Fender Deluxe IV Owner'S Manual Download Page 2

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Working guitarists everywhere prize Hot Rod amps for their great volume, reliability, responsiveness to effects pedals, and afford-

ability. The Hot Rod Deluxe IV is a scorching 40-watt 1x12” tube combo decked out with power and performance to spare, great 

features and a classic look.

The Hot Rod DeVille is the standard for gigging guitarists worldwide and the ideal amp for crafting your own signature sound. The 

Hot Rod DeVille IV combo delivers the goods and then some, with 60 watts of tube power driving a scorching pair of 12” speak-

ers, hot-rodded performance to spare, great features and a classic look.

Features include:
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Modified preamp circuitry for increased note definition in the overdrive channels

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Spring Reverb smoothness mod

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Celestion® 12” A-TYPE speakers

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Steel-reinforced strap handle

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Ivory pointer knobs

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Improved control panel texture and graphics

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Lightly aged silver grille cloth

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Pine cabinet for weight reduction

• 

Cover and two-button footswitch

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DRIVE

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STANDBY

CHANNEL

SELECT

PRESENCE

REVERB

MASTER

MIDDLE

BASS

TREBLE

DRIVE

VOLUME

INPUTS

POWER

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PREAMP

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CONTROL PANEL

A.  INPUT 1: Normal sensitivity input ideal for use with most 

guitars. Either input jack can be used with any type of 

guitar depending on the tonal character you prefer. 

Experiment and use the input that sounds best to you.

B.  INPUT 2: Lower sensitivity input (-6dB) provides cleaner 

response with high-output and pre-amplified guitars. You 

can use input 1 and Input 2 simultaneously with two 

guitars or a guitar and a microphone, for example. Input 

sensitivities become equal when used simultaneously. 

C. NORMAL/BRIGHT: Press in to boost high-frequency 

tones of NORMAL channel.

D. VOLUME: 

Adjusts volume of NORMAL channel.

E.  MORE DRIVE: Press in to boost gain and distortion of 

the DRIVE channel.

F. DRIVE: 

Increase DRIVE setting to produce more 

distortion and sustain. Use lower DRIVE settings to 

produce cleaner sounds.

G.  CHANNEL INDICATOR: NORMAL channel (off), DRIVE 

channel (yellow), MORE DRIVE channel (red).

H. TREBLE: Adjusts high-frequency tone.

I. BASS: Adjusts low-frequency tone.  

J. MIDDLE: Adjusts mid-frequency tone.

K.  CHANNEL SELECT: NORMAL channel (out), DRIVE 

channel (in).

L. MASTER: Use to adjust loudness of the DRIVE and MORE 

DRIVE channels in conjunction with DRIVE (F).

M. REVERB: Adjusts level of the reverb effect.

N. PRESENCE: Adjusts tone at a point in the signal path 

after the preamp circuitry to provide unique ultra high-

frequency tone shaping. 

O.  PREAMP OUT/POWER AMP IN: Multi-functional 

input/output jacks that can be used in a variety of 

configurations: 

 

Effects Loop: Connect PREAMP OUT to the input of your 

effects device and connect effects output to the POWER 

AMP IN jack. 

 

Multiple Hot Rod Amps: Connect PREAMP OUT on 

primary unit to POWER AMP IN on auxiliary unit. The 

primary unit is used to control all auxiliary units, except

HOT ROD DEVILLE™ IV and HOT ROD DELUXE™ IV

Summary of Contents for Deluxe IV

Page 1: ...OWNER S MANUAL MANUAL DE INSTRUCCIONES MODE D EMPLOI MANUALE UTENTE BEDIENUNGSHANDBUCH MANUAL DO PROPRIET RIO...

Page 2: ...ed with any type of guitar depending on the tonal character you prefer Experiment and use the input that sounds best to you B INPUT 2 Lower sensitivity input 6dB provides cleaner response with high ou...

Page 3: ...age to the amplifier Deluxe IV DeVille IV Insert an open plug without speakers connected into Main Speaker jack V for configuration three W EXTERNAL SPEAKER JACK This jack is wired in parallel with th...

Page 4: ...for clipping 54k TUBES 3 7025 12AX7A ECC83 3 7025 12AX7A ECC83 2 6L6GC 2 6L6GC FUSE F3AL 250V fuse 100V 120V F3AL 250V fuse 100V 120V F1 6AL 250V fuse 220V 240V F1 6AL 250V fuse 220V 240V SPEAKERS 2...

Page 5: ...guitarra dependiendo del car cter que quiera para el sonido Haga distintas pruebas hasta conseguir el sonido que m s le guste B INPUT 2 Una entrada de menor sensibilidad 6 dB que le ofrece una respue...

Page 6: ...ning n altavoz para la configuraci n 3 W CLAVIJA DE ALTAVOZ EXTERNO Esta toma est cableada en paralelo con el conector de altavoz principal y solo debe usarlo con una carga de altavoz o una clavija ab...

Page 7: ...VULAS 3 7025 12AX7A ECC83 3 7025 12AX7A ECC83 2 6L6GC 2 6L6GC FUSIBLE F3 AL 250 V fusible 100 120V F3 AL 250 V fusible 100 120V F1 6 AL 250 V fusible 220 240V F1 6 AL 250 V fusible 220 240V ALTAVOCES...

