background image

11

2. Pre Amp Impedance...

To minimise microphone loading, and to maximise signal to noise ratio, preamps have traditionally 
been designed to have an input impedance about ten times greater than the average microphone, 
around  1.2  kΩ  to  2  kΩ.  (The  original  ISA  110  preamp  design  followed  this  convention  and  has  an 
input impedance of 1.4 kΩ at 1 kHz.) Input impedance settings greater than 2 kΩ tend to make the 
frequency-related variations of microphone outputs less significant than at low impedance settings. 
Therefore high input impedance settings yield a microphone performance that is flatter in the low 
and mid frequency areas and boosted in the high frequency area when compared to low impedance 
settings.

Ribbon Microphones

The impedance of a ribbon microphone is worthy of special mention, as this type of microphone is 
affected enormously by preamp impedance.

The  ribbon  impedance  within  this  type  of  microphone  is  very  low,  around  0.2  Ω,  and  requires  an 
output transformer to convert the low voltage it generates into a signal capable of being amplified by 
a preamp. The transformer uses a ratio of around 1:30 (primary:secondary) to increase the ribbon 
voltage to a useful level. This transformer ratio has the effect of increasing the output impedance of 
the mic to around 200 Ω at 1 kHz.

The transformer impedance, however, is very dependent upon frequency – it can almost double at 
some frequencies (known as the resonance point) and tends to roll off to very small values at low 
and high frequencies. Therefore, in common with dynamic and condenser microphones, the mic 
preamp input impedance has a significant effect on the signal level and frequency response of the 
ribbon microphone output transformer, and the associated ‘sound quality’ of the microphone. It is 
recommended that a mic preamp connected to a ribbon microphone should have an input impedance 
of at least 5 times the nominal microphone impedance.

For a ribbon microphone impedance of 30 Ω to 120 Ω, the input impedance of 600 Ω (Low) will work 
fine.  For  120  Ω  to  200  Ω  ribbon  microphones,  the  input  impedance  setting  of  1.4  kΩ  (ISA  110)  is 
recommended.

Summary of Contents for ISA TWO

Page 1: ...User Guide focusrite com FA0540 03 Two channel classic transformer mic pre...

Page 2: ...ut Impedance 5 Filter 5 Insert 5 Meter Calibration 6 Rear Panel 7 AC Mains Inlet 7 Channel Mic Inputs 7 Channel Line Inputs 7 Channel Outputs 7 Channel Insert Sends Returns 7 Meter Calibration Pot 7 P...

Page 3: ...e ISA Two The ISA Two provides two of Focusrite s prestigious transformer based microphone preamps and can be used to record microphone line level or instrument sources Microphones and line level sour...

Page 4: ...Gain switch is turned to minimum before pressing the 30 60 switch Before starting a recording or if used for PA live work set theTrim control to near its centre position This will allow for some grad...

Page 5: ...impedance options The values are shown in the table For additional information on impedance selection see Appendix 2 Preamp Input Impedance on page 10 With the Instrument input selected pressing the s...

Page 6: ...lt calibration is for 0 to indicate a signal level of 22 dBu Meter Calibration The level at which the 0 LED illuminates can be adjusted using the Peak Meter Calibration pot on the rear panel The defau...

Page 7: ...4 TRS jack sockets Channel Outputs On XLR 3 male connectors Channel Insert Sends Returns Analogue sends and returns on balanced 1 4 TRS jack connectors The insert signal is added into a channel path...

Page 8: ...ounted in a rack these vents are not obstructed Do not mount the unit immediately above any other equipment which generates significant heat for example a power amplifier Note The maximum operating en...

Page 9: ...creen 2 Hot ve 3 Cold ve Pin Signal 1 Screen 2 Hot ve 3 Cold ve Instrument Input Connector Unbalanced TS 1 4 Jack socket Line Input Insert Send Insert Return Connector Balanced TRS 1 4 Jack socket Pin...

Page 10: ...Impedance In Depth Explanation Dynamic Moving Coil and Condenser Microphones Almost all professional dynamic and condenser microphones are designed to have a relatively low nominal output impedance of...

Page 11: ...es an output transformer to convert the low voltage it generates into a signal capable of being amplified by a preamp The transformer uses a ratio of around 1 30 primary secondary to increase the ribb...

Page 12: ...12 Appendices 3 Pro Tools Interfacing Analogue out to Pro Tools HD ISATwo Red 16Line 2 x XLR 3 female DB25 male analogue Pro Tools interface...

Page 13: ...n Z In Low unless otherwise stated RS 50 Measurements taken at the analogue outputs Gain Range 20 to 10 dB in 10 dB steps plus 0 to 20 dB continuous trim Maximum Input Level 25 dBu Input Impedance Ele...

Page 14: ...imensions Height 88mm 3 46 Width 482mm 18 98 Depth 325mm 12 8 Weight Weight 3 70 kg 8 12 lbs Output Level Maximum output level 24 dBu Environmental Operating Temperature 40 C 104 F Maximum ambient ope...

Page 15: ...of the appropriate procedure for resolving the warranty issue In every case it will be necessary to provide a copy of the original invoice or store receipt to the distributor In the event that you ar...

Reviews: