy Morph Layer A to B 35 Panic 35 Compare Preset 36 Exit from any page 37 Shortcut to Save Preset 37 Upper and Lower Parameter Rows 38 Preset Reload Song Step Advance 39 Audio Bus System 40 Tiny LD Structure 41...

Page 3: ...ulators 115 Random Generators 117 Digital Filters 118 VCA 127 Envelope 1 and 2 131 LFO 1 to 16 135 Audio Inputs Setup 139 Analog FilterBoard 140 Dual Line Analog Filterboard 208 Effects Processors 216 Insert Effects 1 to 8 218 List of Insert Effects 219 Insert Effects Select Page 222 Mix Mod Inp Gain and Backwards 224 Chorus 226 Distortion 228 Bit Crush 230 Pitch Shifter 232 Resonator 235 Stretche...

Page 4: ...267 EQ 269 OverShifter 272 EQ2 274 Output Effects 1 and 2 276 List of Output Effects 277 Output Effects Select Page 279 Mix Pan Modulation and Backwards 282 Delays 284 Granulator SQ 287 Variator 290 Reverb 292 Granulator unsynced 294 Xfade Granulator 297 Abstruct0 300 Time Stretch 303 Sample Pitch 305 ...

Page 5: ...e Track Mod page 337 Clear Note Track 339 Double Note Track 340 Realtime Recording of Notes 341 Step Recording of Notes 343 Track Part Internal External Operation 346 Audio Track Recording 349 Controller tracks 360 Controller Track templates 364 Controller Tracks CC page 366 Clear Controller Track 368 Double Controller Track 369 Controller Tracks Realtime recording 370 Recording Parameter Tweaks 3...

Page 6: ...ng Mode 406 Display Update Rate 407 Save Preset 408 Song Mode 412 Accessing Song Mode 413 Song Edit page 417 Song Select page 419 Song Realtime Recording 421 Save Song 425 Initialize Song 429 Copy Paste 431 Sequencer Steps Copy Paste 434 Sample Record and Edit 437 Recording a Sampling 438 Edit a Sampling 445 Adjusting Start End Points 447 Sample Chops 448 Wave Chop System 452 Deleting Last Recorde...

Page 7: ...Chops 489 Make a New Directory 492 Delete File From USB Drive 493 Export Samples Presets Songs and User Filter 494 Updating Tiny LD Firmware 496 MIDI Specs 503 Parameters CC Control 505 Parameters CC numbers list 507 Effects parameters 1 and 2 510 Controlling Parameters From Controller Tracks 511 Safe Boot Mode 512 Installing Analog FilterBoard 513 ...

Page 8: ...8 This product is produced and tested to comply with the low voltage directive 2014 35 EU and the electromagnetic compatibility directive 2014 30 EU I hope that you will deform some great tracks ...

Page 9: ...pped by level peaks wave zero points or in equally sized slices Up to 64 chop points are possible for each sampling Samples are stored in FLASH memory and played back directly from this so No loading times Each part can be send to up to two of 8 audio busses at the same time Pan modulation can control the send level to each of the 2 busses On the audio busses up to 8 insert effects and an analog f...

Page 10: ... settings layer A and layer B that can be independently adjusted and morphed between using the Morph and Seq Morph knobs All the parameter settings can be stored in any of 1024 rewritable preset locations and recalled at any time 1024 song locations are available for programmed playback of presets and for tracks mute automation I hope that you will enjoy your Tiny LD for a long time and deform a l...

Page 11: ...11 Very special thanks to Dominic Rippel Charles Beullac Jorge Villarroya Traver Bach Pham For supporting this project from the start I sincerely appreciate your help ...

Page 12: ...12 In The Box In the Tiny LD box should be Tiny LD itself A power supply Multi plug Works in most countries If any of these items are missing please get in touch with Gotharman s ...

Page 13: ...r or anything else that ends out in a speaker a set of speakers Since Tiny LD doesn t have built in speakers it just needs to be connected to something that can transfer its amazing sound to you These should be connected using mono jack cables The left audio output marked AUDIO OUT L hp doubles as a stereo headphone connector Please make sure that nothing is connected to the right audio output whe...

Page 14: ...d songs Update Tiny LD PLEASE NOTICE The included factory samples CANNOT be exported So if you want to keep these you should take care not to delete them A USB stick with the factory samplings might be available in the future To import a wav file from another device it must be Mono or stereo 44 1 KHz sample rate Tiny LD will import other sample rates but they will play back in a wrong speed 16 bit...

Page 15: ...tons seems a bit too limited you might want to connect a MIDI keyboard to MIDI in in order to take full advantage of Tiny LD s fully chromatically playable sounds It is also possible to connect anything that transmits a MIDI clock if you would like the sequencer of Tiny LD to sync to the rest of your setup On MIDI out MIDI clock MIDI CC s from the Tiny LD edit knobs and notes and CC s from its seq...

Page 16: ...can transfer its amazing sound to you These should be connected using mono jack cables The left audio output doubles as a stereo headphone connector Please make sure that nothing is connected to the right audio output when plugging headphones into this connector Connect any line stereo mono audio sources to the audio inputs for sampling and or processing through Tiny LD s effects and optional anal...

Page 17: ... MIDI clock if you would like the sequencer of Tiny LD to sync to the rest of your setup On MIDI out MIDI clock MIDI CC s from the Tiny LD edit knobs and notes and CC s from its sequencer are transmitted Connect any MIDI gear to this that you would like to control from Tiny LD ...

Page 18: ...e USB connector a USB drive can be connected This should be Maximum 32 GB FAT formatted With a USB drive connected you can Import export and back up samples as wav files Import deFormer lds samples Import export and back up Tiny LD LD3 presets and songs Update Tiny LD ...

Page 19: ...t to delete them A USB stick with the factory samplings might be available in the future To import a wav file from another device it must be Mono or stereo 44 1 KHz sample rate Tiny LD will import other sample rates but they will play back in a wrong speed 16 bit or 24 bit native PCM Standard wav s or broadcast wav s ...

Page 20: ...with positive middle The power supply on the picture is only for reference The actual one might look different Some Tiny LD s might have been shipped out with a power adaptor that has multiple tips If you have received one of these you should use the tip with the blue ring and make sure that the 2 parts are alligned to the text Tip Please look at the picture on the next page ...

Page 21: ...21 ...

Page 22: ...22 Turn it on Push the I on the power switch Your Tiny LD should now turn on ...

Page 23: ... Mute and 9 16 Part unlit will trigger the respective Tiny LD part Each trigger button will send a settable note number Settable in the Synth Trig section When a trigger is trigged the button will light up Pushing the Trigger 1 8 buttons with Func Mute unlit and 9 16 Part lighting up will trigger the respective Tiny LD part 9 to 16 When on any of the sequencer pages the trigger buttons works as st...

Page 24: ...C 1 knob morphs between synth layer A and B when located on the Main Preset Select Page on the Main Synth Page and when the Func Mute button is pressed When located inside an edit page it will adjust parameter 2 on the page If the Lowr function is turned on it will adjust parameter 6 The 3 SeqMrp MIDI CC 2 knob morphs between sequencer layer A and B when located on the Main Preset Select Page on t...

Page 25: ...nd by placing your finger on different positions between the top and the bottom of the keyboard This is referred to as Keyboard Y modulation On any other pages the keyboard only plays notes The touch keyboard is always controlling the selected part It is possible to select the keyboard octave by touching any of the 8 squares just above the keyboard By touching the and buttons just above the keyboa...

Page 26: ...ncer tempo indicator When the REC indicator is red the sequencer are in record mode Touching the REC indicator will switch the sequencer in and out of recording mode Touching the tempo indicator will make Tiny LD jump to the sequencer main page where you can set the tempo The tempo indicator will read EXT if Tiny LD is set to external MIDI sync Below the bar beat indicator it says Preset if Tiny L...

Page 27: ...lect 1024 presets can be selected from A01 to P64 Tiny LD will now jump back to the main Preset Select screen and show the name of the newly selected preset If the sequencer is playing back the Start Stop LED will now start to flash and the text NEXT will show right above the new presets name awaiting track 1 to reach its start end step As soon as this happens Tiny LD will switch to the newly sele...

Page 28: ...it was in song mode it will also remember which song was selected If you activate the PreView mode by touching the PreView field so it turns black with white text you can preview the presets without Tiny LD jumping back to the main Preset Select screen If the sequencer is running it will still wait for track 1 to reach step 1 until it jumps to the next preset This is indicated by the Start Stop LE...

Page 29: ...and the edits has not been stored a will appear right between the preset number and the preset name When this appears you will need to save your preset in order to keep your edits Please see how to do this in the Save Preset section later in this manual ...

Page 30: ...on is lighting up and then push any of the 8 trigger buttons to trigger the sounds that are programmed on each of these parts To trigger synth sampler parts 9 to 16 manually make sure that the Func Mute button is not lighting up but push the 9 16 Part button so this now is lighting up Now when you push any of the 8 trigger buttons synth sampler parts 9 to 16 will be trigged ...

Page 31: ... up and push the 1 Play button so that this is no longer lighting up The sequencer has now been stopped If you while the sequencer is playing back push and release the Func mute button so that this is no longer lighting up trigger buttons 1 to 8 will light up every time part 1 to 8 is trigged by the sequencer If you hit any of these trigger buttons you will also trigger the part and the button wil...

Page 32: ...nd make sure that it lights up Then push and hold it to select part track 9 to 16 The selected part is the part which parameters will be shown on the display when entering the edit pages Selecting a part also selects the equally numbered Sequencer Note Track When entering the Sequencer Controller tracks 1 to 16 track 1 to 16 is selected in the same way When entering the Sequencer Controller tracks...

Page 33: ... a step on or off simply hit the corresponding step button and it will toggle its state When the sequencer are in recording mode the Start Stop button is flashing pushing any of the step buttons will set record mode to step mode and select this step for recording The step button will now flash When using the Tiny LD sequencer as a usual step sequencer the steps will play back from left to right In...

Page 34: ... state of part 9 to 16 is shown Unmuted tracks will now be shown by a step button that is lighting up and shortly flashes off every time the track is triggering Muted tracks are shown by a step button that is unlit and that lights up shortly every time the track would have triggered something if it weren t muted To mute or unmute a track simply hit the corresponding step button while still holding...

Page 35: ... parameters has now been copied to morph layer B If you turn the Morph knobs you should now hear the same sound sequence no matter what position the knobs are in Panic Push and release the Func Mute button so that it lights up to enter the function buttons Now push and release step button 5 Copy so that this also lights up Instructions for copy and panic will now be shown on the screen Push and re...

Page 36: ...te button so that it lights up Push and release step button 5 Copy Push and release step button 7 Save You can now play with the previously saved preset To de active the Compare function and jump back to the edited preset Hit step button 7 Save again To de activate the Compare function and discard your edits Hit step button 5 Copy The display will now show If you are absolutely sure that you would...

Page 37: ...pe touch buttons are also present on all menu pages but sometimes a hardware button is just better Shortcut to Save Preset For a fast way to save your preset so you don t lose your settings a shortcut to the Save Preset pages was added How to save a preset are explained later in this manual To enter the save preset pages push and release the Func Mute button so that it lights up to enter the funct...

Page 38: ...o that it lights up to enter the function buttons Now make sure that step button 4 Lowr is NOT lighting up To select the lower row Push and release the Func Mute button so that it lights up to enter the function buttons Now push and release step button 4 Lowr so that this is lighting up This function is also used on the Sequencer step pages for editing steps 5 to 8 and 13 to 16 On naming pages thi...

Page 39: ...the function buttons Now push and hold step button 3 Morph while pressing step button 1 Play to reload the currently selected preset While realtime recording a song reloading the preset will cause the song recorder to advance to the next song step This is useful for recording track mutes of the same preset into the song ...

Page 40: ...s envelope follower can be used as a modulation source In the VCA section of the part it is possible to assign the selected part to output to one or two audio busses When outputting to two audio busses the output signal from the part can be a stereo signal if each of the audio busses are assigned to the left and right audio channels When setting up a stereo sampling the digital filters must also b...

Page 41: ...41 ...

Page 42: ...e both output level and pan can be adjusted and modulated 3 envelopes Two ADSR types and one decay envelope 4 Random Generators Always key trigged 2 Granular Modulators A random one and a sequenced one Both are trigged when a synth waveform or a sampling starts over Shared between the 16 parts 16 LFO s with morphable waveforms Audio busses The audio output of the parts can be sent to any of 8 audi...

Page 43: ... output of LFO4 Inverted LFO5 The output of LFO5 LFO5 The output of LFO5 Inverted LFO6 The output of LFO6 LFO6 The output of LFO6 Inverted LFO7 The output of LFO7 LFO7 The output of LFO7 Inverted LFO8 The output of LFO8 LFO8 The output of LFO8 Inverted LFO9 The output of LFO9 LFO9 The output of LFO9 Inverted LFO10 The output of LFO10 LFO10 The output of LFO10 Inverted LFO11 The output of LFO11 LFO...

Page 44: ... Seq8 The output of Sequencer Controller Track 8 Inverted Seq9 The output of Sequencer Controller Track 9 Seq9 The output of Sequencer Controller Track 9 Inverted Seq10 The output of Sequencer Controller Track 10 Seq10 The output of Sequencer Controller Track 10 Inverted Seq11 The output of Sequencer Controller Track 11 Seq11 The output of Sequencer Controller Track 11 Inverted Seq12 The output of...

Page 45: ...encer Controller Track 28 Seq28 The output of Sequencer Controller Track 28 Inverted Seq29 The output of Sequencer Controller Track 29 Seq29 The output of Sequencer Controller Track 29 Inverted Seq30 The output of Sequencer Controller Track 30 Seq30 The output of Sequencer Controller Track 30 Inverted Seq31 The output of Sequencer Controller Track 31 Seq31 The output of Sequencer Controller Track ...

Page 46: ...w1 The Audio Bus 1 Envelope Follower Flw1 The Audio Bus 1 Envelope Follower Inverted Flw2 The Audio Bus 2 Envelope Follower Flw2 The Audio Bus 2 Envelope Follower Inverted Flw3 The Audio Bus 3 Envelope Follower Flw3 The Audio Bus 3 Envelope Follower Inverted Flw4 The Audio Bus 4 Envelope Follower Flw4 The Audio Bus 4 Envelope Follower Inverted Flw5 The Audio Bus 5 Envelope Follower Flw5 The Audio ...

Page 47: ...eceived Inverted CC21 The last MIDI CC 21 value received CC21 The last MIDI CC 21 value received Inverted CC22 The last MIDI CC 22 value received CC22 The last MIDI CC 22 value received Inverted CC23 The last MIDI CC 23 value received CC23 The last MIDI CC 23 value received Inverted CC24 The last MIDI CC 24 value received CC24 The last MIDI CC 24 value received Inverted CC25 The last MIDI CC 25 va...

Page 48: ...ived Inverted CC42 The last MIDI CC 42 value received CC42 The last MIDI CC 42 value received Inverted CC43 The last MIDI CC 43 value received CC43 The last MIDI CC 43 value received Inverted CC44 The last MIDI CC 44 value received CC44 The last MIDI CC 44 value received Inverted CC45 The last MIDI CC 45 value received CC45 The last MIDI CC 45 value received Inverted CC46 The last MIDI CC 46 value...

Page 49: ...erted CC57 The last MIDI CC 57 value received CC57 The last MIDI CC 57 value received Inverted Tr13 The trigger output of part 13 sent to all parts Tr13 The trigger output of part 13 sent to all parts Inverted Tr14 The trigger output of part 14 sent to all parts Tr14 The trigger output of part 14 sent to all parts Inverted Tr15 The trigger output of part 15 sent to all parts Tr15 The trigger outpu...

Page 50: ...50 Accessing The Synth Part Pages From the Preset Song Select screen Touch the EDIT field ...

Page 51: ...of the currently selected edit group is brown yellow while the buttons of the other groups are green The group of touch buttons will be referred to as the group select bar Below the group select bar you will find the synth blocks Touch any block to access the parameters of it and edit these Part 1 to 16 is selected using the Steps Part button in combination with the step buttons and the 9 16 Part ...