Page 8: ...pouvez utiliser les deux entr es avec n importe quel type de guitare selon le son que vous recherchez Essayez les deux entr es et choisissez B INPUT 2 Entr e sensibilit plus faible 6 dB pour une r po...

Page 9: ...figurations interne ou externe lorsque vous placez l ampli sous tension pour viter tout dommage Deluxe IV DeVille IV Ins rez une fiche sans haut parleur en configuration 3 W JACK DE HAUT PARLEUR EXTER...

Page 10: ...V l cr tage 54 k 200 mV l cr tage 54 k LAMPES 3 7025 12AX7A ECC83 3 7025 12AX7A ECC83 2 6LGC 2 6L6GC FUSIBLE F3 AL 250V 100V 120V F3 AL 250V 100V 120V F1 6 AL 250V 220V 240V F1 6 AL 250V 220V 240V HAU...

Page 11: ...e usa quello che reputi migliore B INPUT 2 Ingresso con sensibilit inferiore 6dB che restituisce una risposta pi pulita con le chitarre pre amplificate o dotate di un elevato livello d uscita possibi...

Page 12: ...isci un connettore aperto senza altoparlante collegato W CONNESSIONE EXTERNAL SPEAKER Questa connessione cablata in parallelo all uscita Speaker principale deve essere impiegata solo in presenza di un...

Page 13: ...ping 54k 200 mV per clipping 54k VALVOLE 3 7025 12AX7A ECC83 3 7025 12AX7A ECC83 2 6L6GC 2 6L6GC FUSIBILE F3AL 250V 100V 120V F3AL 250V 100V 120V F1 6AL 250V 220V 240V F1 6AL 250V 220V 240V ALTOPARLAN...

Page 14: ...und benutzen Sie den Eingang der Ihnen klanglich am besten gef llt B INPUT 2 Dieser etwas weniger empfindliche Eingang 6dB spricht sauberer auf Gitarren mit hohem Ausgangspegel oder Vorverst rkung an...

Page 15: ...Blindstecker ohne Laut sprecherverbindung an W ZUSATZBOXENAUSGANG Diese Buchse ist parallel zum Hauptlautsprecherausgang verdrahtet und darf nur belegt werden wenn eine Lautsprecherlast oder ein Blind...

Page 16: ...0 mV vor Clipping 54k R HREN 3 7025 12AX7A ECC83 3 7025 12AX7A ECC83 2 6L6GC 2 6L6GC SICHERUNG F3AL 250V Sicherung 100V 120V F3AL 250V Sicherung 100V 120V F1 6AL 250V Sicherung 220V 240V F1 6AL 250V S...

Page 17: ...icas do tom de sua prefer ncia Experimente e use a entrada que voc mais gosta B INPUT 2 Uma entrada com sensibilidade mais baixa 6dB que oferece uma resposta mais limpa com sa da alta e guitarras pr a...

Page 18: ...aberto sem alto falantes conectados para configura o 3 W EXTERNAL SPEAKER JACK Esta tomada est conectada em paralelo com a entrada de alto falante principal e deve sempre ser utilizada com uma carga...

Page 19: ...clipping 54k TUBOS 3 7025 12AX7A ECC83 3 7025 12AX7A ECC83 2 6L6GC 2 6L6GC FUS VEL F3AL 250V fus veis 100V 120V F3AL 250V fus veis 100V 120V F1 6AL 250V fus veis 220V 240V F1 6AL 250V fus veis 220V 2...

Page 20: ...12 1 2 3 4 5 6 7 8 9 10 11 12 1 2 3 4 5 6 7 8 9 10 11 12 1 2 3 4 5 6 7 8 9 10 11 12 1 2 3 4 5 6 7 8 9 10 11 12 1 2 3 4 5 6 7 8 9 10 11 12 A INPUT 1 B INPUT 2 6dB 2 INPUT 1 INPUT 2 C NORMAL BRIGHT NORM...

Page 21: ...BY STANDBY 30 STANDBY STANDBY S ON OFF T POWER CORD U FUSE Fender V MAIN SPEAKER JACK Deluxe IV DeVille IV 3 W EXTERNAL SPEAKER JACK MAIN SPEAKER JACK X 6L6 6L6GC 6L6WXT 6L6C 6L6GE Fender BLUE WHITE R...

Page 22: ...OWER AMP IN 200 mV 54k 200 mV 54k 3 7025 12AX7A ECC83 3 7025 12AX7A ECC83 2 6L6GC 2 6L6GC F3AL 250V 100V 120V F3AL 250V 100V 120V F1 6AL 250V 220V 240V F1 6AL 250V 220V 240V 2 12 8 Celestion A TYPE 1...

Page 23: ......

Page 24: ...PN 7712726000 REV B SJ T 11364 O GB T 26572 X GB T 26572 Pb O O X X X O O O O O O O O O X O O O O O O O O O O O O O O O O O O O O O Hg Cd Cr VI PBB PBDE PART NUMBERS REFERENCIAS R F RENCE N MERO PART...

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