Fender CYBER-TWIN SE Manual Download Page 4

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Quick Start . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Cyber-Twin

SE Introduction and Features . . . . . . 6

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Over

view

Overview Introduction . . . . . . . . . . . . . . . . . . . . . . 8

Front Panel—

•INPUT

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

•TRIM 9

•GAIN 9

•VOLUME 9

•TREBLE / MIDDLE / BASS

•PRESENCE 9

•REVERB 9

•MASTER 9

•QUICK ACCESS . . . . . . . . . . . . . . . . . . . . . . . . 10

•SAVE 10

•TUNER 10

•NOISE GATE

•TAP

•PEAK & MIDI LEDS . . . . . . . . . . . . . . . . . . . . . 11

•HUM REDUCTION

•FX LEVEL / FX VAL1 / FX VAL2

•DISPLAY & DATA WHEEL

•AMP / FX

•UTILITY 11

•EXIT 11

Rear Panel—

•POWER / IEC SOCKET . . . . . . . . . . . . . . . . . . 12

•FOOTSWITCH

•EXPRESSION PEDAL

•REVERB/FX BYPASS

•MIDI IN / MIDI OUT / MIDI THRU . . . . . . . . . . . 13

•SPDIF OUTPUT

•HEADPHONES

•LINE OUTPUT

•EFFECTS LOOP

•SPEAKER OUTPUT

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Amp Edit Mode

•NAME CHANGE . . . . . . . . . . . . . . . . . . . . . . . . 14

•TONE STACK TYPE

•TONE STACK LOCATION

•DRIVE CIRCUITRY

•REVERB TYPE

•REVERB IN LEVEL (DWELL)

•REVERB TONE (SHAPE) . . . . . . . . . . . . . . . . . . 15

•REVERB TIME

•REVERB DIFFUSION

•TIMBRE 15

•SPEAKER PHASE

•COMPRESSION

•NOISEGATE DEPTH

•NOISEGATE THRESHOLD

•EXPRESSION PEDAL ASSIGNMENT

•CONTINUOUS CONTROLLER ASSIGNMENT

•REVERB / FX BYPASS

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FX Edit Mode

Effects Edit Menus . . . . . . . . . . . . . . . . . . . . . . . 16

Effects and Parameters Defined . . . . . . . . . . . . . 19

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Utility Mode

•MEMORY PROTECTION . . . . . . . . . . . . . . . . . 24

•S/PDIF PATCHING

•CONTINUOUS CONTROLLER NUMBER

•MIDI RECEIVE CHANNEL

•MIDI TRANSMIT CHANNEL

•MIDI SYSTEM EXCLUSIVE ID

•MIDI PRESET MAPPING . . . . . . . . . . . . . . . . . . 25

•MIDI CONTINUOUS CONTROLLER ECHO

•FACTORY PRESET RESTORE

•MIDI DUMP UTILITIES

•MIDI DUMP ANY PRESET

•MIDI DUMP ALL PRESETS

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Appendices

1 MIDI Implementation . . . . . . . . . . . . . . . . . . . . 26

2 MIDI Program and Control Changes. . . . . . . . . 27

3 SysEx

◊

MIDI Dump . . . . . . . . . . . . . . . . . . . . . 28

4 SysEx

◊

Edit Preset Parameters . . . . . . . . . . . . 29

5 SysEx

◊

Handshake . . . . . . . . . . . . . . . . . . . . . 31

6 Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . 32

7 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . 33

Fender

Cyber–Twin

SE Amplifier

Summary of Contents for CYBER-TWIN SE

Page 1: ......

Page 2: ...r Twin SE Amplifier A PRODUCT OF FENDER MUSICAL INSTRUMENTS CORPORATION CORONA CA USA Copyright 2004 by FMIC Trademarks Fender Cyber Twin Telecaster Stratocaster Blackface Dyna Touch Mr Gearhead Virtual Tone Interpolation Hot Rod Bassman Deluxe Reverb Princeton Twin Reverb Innovate Don t Emulate and all related logos are trademarks or registered trademarks of FMIC Other trademarks are property of ...