Page 52: ...corresponding parameter row as explained under the Operating Tiny LD section earlier in this manual A green dot in the left side will indicate which parameter row is selected for editing Right below the parameters you will find the subpage select touch buttons Touch any of these to access the desired parameter sub page The touch button that is black with white text shows that this is the currently...

Page 53: ... LFO s the effects processors and the BUS system The Synth Part Parameters Randomizer If you should ever need some new inspiration for sounds or if you just want to surprise yourself with some sounds that you never even imagined the Tiny LD parameter randomizer might be exactly what you need To enter this from the synth parts main page touch RNDM ...

Page 54: ...t exit the randomizer page and save the preset If you don t like the result hit DO again and keep hitting it until something comes up that you like Try with different percentage settings and try to switch different blocks on and off When the Randomizer page is entered all parameters are stored into a temporary buffer that are used for the randomization So if you for instance first randomizes with ...

Page 55: ...ck monophonically and only uses the one voice that it is assigned to Other parts that are in poly mode does not use this voice It can only be cutted off by another part that is set to mono to the same voice Use this mode when playing back long samples and audio tracks without chops and if you got some parts that should cut each other off like parts that are playing back closed and open hihats Vc1L...

Page 56: ... all parts Chan 1 to 16 The part output MIDI channel This will also affect the part Sequencer Note Track When the part is set to external this is the MIDI channel that note data played by the trigger button the touchscreen keyboard on an attached MIDI device and from the part sequencer note track are sent on to the Tiny LD MIDI out Int Ext Sets the part in internal Int or external Ext mode When a ...

Page 57: ...later in this manual in the MOR Common section In this section it is also possible to microtune each key in an octave for oscillator types 2 and Resonator From the synth parts main page touch ZONE to enter this page LowK1 C 1 to G9 The lowest key of the part zone HiK1 C 1 to G9 The highest key of the part zone Trps1 64 to 63 The incoming MIDI notes inside the key zone are transposed up or down by ...

Page 58: ...llators The Type1 oscillators the samplers and the noise generators are not affected by these settings The microtune settings can easily be copied and pasted using the existing copy paste system to easily set up multiple sounds with the same tunings On the Tu1 page use Edit Knob 1 to 8 to set the tunings for the keys C to G The range is 50 of one note The tunings are morphable so it can have diffe...

Page 59: ...59 To set the tunings for the keys G to B touch Tu2 to go to the next tuning page ...

Page 60: ...ssibilities are L The output of the Bus is sent to the left audio output R The output of the Bus is sent to the right audio output L R The output of the Bus is sent to the left and the right audio outputs EFX1 The output of the Bus is sent to Output effect 1 EFX2 The output of the Bus is sent to Output effect 2 Off The output of the Bus is not sent anywhere ONLY BUS1 BUS3 BUS5 and BUS7 BUSx where ...

Page 61: ...us and that affects the output levels of these When this is set to 511 the follower will never decay When set to lower values the follower will gradually decay in accordance with the levels of the audio signal sent to it from the synth parts The envelope followers are sent to the modulation system Flw1 to Flw8 and can be selected as modulation sources for many parameters ...

Page 62: ...dio Bus page where it is possible to gain or attenuate the level of the audio signal sent to the Bus envelope follower At 0 there are no gaining or attenuation At positive values the signal to the follower is gained at negative values they are attenuated ...

Page 63: ... Touch the Lvl touch button to enter this fourth audio Bus page where it is possible to adjust the total output level of each Bus Positive values will gain the output signal negative values will attenuate ...

Page 64: ...Follower 8 Envelope Followers in total The possible settings are Flr The BUS Envelope Follower will control the output level of the BUS 1 to 16 The Part Envelope of the part that has the number you select here will control the output level of the BUS Fx2 The BUS Envelope Follower will control the output level of the BUS and the signal of this will be gained by x2 Fx4 The BUS Envelope Follower will...

Page 65: ...ck waves Pulse width are adjustable for all waveform types 7 oscillator types are available Bright Smooth Resonator Percussion 1 3 Cymbal1 2 Clap FM frequency modulation is possible with any audio bus as the modulation source Pitch PW wave and FM amount can be modulated The pitch range of the oscillators are chromatically over the entire 10 octave MIDI keyboard range Require license purchase for s...

Page 66: ...the Chop2 parameter on the SEL page The numbers selected by these parameters refer to the 4 samples that is selected on the SMP page A value of 1 64 will select a chop point in sample 1 a value of 65 128 will select a chop point in sample 2 a value of 129 192 will select a chop point in sample 3 and a value of 193 256 will select a chop point in sample 4 If no chop points exists in the selected sa...

Page 67: ...oscillator parameters will be initialized You must purchase a Percussion Synthesizer activation license to activate save and export and to get rid of the parameter initialization By purchasing this license you are also supporting the large amount of work that has been required to make all the LD3 Tiny LD updates In trial mode it is possible to import the preset set made for the Percussion Synthesi...

Page 68: ...r Noise FM can be applied Atk will morph between the attack and the body of the percussion sound To imitate the strike of the drum modulate Atk with an envelope Noise PW can also be set to adjust the intensity of the FM noise This percussion oscillator is optimized for hi hats toms and bell type sounds but can also produce a lot of other sounds Making kick and snare drums with this results in very...

Page 69: ...of pitch and Atk modulation the envelope decay time and of course the Tune parameter to get variations of this To make a long kick sound set pitch modulation to Env2 and set the decay value of this to around 40 Keep Env1 controlling Atk Attack Adjust the VCA envelope decay and release and the Env1 decay and release Acoustic style kick drum The percussion oscillators might not be able to perfectly ...

Page 70: ...at the default settings A 0 D 40 S 0 R 0 If you wish to do the traditional drum machine trick where hats cuts each other off assign this part as a Mono To Voice Tweak the parameters to obtain different hi hat flavours Open Hi hat Copy and paste the closed hi hat to another part Set the VCA Env A to 0 D to 22 S to 415 and R to 208 Now you got an open version of the closed hi hat Analog style closed...

Page 71: ... a Bit Crusher effect Add a distortion effect to give it more edge Crash Cymbal Select the Cym2 oscillator type Set Tune to 22 SelFM to 88 Dtun to 254 PW to 272 and CymFM to 511 Set VCA envelope to LogSm mode A to 0 D to 20 S to 511 and R to 390 Hand Clap Select the Prc2 oscillator type Set NzPw to 23 Dtun to 0 Atk to 68 and Noiz to 256 If you are triggering the sound from the trigger buttons set ...

Page 72: ...o 0 If you are triggering the sound from the trigger buttons set Tune to 0 Set Atk modulation to Env1 and set this to 254 Set VCA Env A to 0 D to 22 S to 511 R to 191 Env1 can be left at the default settings A 0 D 40 S 0 R 0 Tweak the parameters to obtain different bell sound flavours ...

Page 73: ...djust the basic pitch in semitones Range 64 to 63 Fine Fine tuning of the pitch Range 256 to 255 Wave This parameter lets you morph between sine triange saw pulse and feedback waves PW Adjusts the pulse width of the waveform Unlike many other oscillator designs the pulse width can be adjusted on all of Tiny LD s waveforms not just the pulse wave FM FM amount The more this is turned up the more a s...

Page 74: ...r that is partly generated by a special Gotharman engineered filter that has multiple resonances in its feedback path Great for emulating string instruments and for new synthetic sounds Perc Prc2 Prc3 Percussion oscillators 1 2 and 3 Cymb Cym2 Cymbal oscillators Clap Hand clap oscillator Reso The amount of resonances fed back when the resonator oscillator is selected The higher this parameter is s...

Page 75: ...Adjust the basic pitch in semitones Range 64 to 63 NzPw Sets the intensity of the FM noise Range 256 to 255 Dtun Detunes percussion wave 2 from percussion wave 1 Value 0 to 511 Atk Will morph from the percussion waves body 0 to the percussion waves attack 511 Modulate this parameter with an envelope to imitate the strike of a drum Value 0 to 511 FM FM amount The more this is turned up the more a s...

Page 76: ... filtered and natural sounding sounds Reso Resonator oscillator An oscillator that is partly generated by a special Gotharman engineered filter that has multiple resonances in its feedback path Great for emulating string instruments and for new synthetic sounds Perc Prc2 Prc3 Percussion oscillators 1 2 and 3 Cymb Cym2 Cymbal oscillators Clap Hand clap oscillator Noiz Adds noise FM to modulate the ...

Page 77: ...ler noise mode select Tune Adjust the basic pitch in semitones Range 64 to 63 SelFM Sets self FM amount of the first square wave oscillator A modulator Range 256 to 255 Dtun Sets self FM amount of the first square wave oscillator A modulator Value 0 to 511 PW Sets the pulse width of all square waves Value 0 to 511 FM FM amount The more this is turned up the more a selected audio bus in the SEL sec...

Page 78: ...ss filtered and natural sounding sounds Reso Resonator oscillator An oscillator that is partly generated by a special Gotharman engineered filter that has multiple resonances in its feedback path Great for emulating string instruments and for new synthetic sounds Perc Prc2 Prc3 Percussion oscillators 1 2 and 3 Cymb Cym2 Cymbal oscillators Clap Hand clap oscillator CymFM Set the FM amount between t...

Page 79: ... Value 64 to 63 When the Clap oscillator is selected the Tune parameter sets the speed of the clap envelope NzPw Value 256 to 255 Sets the intensity of the Clap noise Dtun Value 0 to 511 Detunes the noise sound PW Value 0 to 511 Sets the pulse width of a square wave that is placed on top of the noise signal 0 No square wave is added FM FM amount The more this is turned up the more a selected audio...

Page 80: ...filtered and natural sounding sounds Reso Resonator oscillator An oscillator that is partly generated by a special Gotharman engineered filter that has multiple resonances in its feedback path Great for emulating string instruments and for new synthetic sounds Perc Prc2 Prc3 Percussion oscillators 1 2 and 3 Cymb Cym2 Cymbal oscillators Clap Hand clap oscillator Clap Value 0 to 511 Sets how much th...

Page 81: ...ne below the waveform will show the current playback point Tune Adjust the basic pitch in semitones Range 64 to 63 Fine Fine tuning of the pitch Range 256 to 255 Start The sample start point Selects at what point the sample will start to play back when it is triggered Range 0 to 511 stretching over the whole sampling Length Sets how much of the sampling should be played back Range 0 to 511 stretch...

Page 82: ...e ignored OnUc On unchopped The sample will play back from the adjusted start point when triggered When it reaches the adjusted end point it will loop back to the start point and play back the sample over and over again Chop points will be ignored Chop If chop points has been generated for the selected sampling a chop can be selected by setting this parameter If the Smp parameter on the SEL page i...

Page 83: ...an be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc Modulates the oscillato...

Page 84: ...Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc Modulates the oscillator pitch Dtun Modulates...

Page 85: ...ed by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc Modulates the oscillator pitch Dtun...

Page 86: ...y the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc Modulates the clap envelope speed Dtun ...

Page 87: ... the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc Modulates the sampler pitch Chop Modulat...

Page 88: ...y the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc Modulates the sampler pitch Xfade Modul...

Page 89: ... out will be applied to remove clicks at the sample end Smth Smoothing The moment that a sampling loops the transition from the loop end to the loop start will be smoothed out to minimize clicks FmBus Sets the FM source audio bus for the oscillator sampler frequency modulation FM amount is set on the OSC page Audio bus 1 to 8 can be selected Porta Sampler Portamento The more this is turned up the ...

Page 90: ...rameter must be higher than 0 to trigger If a value with an R Random after it is selected LD3 will randomly toggle between this part and the selected part every time the part is triggered If the R part number selected is the same number as this part the part will randomly play back or not TrDly 0 to 511 Trigger delay Will add a delay before it triggers the other part if set to any other values tha...

Page 91: ...cillator should act as an oscillator Osc a sampler Smp a chopped keyboard sampler ChKy noise generator Nois or sampler Xfade mode Xfad Chop2 Selects the sample chop point the will be crossfaded to when turning the Xfade parameter If chop points has been generated for the selected sampling a chop can be selected by setting this parameter Range 0 to 63 for sample 1 64 to 128 for sample 2 129 to 192 ...

Page 92: ...to 511 Trigger length Sets how long the extra trigger gate should be If set to zero it might not trigger Some limitations in Xfade mode The Chop and Chop2 parameters can t be morphed in this mode The Xfade parameter can though be morphed In this mode digital filter 2 are not available Filter 1 will though act as a stereo filter ...

Page 93: ...enter this page Here you can select 4 samplings for the part The number of these samplings that are used is set by the Smp parameter on the SEL page The 4 samples can be selected to play back setting the Chop parameter and by chop select modulation ...

Page 94: ...at are held in the Tiny LD FLASH memory Touch PREV and NEXT to view the previous or next 16 samplings To select a sampling touch the sample name A small red square is shown near the sample name of the sampling that are the last one that was added to the bank When you have found the right sampling touch OK to return to the Synth Part Sample Select page ...

Page 95: ...gative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc2 An extra pitch modulation destination so that it is possible to modulate the oscillat...

Page 96: ...be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page NzPw Will modulate the FM noise...

Page 97: ...obs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page SelFm Will modulate the amount of self FM applied to the ...

Page 98: ...n be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page NzPw Will modulate the clap n...

Page 99: ...e a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Pitc2 An extra pitch modulation destination so that it is possible ...

Page 100: ... When set to New samples will play back at 44 100 Hz when set to Old samples will play back at 43 945 Hz To ensure compatibility with samples recorded before firmware version 13 34 in which a sample clock deviation were corrected ...

Page 101: ...er it will be explained how to set up a sampling for a part and some extra steps that is required for setting the filters and VCA BUS in stereo mode when setting up a stereo sampling From the Preset Select page touch EDIT to enter the Synth main page ...

Page 102: ...102 From the Synth main page touch the box named OSC to enter the oscillator pages ...

Page 103: ...103 Touch the SEL touch button to enter the oscillator mode selection page ...

Page 104: ...104 Set the Mode parameter to Smp Now touch the SMP touch button to enter the sample selection page ...

Page 105: ... samplings that are used is set by the Smp parameter on the SEL page The 4 samples can be selected to play back setting the Chop parameter and by chop select modulation For now just touch the sample name that starts with 1 to open the sample select page for the first sampling ...

Page 106: ... one that was added to the bank When you have found the right sampling touch OK to return to the Synth Part Sample Select page Now you have assigned a sampling to the currently selected part You can now play it back by triggering the part from its trigger button a connected MIDI device and from the sequencer If a stereo sampling is selected a few extra steps are required to get Tiny LD to output b...

Page 107: ...tereo sampling are Set up the VCA to output to 2 audio busses Set up these audio busses to output to left and right Set the filters in stereo mode This will now be explained in detail Exit the oscillator pages to go back to the Synth main page Touch the box named VCA to enter the VCA pages for the part ...

Page 108: ...108 Set the Bus parameter so that the VCA will output to 2 busses 1 2 3 4 5 6 or 7 8 Now touch the MOD touch button ...

Page 109: ...109 Make sure that Pan is set to Man and pan Amt to 256 Exit the VCA pages to go back to the Synth main page ...

Page 110: ...110 Touch the box named BUS to enter the audio bus pages ...

Page 111: ...111 On this first Bus page set the audio busses that the VCA is outputting to to respectively L and R like Bus 5 and 6 on the picture Exit from this page to the Synth main page ...

Page 112: ...112 Touch the box named FLT to enter the digital filter pages ...

Page 113: ...113 Make sure that the selected Type is NOT SvfL SvfB SvfH or SvfN These 4 filter types are mono only filters Touch the SET touch button ...

Page 114: ...o On It does not matter if the digital filters are used or not this routing has to be set to stereo in order to get both audio channels of a stereo sampling through Now when you trigger the selected stereo sampling it should play back in stereo ...

