Focusrite TrakMaster Pro Manual Download Page 2

 

INTRODUCTION 

 

 

 
The Trakmaster Pro is the ideal choice for the recording or mixing of a mono signal, 
whether it's a vocal track or a bass guitar plugged directly into the front panel input. 
The TM Pro utilises classic Focusrite preamplification, vintage dynamics and EQ, also 
making use of the fantastic LATENCY-FREE MONITORING system much loved 
by other Pro Platinum users. The optional digital converter card means that the 
TrakMaster Pro can also output audio data in SPDIF format, for direct digital 
interfacing with the DAW ensuring maximum signal quality. 
 
The mic pre featured in the TrakMaster Pro has a circuit design based around the 
popular Focusrite Green range and features an extremely transparent sonic character with 
very low distortion. It utilises the same full bandwidth philosophy of all Focusrite 
products, ensuring detail and clarity without obvious colouration. 
 

Both XLR and TRS jack inputs are located on the front panel for quick and easy 
access, the latter of which can be used for either line level sources or DI-free plug-in of 
guitars and basses. The XLR connector also allows a microphone signal the option of a 
lower impedance input, should the microphone in use have a low output impedance 
(around 50

 for example). 

 
The TM Pro truly sets itself a class apart with the inclusion of a vintage optical 
COMPRESSOR circuit, capable of really heavy compression effects, and a MID 
SCOOP EQ section for further control over the presence and balance of the processed 
signal. With classic Focusrite analogue circuit design and a comprehensive digital 
output option, TM Pro is the perfect partner for a digital audio workstation, making 
high quality recording and signal processing easy. 

 

REAR PANEL CONNECTIONS 

 

 

 
The TrakMaster Pro features two line level outputs on 1/4" jack connectors, one 
balanced (TRS, +4dBu) and one unbalanced (mono plug, -10dBV); these outputs both 
transmit the same signal (that which is being processed by the TM Pro) but with either 
balanced or unbalanced interconnects. In addition to this, there are monitor inputs and 
outputs with 1/4" jack connectors for making use of the TrakMaster Pro's 
LATENCY-FREE MONITORING system. 
 
The balanced (+4dBu) TRS jack MONITOR INPUT connectors allow the output of 
a stereo mixer or sound card to be connected to the TM Pro. There are also balanced 

(+4dBu) TRS MONITOR OUTPUT connectors, allowing the TrakMaster Pro to be 
connected directly to a pair of active monitors. See page 6 for details. 
 
An ADC EXT IN connection, on balanced (+4dBu) TRS jack, allows an external 
mono signal to be fed into the TM Pro for digital conversion. This signal becomes the 
right channel of the stereo signal sent to the optional digital card (with the signal 
processed by the TM Pro as the left) and also the right channel of the (now stereo) 
'input' signal whilst utilising LATENCY-FREE MONITORING. See the ADC EXT 
IN section on page 7 for further details. 

Summary of Contents for TrakMaster Pro

Page 1: ...ug is damaged if liquid has entered the unit if the unit has been dropped or the case damaged if the unit does not operate normally or exhibits a distinct change in performance Adjust only those contr...

Page 2: ...t capable of really heavy compression effects and a MID SCOOP EQ section for further control over the presence and balance of the processed signal With classic Focusrite analogue circuit design and a...

Page 3: ...REAMP section until the signal can be heard To visually monitor the incoming signal press the switch beside the dBFS meter in the LEVEL section of the front panel until the input LED is lit See LEVEL...

Page 4: ...LEVEL section or at the destination recording medium If the meter displays above 0dBFS you should reduce the LEVEL It is advisable to set the incoming signal to be an average of around 10dBFS peaking...

Page 5: ...in the mix and can also give it a whole new sonic character IN switch This switch activates the COMPRESSOR into the signal path When engaged the red LED in the switch cap is lit THRESHOLD knob Turnin...

Page 6: ...ing with the INPUT signal The input signal will be the mono recorded signal sent to both L and R channels on the headphones unless a second signal is connected to the ADC EXT IN If using two TrakMaste...

Page 7: ...ht channel of the stereo signal with the signal processed by the TM Pro as the left channel sent to the optional digital card for conversion With nothing connected to ADC EXT IN the stereo signal sent...

Page 8: ...No 1 crosshead screwdriver Pozihead preferred M3 nut driver spanner WARNING THE MODULE SHOULD BE DISCONNECTED FROM THE AC POWER BEFORE ATTEMPTING TO CARRY OUT THE FOLLOWING INSTRUCTIONS ALLOW THE MOD...

Page 9: ...he two plastic support pillars over each screw 3 Now offer the digital card from the rear of the module lining up the screws from the base with the two holes in the card and secure it in place with th...

Page 10: ...equipment FREQUENTLY ASKED QUESTIONS Q What is the difference between 4dBu and 10dBV A These are different signal operating levels 4dBu usually refers to professional equipment and 10dBV usually refe...

Page 11: ...inate Is the POWER switched on Is the correct Power Supply Unit being used Has the fuse in the mains plug blown No output when using the MIC INPUT Is the power switched on Is the LEVEL set correctly S...

Page 12: ...8dBu with 22Hz 22kHz filter S N ratio relative to max headroom 36dBu 124dB S N ratio relative to 0dBFSs 22dBu 110dB THD N unity gain 0dB 0 001 with 0dBFS 22dBu input and 22Hz 22kHz filter Frequency re...

Page 13: ...on switch settings as follows Attack Release COMP 35ms 126ms COMP SLOW ATTACK 120ms 350ms SQUASH 8ms 1s Noise 90dBu measured with a 22Hz 22kHz bandpass filter Make up gain 0 to 30dB ADC Performance S...

Page 14: ...7738 Email info allaccess co jp R O Maldives Island Acoustics Phone 960 32 0032 Fax 960 31 8624 Email islmusic dhivehinet net mv Mexico Vari Internacional S A de C V Phone 52 5605 9555 Fax 52 5605 955...

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