Page 3: ...when left unused for a long period of time or during electrical storms Do not drip nor splash liquids nor place liquid filled containers on the unit CAUTION No user serviceable parts inside refer servicing to qualified personnel only Fender amplifiers and loudspeaker systems are capable of producing very high sound pressure levels which may cause temporary or permanent hearing damage Use care when...

Page 4: ... STACK TYPE 14 TONE STACK LOCATION 14 DRIVE CIRCUITRY 14 REVERB TYPE 14 REVERB IN LEVEL DWELL 14 REVERB TONE SHAPE 15 REVERB TIME 15 REVERB DIFFUSION 15 TIMBRE 15 SPEAKER PHASE 15 COMPRESSION 15 NOISEGATE DEPTH 15 NOISEGATE THRESHOLD 15 EXPRESSION PEDAL ASSIGNMENT 15 CONTINUOUS CONTROLLER ASSIGNMENT 15 REVERB FX BYPASS 15 3 3 FX Edit Mode FX Edit Mode Effects Edit Menus 16 Effects and Parameters D...

Page 5: ...a knob simply by grabbing it and turning it 7 Turn to page 8 for an overview of the basic operation of your Cyber Twin SE 3 5 6 Note on the Cyber T Note on the Cyber Twin SE pr win SE presets esets Custom Shop presets were created by various players fluent in the corresponding musical styles The appropriate model of guitar was used wherever possible ala Jimi with a maple necked Stratocaster Conseq...

Page 6: ... the British amps The Cyber Twin SE amplifier allows you to be the amp designer Start with one of 150 permanent amp and effect setups stored within the Cyber Twin SE amp twist some knobs make some changes then SAVE to one of the 100 rewritable preset locations reserved onboard for your original amplifier designs MIDI implementation on the Cyber Twin SE amplifier enables you to transfer presets to ...

Page 7: ...e used in the tube drive and the analog circuitry 12AX7WC now externally accessible 6 tone stacks each with 2 location parameters before after the drive circuitry 43 FX effects selections with 4 5 adjustable parameters each 10 delay FX 11 modulation FX 3 special FX 4 FX combinations 14 new FX 11 Reverb types with 4 adjustable parameters each 4 compression level settings A hum reduction button to r...

Page 8: ...d effect designs The Cyber Twin SE is instantly reconfigured to the settings saved within a selected preset The 8 MOTORIZED knobs on the Cyber Twin SE automatically adjust to the preset settings You can safely interrupt knob rotation anytime by manually stopping it Note that the display will temporarily indicate knob position when turned manually Changes you make to amplifier settings volume tone ...

Page 9: ... Function Programmable Controllable Controllable TRIM Supply proper signal level to DSP NO NO NO GAIN Adjust distortion level YES YES YES VOLUME Equalize level differences between presets YES YES YES MASTER Global volume and maximum level governing NO YES YES E TREBLE MIDDLE BASS Adjusts tone in the high mid and low frequency ranges respectively F PRESENCE Adjusts tone in the ultra high frequency ...

Page 10: ...nfiguration is saved your changes will be lost K TUNER Turns the tuner on off The TUNER LED flashes and audio is muted while the tuner scale is displayed L NOISE GATE Turns the noise gate on off Use it to reduce static and environmental noise transmitted through nearby electronic devices Enter AMP edit mode to edit noise gate depth and threshold parameters see page 14 M TAP In PLAY mode TAP sets t...

Page 11: ...rading your music P FX LEVEL FX VAL 1 FX VAL 2 Adjusts the level parameter 1 and parameter 2 of the active effect respectively The functions of these knobs as well as additional parameters can be accessed through the FX edit mode see page 16 Q DISPLAY and DATA WHEEL Your interface for controlling the dynamic functions described throughout this manual See the Overview on page 8 R PRESET EDIT The AM...