Page 115: ... random value If you have a wave chopped sampling and set this parameter up to modulate the chop select parameter granular random sample chaos will be obtained Of course this can also modulate any other parameter for infinite possibilities GrSq Granular Sequence Modulator This works in conjunction with the part oscillator sampler or noise generator and a Sequencer Controller track It does not use ...

Page 116: ...ator gets the next value from the associated controller track If you have a wave chopped sampling and set this parameter up to modulate the chop select parameter it is possible to program wave sequences Of course this can also modulate any other parameter for infinite possibilities ...

Page 117: ... Each synth part of Tiny LD has 4 random generators that takes in a new random value every time the part is trigged There are no settings to be made for these They are found as modulation sources named Rnd1 Rnd2 Rnd3 and Rnd4 ...

Page 118: ...other for easier tweaking in stereo mode When filter 1 is set to an Svf type filter only one filter are available and stereo and link modes are not available If the Oscillator of the part is set in Sample Xfade mode digital filter 2 is not available and digital filter 1 will act as a stereo filter When different filter types are selected for Morph Layer A and B Tiny LD will morph between the filte...

Page 119: ...PF3 Sharp Highpass filter with self oscillating resonance A bit weaker than HPF1 Dstr Destruktion A rather defective filter Self oscillates at some points distorts at others FAT1 Slightly distorting lowpass filter with a sharp response and self oscillating resonance FAT2 A slightly weaker version of FAT1 LoFi A very distorting and unpredictable lowpass filter LPF5 A lowpass filter with a very soft...

Page 120: ...ined by adjusting this Mix 256 to 255 Sets the mix between the audio input signal and the filter output signal At 0 the input signal is passed through At positive values the the filter output is added to the input signal At negative values an inverted version of the filter output is added to the input signal At 255 and 256 only the output of the filter is heard Type Sets the filter type See the li...

Page 121: ...est frequency offset point of the filter Turning this up will in many filter types make the bass bottom more present or distorted This has no function when an Svf type filter is selected Boost 0 to 511 Gains the filter output level ...

Page 122: ...o select a modulation source and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section Cut1 Cut2 Will modulate the filter cutoff frequency Reso Will modulate the amount of resonance applied to...

Page 123: ...tics can be obtained by adjusting this Mix 256 to 255 Sets the mix between the audio input signal and the filter output signal At 0 the input signal is passed through At positive values the the filter output is added to the input signal At negative values an inverted version of the filter output is added to the input signal At 255 and 256 only the output of the filter is heard Type Sets the filter...

Page 124: ...24 Low 0 to 511 Sets the lowest frequency offset point of the filter Turning this up will in many filter types make the bass bottom more present or distorted Boost 0 to 511 Gains the filter output level ...

Page 125: ...n be modulated it is possible to select a modulation source and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section Cut1 Cut2 Will modulate the filter cutoff frequency Reso Will modulate the...

Page 126: ...nals coming from the oscillators only really effective when stereo samplings are played back are mixed to one mono signal that goes through both filters When on filter 1 affects only the left channel of the audio signal and filter 2 affects only the right Conn Filters connection parallel Par or serial Ser Link Off On When on any setting made on filter 1 is automatically performed on filter 2 too C...

Page 127: ...n is panning the audio signal between the 2 audio busses For a stereo panned output one of these busses must be set to the right audio output and the other to the left It is also possible to send one bus to output effect 1 and the other to output effect 2 Then the pan control modulation will mix between the 2 effects Of course filters and insert effects can also be placed on these busses for more ...

Page 128: ...maximum value when a note event is received and held down D 0 to 511 VCA envelope decay time When the VCA envelope has reached its maximum value in the time set by the attack parameter it will decay until it reaches the sustain level and stay there as long as the note that trigged it is held S 0 to 511 VCA envelope sustain level Explained under the D parameter R 0 to 511 VCA envelope release time ...

Page 129: ...ogarithmic curve gives the sound a softer and less clicky attack The smooth modes produces no clicking at all The Lin4 Log4 LinS4 and LogS4 modes sets the behaviors as mentioned above but with envelope times that are 4 times longer Drone 0 to 511 VCA envelope drone offset level When this is turned up the VCA envelope will never reach an output value lower than what this is adjusted to It will rele...

Page 130: ...rce and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section A Modulates the VCA Envelope attack time R Modulates the VCA Envelope release time Level Modulates the output level of the VCA Pan...

Page 131: ...odulation envelopes One ADSR type and one decay only envelope Envelope 1 the ADSR envelope can have linear or logarithmic characteristics it is possible to loop the ADS segment and it also has an offset control Envelope 2 the decay envelope is always linear ...

Page 132: ...to its maximum value when a note event is received and held down D 0 to 511 Envelope 1 decay time When the envelope has reached its maximum value in the time set by the attack parameter it will decay until it reaches the sustain level and stay there as long as the note that trigged it is held S 0 to 511 Envelope 1 sustain level Explained under the Dec parameter R 0 to 511 Envelope 1 release time T...

Page 133: ...ogarithmic Log The logarithmic curve gives the envelope a softer and less clicky attack The Lin4 and Log4 modes sets the behaviors as mentioned above but with envelope times that are 4 times longer The LinLp and LogLp modes will make the attack decay and sustain segment of the envelope loop for as long as the part trigger is active When the part trigger is released the envelope will continue to th...

Page 134: ...be modulated it is possible to select a modulation source and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section A Modulates the Envelope 1 attack time D Modulates the Envelope 1 decay time...

Page 135: ...rs can be modulated The output level of the LFO s can also be modulated and they can be key synced One LFO are shown at a time on the LFO pages LFO 1 to 16 are selected in the same way as synth parts are by pushing and holding the Steps Part button while pressing a step button The LFO s are though selected separately from the parts So LFO 5 can for instance be selected while part 3 is selected ...

Page 136: ... 0 to 511 LFO rate Sets the speed of the LFO Wave 0 to 511 LFO output waveform Morphs between triangle sawtooth square pulse and FM waveforms The FM waveforms are high frequency waves that can be used for FM synthesis AM Selects the modulation source that will control the LFO output level If Off is selected no output level control will be applied to the LFO Any modulation source can be selected Pl...

Page 137: ... Every time this Drum part is trigged the LFO will reset to its initial value and start over 1s to 16s Every time this Drum part is trigged the LFO will reset run for one cycle and then stop Curve 0 to 511 Sets the curve of the LFO output waveform from logarithmic 0 to linear 256 to exponential 511 and anything in between To get normal linear LFO shapes like triangle and saw tooth keep this parame...

Page 138: ...odulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 T...

Page 139: ...t to an audio bus The setup of this is done in this section From the synth parts main page touch INP to enter this page InpL InpR Off 1 to 8 Sets the audio bus that the corresponding audio input is sent to When set to off the audio input is not sent to any bus ...

Page 140: ... on the same bus Modulation can be applied from any of the 16 synth parts Most of the parameters of the analog filter can be adjusted and modulated The analog options of Tiny LD also adds a G Ray digital analog feedback circuit to the filters This creates a kind of intermodulated feedback signal and makes it possible to create sounds similar to FM plus new and never heard before sounds To make sur...

Page 141: ...page Here you can by adjusting edit knob 1 set up which filterboard are installed in the filterboard slot This can be set to 1 Single Filter 2 Dual Filter 3 Triple Filter 4 Gmans First 5 MiniProphet 6 SP Filter 7 Tubaz 8 Dual Band SSI 9 Xtra Distort 10 SSI2140 50 User Filter For your own or third party filter designs ...

Page 142: ...he filter cutoff frequency Peaks 0 to 511 Adjusts the filter cutoff for the second filter block Reso Adjusts the resonance of the filter Feed Adjusts the feedback of the filter means negative feedback means positive feedback 0 means no feedback LPF BPF HPF Switches on and off the low pass band pass and high pass outputs on the filter At least one of these must be on to get a sound out of the filte...

Page 143: ...ack with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Peaks Selects how the Peaks parameter should interact with the Cutoff frequency parameter Add The value of the Peaks parameter is added to the Cutoff value Sub The value of the Peaks parameter is subbed from the Cutoff value Alig The value of t...

Page 144: ...ubbed from the Cutoff value Alig The value of the Feed parameter is aligned around the Cutoff value Dist Selects whether output 2 Dist of the analog filter should be normal Nrm or inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff...

Page 145: ...tive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cut...

Page 146: ... make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Feed Will modulate the an...

Page 147: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 148: ...Peaks 0 to 511 Adjusts the filter cutoff for filter 2 Reso Adjusts the resonance of both the filters Feed Adjusts the negative feedback of the filter 256 means no feedback 255 means full negative feedback LPF BPF HPF Switches on and off the low pass band pass and high pass outputs of filter 2 Filter 1 which is a band pass filter is always on Dist Mix between the clean filter sound and the filter s...

Page 149: ...ack with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Peaks Selects how the Peaks parameter should interact with the Cutoff frequency parameter Add The value of the Peaks parameter is added to the Cutoff value Sub The value of the Peaks parameter is subbed from the Cutoff value Alig The value of t...

Page 150: ...ubbed from the Cutoff value Alig The value of the Feed parameter is aligned around the Cutoff value Dist Selects whether output 2 Dist of the analog filter should be normal Nrm or inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff...

Page 151: ...tive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cut...

Page 152: ... make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Feed Will modulate the an...

Page 153: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 154: ...Cut 0 to 511 Adjusts the filter cutoff for filter 2 the BPF Reso Adjusts the resonance of all the filters HpCut Adjusts the filter cutoff for filter 3 the HPF LPF BPF HPF Switches on and off the low pass band pass and high pass outputs of filter 1 2 and 3 The trippple filter has 3 separate filters to generate each of these outputs and their cutoff frequency can be separately adjusted 3xBPF Mix bet...

Page 155: ...ack with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM BpCut Selects how the BpCut parameter should interact with the Cutoff frequency parameter Add The value of the BpCut parameter is added to the Cutoff value Sub The value of the BpCut parameter is subbed from the Cutoff value Alig The value of t...

Page 156: ...ubbed from the Cutoff value Alig The value of the HpCut parameter are alligned around the Cutoff value 3xBPF Selects whether output 2 3xBPF of the analog filter should be normal Nrm or inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter c...

Page 157: ...tion sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cutoff Frequen...

Page 158: ...e a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters HpCut Will modulate the Cutof...

Page 159: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 160: ...ter cutoff for the second filter block Reso Adjusts the resonance of the filter Feed Adjusts the feedback of the filter means negative feedback means positive feedback 0 means no feedback LPF BPF HPF Switches on and off the low pass band pass and high pass outputs on the filter At least one of these must be on to get a sound out of the filter Dist Mix between the clean filter sound and the filter ...

Page 161: ...ack with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Peaks Selects how the Peaks parameter should interact with the Cutoff frequency parameter Add The value of the Peaks parameter is added to the Cutoff value Sub The value of the Peaks parameter is subbed from the Cutoff value Alig The value of t...

Page 162: ...ubbed from the Cutoff value Alig The value of the Feed parameter is aligned around the Cutoff value Dist Selects whether output 2 Dist of the analog filter should be normal Nrm or inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff...

Page 163: ...tive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cut...

Page 164: ... make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Feed Will modulate the an...

Page 165: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 166: ...18dB Switches the 18dB lowpass block on filter output 2 on or off The phase of this is inverted compared to the phase of the 12 and 24 dB outputs on output 1 so when mixing with these different filter modes can be obtained 6dB Switches the 6dB lowpass block on filter output 2 on or off The phase of this is inverted compared to the phase of the 12 and 24 dB outputs on output 1 so when mixing with t...

Page 167: ...180 degree phase shift Ultr Boosted feedback Uneg Boosted feedback with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Peaks Has no function on this filter board Feed Has no function on this filter board Out2 Selects whether output 2 of the analog filter should be normal Nrm or inverted Inv Sometime...

Page 168: ...168 FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff frequencies from the audio Bus selected by the FmBus parameter ...

Page 169: ...ive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cuto...

Page 170: ...To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Feed Has no function on...

Page 171: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 172: ...e The VU meter at the right of the screen shows the filter output activity Cut 0 to 511 Adjust the filter cutoff frequency Reso 0 to 511 Adjusts the resonance of the filter Rate Sample Rate 0 to 60 KHz Bits Bit depth 12 or 6 bit Fuzz Adds an analog Fuzz effect when turned up ...

Page 173: ...back with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Peaks Has no function on this filter board Rate Selects the function of the Rate parameter Sepa The value of the Rate parameter is a totally separate value and is not affected by the Cutoff value Add The value of the Rate parameter is added to...

Page 174: ... inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff frequencies from the audio Bus selected by the FmBus parameter ...

Page 175: ...ive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cuto...

Page 176: ...obs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Rate Will modulate ...

Page 177: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 178: ... the right of the screen shows the filter output activity Cut 0 to 511 Adjust the filter cutoff frequency Reso 0 to 511 Adjusts the resonance of the filter Feed 256 to 255 Negative feedback Out1 BPF or LPF select Out2 Always HPF Out1 2 Mix between filter output 1 BPF LPF and filter output 2 HPF ...

Page 179: ...back with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Peaks Has no function on this filter board Feed Selects the function of the Feed parameter Sepa The value of the Feed parameter is a totally separate value and is not affected by the Cutoff value Add The value of the Feed parameter is added to...

Page 180: ...nverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff frequencies from the audio Bus selected by the FmBus parameter ...

Page 181: ...ive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cuto...

Page 182: ...make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Feed Will modulate the ana...

Page 183: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 184: ...sted with Space LpCut LPF 1 and 2 filter cutoff frequency Space between the 2 filters can be adjusted with Space Reso Filter resonance of all 4 filters Space Space between the cutoff frequencies of the two filter chains HPF2 HPF2 filter mode HPF or LPF HPF1 HPF1 filter mode HPF or LPF Conn Connection of the 2 filter chains Ser serial or Par parallel Out1 2 Mix between filter output 1 HPF LPF LPF c...

Page 185: ...d feedback with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM LpCut Selects how the LpCut parameter should interact with the HpCut parameter Add The value of the LpCut parameter is added to the HpCut value Sub The value of the LpCut parameter is subbed from the HpCut value Alig The value of the LpC...

Page 186: ... is subbed from the HpCut value Alig The value of the Space parameter is aligned around the HpCut value Out2 Selects whether output 2 of the analog filter should be normal Nrm or inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff ...

Page 187: ...modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 HCut1 HCut2 Will modulate the HPF Cu...

Page 188: ...ulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Space Will modulate the spacing betw...

Page 189: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 190: ...sts the analog Distortion Drive Reso Adjusts the resonance of the filter Feed Adjusts the feedback of the filter means negative feedback means positive feedback 0 means no feedback LPF BPF HPF Switches on and off the low pass band pass and high pass outputs on the filter At least one of these must be on to get a sound out of the filter Dist Mix between the clean filter sound and the filter sound w...

Page 191: ...ack with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Drive Selects how the Drive parameter should interact with the Cutoff frequency parameter Add The value of the Drive parameter is added to the Cutoff value Sub The value of the Drive parameter is subbed from the Cutoff value Alig The value of t...

Page 192: ...ubbed from the Cutoff value Alig The value of the Feed parameter is aligned around the Cutoff value Dist Selects whether output 2 Dist of the analog filter should be normal Nrm or inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cutoff...

Page 193: ...tive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cut...

Page 194: ... make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Feed Will modulate the an...

Page 195: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 196: ...djusts the filter cutoff frequency of the multimode filter A CutB 0 to 511 Adjusts the filter cutoff frequency of the band pass filter B Reso Adjusts the resonance of the multimode filter A ResoB Adjusts the resonance of the band pass filter B Type Sets the filter type for the multimode filter A Choices are LPF4 24dB LPF3 18dB LPF2 12dB LPF1 6dB BPF Notch HPF AllPass ...

Page 197: ...197 BPF Mix between the multimode filter A and the band pass filter B ...

