Fender Power Stage 100 Owner'S Manual Download Page 4

4

Designed for maximum flexibility, the wired remote
control section is the "brain" of the PowerStage 100.
Whether hand held or mounted to a mic stand, the
wired remote control unit governs all volume levels,
frequency shaping and features a 1/4 inch
headphone jack for personal monitoring.
Constructed from rugged 18 gauge electro-
galvanized steel and secured in place via ball stud
and Tinnerman clips, the remote unit handles the
most demanding, day to day setup and performance
situations.  

A. MIC 1 

- The Mic 1 volume

control.  Rotating the knob
clockwise increases volume.
Because the Mic 1 input and
the Mic 1 output connections
are "daisy chained", adjusting
the volume control will not
affect the Mic 1 output signal to
the main mixing console. 

B. MIC 2 / INST

- The Mic 2 /

Inst volume control.  Rotating
the knob clockwise increases
volume.  Any adjustments to
this control 

will 

affect  

both 

the

Mic 2 and the Inst output
volume. 

C. LINE 

- The Aux Line / Stereo

Line volume control.  Rotating
the knob clockwise increases
volume.  Any adjustments to
this control 

will 

affect 

both 

the

Aux Line and the Stereo Line
volume. 

D. MASTER LEVEL

- Adjusts

the overall volume level of the
PowerStage 100.  Again,

rotating the knob clockwise increases volume. If the
optional PowerStage Xpander 100 is connected to
the system, the master level also controls the output
volume for the other unit.

E. LOW CUT

- Designed to attenuate low frequency

noise or "stage rumble", the 

LOW CUT

knob is a

variable corner (shelving) frequency control.  By

slowly 

rotating the knob, any undesirable low

frequency noise, such as rumbling of a rocking
microphone stand, can be diminished.

F. LOW NOTCH

-

Designed to
a t t e n u a t e
feedback or
o

t

h

e

r

b o t h e r s o m e
hums, 

the 

L O W

NOTCH

control is a

constant Q,
variable center
frequency filter.
The control

attenuates frequencies between 200Hz and 2kHz.
By 

slowly 

rotating the knob to locate the feedback

frequency, it can be diminished.

G. HIGH NOTCH

- Designed to attenuate feedback

or other bothersome hums, the 

HIGH NOTCH

control is

a constant Q, variable center frequency filter. The
control attenuates frequencies between 600Hz and
6kHz.  By 

slowly 

rotating the knob to locate the

feedback frequency, it can be diminished.

H. LEVEL - 

Adjusts

the volume level of
the headphone
output.  

Caution:

Prolonged listening
at high volume levels
may be hazardous
to your hearing and
could possibly cause
hearing damage.

- A 1/4 inch

stereo output jack for use with headphones.

J. ENHANCE - 

Pressing this button in provides an

increase in the bass and treble response of the
PowerStage 100.

CONTROL PANEL FUNCTIONS

A

B

D

C

G

E

F

J

I

H

I.

Summary of Contents for Power Stage 100

Page 1: ...Owner s Manual for Power Stage 100 P N 049810 REV B From Fender Pro Audio POWERED MONITORS...

Page 2: ...should be treated with special care and attention to detail At Fender we know what building quality musical instruments and sound reinforcement equipment is all about In fact many of the world s best...

Page 3: ...for microphones and a variety of musical instruments the PowerStage 100 is suitable for nearly every monitoring application The PowerStage 100 also features a unique detachable wired remote control p...

Page 4: ...wise increases volume If the optional PowerStage Xpander 100 is connected to the system the master level also controls the output volume for the other unit E LOW CUT Designed to attenuate low frequenc...

Page 5: ...control knob will affect the volume of both the AUX LINE STEREO LINE inputs E INSERT A 1 4 inch unbalanced TRS input output phone jack designed for use with signal processing devices such as a digital...

Page 6: ...ning for feedback or other ringing 8 If feedback is encountered rotate the appropriate LOW or HIGH band frequency notch filter control down to its lowest position Next slowly turn the frequency contro...

Page 7: ...rt For stubborn stains a sponge with a light soapy solution may be used Avoid spilling liquids on the operating surface heat sink grille volume and tone controls switches and speakers ALWAYS unplug th...

Page 8: ...out jack to your main mixing console This is a mic level signal 3 Your PowerStage 100 monitor is a dry signal Any reverb or other signal processing heard through the main P A will NOT be heard in the...

Page 9: ...itor out on your mixing console back to the Aux Line In jack on the PowerStage 100 You now have a full monitor mix with all effects from your mixing console in the PowerStage 100 To turn up the full m...

Page 10: ...nect a cord from the monitor out on your mixing console back to the Aux Line in jack on the PowerStage 100 You now have a full monitor mix with all effects from your mixing console in the PowerStage 1...

Page 11: ...d a tape or CD player to the Stereo Line jack 2 Connect a cord from the line output jack to a PowerStage Xpander 100 optional 3 Next an effects unit may be used by connecting a Y line cord to the inse...

Page 12: ...0 dB to 28 dB Stereo line 0 dB to 33 dB side Input Level Nominal Aux Line 21 dBV Stereo line 26 dBV side Minimum Aux Line 28 dBV Stereo line 33 dBV side Maximum Aux Line 20 dBV Stereo line 5 dBV side...

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