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angle the left and right speaker up to about 10 to 15 degrees (toe-in) 
towards your listening position until you have a properly defined center 
image. If the speakers are too far apart, the mid-bass will de-couple and 
you will lose the side image. If they are too close together you will have 
too small and congested a center stage. 

When properly set up, very little sound should appear to come 
directly from the speaker. Instead, the sound stage should extend far 
beyond the left and right edge of the loudspeakers and they should have 
tremendous front to back depth. When the recording is close-miked 
(when the instrument or performer is very close to the recording 
microphone), the music may appear to come directly from the 
loudspeaker. This is normal. Typically, however, the sound should 
appear to be detached from the loudspeakers. 

A simple rule of thumb to follow is that focus will be achieved by placing 
the speakers closer together or farther apart, and front to back depth 
can be adjusted by the distance from the rear wall. Further, as the 
system “breaks in”, the depth and width of the soundspace will increase 
and so will the “smoothness” of the sound. 

2.6  Defining the Soundstage 

A common problem is a tendency to separate the speakers too far from 
each other. This gives an unnaturally wide soundstage between

 

the two 

speakers, and creates problems beyond the unnatural width of the 
center stage. It focuses the soundstage in between the two speakers, 
and you lose the “space” and “ambience” of the musical performance. 

If you find that the sound is not spacious enough, or you are not getting 
enough front to back depth, pull the speakers away from the front wall. 
This is typically preferable to separating the speakers too far, and will 
almost always give you better depth and soundstage information. A 
word of caution though: If you move the speakers too far from the front 
wall you may lose the focus of the image. 

In order to achieve what the speaker is capable of, we suggest you 
focus your efforts on a proper balance

 

of soundstage elements that 

includes information beyond the left and right sides of the speakers, front 
to back depth well behind the speaker, excellent focus of instruments 
and voices, with proper vertical information and mid bass fill. 

A Genesis loudspeaker system correctly set up, can and should provide 
a soundstage that is wall-to-wall, with pinpoint focus; the speakers 
disappearing completely on a recording containing such information. 

Summary of Contents for 7.1 Petite

Page 1: ...two people to unpack move them around and set them up Your speakers will come wrapped in a100 cotton sock inside a double corrugated cardboard carton Examine the carton for shipping damage Dented corn...

Page 2: ...NG THE SYSTEM 7 2 4 ONE CHANGE AT A TIME 7 2 5 IMAGING AND SOUNDSTAGE 8 2 6 DEFINING THE SOUNDSTAGE 9 2 7 ROOM TREATMENT 10 2 8 MASTERING THE REFINEMENTS OF THE SYSTEM 11 3 SETTING UP MULTI CHANNEL 12...

Page 3: ...ne furniture quality natural wood veneer finishes and high gloss Italian or automotive finish Sound structural engineering principles have been applied to make the G7 1p cabinet rigid and well damped...

Page 4: ...of speakers a good starting position for your G7 1p is at least 18 inches 45cm into the room as measured from the front wall the wall you look at as you are seated listening to the speakers to the ba...

Page 5: ...oo worried by the knob and switches on the back of the G7 1p Set the tweeter level knob and the bass contour knob to the 12 o clock position If you have at least 12 inches 30cm of space between the ba...

Page 6: ...oo close to the front wall you will find that the image depth is not as good the soundstage becomes a little two dimensional If you have the space to move the speakers away from the wall do so You wil...

Page 7: ...imum is 5 5 ohms at 52Hz 2 2 3 Tweeter Defeat The optimal way to use these speakers as a stereo pair is to leave the rear tweeters on and run them as dipole and at least 18 inches from the front wall...

Page 8: ...closer together and re listen Place the speakers no less than 5 feet apart If the image is still too big toe the speakers in a slight amount Conversely if the image is too small move the speakers apa...

Page 9: ...ll the smoothness of the sound 2 6 Defining the Soundstage A common problem is a tendency to separate the speakers too far from each other This gives an unnaturally wide soundstage between the two spe...

Page 10: ...avily curtained or sound proofed wall would be considered a dead wall or a non reflective wall A normal thin curtain across a window causes only a small amount of absorption Sidewalls Because the spea...

Page 11: ...or farther from the front wall the resonance may be reduced at the listener s position There are no absolute rules concerning problematic rooms so do not be afraid to experiment with speaker placemen...

Page 12: ...nnel the G7 1p can be used if budget is really tight A good starting position is for the G7 1p to be placed about 20 inches from the floor and angled upwards by 3 to 5 degrees This is assuming that th...

Page 13: ...s that there is minimum radiation of sound to the sidewalls of the room The G7 1p uses the wall behind the speaker to give more depth to the soundstage and air to the speaker without detail robbing ro...

Page 14: ...s low distortion even on long throw application needed in delivering the lower frequencies Hence the solid titanium cone allows Genesis to develop a driver that is exemplary in the midrange as well as...

Page 15: ...heaper and easier to make the cabinet of solid wood but that would have been a compromise Genesis designed a unique tongue and groove joint in order to improve the structural rigidity and vibration be...

Page 16: ...F Transducers Two Genesis 1 Circular Ribbon Tweeters front rear Mid LF Transducers One Genesis 6 Titanium Cone Controls Front Tweeter level Rear Tweeter Defeat Bass Contour Inputs High level with 5 wa...

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