Page 198: ...edback with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM CutB Selects how the CutB parameter should interact with the Cutoff frequency parameter Add The value of the CutB parameter is added to the Cutoff value Sub The value of the CutB parameter is subbed from the Cutoff value Alig The value of th...

Page 199: ...s subbed from the Cutoff value Alig The value of the ResoB parameter is aligned around the Cutoff value BPF Selects whether output 2 BPF of the analog filter should be normal Nrm or inverted Inv Sometimes it can get some great effects when inverting output 2 of the filter and adjust the Out1 2 mix FM 0 to 511 The amount of frequency modulation audio range that are applied to all of the filter cuto...

Page 200: ...itive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modulate the Cu...

Page 201: ... modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to filter A ResoB Will modulate the amount of r...

Page 202: ...the screen shows the filter output activity Bus 1 to 8 The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 203: ... explanation of each here Please refer to the third party documentation Please refer to the MOR VCF TYPES section on how to define import and export the User filter Please see the separate document Filterboard Specs which can be downloaded from www gotharman dk for how to connect a User filter board On this first page the 8 main VCF parameters from the User filter setup page are shown and can be e...

Page 204: ...ble to select how parameter 2 and 4 should interact with parameter 1 the Peaks and Feed switches in this example You will also be able to select if audio output 2 of the filter should be normal or inverted the Drive parameter in this example The G Ray circuit will of course also work with your own filters ...

Page 205: ...205 On the third VCF page MO1 you can modulate parameter 1 and 2 and the names of these are shown ...

Page 206: ...206 On the fourth VCF page MO2 you can modulate parameter 3 4 8 and the G Ray feedback parameter ...

Page 207: ...207 The fifth VCF page MIX is exactly the same as for any other filter board ...

Page 208: ...us Modulation can be applied from any of the 16 synth parts Most of the parameters of the analog filter can be adjusted and modulated The analog options of Tiny LD also adds a G Ray digital analog feedback circuit to the filters This creates a kind of intermodulated feedback signal and makes it possible to create sounds similar to FM plus new and never heard before sounds To make sure that the par...

Page 209: ...n the top navigation bar On the MOR page touch VCF TYPES to enter this page Here you can by adjusting edit knob 1 select VCF number 60 Dual SSI2140 After you have selected this turn your Tiny LD off and then on again to make it set up things right ...

Page 210: ...d 2 touch buttons named 1 and 2 Touch these to switch between the settings for VCF1 and VCF2 Since the settings for VCF1 and VCF2 are the same only the settings for VCF1 will be explained here The VU meter at the right of the screen shows the filter output activity Cut 0 to 511 Adjust the filter cutoff frequency Reso 0 to 511 Adjusts the resonance of the filter Inp 0 to 511 The audio input level f...

Page 211: ... make it morph between the filter types The pre programmed filter types are LPF4 LPF3 LPF2 LPF1 BPF1 BPF2 BPF3 B3_2 BPF4 B3L1 B3L2 B4L1 H3L1 HPF3 APF3 A3L1 Not1 Not2 Dst1 Dst2 Dst3 Dst4 Dst5 Dst6 Free design your own filter type by adjusting Adj1 4 Adj1 4 128 to 127 Adjusts the level of the filter block 1 4 VCA s to obtain different filter types ...

Page 212: ... the signal inverted a 180 degree phase shift Ultr Boosted feedback Uneg Boosted feedback with the signal inverted a 180 degree phase shift Feed 0 to 511 G Ray feedback level FmBus 1 to 8 The audio bus that will apply the audio signal for FM Cut3 Has currently no effect on this filter Out2 Has currently no effect on this filter FM 0 to 511 The amount of frequency modulation audio range that are ap...

Page 213: ...ly the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Cut1 Cut2 Will modul...

Page 214: ... Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources The lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 Reso Will modulate the amount of resonance applied to all filters Feed Has cu...

Page 215: ... The audio Bus that the filter will be placed on Inp 0 to 511 The audio input level for the filters Outp 128 to 383 The output level of the filters Conn Ser Par Only on VCF2 Places this filter in either serial or parallel to VCF1 when the filters are placed on the same Audio Bus ModPrt 1 to 16 The part from which the filter modulation sources will be added ...

Page 216: ...in total The insert effects can be placed on any audio bus for processing the parts and input assigned to the bus The audio busses can be sent to the output effects The output effects outputs to the main L and R outputs Selecting the effect processors From the synth parts main page touch EFX to enter an effect page ...

Page 217: ... step button 1 to 8 Part 1 is insert effect 1 Part 2 is insert effect 2 Part 3 is insert effect 3 Part 8 is insert effect 8 Part 9 is output effect 1 Part 10 is output effect 2 The effects are selected separately from the parts So Output Effect 2 can for instance be selected at the same time as part 4 is selected ...

Page 218: ...has a bypass switch Freeze modulation and a mix parameter 2 effects can be linked together for true stereo processing When an effect is linked to another effect any parameter tweaks on the source effect will be mirrored to the linked effect When switching link off the parameter settings of the linked effect is kept so it is possible to make some adjustments if you don t want the 2 effects to be ex...

Page 219: ... pitch shifter Glitch Shifter 2 Imperfect pitch shifter with a slightly different sound than the first one Glitch Shifter 3 Imperfect pitch shifter with a slightly different sound than the first two Pitch Shaper 1 input version of Gotharman s special Pitch Shaper that forces an audio signal to play back at a specific pitch determined by an adjustable frequency FAT Adds up to 3 layers of the sound ...

Page 220: ...s between the delay taps The more it is turned up the more time the valleys takes up Roto Delay This is a 2 tap delay that is constantly crossfading between the 2 taps When the Xfade control is turned down the crossfading is rough the more it is turned up the more smooth the crossfading gets Other controls are the same as the first delay Bright Delay First delay but with a brighter sound created b...

Page 221: ... with different characteristics OverShifter A kind of frequency shifter that can shift the frequency bands of the input signal up and add feedback and ring effects EQ2 A parametric EQ with different characteristics than EQ1 ...

Page 222: ...ton while pushing step button 1 to 8 Part 1 is insert effect 1 Part 2 is insert effect 2 Part 3 is insert effect 3 Part 8 is insert effect 8 Part 9 is output effect 1 Part 10 is output effect 2 The effects are selected separately from the parts So Output Effect 2 can for instance be selected at the same time as part 4 is selected ...

Page 223: ...lects the synth part from which the insert effect will get the modulation sources selected on the modulation page Freez Freeze modulation Can be set to off Freeze button Buton or to any modulation source When set to any other value than off the effect will freeze when the modulation source are in its upper range When an effect freezes it no longer samples its audio input signal but only outputs wh...

Page 224: ...h parameter that can be modulated it is possible to select a modulation source and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sour...

Page 225: ...isible when a delay effect is selected Turning this on will make the delay effect play back backwards Gain Sets the input gain for the insert effect Negative values attenuates the input signal positive values gains the signal ...

Page 226: ...x Off on When the effect is off it is bypassed Mix The mix between the un effected signal on the effect input and the effected signal on the effect output Feed Chorus feedback amount Time Chorus Time This should be modulated by an LFO to get the traditional chorus effect Deep Adjusts how deep the chorus box should be A Gotharman special ...

Page 227: ...the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to ...

Page 228: ...the effect output Drive The higher the value the more the sound will distort If this is set to zero no sound will pass through the distortion Offs Distortion offset The more this is turned up the more asymmetric the distortion will get Type Distortion type Choices are Valve A digital simulation of a classic valve distortion Sine A noisy and warm sine shaping distortion Fuzz Simulates a classic fuz...

Page 229: ...rce and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount ...

Page 230: ...ected signal on the effect input and the effected signal on the effect output Rate Sample Rate Reduction The more this is turned up the lower the sample rate will be From 44 1 KHz to 1 KHz Feed Feedback Turning this up will slightly overdrive the sound BitR Bit Reduction The more this is turned up the lower the bit resolution will get When it is turned fully down resolution is 16 bit when turned f...

Page 231: ...lation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The ...

Page 232: ...ve Sense Pitch detection sense On a pure waveform turn this fully down to make sure that it detects all the waves of it and pitch shifts correctly On more complex sounds turn this up until the desired effect are obtained At higher settings only portions of the sound will be pitch shifted and when it doesn t detect any pitch it will repeat the portion it detected making the sound granulate Size 1 t...

Page 233: ...233 Oct The octave range of the pitch shifter From 1 to 4 octaves Feed Pitch shifter feedback Adjusts the portion of the output signal that is fed back to the input ...

Page 234: ...the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to ...

Page 235: ... signal on the effect output Feed Resonator feedback The more this is turned up the more it will resonate Size The size of the resonator box Different sizes will give different resonance frequencies Type 2 different resonator types are available Type 1 are a traditional resonator based on the Karplus Strong algorithm The Type 2 Resonator are a new type that is based on generating the resonances th...

Page 236: ...urce and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount...

Page 237: ...effected signal on the effect input and the effected signal on the effect output Strc The degree of time stretch Sens Stretch detection sense At lower settings the sound will wobble at higher settings it will granulate Adjust this to obtain different effects Oct The octave range of the stretch effect From 1 to 4 octaves Feed Stretcher feedback Adjusts the portion of the output signal that is fed b...

Page 238: ...the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to ...

Page 239: ...s Sense FM pitch detection sense On a pure waveform turn this fully down to make sure that it detects all the waves of it and pitch shifts correctly On more complex sounds turn this up until the desired effect are obtained At higher settings only portions of the sound will be pitch shifted and when it doesn t detect any pitch it will repeat the portion it detected making the sound granulate Oct Th...

Page 240: ... the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to...

Page 241: ...w the original pitch to 4 octaves above Sense Pitch detection sense On a pure waveform turn this fully down to make sure that it detects all the waves of it and pitch shifts correctly On more complex sounds turn this up until the desired effect are obtained At higher settings only portions of the sound will be pitch shifted and when it doesn t detect any pitch it will repeat the portion it detecte...

Page 242: ...ce and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount i...

Page 243: ...m turn this fully down to make sure that it detects all the waves of it and pitch shifts correctly On more complex sounds turn this up until the desired effect are obtained At higher settings only portions of the sound will be pitch shifted and when it doesn t detect any pitch it will repeat the portion it detected making the sound granulate Vari Pitch variation The more this is turned up the more...

Page 244: ...st the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 ...

Page 245: ...Phase Adjusts the phase difference of the FAT layers When turned fully down all layers are in phase The more it is turned up the more the layers goes out of phase to each other Useful for creating comb filter type sounds FAT Adds 0 to 3 layers of the input sound to itself Boost When this is on the FAT layers are sonically added to each other which will make the sound louder and might cause it to s...

Page 246: ... modulation source and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the mod...

Page 247: ... Bandpass filter with self oscillating resonance HPF1 Sharp Highpass filter with self oscillating resonance HPF2 High gained Highpass filter with self oscillating resonance Distorts at higher input levels HPF3 Sharp Highpass filter with self oscillating resonance A bit weaker than HPF1 Dstr Destruktion A rather defective filter Self oscillates at some points distorts at others FAT1 Slightly distor...

Page 248: ...s the amount of resonance applied to the filter Type Sets the filter type See the list of filter types Nrw 0 to 511 Turning this up will make the frequency response of the filter more and more narrow Low 0 to 511 Sets the lowest frequency offset point of the filter Turning this up will in many filter types make the bass bottom more present or distorted Boost 0 to 511 Gains the filter output level ...

Page 249: ...y the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on thi...

Page 250: ...llable resonance LPF1 Low pass filter with extra bass bottom and uncontrollable resonance BPF1 Band pass filter with extra bass bottom and uncontrollable resonance HPF2 High pass filter with a thinner and more resonant sound LPF2 Low pass filter with a thinner and more resonant sound BPF2 Band pass filter with a thinner and more resonant sound Growl Adds unsymmetric distortion to the filter Boost ...

Page 251: ...ulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The...

Page 252: ...be damped Offs 0 to 511 Sets the level point where the compression will kick in The more this is turned up the higher the input signal will need to be before it starts to compress Gain 0 to 511 Sets the output gain of the compressor Time 0 to 511 The more this is turned up the longer time it will take for the compression to kick in Rate 0 to 511 This sets how fast the compressor will react to leve...

Page 253: ...e modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Comp1 ...

Page 254: ...will be gained Offs 0 to 511 Sets the level point where the expansion will kick in The more this is turned up the higher the input signal will need to be before it starts to gain Gain 0 to 511 Sets the output gain of the expandor Time 0 to 511 The more this is turned up the longer time it will take for the expansion to kick in Rate 0 to 511 This sets how fast the expandor will react to level chang...

Page 255: ...ive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The parameters on this page Comp...

Page 256: ...ctly On more complex sounds turn this up until the desired effect are obtained At higher settings only portions of the sound will be pitch shifted and when it doesn t detect any pitch it will repeat the portion it detected making the sound granulate Sens2 Pitch detection sense input 2 On a pure waveform turn this fully down to make sure that it detects all the waves of it and pitch shifts correctl...

Page 257: ... up the more the changes in pitch are smoothened Vari Pitch variation The more this is turned up the more the pitch variations on the input 1 signal affects the pitch shaper frequency Feed Pitch shaper feedback Adjusts the portion of the output signal that is fed back to the input ...

Page 258: ...e and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in...

Page 259: ...ix The mix between the un effected signal on the effect input and the effected signal on the effect output Deep Simulates a delay box with adjustable physical depth Time Delay time Xfade Crossfade Makes the delay effect sound smoother by crossfading the feedback repeats into each other Feed Delay feedback amount At values over middle the feedback signal will be gained and create infinite feedback ...

Page 260: ...ource and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amoun...

Page 261: ... The sound that the effect holds will just keep playing back on and on again NOT ALL EFFECTS ARE AFFECTED BY FREEZE Mix The mix between the un effected signal on the effect input and the effected signal on the effect output that is sent to the audio bus Gran Determines the variation pattern Range 0 to 511 Time The size of the RAM buffer used for the variator Size The size of one grain Feed Adjusts...

Page 262: ...ion amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The par...

Page 263: ...ct input and the effected signal on the effect output Size 0 to 511 The size of the RAM buffer used for the TimeStretcher Strtch 0 to 511 Time stretch A value below 256 will stretch the sound longer a value above 256 will compress the sound to become shorter Trig Off 1 to 16 Determines if the time stretch effect should be trigged by a part or not Tune Pitch Coarse A value below 256 will pitch the ...

Page 264: ... modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511...

Page 265: ...h of the effect output signal should be fed back to its input Size 0 to 511 The number of wave frames used for each pitch grain Trig Off 1 to 16 OffM 1M to 16M Determines if the sample pitch effect should be trigged by all parts or a single part The M suffix indicates that the playback pointer will be moving in another pattern that will give slightly different results Folr The sample pitch effect ...

Page 266: ...ation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The p...

Page 267: ...ected signal on the effect output Bass 0 to 511 Sets the amount of bass enhancement At zero no sound is going through the bass enhancer at 511 it is bass enhancing so much that it creates distortion HiFq 0 to 511 High frequency attack content When turning this up a subtle attack will be added to the sound that is going through the bas enhancer For optimal bass enhancement and not too much distorti...

Page 268: ...d to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the...

Page 269: ...put and the effected signal on the effect output The output of the EQ is inverted This means that when the Mix parameter is set to 256 the EQ is actually subbed from the audio input Set the Mix parameter to different values to obtain different EQ effects or just turn it fully up to 511 to get a normal parametric EQ Freq Sets the frequency at which the EQ will cut or boost Q Sets the width of the f...

Page 270: ... selected by Freq High1 Cut boost the frequencies above the frequency selected by Freq High2 Like High1 but with a sharper sound FAT Like Band3 but it fattens the sound a bit Nrw Turning this up will narrow the frequency band affected by the EQ Boost Turning this up will boost the output gain of the EQ C B Cut Boost Setting this to a negative value will damp frequencies on the input signal Setting...

Page 271: ...ulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The...

