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Start with this control at the 12 o'clock position. There is about a 

±

 one 

dB range for this control. 

2.2.2 Bass 

Contour 

The bass contour knob is unique to Genesis. It is a purely passive 
control that lets you tune the bass performance of the G7.1p into your 
system, and your room. As you rotate the knob clockwise, it will give you 

more bass, but your amplifier will have to be more 
capable of delivering more of current into a lower 
impedance load. As you rotate the knob counter-
clockwise, the bass of the system rolls off slower, but 
becomes more extended. 

See the figure to the left: the red curve shows the bass 
contour knob rotated fully clockwise (full up), and the 
green curve shows it rotated fully anti-clockwise (full 
down). 

The effect is subtle, affecting the response by some 3dB. With the knob 
rotated fully clockwise, the impedance of the loudspeaker goes down to 
2.7 ohms at 62Hz. With the bass contour full down, the impedance 
minimum is 5.5 ohms at 52Hz. 

2.2.3 Tweeter 

Defeat 

The optimal way to use these speakers as a stereo pair is to leave the 
rear tweeters on, and run them as dipole and at least 18-inches from the 
front wall. However, in some cases, this may not be possible. 

Should the speakers have to be placed with their backs less than 12 
inches from the wall, the rear tweeters should be turned off. 

2.3  Tuning the system 

Music is the best way to begin your set-up procedure. We suggest that 
video sources be used only after you have set-up the system to properly 
reproduce music. There is no “perfect” setting for the G7.1p. Every 
listening room is different, and we recommend that you take the time to 
carefully tune the system for the environment in which it is placed. 

Your Genesis loudspeakers should sound great straight out of the box. If 
you don’t like the sound, several hundred hours of breaking-in will not 
change the sound of your speakers, although it may break-in your ears! 

2.4  One Change at a Time 

One rule of thumb you should always keep in mind: Make one change 
at a time! Do not, for instance, change position of the speakers and 

 

Effect of Bass Contour Control 

Summary of Contents for 7.1 Petite

Page 1: ...two people to unpack move them around and set them up Your speakers will come wrapped in a100 cotton sock inside a double corrugated cardboard carton Examine the carton for shipping damage Dented corn...

Page 2: ...NG THE SYSTEM 7 2 4 ONE CHANGE AT A TIME 7 2 5 IMAGING AND SOUNDSTAGE 8 2 6 DEFINING THE SOUNDSTAGE 9 2 7 ROOM TREATMENT 10 2 8 MASTERING THE REFINEMENTS OF THE SYSTEM 11 3 SETTING UP MULTI CHANNEL 12...

Page 3: ...ne furniture quality natural wood veneer finishes and high gloss Italian or automotive finish Sound structural engineering principles have been applied to make the G7 1p cabinet rigid and well damped...

Page 4: ...of speakers a good starting position for your G7 1p is at least 18 inches 45cm into the room as measured from the front wall the wall you look at as you are seated listening to the speakers to the ba...

Page 5: ...oo worried by the knob and switches on the back of the G7 1p Set the tweeter level knob and the bass contour knob to the 12 o clock position If you have at least 12 inches 30cm of space between the ba...

Page 6: ...oo close to the front wall you will find that the image depth is not as good the soundstage becomes a little two dimensional If you have the space to move the speakers away from the wall do so You wil...

Page 7: ...imum is 5 5 ohms at 52Hz 2 2 3 Tweeter Defeat The optimal way to use these speakers as a stereo pair is to leave the rear tweeters on and run them as dipole and at least 18 inches from the front wall...

Page 8: ...closer together and re listen Place the speakers no less than 5 feet apart If the image is still too big toe the speakers in a slight amount Conversely if the image is too small move the speakers apa...

Page 9: ...ll the smoothness of the sound 2 6 Defining the Soundstage A common problem is a tendency to separate the speakers too far from each other This gives an unnaturally wide soundstage between the two spe...

Page 10: ...avily curtained or sound proofed wall would be considered a dead wall or a non reflective wall A normal thin curtain across a window causes only a small amount of absorption Sidewalls Because the spea...

Page 11: ...or farther from the front wall the resonance may be reduced at the listener s position There are no absolute rules concerning problematic rooms so do not be afraid to experiment with speaker placemen...

Page 12: ...nnel the G7 1p can be used if budget is really tight A good starting position is for the G7 1p to be placed about 20 inches from the floor and angled upwards by 3 to 5 degrees This is assuming that th...

Page 13: ...s that there is minimum radiation of sound to the sidewalls of the room The G7 1p uses the wall behind the speaker to give more depth to the soundstage and air to the speaker without detail robbing ro...

Page 14: ...s low distortion even on long throw application needed in delivering the lower frequencies Hence the solid titanium cone allows Genesis to develop a driver that is exemplary in the midrange as well as...

Page 15: ...heaper and easier to make the cabinet of solid wood but that would have been a compromise Genesis designed a unique tongue and groove joint in order to improve the structural rigidity and vibration be...

Page 16: ...F Transducers Two Genesis 1 Circular Ribbon Tweeters front rear Mid LF Transducers One Genesis 6 Titanium Cone Controls Front Tweeter level Rear Tweeter Defeat Bass Contour Inputs High level with 5 wa...

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