Page 12: ...e FOOT SWITCH jack DD EXPRESSION PEDAL JACK Connection for a standard expression foot pedal optional used to remotely control any of the following parameters GAIN VOLUME TREBLE MIDDLE BASS PRESENCE REVERB MASTER any Reverb parameter or any effect parameter Expression pedal assignment is preset programmable through the AMP edit mode see page 15 EE REVERB FX BYPASS Connection for the included one bu...

Page 13: ...d rear panel jacks are automatically muted but LINE OUTPUT jacks are not II LINE OUTPUT Impedance balanced XLR jacks for output to sound reinforcement and recording equipment Use the button to select stereo or dual mono signal These outputs are frequency compensated to simulate the sound of a miked speaker JJ EFFECTS LOOP Connections for external effects devices Connect MONO SEND to the input of y...

Page 14: ...type Small Ambience Small Large Room Large Hall and Arena simulate the acoustics of different sized spaces Small Large Plate studio Reverb that generates bright timbres yet retains warmth Blackface Reverb classic Fender spring Reverb Gated Unique modern Reverb see Reverb Tone Shape menu below Fender Reverb classic 1963 tube driven unit uniquely located pre distortion see Reverb In Level Dwell menu...

Page 15: ...ers COMPRESSION Values Off Low Medium High Even Higher Use to set the frequency cut off boundary for the noisegate when it is activated NOISEGATE DEPTH Values 1 0 10 0 Use to set the signal level sensitivity for activating the noisegate Affected by TRIM setting NOISEGATE THRESHOLD Values Low Medium High Assigns a parameter to be controlled by an expression pedal optional Parameters in brackets app...

Page 16: ...tep Stereo Flam Delay Delay Delay Delay Delay Delay Delay Out Level Time Feedback Brightness Stereo Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Ducking Delay Delay Delay Delay Delay Delay Ducking Delay Out Level Time Feedback Release Threshold Time Change 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Backwards Delay Delay Delay Delay Delay Delay Delay Out ...

Page 17: ...1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Triangle Chorus Chorus Chorus Chorus Chorus Tri Chorus Out Level Rate Depth Average Delay Phase 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Sine Flange Flange Flange Flange Flange Sine Flange Out Level Rate Depth Feedback Phase 1 0 10 0 0 08 10 0Hz 1 0 10 0 1 0 10 0 1 0 10 0 Triangle Flange Flange Flange Flange Flange Tri Flange Out Level Rate De...

Page 18: ...10 0 1 0 10 0 Pedal Wah Delay Delay Delay Delay Delay Delay Out Level Time Feedback Wah Brightness Time Change New 1 0 10 0 30 1450 ms 1 0 10 0 1 0 10 0 1 0 10 0 Ramp or Step Touch Wah Delay Delay Wah Wah Delay Delay Delay Out Level Time Sensitivity Peak Feedback Time Change New 1 0 10 0 30 1450 ms 1 0 10 0 LowQ or HighQ 1 0 10 0 Ramp or Step Fuzz Fuzz Fuzz Heel Toe Pedal Wah Out Level Gain Wah Fr...

Page 19: ...ultiple output stereo digital delays with various tap timings Ducking Delay A mono delay with a special feature while you are playing your delayed repeats are quiet or duck below the dry signal when you stop playing the delayed repeats return to normal volume DUCKING DELAY RELEASE Adjusts how long the delayed repeats wait to return to normal volume after you stop playing DUCKING SENSITIVITY Adjust...

Page 20: ...h to choppy Pedal Wah A traditional foot operated wah controlled with an expression pedal optional For best results the optimal expression pedal specifications include passive 10k to 250k ohms WAH Adjusts the wah filter center frequency HEEL TOE FREQUENCY Adjusts the minimum and maximum frequency limits Use to control the functional range of your pedal SWEEP TYPE Select The Baby s Cryin modern wah...

Page 21: ...triangle chorus For best results use with clean amp settings and your guitar s neck rhythm pickup BODY Adjusts low frequency tone BRILLIANCE Adjusts high frequency tone Pitch Shift A semitone variable pitch shifter and detuner PITCH Adjusts the pitch shift value in semi tone increments from 1 0 2 octaves below to 5 5 unison to 10 0 2 octaves above PITCH DETUNE Adjusts the pitch shift offset in mic...