Page 272: ... on the effect input and the effected signal on the effect output Freq Turning this up will shift the frequency spectrum of the input signal up Feed Turning this up will feed the output signal of the OverShifter back to its input At certain settings this can get really brutal Ring Turning this up will add ringing metal noise to the signal Shape Turning this up will alter the shape of the OverShift...

Page 273: ...modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 ...

Page 274: ...e mix between the un effected signal on the effect input and the effected signal on the effect output Freq Sets the frequency at which the EQ will cut or boost Q Sets the width of the frequency band that will be cutted boosted C B Cut Boost Setting this to a negative value will damp frequencies on the input signal Setting it to a positive value will boost frequencies on the input signal ...

Page 275: ...ulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The...

Page 276: ... filter to make the feedback sound get more and more dark Add a pitch shifter in a delay loop for a pitch shifting delay effect There are really many possibilities with this Busses that are assigned to an output effect feedback loop will no longer output to the audio outputs that they were assigned to The 2 effects can be linked together for true stereo processing When an effect is linked to anoth...

Page 277: ...lar Size parameter Granulator unsynced Cuts the input signal up in grains that can be re arranged using the step values of a selectable controller sequencer track This is the granulator that was named AnaGran in earlier Gotharman instruments Unlike the Granulator SQ this is not synced to the sequencer It plays back one grain and then it immediately advances to the next grain The values for the gra...

Page 278: ...e the pitch if desired and it is possible to trigger this effect for bigger precision Sample Pitch Changes the pitch of a sampling without changing the length using granular technology It is possible to set the size of each pitch grain to generate great granular effects This effect has to be triggered from any of the parts in order to function properly It will work on external signals but it still...

Page 279: ...ton while pushing step button 1 to 8 Part 1 is insert effect 1 Part 2 is insert effect 2 Part 3 is insert effect 3 Part 8 is insert effect 8 Part 9 is output effect 1 Part 10 is output effect 2 The effects are selected separately from the parts So Output Effect 2 can for instance be selected at the same time as part 4 is selected ...

Page 280: ...ter to make the feedback sound get more and more dark Add a pitch shifter in a delay loop for a pitch shifting delay effect There are really many possibilities with this ModP 1 to 16 Modulation source part Selects the synth part from which the output effect will get the modulation sources selected on the modulation page Freez Freeze modulation Can be set to off Freeze button Buton or to any modula...

Page 281: ... replaced by an Outp parameter By this parameter it is possible to send the audio output of Output Effect 1 to either the left and right audio outputs by setting it to L R or to Output Effect 2 by setting it to EFX2 for serial connection of the 2 Output Effects ...

Page 282: ... For each parameter that can be modulated it is possible to select a modulation source and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulat...

Page 283: ...ning Bkwd This is only visible when a delay effect is selected When turned on the delay effect will play back backwards Gain Sets the output level of selected Output Effect A positive value gains the level and a negative value attenuates it ...

Page 284: ...he effect input and the effected signal on the effect output Deep Simulates a delay box with adjustable physical depth Time Delay time Size A granular parameter The more this is turned up the less space of the delay box is used causing some echo s to repeat and others not to sound at all Beam A granular parameter that beams some of the delay sound grains to another place Xfade Crossfade Makes the ...

Page 285: ...285 Feed Delay feedback amount At values over middle the feedback signal will be gained and create infinite feedback This might cause some saturation ...

Page 286: ...ource and to adjust the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amoun...

Page 287: ...r sequencers should go through until they starts over again from step one Range 1 to 16 Feed Adjusts how much of the Granulator output signal should be fed back to its input Resolution Adjusts the resolution of the sequencer track that controls the granulator The granulator only uses the controller values of the sequencer steps so the controller track and the granulator can run in different resolu...

Page 288: ...of the 16 sequencer controller tracks the granulator should get it step values from Each value selects a different portion of the granulator input to be played back X X intermodulation of the sound Another Gotharman special ...

Page 289: ... the modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to...

Page 290: ... The sound that the effect holds will just keep playing back on and on again NOT ALL EFFECTS ARE AFFECTED BY FREEZE Mix The mix between the un effected signal on the effect input and the effected signal on the effect output that is sent to the audio bus Gran Determines the variation pattern Range 0 to 511 Time The size of the RAM buffer used for the variator Size The size of one grain Feed Adjusts...

Page 291: ...ion amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The par...

Page 292: ...ed X Adjusts how much the following reverb taps will decrease in feedback Lower settings gives a delay effect As this is turned up it goes over in a metallic reverb type and at higher settings it gives a more full reverb X X intermodulation of the sound Another Gotharman special Time Reverb time The total reverb time is a combination of time timeX feed and feedX Time X Adjusts how much the followi...

Page 293: ...odulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 T...

Page 294: ...ld go through until they starts over again from step one Range 1 to 16 Feed Adjusts how much of the Granulator output signal should be fed back to its input Fragm Sets how many fragments or grains the input signal should be cutted up in Possible values are 1 2 4 8 16 32 64 or 128 Time Sets the size of the input recording buffer The higher the size the bigger each grain will be Seq Selects which of...

Page 295: ...295 Fade When this parameter is turned up each grain will fade in and out to minimize clicks ...

Page 296: ...ulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The...

Page 297: ... go through until they starts over again from step one Range 1 to 16 Feed Adjusts how much of the Granulator output signal should be fed back to its input Fragm Sets how many fragments or grains the input signal should be cutted up in Possible values are 1 2 4 8 16 32 64 or 128 Time Sets the size of the input recording buffer The higher the size the bigger each grain will be Seq Selects which of t...

Page 298: ...298 Pitch Sets the playback pitch of the granular sequence A value below 256 will pitch the signal down a value above 256 will pitch it up ...

Page 299: ...ation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The p...

Page 300: ...dom location Rec 0 to 511 Sets the record buffer size Determines for how long time it should record the input before it starts over again Psize 0 Off 1 to 255 This parameter sets the total playback buffer size independent of the record buffer size If this parameter is 0 the Rec parameter determines the playback buffer size but if it is at any other value this parameter determines the playback buff...

Page 301: ...play back areas of the record buffer that is not being recorded and create a Freeze effect Pitc2 0 to 511 Sets the pitch of the playback for playhead 2 A value below 256 will pitch the signal down a value above 256 will pitch it up ...

Page 302: ...lation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The ...

Page 303: ...ct input and the effected signal on the effect output Size 0 to 511 The size of the RAM buffer used for the TimeStretcher Strtch 0 to 511 Time stretch A value below 256 will stretch the sound longer a value above 256 will compress the sound to become shorter Trig Off 1 to 16 Determines if the time stretch effect should be trigged by a part or not Tune Pitch Coarse A value below 256 will pitch the ...

Page 304: ... modulation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511...

Page 305: ...h of the effect output signal should be fed back to its input Size 0 to 511 The number of wave frames used for each pitch grain Trig Off 1 to 16 OffM 1M to 16M Determines if the sample pitch effect should be trigged by all parts or a single part The M suffix indicates that the playback pointer will be moving in another pattern that will give slightly different results Folr The sample pitch effect ...

Page 306: ...ation amount Only the positive modulation sources can be selected by the Edit Knobs To make a modulation source negative touch the modulation source parameter For a complete list of modulation sources see the list in the start of this section The upper row of parameters selects the modulation sources the lower row of parameters Labelled Amt adjusts the modulation amount in the range 0 to 511 The p...

Page 307: ...r track outputs their value to the modulation sources matrix and if selected to MIDI out CC s and PitchBend They can be up to 128 steps long and resolution can be set from 1 64 to 1 2 A smooth parameter are available that when on will make a controller track slide from one step to the next Templates are available like ramp up ramp down and randomize The percentage of how much the template should a...

Page 308: ...308 Remember to save all edits you do in the sequencer Else they will be lost when you change preset or turn Tiny LD off See how to in the Save Preset section ...

Page 309: ...so that it lights up Then push and release the 1 Play button so that this lights up too Now the sequencer is playing back To stop the sequencer from playing back make sure that the Func Mute button is lighting up and push the 1 Play button so that this is no longer lighting up The sequencer has now been stopped ...

Page 310: ...er above the step button is the track number that is currently selected To select another track while still holding down the Steps Part button push any of the 8 step buttons The selected track is the track which parameters will be shown on the display when entering the edit pages When entering the Sequencer Controller tracks 17 to 32 1 will equal 17 2 will equal 18 and so on Note tracks are select...

Page 311: ...h a step on or off simply hit the corresponding step button and it will toggle its state When the sequencer are in recording mode the Start Stop button is flashing pushing any of the step buttons will set record mode to step mode and select this step for recording The step button will now flash When using the Tiny LD sequencer as a usual step sequencer the steps will play back from left to right I...

Page 312: ... state of part 9 to 16 is shown Unmuted tracks will now be shown by a step button that is lighting up and shortly flashes off every time the track is triggering Muted tracks are shown by a step button that is unlit and that lights up shortly every time the track would have triggered something if it weren t muted To mute or unmute a track simply hit the corresponding step button while still holding...

Page 313: ...313 Entering the Sequencer From the Preset Select Screen touch the EDIT field ...

Page 314: ...314 Touch SEQ on the navigation bar in the top of the screen ...

Page 315: ...bar has now changed it colors to brown yellow indicating that you have entered the Sequencer pages To enter the Sequencer Main page or any of the tracks simply touch the text showing the name of the group that you would like to enter To exit to the Preset Select page touch ESC ...

Page 316: ...mmed every time a note is received If more notes are played at the same time or at the same position in time more steps will have the same position Only steps that are off can be recorded Each step gets positioned at the moment that it is recorded Step 1 is recorded first and positioned to the position in time of the recorded note Then step 2 is recorded and positioned And so on Audio When sequenc...

Page 317: ...s Track lengths can be set individually for each track in the separate track menu s Notes Sets if the notes of the Note tracks should be shown in a note grid setting Grid or as value bars setting Value This can also be switched on the note track pages StAdv Step Advance on off When step recording a sequence it will automatically advance to the next step of the selected track is this is set to on S...

Page 318: ...lear Seq Touching this button will make Tiny LD jump to this page If you touch the Yes button here you will clear all tracks of the current preset and reset all values If you do not wish to do that touch No ...

Page 319: ... so there are quite a lot of possibilities to deform a sequence with this For separate swing on each track please use the track modulation Set the amount of swing with the Swing parameter and select the swing modulation source using the Src parameter Any Tiny LD modulation source can be selected Seq Morph Swing When setting this parameter to On turning up the Seq Morph Knob will add random swing t...

Page 320: ... Right above this to the left and to the right the first and last step numbers of the steps that is currently shown in the note grid are indicated Between these numbers a few settable parameters is shown In the top left side a small VU meter is shown that will indicate every time a note is played back Here when neither KNOBS1 8 or KNOBS9 16 is black Edit Knob 1 Selects the octave to be viewed The ...

Page 321: ...as Lst The Last step can be set globally for all tracks at the Seq Main page Edit Knob 4 Sets the track resolution Values 1 64 1 48 1 32 1 24 1 16 1 12 1 8 1 6 Value is shown as Res The note values for each step is shown right below the note grid If a black underscore is shown below the number it means that it is a note Note values for each step can be changed simply by touching the note grid Valu...

Page 322: ...e NtG square in the upper left corner of the screen or go to the sequencer main page and change the Notes parameter to Value The note values page will now look like this The knob functions are the same on this page as on the note grid page Note values can still be entered by touching the value bars or by the edit knobs Steps that are on has a green value bar steps that are off has a yellow red val...

Page 323: ... of all steps This can be done on any subtrack except for the sub position track When you have selected a group of step to be edited using the Edit Knobs touch the active knob select bar one more time and it will switch to All ...

Page 324: ...rack the positions will roll over around the selected last step This means that if you are turning the offset up the last steps before the last step will now be placed on the first steps of the track Likewise if you turn the offset down the first steps of the track will now be placed on the last steps of the track SPECIAL NOTE FOR THE SUB POSITION SUB TRACK Offsets can t be adjusted on this If All...

Page 325: ...d named Knobs 1 8 to edit the first 8 steps using the edit knobs or touch the field named Knobs 9 16 to edit the last 8 steps using edit knob 1 to 8 When neither KNOBS1 8 or KNOBS9 16 are black Edit Knob 1 Has no function Edit Knob 2 Selects the bar to be viewed 4 bars can be viewed showing each 16 steps for a total of 64 steps The bar number is shown just above the note grid marked Bar and the fi...

Page 326: ...p can be set globally for all tracks at the Seq Main page Edit Knob 4 Sets the track resolution Values 1 64 1 48 1 32 1 24 1 16 1 12 1 8 1 6 Value is shown as Res Touching ESC will exit you to the Sequencer access page ...

Page 327: ...ed Knobs 1 8 to edit the first 8 steps using the edit knobs or touch the field named Knobs 9 16 to edit the last 8 steps using edit knob 1 to 8 When neither KNOBS1 8 or KNOBS9 16 are black Edit Knob 1 Has no function Edit Knob 2 Selects the bar to be viewed 4 bars can be viewed showing each 16 steps for a total of 64 steps The bar number is shown just above the values field marked Bar and the firs...

Page 328: ... can be set globally for all tracks at the Seq Main page Edit Knob 4 Sets the track resolution Values 1 64 1 48 1 32 1 24 1 16 1 12 1 8 1 6 Value is shown as Res Touching ESC will exit you to the Sequencer Modules page ...

Page 329: ... it or more steps can be set to play back at the same position for polyphonic sequencing Templates explained in the next section are available to force the position to make the track play forwards backwards random alternating and in many other patterns if you do not like to set this up yourself The position for each step is shown as bars in the value grid and as number right below the value grid P...

Page 330: ...t step number viewed is shown just above the values field to the right and the left Edit Knob 3 Sets the last step that will be played back on this track before it loops back and plays the track again Range 1 to 64 steps Value is shown as Lst The Last step can be set globally for all tracks at the Seq Main page Edit Knob 4 Sets the track resolution Values 1 64 1 48 1 32 1 24 1 16 1 12 1 8 1 6 Valu...

Page 331: ...alue grid Values can also be changed using edit knob 1 to 8 In the bottom of the page touch the field named Knobs 1 8 to edit the first 8 steps using the edit knobs or touch the field named Knobs 9 16 to edit the last 8 steps using edit knob 1 to 8 When neither KNOBS1 8 or KNOBS9 16 are black Edit Knob 1 Has no function Edit Knob 2 Selects the bar to be viewed 4 bars can be viewed showing each 16 ...

Page 332: ...nd plays the track again Range 1 to 64 steps Value is shown as Lst The Last step can be set globally for all tracks at the Seq Main page Edit Knob 4 Sets the track resolution Values 1 64 1 48 1 32 1 24 1 16 1 12 1 8 1 6 Value is shown as Res Touching ESC will exit you to the Sequencer Modules page ...

Page 333: ...ther the Note Gate Velo or position subtracks touch TMP on the top navigation bar to enter the templates note scales page If you enter the templates pages from the note gate or velocity page it will look like this First turn Edit Knob 1 to set the range This will set how much the template routine will affect the values that are already on the selected subtrack When this is set to 100 the template ...

Page 334: ... Cmaj Forces all notes outputted from the track to the Cmajor scale Dmaj Forces all notes outputted from the track to the Dmajor scale Emaj Forces all notes outputted from the track to the Emajor scale Fmaj Forces all notes outputted from the track to the Fmajor scale Gmaj Forces all notes outputted from the track to the Gmajor scale Amaj Forces all notes outputted from the track to the Amajor sca...

Page 335: ...tep that is set Values after the last step are not affected Available templates Fwd Forwards The more the Range parameter is turned up when touching this the more the track will be forced to play back forwards Bwd Backwards The more the Range parameter is turned up when touching this the more the track will be forced to play back backwards Random Will randomize all steps between step 1 and last st...

Page 336: ...rced to play back 2 note polyphonic 4note 4 Note Poly The more the Range parameter is turned up when touching this the more the track will be forced to play back 4 note polyphonic Random Steps Will randomize the note steps on s off s The more that the Range parameter is turned up the more notes it will set to on ...

Page 337: ... the start step make the track strum and transpose the track It is also possible to clear or double the track The parameters of this page Mod Note Track modulation source Any Tiny LD modulation source can be selected to modulate the track For a complete list of modulation sources see the list in the start of the synth part section in this manual ...

Page 338: ... be applied to the track Start Sets the track start step This will be the step the track starts at when hitting the Start Stop button or when entering this preset from another preset while the sequencer is running When selecting another preset while the sequencer is running the preset change will happen when Note track 1 are at the step before the start step Step 1 to 64 can be selected The Start ...

Page 339: ...Clear Track button to enter this page Touching Yes from here will initialize all step values and parameters of the currently selected note track except for the Last Step parameter If you would not wish to do this touch No to exit to the track Mod page ...

Page 340: ...uble touch button to double the length of the track All events from the original track is copied to the new half Useful if you need some extra variation in a track PLEASE NOTE The track lengths cannot exceed 64 steps for the note tracks ...

Page 341: ...shing Tiny LD has two different note realtime recording modes Mono and poly In mono recording mode it records the notes in a linear time fashion like a traditional step sequencer One note per step The notes you play are placed at the position where the sequencer was playing back at the moment that you played the note If you play more than one note on the same position only the last note you play a...

Page 342: ... Monophonic recording Poly Polyphonic recording Audio Audio track recording Explained a little bit later in this manual AudCH Chopped audio track recording Explained a little bit later in this manual On the Sequencer Main page it is also possible to switch realtime recording on and off by touching the Rec touchbutton ...

Page 343: ...343 Step Recording of Notes On top of the xox style and realtime recording methods step recording of notes and controllers are also possible ...

Page 344: ...sired Step recording is possible no matter if the sequencer is running or not Push and release the Steps Part button so that it lights up and puts the 16 step buttons in step mode Push the step button that has the position for the step that you would like to record This will now flash Play a note or more in poly rec mode on an attached MIDI device or on the touch screen keyboard This will now be r...

Page 345: ...345 If the sequencer is running while step recording the time you hold down a note will be recorded If the sequencer is stopped resolution will determine the note length ...

Page 346: ...iny LD note tracks can control either the internal part that they are hard assigned to or external MIDI gear When a part track is set up to external MIDI control the internal part can not make any sound From the Preset Select page touch the EDIT field to enter the main synth page ...

Page 347: ...347 On this page touch TRIG ...

Page 348: ...ing down the Steps part button while pushing the step button that has the desired part number Set the Int Ext parameter to Int Internal or Ext External If you set the part to external set the Chan parameter to a MIDI channel that matches the MIDI gear that you would like to control Set other track up if desired ...

Page 349: ...ll follow the resolution set on the note track So if you plan to rearrange the track afterwards it will probably be best to set it to as low a resolution as possible while still getting the desired length When you just wants to record one whole piece it is best to set the resolution as high as possible so that you will get a longer recording up to 32 bars when resolution is set to When recording a...

Page 350: ...350 Audio track setup From the Preset select page touch the EDIT field to enter the synth main page Touch SMP on the top navigation bar ...

Page 351: ...351 You should now enter this page Touch the REC touch button ...

Page 352: ...of Tiny LD s audio inputs and can t hear it now switch the Moni parameter to On If you only want to listen to the record source while it is recording and get the source signal switched off at the moment recording stops and the tracks starts to play back set the Moni parameter to Rec Select the record source by setting the Sorc parameter Choices are InpL Left audio input mono InpR Right audio input...

Page 353: ...rcent of the sample bank that are already in use For optimal results set the level parameter to 0 and adjust the level of the record source so that the 2 VU meters in the bottom of the screen does not get red You should only adjust the level parameter to other values than 0 if it is not possible to adjust the level directly on the source ...

Page 354: ...354 Now go to the sequencer note track page by Exit the Sample Rec page by touching EXIT in the upper right corner to go back to the Sample Edit page Touch SEQ on the top navigation bar ...

Page 355: ...355 You should now have entered this page Touch NOTE TRACK 1 16 to enter the note track page ...

Page 356: ...6 Now select the note track that you would like to record Set the desired length and resolution Go to the sequencer main page by touching ESC on the top navigation bar to go back to the Seq overview page ...

Page 357: ...357 Touch MAIN ...

Page 358: ...old down the Func Mute button while pushing the Start Stop button If the sequencer is already running it will start recording the audio track the next time the track starts over from step 1 If the sequencer is not already running push the Start Stop button to start it Tiny LD will now count in for 2 bars with the metronome audible and then start recording As soon as it reaches the track last step ...

Page 359: ...359 The audio track sample will be saved in this format Preset number _ Track number _ BPM _AUDTR ...

Page 360: ...en the steps from one step value to another for smooth transitions between them Each controller track both creates an internal modulation source and a MIDI CC or Pitch Bend source The MIDI CC s and Pitch Bend sources can be sent both to external MIDI gear and internally Via the controller tracks it is possible to realtime record MIDI CC s pitch bends and knob movements Templates are available for ...

Page 361: ... the first page you will enter showing the controller values that will be outputted for each sequencer step when the sequencer is playing back At most of this screen you will see the value grid Right above this to the left and to the right the first and last step numbers of the steps that is currently shown in the value grid are indicated Between these numbers a few settable parameters is shown In...

Page 362: ...ain page Edit Knob 4 Sets the track resolution Values 1 64 1 48 1 32 1 24 1 16 1 12 1 8 1 6 Value is shown as Res Touching ESC will exit you to the Sequencer Access page The controller values for each step is shown right below the value grid If a black underscore is shown below the number it means that the value are above 100 Controller values for each step can be changed simply by touching the va...

Page 363: ...this page will toggle between the value bars and a key grid The key grid mode will make it easier to program sequences for CV synths In order to make the key scaling fit this should only be used in conjunction with the CV stepped quantized modes explained under Controller Tracks CC page a few pages later ...

Page 364: ...o 100 the template function will be absolute Then touch any of the template boxes in the right side of the screen The templates work from step 1 to the last step that is set Values after the last step are not affected Available templates RampUp Ramp Up Will lower values on steps that are placed before last step divided by 2 and raise values on steps placed after last step divided by 2 RampDw Ramp ...

Page 365: ...365 Middle Will move any values closer to the middle value Zero Will lower any values Full Will raise any values ...

Page 366: ...ke the selected controller track output MIDI CC values or pitch bend values to MIDI out or internally as set on the CCout parameter When a number is set this is the CC number that will be outputted If any Tiny LD Edit Knob are assigned to this CC the knob name will be written in parenthesis If set to Pitch Bend this is what will be outputted The CC Pitch Bend set here are also the event that the t...

Page 367: ...sents one CV note at 1 2v per octave when assigned as a source for the CV outputs PLEASE NOTICE This parameter has only been kept to ensure compability with Tiny LD presets It has no real function on Tiny LD except for that it will make the controller tracks stepped Start 1 to 128 Sets the track start step This will be the step the track starts at when hitting the Start Stop button or when enterin...

Page 368: ...m the track CC page touch the Clear Track button to enter this page Touching Yes from here will clear all step on s of the currently selected controller track If you would not wish to do this touch No to exit to the track main page ...

Page 369: ... the Double touch button to double the length of the track All events from the original track is copied to the new half Useful if you need some extra variation in a track PLEASE NOTE The controller track lengths cannot exceed 128 steps ...

Page 370: ...top position you will find Pitch Bend and at position 16 CC16 you will find the touch screen keyboard Y position The MIDI CC used for knob movement recording are named like this 1 Morph 2 SeqMrp 4 Knob4 For knob movement recording you should select one of these If the PccIN Parameter CC s input parameter on the MOR COM2 page is turned on it will also be possible to select many parameters for direc...

Page 371: ...re that has the same number s as the track s so that these turns yellow Now they are armed Set the length of the controller tracks s if desired Now set Tiny LD in sequencer recording mode by touching the REC field on the sequencer main page or on the preset select page so that it turns red or push and hold the Func Mute button while pressing the Start Stop button Start the sequencer Tweak the knob...

Page 372: ...s into recording mode they will stay armed yellow until the controller track passes step 1 Then they will switch to recording mode and the squares will turn red to indicate that When a controller track reaches its last step recording will stop and its square will turn grey ...

Page 373: ...ength Now go to the Synth section page and select the part where the parameter is located Put Tiny LD in realtime recording mode by making sure that the Func Mute button is lighting up and then push step button 2 Rec Press step button 1 Play to start the sequencer It will now count in for 2 bars and the start to record Tweak the parameter When the controller track reaches its end step recording wi...

Page 374: ...th to make the tracks match Note track 1 will set up controller track 1 for pitch bend recording and controller track 17 for CC recording Note track 2 will set up controller track 2 for pitch bend recording and controller track 18 for CC recording Note track 16 will set up controller track 16 for pitch bend recording and controller track 32 for CC recording The CC number to be recorded will be the...

Page 375: ...dy running recording will start when the controller track passes step 1 The Bend Rec touch button will then turn red to indicate that recording is active Pitch Bend messages will only be recorded the first time the controller track is running When the controller track passes its last step recording will be switched off and the Bend Rec touch button will turn grey Follow the same procedure to recor...

Page 376: ...ng is possible no matter if the sequencer is running or not Push and release the Steps Part button so that it lights up and puts the 16 step buttons in step mode Push the step button that has the position for the step that you would like to record This will now flash An armed controller track rec indicator yellow will now switch to recording mode red Set the Knob MIDI Controller to the value you w...

Page 377: ...ameters of the second layers on any synth and sequencer page hit the Morph Set button so it lights up Now the parameters of layer B will be shown on the screen and you can edit these using Edit Knob 1 to 8 just like the layer A parameters All continously adjustable parameters can be morphed Switches are not morphed except for the note tracks steps on offs In the MOR section under MORPH it is possi...

Page 378: ...378 More preset parameters Setup From the Preset Select page touch the Edit field ...

Page 379: ...379 On the navigation bar at the top of the screen touch MOR ...

Page 380: ...ou can set up all the basic Tiny LD things like global MIDI channel morphing setup FilterBoard type check and erase the Tiny LD memory initialize the preset and change to song mode On the following pages each section of the More page is described ...

Page 381: ...annel if the Mode parameter is set to Sel Explained in a moment MIDI CC s from the Edit Quick Edit Knobs and the Morph knob will be transmitted on this channel if the Mode parameter is set to Sel This setting is automatically saved and will be remembered after a power off Sync Sequencer syncronization This setting is automatically saved and will be remembered after a power off Settings Int Tiny LD...

Page 382: ...led on any MIDI channel OmTh Omni Thru The selected synth part is controlled on any MIDI channel MIDI events are channelized to MIDI out on the MIDI channel selected on the Synth Part TRIG page Mult Multi timbral All 16 parts works in multi timbral mode and is controlled by the MIDI channel key range set on each parts ZONE page MuTh Multi timbral Thru All 16 parts works in multi timbral mode and i...

Page 383: ...ited number of modulation sources including a morph LFO From More page touch MORPH to enter this page This is the settings for the Morph knob that affect the Synth Parts LFO s and effect processors Touch the Syn touch button to access this page Parameters on this page Perm Morph knob permanent value Will override the value of the Morph knob and keep morph on the permanent value plus modulation Ran...

Page 384: ...ote number value received Velo The last note velocity value received TouY Touch screen keyboard Y position Rate Morph LFO rate Sets the tempo of the morph section LFO that can only modulate the morph parameter Wave Morph LFO output waveform Morphs between triangle sawtooth square pulse and FM waveforms The FM waveforms are high frequency waves that can be used for FM synthesis ...

Page 385: ...lue of the Seq Morph knob and keep morph on the permanent value plus modulation Range Off 1 to 511 Mod Seq Morph knob modulation amount 0 to 511 Src Seq Morph modulation source Sources are LFO The morph section LFO Described below Seq1 to Seq8 Sequencer controller tracks 1 to 8 CV1 to CV4 CV inputs 1 to 4 Kybd The last note number value received Velo The last note velocity value received TouY Touc...

Page 386: ...o of the morph section LFO that can only modulate the morph parameter Wave Seq Morph LFO output waveform Morphs between triangle sawtooth square pulse and FM waveforms The FM waveforms are high frequency waves that can be used for FM synthesis ...

Page 387: ... keep the sounds from a previous preset when shifting to a new one please set this parameter to off PccIN Off On Parameter CC Input If this parameter is set to On many of the Tiny LD parameters will be hard assigned to MIDI CC numbers This also makes it possible to control the same parameters directly from the sequencer controller tracks and to realtime record parameters tweaks on the controller t...

Page 388: ... will not transmit any MIDI CC s on MIDI out Qedit Will switch the Quick Edit functionality of the Edit Knobs on or off When this is set to off the Edit Knobs will not have any function on the Preset Select page unless they are assigned as modulation sources i1 2 When on audio inputs 1 and 2 will be swapped ...

Page 389: ...erwritten until you save the new preset so even though you have initialized it it can still be recalled if you should regret by selecting another preset and then select this one again or by using the reload function From More page touch INIT to enter this page Tiny LD will now ask you to confirm Press Yes to initialize the currently selected preset and return to the previous page or press No just ...

Page 390: ...set to On any synth parameter value will not be changed when turning a knob until it passes the original value that the parameter was set to This will avoid jumps in the sound On the MOR page touch the SNAP OFF text Parameter snap mode will now be turned on To turn it off touch it again ...

Page 391: ...nly need to go here when you swap the filter boards From MOR page touch VCF TYPES to enter this page Turn Edit Knob 1 to select the FilterBoard Explanation of the possible types Further explanation of each filter type in the Synth Parts section analog filterboards chapter 1 VCF1 Single filter 2 VCF2 Dual filter 3 VCF3 Trippple filter 4 VCF4 Gotharman s first filter 5 VCF5 MiniProphet filter 6 VCF6...

Page 392: ...392 10 VCF10 SSI2140 50 User filter A filter board that can be defined by you or a third party 60 Dual SSI2140 filter ...

Page 393: ...ng which will cause the filter to generate noise it is a deformer right Unfortunately some users do not understand the concept behind calling an instrument for a deformer and suspected these filters to be defective Therefore a touch switch SsiLim has been added to the VCF Type page When this is on black with white text the Space parameter on VCF8 s will work in a limited range and will not be able...

Page 394: ...re available for download at www gotharman dk It is possible to name each parameter and to set if each parameter should work in inverted mode This can save you from having to add inverter circuits to your design It is also possible to export and import the parameters as a file to a USB stick so that you can share it with other users if you decide to sell filter boards of your own design Setting up...

Page 395: ...ntrol the voltage sent to the Cut CV output parameter 2 will control the voltage sent to the Peaks CV output parameter 3 will control the voltage sent to the Reso CV output and parameter 4 will control the voltage sent to the Feed CV output The VCF modulation sources will be named in the same way as these main parameters The lower row of parameters numbered 5 to 8 shows the parameter names for the...

Page 396: ...rameter simply touch the parameter name The touch keyboard will now pop up Punch in the name you find practical for this parameter and touch OK to return to the User filter page The name of each parameter can be 5 characters long ...

Page 397: ...parameters and setting the normal inverted switches touch the SAVE button to save the parameters And don t worry if everything is perfect at this point or not You can at any time return to the User filter setup page and change the names and or normal inverted settings ...

Page 398: ...398 The touch keyboard will now pop up Punch in the name of your filter This name can be up to 8 characters long Touch OK to save or EXIT to quit without saving ...

Page 399: ...399 You are now back on the User filter page and the name has changed ...

Page 400: ...hing the VCF touch button will immediately export the saved User filter parameters to the currently selected folder of the connected USB drive The file will be named the same as the user filter with VCF added as the ending When the export is done it will return to the main USB page Please notice that if you enter the USB Export page directly from the User filter page it will be located in the root...

Page 401: ... The User filter file will now be imported and saved If your LD3 already contained saved User filter parameters these will be overwritten so if you plan to use this remember to export it first The VCF files can only be imported as single files They can t be imported together with multiple files ...

Page 402: ...2 FLASH Memory Check From More page touch FLASH to enter this page If you should ever experience any issues with missing samples or presets please take a picture of this screen and email it to Gotharman s ...

Page 403: ...ecover your samplings again From More page touch DEL SmpA to erase sample bank A Tiny LD will now ask If you are really sure that you absolutely have to do this touch Yes to start the erase The sample bank will now be completely wiped out While it is being erased Tiny LD s 16 step buttons will run a sequence When the step buttons shuts off the erase has been done and Tiny LD will return to the Mor...

Page 404: ...since if you don t have a backup it will not be possible to recover your presets again Tiny LD will now ask If you are really sure that you absolutely have to do this touch Yes to start the erase All presets and songs will now be completely wiped out While these are being erased Tiny LD s 16 step buttons will run a sequence When the step buttons shuts off the erase has been done and Tiny LD will r...

Page 405: ...405 C P From More page touch C P to enter this page By turning Edit Knob 1 to 4 you can here make the 2 rectangles produce different colours This does however not have any practical function at all ...

Page 406: ...406 Preset Song Mode Touch this to toggle between preset mode and song mode Song mode is described later in this manual ...

Page 407: ... testing this as much as possible and did not discover any display freezes If you should discover any display freezes go to the MOR page Touch the text DISP FAST It will now change to DISP SLOW and go back to the slower display mode as before Please report any display freezes to info gotharman dk ...

Page 408: ...t that is saved on Tiny LD contains all the data previously described in this manual All sequencer data All synthesizer parts settings All effects settings All audio bus settings All CV in out settings From the Preset Select screen touch the EDIT field to enter the Main Synth page On the navigation bar at the top of this page touch SAV OR Hit the Func mute button so it lights up and hit step butto...

Page 409: ...re already saved If you save your new preset on such a location the old preset will be overwritten On preset locations where a preset has not yet been saved the name will be shown as empty It is also possible to select the destination preset using the buttons This is done in exactly the same way as when selecting a preset using buttons Please see the Operating Tiny LD section in the beginning of t...

Page 410: ... to save your preset to you will enter this page Type in the name for your preset This can be up to 16 characters long Aa will switch between uppercase lowercase letters and numbers signs will move the cursor back for correcting characters will skip characters ...

Page 411: ...411 Touch SAVE when you are done Your preset will now be saved and Tiny LD will exit from the save pages ...

Page 412: ...last step of a Song is set to Loop it will jump back to step 1 and continue playback after the last preset has played Songs can be realtime recorded simply by hitting the Rec button on the song main page then the Play button and then play back the presets that you want in your song Songs can also be recorded edited by putting the Preset numbers and number of times to play back into a list Any pres...

Page 413: ...he first song step from the preset select page before you enters song mode This is not something you have to do I have just experienced when testing this that it makes things a bit easier When you select a non recorded empty song the last selected preset will automatically be placed on song step 1 From the Preset Select page hit the EDIT field ...

Page 414: ...414 On the navigation bar at the top of the screen touch MOR ...

Page 415: ...415 Please notice that this picture is from LD3 In the far right row you will find the text PRS Please touch this after making sure that the sequencer is stopped ...

Page 416: ...416 Now PRS turns into SONG and Tiny LD are in song mode If you would like to go back to preset mode just touch SONG ...

Page 417: ...For each song step the song step number is shown the preset number and name and the number of times track 1 will play back under the X To edit a song step turn edit knob 1 to select End preset bank A to P or Loop End will make song playback stop when it reaches that step Loop will make it jump back to song step 1 and start all over again Turn edit knob 2 to select the preset number and edit knob 3...

Page 418: ...t a time Touch the arrows to select the previous or next 8 song steps The total number of song steps is 128 Touch EXIT to exit from the Song Edit page and touch REC to start song realtime recording This will be explained very soon ...

Page 419: ...st digit of this now shows the song step number that is currently being played back The 2 other digits is still showing the bar and the beat of the preset that is currently playing back Other changes to this compared to the Preset Select page are that the field in the upper left corner that was used to select preset with now has been renamed to SONG and is used to select song with It is only possi...

Page 420: ...d finally touch the song name of the song you would like to select 1024 songs can be selected from A01 to P64 Tiny LD will now jump back to the main Song Select screen and show the name of the newly selected song When Tiny LD is turned off it will remember which song was selected and start up with this when turned on again It will also remember if it was in preset or song mode and start up in the ...

Page 421: ...421 Song Realtime Recording On the Song Select page select the song you would like to record 1024 songs are available from A00 to P64 Now go to the song edit page ...

Page 422: ...422 Make sure that the sequencer is stopped and push the REC button so it turns red Now exit to the Preset Song select screen ...

Page 423: ...our song by pressing the Start Stop button If you would like another preset on step 1 of your song please select this using the preset select field and then push the Start Stop button to start the recording of the song The preset you selected will now start to play back From here you can now select other presets at the time you want these to play back in your song Preset changes will only be regis...

Page 424: ...the Start Stop button to stop song recording Go back to the song edit page and touch the REC button so it turns grey again to exit from song realtime recording or simply exit to the preset song select page and touch the REC indicator To listen to the song you have just created just hit the Start Stop button If there are anything you would like to edit go to the Song Edit page as described earlier ...

Page 425: ... Save Song Tiny LD songs are not saved within the presets so they must be saved separately To do so when in song mode from the song select page touch the EDIT field to enter the Synth parts page Touch SAV ...

Page 426: ...r new song to If it is not shown touch PREV and NEXT to reach it Song number and name is shown for songs that are already saved If you save your new song on such a location the old song will be overwritten On song locations where a song has not yet been saved the name will be shown as empty ...

Page 427: ...e to save your song to you will enter this page Type in the name for your song This can be up to 16 characters long Aa will switch between uppercase lowercase letters and numbers signs will move the cursor back for correcting characters will skip characters ...

Page 428: ...428 Touch SAVE when you are done Your song will now be saved and Tiny LD will exit from the save pages ...

Page 429: ...429 Initializing a Song If you would just like to start all over with an empty song it is possible to initialize it To do so in song mode access the MOR page From here hit INIT ...

Page 430: ... initializing Please notice that when initializing a song this is only done in Tiny LD s temporary song RAM NOT on the FLASH memory so if you did this by mistake or you regretted doing it you can always recall the song by selecting another song and select this again Then nothing will be lost It is not until you save the song that permanent changes is done ...

Page 431: ... will copy one or two layers of the selected part Included in this are the oscillator the digital filters VCA and Envelope settings BUS page Tiny LD will copy all the BUS settings MicroTunings When on the Zone page LD3 will copy one or two layers of the microtunings Oscillator page Tiny LD will copy one or two layers of the oscillator settings of the currently selected part Digital Filter page Tin...

Page 432: ...om the preset select page and Tiny LD tells you that it will copy the whole preset If you had entered the copy page from a filter page it would have said COPY FILTER pt 1 instead Now select deselect the desired layers by touching the A B and Morph touch buttons If a layer button is black it means that this layer will be copied if it is grey the layer will not be copied It is only possible to copy ...

Page 433: ...opy again Now when the function buttons are active the Func Mute button lights up every time you enter a page where the copy buffer holds something that can be pasted step button 14 Paste will light up To paste something navigate to the desired page where you would like to paste the settings Make sure that step button 6 Paste lights up Hit step button 6 Paste Your settings has now been pasted ...

Page 434: ...g all tracks or the whole preset Simply go to the sequencer track that you would like to copy from and hit the Copy button as usual The Copy screen will now pop up As usual simply hit the Copy button again to copy the track Now you can stay on the same track to copy a range of steps to another location of the same track or you can go to another track to paste all the steps or a number of steps to ...

Page 435: ...roller tracks To The step on the destination track that you would like to paste the selected range of steps to Range 1 to 64 on note tracks and 1 to 128 on controller tracks Additional options on note tracks only Clear Dest Steps If you copy from or paste to a polyphonic track or Poly explained below is on switching this function on will make Tiny LD clear all steps which position is inside the ra...

Page 436: ...k With this switched on the destination track will be treated as a polyphonic track and steps will only be pasted to steps that are already off The position track will be altered If Clear Dest Steps is off no steps will be overwritten When entering the Track Paste Page Tiny LD will analyze both the source and destination tracks and if any of these are polyphonic tracks it will automatically switch...

Page 437: ...r stereo Tiny LD has 1 bank of FLASH memory for storing samples Bank Bank A holds up to 43 minutes of mono samplings maximum 2048 samplings One sampling can maximum be 43 minutes long Sample times in stereo are half of the mono sample times All samples that are imported or recorded stays in Tiny LD s FLASH memory even after a power off Since they are played back directly from the FLASH memory ther...

Page 438: ...438 Recording a sampling From the Preset Select screen touch the EDIT field to enter the Main Synth page Touch SMP at the top navigation bar ...

Page 439: ...439 You will now enter the Sample Edit page Touch the REC touch button to enter the Sample Rec page ...

Page 440: ...ut mono InpST Left and right audio inputs stereo OutpL Left audio output mono OutpR Right audio output mono OutST Left and right audio outputs stereo The Smp parameter will show how many sampling that the selected bank already holds and the Used parameter will show how many percent of the sample bank that are already in use For optimal results set the level parameter to 0 and adjust the level of t...

Page 441: ...igger until a signal that is loud enough to trigger the auto offset applied If the Auto parameter is turned fully up it will show the value Seq If Auto set to Seq the sequencer must be started in order to start sample recording when it is waiting for a trigger Otherwise Tiny LD will now start to record the new sampling When you are finished recording your sample touch the STOP button ...

Page 442: ...ump to this screen To audition the sample you have just recorded touch the Audition button To name and save the sample touch the Save button If you decide not to keep this sample touch EXIT and the new sample will be erased ...

Page 443: ... will jump to this page Type in the name for your sampling This can be up to 16 characters long Aa will switch between uppercase lowercase letters and numbers signs will move the cursor back for correcting characters will skip characters ...

Page 444: ...444 Touch SAVE to save the new sample and return to the Sample Rec page ...

Page 445: ...Sampling From the Main Synth page touch SMP at the top navigation bar to enter this page On this page you can audition samples from the FLASH memory adjust the samples start and end points and create sample chops ...

Page 446: ...ouch the sample name To audition it touch the Play touchbar in the bottom of this page When you have found the right sampling touch OK to return to the Sample Edit page The Play touchbar on the sample select page re triggers the sampling every time it is touched If you should wish to start and stop sample playback every time you hit play exit to the Sample Edit page and touch the Play button there...

Page 447: ... to adjust Adjust the start point by turning edit knob 1 fine adjust by turning edit knob 2 Adjust the end point by turning edit knob 3 fine adjust by turning edit knob 4 Audition by touching the PLAY button When you are satisfied with the result touch the SAVE button Tiny LD will now show Instead of searching manually for the sample start point it is possible to use the Chop function for this Thi...

Page 448: ...hese wave cycles loop them and switch between other wave cycles of the sampling This can also be used as a super easy way for looping a sampling All chop points are non destructive to the sampling Only the positions of the chop points are stored nothing is changed on the sampling itself Chop points can at any time be moved deleted and inserted Up to 64 chop points can be created for each sampling ...

Page 449: ... silence between the sounds set it to a low value Pre If there are loud clicks in the start of many of the chop points especially on low frequency sounds turning up this parameter will make Tiny LD set the chop points a little bit earlier than it usually would This will remove these clicks Mode Different modes are available for generating non destructive chop points Peak It will generate the chop ...

Page 450: ...s in each chop point Turning this up before generating chops will make each chop contain a number of chops Especially usefull when using the wave chop function for making sample loop points Generating Sample Chop Points On the Sample Chops page adjust the Sens Dec Pre and xChp parameters as desired and switch wave mode on if desired Touch the Chop button Tiny LD will now look for chop points in th...

Page 451: ...ed chop point using the Adjust parameters To add chop points first touch the Play button to make the sample chop point play back While the sampling is playing back hit the Add button when it is playing back the point where you would like to add a chop point In the bottom of the screen it shows the position of the selected chop in the values that the Sample Start parameters would have to be adjuste...

Page 452: ...e sampling with wave chops When you have a sampling with the wavechops added it is possible in real time to select which single cycle should play back in the samplers in the synth section using the Chop parameter It is also possible to select single cycle waves using any modulation source This gives some really cool possibilities like wave sequencing wave tables and time stretch How to wave chop a...

Page 453: ...Sens to 128 If the wave chops gets too long very few chop points try first to adjust Sens down If this makes things worse adjust it up On simple waveforrms Sens should in most cases have a low value On more complex waveforms Sens should have a higher value If you wish your wavechops to be larger than single cycles you can either turn Dec or xChp up The Pre parameter should be kept at zero When you...

Page 454: ...454 Tiny LD will now show When it has found some chop points it will return to the Chop page ...

Page 455: ...ns and hit Chop again When you have found a result that you are satisfied with please remember to touch the Save button To use the wave chops for something now exit Sample Edit and go to a part Osc page Set Osc1 in sampler mode and touch the SMP touch button to select the sampling that you just wave chopped or any other sampling that you have wave chopped ...

Page 456: ...456 Touch the sample slot 1 name to open the sample select page ...

Page 457: ...457 Select the sampling touch OK and touch the OSC touchbutton ...

Page 458: ...458 Set Loop mode to On and adjust the Chop parameter to select the single cycle waves If you would like more single cycle waves to play back inside the loop turn the Chp parameter up ...

Page 459: ...dulate the Chop parameter and turn the modulation amount up You can obtain different effects with different values of the modulation amount Adjust the Envelope decay to make the playback of the sampling faster low decay values or slower high decay values Adjust the attack parameter to obtain a reverse playback effect in the start of the sample playback Modulate the envelope parameters to have dyna...

Page 460: ... recorded sampling On the Sample Delete page it is possible to delete the last recorded sampling in sample Bank A On the sample select page select the sample bank from which you would like to delete a sampling Touch DEL ...

Page 461: ...page If you decided to delete the sampling Tiny LD will now run a light sequence on the step buttons 1 8 while it is deleting the sampling Since this is FLASH memory it might take some time DO NOT TURN TINY LD OFF WHILE IT IS DELETING A SAMPLING THIS WILL MAKE THE FLASH MEMORY MALFUNCTION ...

Page 462: ...port some samplings from it to the Tiny LD USB port Create a new directory Export all your samplings of the bank where the sampling s you want to delete is located to the USB drive inside the new directory Enter the directory on the USB drive and select the sampling s that you want to delete Push MD del on the USB page Push Del Confirm Leave the USB pages go to the More section and delete the whol...

Page 463: ...this will enter the graphical sample edit pages On the graphical sample edit pages you can add and remove chop loop points and select a portion of a sampling to be saved as a new sampling It has also been made easier to set loop points in long samplings by making it possible to save the selected end point as a chop loop point ...

Page 464: ...touch Grap to enter the graphical edit page On this page you will see a graphical presentation of the selected sampling Chop points are indicated as vertical blue lines and the sample zero point is indicated as a horizontal red line ...

Page 465: ...465 By touching anywhere on the screen or by rotating Edit Knob 1 you can select a start point This is indicated by a vertical green line By rotating Edit Knob 4 you can zoom in and out ...

Page 466: ...ossible to change the end point by rotating Edit Knob 1 If you touch the Play touch button the sample will play back from the start point to the endpoint and then stop If you touch the Loop button so that it turns black and then touch the Play button the sample will play back from the start point to the end point and then loop back to the start point and play back the selected piece again until Pl...

Page 467: ...ay back from the selected chop point to the next chop point and then stop If you touch the Loop button so that it turns black and then touch the Play button the sample will play back from the selected chop point to the next chop point and then loop back to the selected chop point and play back the selected piece again until Play or Loop is touched again so that any of these turns grey By touching ...

Page 468: ...Adding a chop point Make sure that the Chop touch button is grey Set the start point where you want the chop point to be either by touching the screen or by rotating Edit Knob 1 Touch the Func touch button ...

Page 469: ...469 Now you will enter the graphical function page Touch Add Chop Tiny LD will now jump back to the graphical edit page and a chop point will be added at the selected start point ...

Page 470: ...the loop sounds as intended Then you will save the start point as a chop point In order to make the loop work you will though also need to save the selected end point as a chop point To do this you must enter the graphical function page again Touch Add Chop At Endpoint Tiny LD will now jump back to the graphical edit page and a chop point will be added at the selected end point ...

Page 471: ...471 Delete a chop point Make sure that the Chop touch button is black and that you have selected the chop point that you want to delete Touch the Func touch button to enter the graphical functions page ...

Page 472: ... LD will now jump back to the graphical edit page and the previously selected chop point will have been removed To delete the next chop point follow the same procedure but touch Delete Chop At Endpoint on the functions page instead ...

Page 473: ...e edited added and deleted chop points you must save these changes in order to keep them This is also done from the graphical functions page Simply touch Save Chop Points Tiny LD will now save your edits and return to the graphical edit page ...

Page 474: ...tions of a sampling use a portion of the sampling for a loop or just wants to copy the whole sampling to another sample bank you can use this function First set the start and the end points of the portion of the sampling that you would like to copy OR select a chop it this is what you would like to copy Go to the functions page ...

Page 475: ...475 Touch Save As New Sample A new page will now open Select the sample bank that you would like to copy the sampling portion of the sampling to by touching the A touch button ...

Page 476: ...476 Tiny LD will write Saving Sample for some time and then it will jump back to the functions page ...

Page 477: ... inserted at the start point of each of the 8 waves for easy selection of each partial using the chop parameter WaveBuilder also lets you copy a sampling from one sample bank to another Just select the sampling in WaveBuilder set start to 0 and length to 511 and save it to the new bank The WaveBuilder always outputs to audio bus 1 so any filters and effects assigned to this bus will affect the sou...

Page 478: ...f the selected sampling to be included in the wave sequence if the selected sampling holds any chops Chp 1 to 64 Selects the number of chops to play back from the selected chop Start 0 to 511 Sets the start point of the sampling of the range that should be included in the wave sequence If the selected sampling holds chop points the start point will be inside the selected chop range Length 0 to 511...

Page 479: ...waves that are switched off or has their length set to zero will be skipped from the wave sequence Save touch button As soon as you have selected samplings and chops and adjusted the start and lengths and you are satisfied with the result you should touch this button to save the new wave sequence This will get you to this page Now touch A to save the wave sequence to sample bank A ...

Page 480: ...les as wav files import and export presets and songs import and export user filter parameters update the ld3 firmware and make new directories USB drives used with Tiny LD should be Maximum 32 GB FAT formatted From the Preset Select screen touch the EDIT field to enter the Main Synth page Touch USB on the navigation bar at the top of the screen ...

Page 481: ...of the drive make sure that it is connected properly and that it is has the right specs as described in the start of this section The names you see on the screen are the names of the files and directories on the drive File names are in black and directory names are in purple The currently selected file has a blue box around it To select a file simply touch it Tiny LD will show 7 files directories ...

Page 482: ...previewed directly from a USB drive Select the sampling that you would like to preview by touching the sample name and touch the PREW touch button This will first show LOAD then PREW again while playing back the first 6 seconds of the sampling ...

Page 483: ...rt single files or sub directories simply select the directory you would like to open by touching it and then touch the Open button Tiny LD will now open the directory and show the first 7 files in it The D in the top of the screen will now be replaced by the opened directory s name ...

Page 484: ... ending will not be shown on Tiny LD s screen regardless of if they are present on the drive To import a single sampling or preset song select the WAV LDS XDP XDO file you would like to import by touching it Samples are imported to the sample bank selected on the Sample Edit page When importing a single preset or song it is only loaded to the preset song buffer and you will have to save it manuall...

Page 485: ...485 Touch the Import button Tiny LD will now import the selected file and show the progress on a progress bar ...

Page 486: ...ve not selected a preset that you planned to keep before using this function Songs are also imported to the selected song and forwards so make sure that you have not selected a song that you planned to keep before using this function Samples that were exported from a Gotharman instrument can be imported either with the LD name the imprinted sample name shown for the sampling on the sample pages or...

Page 487: ...he exact same location as they were placed when exporting This will make sure that samples used in your presets will always be placed in the right locations Sample locations that are already occupied will be skipped by Reload so make sure to erase sample bank A and B if you want a complete reload To Reload multiple files select a directory by touching it Touch the Import button Tiny LD will now as...

Page 488: ...D itself or on a computer and reload all the samples Samples that are erased will just be left blank If you would like to import a number of wav files in a specific order or in a specific sample bank you can rename the samples on a computer to A0001 WAV A0002 WAV A0220 WAV and then import them using Reload If you would like to rearrange the order of samples and or presets you can rename the files ...

Page 489: ...splicing samples on a computer On your computer Make a directory or folder on an Tiny LD compatible USB drive Name the directory with the name that you want the sampling to have Copy any single samplings you would like this sampling to contain into the directory Max 64 samplings Create multiple such directories if desired Unmount the USB drive from your computer and insert it in the Tiny LD USB po...

Page 490: ...Knob 1 that is shown in the top of the screen After the import is done go to the sample edit page select the sampling you just imported named from the directory name and enter the Chop edit page You will now be able to hear each of the samplings by selecting chops On the synth sampler pages the procedure is the same Select the sampling and select the chop point Modulate the chop point selection to...

Page 491: ... sound Put all the variations of a sound in one directory import as chops and modulate the chop selection with velocity random or any other modulation source to make some great dynamic acoustic drum beats ...

Page 492: ...irectory To do this touch the MD Del button Turn the 8 edit knobs to select the 8 characters of the name for the new directory When you are done with this touch the Make button The new directory will now be created You can of course also just touch Exit if you do not want to make a directory anyway ...

Page 493: ...te file from USB drive It is possible to delete a file from the attached USB drive directly from Tiny LD To do this select the file you would like to delete and touch the MD Del button Now touch the Del button ...

Page 494: ...songs in its own xdp xdo format so these can at writing moment only be used by Tiny LD and LD3 The factory sample bank can t be exported To enter the export page touch the Export button All exports are done to the currently open directory There are 4 different possibilities for exporting 1Prs Export 1 preset song Touching this button will export the currently selected preset If Tiny LD are in song...

Page 495: ...e number and Edit Knob 3 to select the 10 s and 1 s If you have selected any of the factory samplings this will do nothing AlSm Export All Samples Touching this button will export all samples of the selected sample bank The Sample Bank can be selected by turning Edit Knob 1 If the selected sample bank contains any factory samplings these will not be exported VCF Exports the saved User filter param...

Page 496: ... Connect the USB drive to your computer 3 Make sure that the USB drive is FAT formatted 4 Create a directory in the root directory of this USB drive that is named UPDATE If the USB drive already contains a directory called UPDATE please delete all files inside this 5 Copy the update file from your computer to the USB drive UPDATE directory Make sure that no other files are present in this folder a...

Page 497: ...497 11 Touch the UPD button ...

Page 498: ...498 12 Tiny LD will now search for the UPDATE folder and a valid update file If it finds both it will ask Update Firmware 13 Touch Yes to proceed with updating or No if you regret ...

Page 499: ... to get the update file and program its processor When it starts to program the processor it will look like it halts for a couple of minutes This is because it does halt when erasing the program memory of a processor Erasing the program memory of the processor ...

Page 500: ...500 Programming processor counter in the bottom counts up ...

Page 501: ...501 15 When programming is done Tiny LD will ask you to restart it Please turn Tiny LD off and then on again ...

Page 502: ...turn them on again This is because ST Microelectronics decided to change the FLASH memory structure of the ARM processor used in Tiny LD from one day to the other While it is finalizing the update an initial text will show on the display If something goes wrong If the power should go off while Tiny LD is getting the update from the USB drive and programming the processors simply start over again f...

Page 503: ...t MIDI CC s 17 to 61 as modulation sources MIDI CC 64 MIDI Sustain Pedal Values above 64 Hold notes values below 64 Release notes Pitch Bend messages on the Tiny LD global MIDI channel and on the individual part MIDI channels in Multi timbral mode Controls the oscillators and samplers of part 1 to 16 and any parameter that has pbend set as its modulation source MIDI clock and start stop messages a...

Page 504: ... part MIDI channel from the knobs on the Preset Song Select screen and on any other pages that has no other Edit Knob functions CC16 touch screen keyboard Y position on the global midi channel Note on off s on any MIDI channels from the sequencer part system MIDI CC s on any MIDI channel from the sequencer controller tracks ...

Page 505: ...e sequencer controller tracks and movements of these can be realtime recorded to the controller tracks For part parameters MIDI channel are equal to part number To activate the CC control first enter the MOR COMMON page Here you must set the Mode parameter MIDI In Mode to either Omni OmTh Omni Thru Mult Multi Timbral or MuTh Multi Timbral Thru The CC control will not work properly in Sel Selected ...

Page 506: ...l if you would only like to control the selected Morph layer or to Both if you would like to control both Morph layers A and B at the same time Now you will be able to control many of the Spazeboard6 parameters from an external MIDI device and from the Sequencer Controller Tracks On the following pages you will find a list of the controllable parameters ...

Page 507: ...nnel 1 16 Digi Filter 1 Low 30 MIDI channel 1 16 Digi Filter 1 Boost 31 MIDI channel 1 16 Digi Filter 2 Cut 33 MIDI channel 1 16 Digi Filter 2 Reso 34 MIDI channel 1 16 Digi Filter 2 Input Level 35 MIDI channel 1 16 Digi Filter 2 Type 36 MIDI channel 1 16 Digi Filter 2 Mix 37 MIDI channel 1 16 Digi Filter 2 Narrow 38 MIDI channel 1 16 Digi Filter 2 Low 39 MIDI channel 1 16 Digi Filter 2 Boost 40 M...

Page 508: ...508 PARAMETER CC PART NUMBER VCF1 Cut HpCut 54 VCF1 Peaks LpCut 55 VCF1 Reso 56 VCF1 Feed Hpf Cut Spaze 57 VCF1 Out 58 VCF1 Input Level 59 VCF1 Output Level 60 VCF1 FM 61 VCF1 G RAY Feed 62 ...

Page 509: ...01 Insert EFX 4 Parameter 2 102 Insert EFX 5 Mix 103 Insert EFX 5 Parameter 1 104 Insert EFX 5 Parameter 2 105 Insert EFX 6 Mix 106 Insert EFX 6 Parameter 1 107 Insert EFX 6 Parameter 2 108 Insert EFX 7 Mix 109 Insert EFX 7 Parameter 1 110 Insert EFX 7 Parameter 2 111 Insert EFX 8 Mix 112 Insert EFX 8 Parameter 1 113 Insert EFX 8 Parameter 2 114 Output EFX 1 Mix 115 Output EFX 1 Parameter 1 116 Ou...

Page 510: ...510 Effects Parameters 1 and 2 The effects parameters 1 and 2 are the 2 parameters located to the right of the Mix parameter on the effects main pages ...

Page 511: ...ameter name will be written in parenthesis Then set the Chan parameter to the part number that you would like to control if it is a part related parameter At last set the CCout to internal It is important to set the parameters up using this sequence If you set the CCout parameter to internal first and then set the CC parameter all the parameters that you pass will be affected by the controller tra...

Page 512: ...e In safe mode all audio are disabled It is possible to switch preset and to update your Tiny LD Switch to the preset below the currently selected one Turn your Tiny LD off and on again and see if it now boots up If this does help Please boot up in safe mode again select the preset that caused the problem export this to a USB drive zip it and send it via an email to info gotharman dk Then I will i...

Page 513: ...ow to install the analog filterboard PLEASE NOTICE It is only possible to install a filterboard if you ordered your Tiny LD with the Filterboard Connector You will need the following tools A Phillips screwdriver A 2 5mm Allen screwdriver A T10 Torx for opening up MkII ...

Page 514: ...514 Before you open your Tiny LD insert the power supply in a wall socket and touch the metal on the connector This will unload you from any static electricity that might damage the electronics ...

Page 515: ...515 Opening MkI Place Tiny LD on a table ...

Page 516: ...516 Remove the 4 screws in the corners of the left end panel using the Phillips screwdriver ...

Page 517: ...517 Take the left end panel a bit out ...

Page 518: ...518 Turn your Tiny LD around and remove the 4 screws in the corners of the right end panel again using the Phillips screwdriver ...

Page 519: ...519 Take the right end panel a bit out so it now should look like this ...

Page 520: ...520 Remove the plastic frames from the end panels ...

Page 521: ...521 It should now look like this ...

Page 522: ... slide the front panel towards the right while navigating the left end panel to stay inside the box in order not to scratch the top of the box Slide the front panel all the way to the right so that it is free of the box ...

Page 523: ...523 Put the box somewhere else so you have the front panel and the two end panels for themselves ...

Page 524: ...524 Opening MkII Place Tiny LD MkII on a table in front of you so that it is turning the same way as on the picture ...

Page 525: ...525 Remove the 2 hex screws located on the left side of the front facing panel using a T10 Torx ...

Page 526: ...526 It should now look like this ...

Page 527: ...527 Flip your Tiny LD MkII around so that the back is now facing towards you ...

Page 528: ...528 Remove the 2 hex screws that are now on the left side of the rear panel using a T10 Torx ...

Page 529: ...529 It should now look like this ...

Page 530: ...530 Now grab the side panel draw it out and put it on a safe place ...

Page 531: ...531 Right there might not be the safest place ...

Page 532: ...532 Grab the bottom panel and slide it out ...

Page 533: ...533 Like this And put it away ...

Page 534: ... front panel is facing downwards The connector and the spacer in the red circles is where you will need to place the filterboard Where the yellow circles is placed 2 extra connectors will be present that is used for connecting dual line filterboards ...

Page 535: ...535 A closer look at the spacer and the connector ...

Page 536: ...536 The MkII connectors ...

Page 537: ...ready Please notice that the filterboard connector on filterboards for Tiny LD is different from other Gotharman instruments This design choice was made because there were not enough room in the tiny box for a standard filterboard connector ...

Page 538: ...538 Now you should get the screw and the washers that is holding the filterboard in place ready On MkII a nylon screw will be holding the filterboard ...

Page 539: ...t installing the new filterboard you should assemble the screw and the washers like this First place the shakeproof washer on the screw The place one of the nylon washers on the screw Leave the other nylon washer for now ...

Page 540: ...new filterboard Again touch it only on the sides Place it in Tiny LD Make sure that the connectors are perfectly aligned Push the connectors tightly together by holding on both the filterboard and the Tiny LD mainboard ...

Page 541: ...541 It should now look something like this ...

Page 542: ...2 Place a nylon washer between the filterboard and the PCB spacer that is holding it Put the screw with nylon and shakeproof washer mounted on top of the spacer and tighten it It should now look like this ...

Page 543: ...543 On the Tiny LD MkII a nylon screw is used to hold the filterboard in place ...

Page 544: ...544 You have now successfully installed a filterboard Now it is time to put your Tiny LD back together again Assembling MkI Turn it over so the front panel is facing upwards again ...

Page 545: ...545 Slide the front panel into the box from the right towards left Again hold the left end panel so that it stays inside the box to prevent scratching the top of the box ...

Page 546: ...546 Place the plastic frame on the right end ...

Page 547: ...547 Mount the right end panel and put the 4 screws back ...

Page 548: ...548 It should now look like this ...

Page 549: ...549 Place the plastic frame on the left end ...

Page 550: ...550 Mount the left end panel and put the 4 screws back ...

Page 551: ...551 It should now look like this ...

Page 552: ...552 Assembling MkII Slide the bottom panel back in to place ...

Page 553: ...553 Put the side panel back on ...

Page 554: ...554 Mount the hex screws You will need to hold the end panel in place when you are mounting these screws ...

Page 555: ...555 Turn your Tiny LD on and enjoy ...

Page 556: ...556 Written by Flemming Christensen Gotharman 2020 ...

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