Page 22: ...t of time it takes for the signal to return from full degradation Pedal Pitcher An effect very similar to the Pitch Shift effect optimized for dynamic control with an expression pedal or continuous controller With practice wammy bar effects can be created This effect is positioned before distortion whereas the Pitch Shift effect is post distortion PITCH Smoothly adjusts the pitch shift value in se...

Page 23: ...rtion pedal wah or touch wah combined with a Mono Delay effect placed post distortion Fuzz Pedal Wah and Fuzz Touch Wah New combination effects including two pre distortion effects pedal wah or touch wah combined with fuzz Fuzz Delay A new combination effect including pre distortion fuzz combined with a Mono Delay effect placed post distortion Octave Tape Echo A combination effect with a pre disto...

Page 24: ...Off Set the amplifier to respond to system exclusive commands for any ID or one ID Using ID numbers allows you to transfer MIDI data to exclusive subsets of Cyber Twin SE amplifiers on a network regardless of MIDI channel settings MIDI SYSTEM EXCLUSIVE ID NUMBER Values Omni all 17 32 4 4 Utility Mode Utility Mode This chapter explains how to navigate the Utility menus and describes each of the 12 ...

Page 25: ...reset restore operation Press EXIT before the second TAP to cancel the restore FACTORY PRESET RESTORE Values none Transfers all Utility settings every Utility menu parameter to another Cyber Twin SE or MIDI device Press TAP to initiate MIDI DUMP UTILITIES Values none Transfers any one preset every parameter to another Cyber Twin SE or MIDI device The current preset is automatically selected but yo...

Page 26: ... X Number True Voice X X Velocity Note ON X X Note OFF X X After Keys X X Touch Channel X X Pitch Bender X X Control Change O O Assignable Continuous Controller numbers are 1 100 Program Implemented O O Internally mapped Change True System Exclusive O O See Appendix System Song Position X X Common Song Select X X Tune Request X X System Clock X X Real Time Commands X X Local On Off X X Auxiliary A...

Page 27: ...2 LSB for Bank Changes 0 127 85 Effects Reverb Bypass OFF 0 63 ON 64 127 86 Hum Reduction OFF 0 63 ON 64 127 96 Data Increment2 Linked to the Data Wheel 97 Data Decrement2 Linked to the Data Wheel 102 Gain 0 127 103 Volume 0 127 104 Treble 0 127 105 Middle 0 127 106 Bass 0 127 107 Presence 0 127 108 Reverb 0 127 109 Master Volume 0 127 110 FX Level 0 127 111 FX Val 1 0 127 112 FX Val 2 0 127 113 F...

Page 28: ...es software version ffH Function ID number 01H Utilities message 02H One preset message 03H All presets message PnH Packet Number Data Data bytes The data bytes have been formatted following the MIDI Specification cbH Checksum byte used for error checking F7H End of System Exclusive Message VALUE DESCRIPTION F0H Start of System Exclusive Message 08H Fender Manufacturer ID nnH nn Device ID minus on...

Page 29: ...H 04H Neo British 00H 05H Dyna Touch Tone Stack Position 01H 00H Pre Distortion 01H 01H Post Distortion Drive Circuitry 02H 00H Blackface Tube1 02H 01H Blackface Tube2 02H 02H Blackface Tube3 02H 03H Tweed Tube1 02H 04H Tweed Tube2 02H 05H Tweed Tube3 02H 06H Hot Rod Tube1 02H 07H Hot Rod Tube2 02H 08H Hot Rod Tube3 02H 09H HMB Tube1 02H 0AH HMB Tube2 02H 0BH HMB Tube3 02H 0CH Dyna Touch 1 02H 0DH...

Page 30: ... 06H 02H Left Rev Polarity 06H 03H Right Rev Polarity Compressor 07H 00H OFF 07H 01H Low 07H 02H Medium 07H 03H High 07H 04H Even Higher PARAMETER ID VALUE Noise Gate Depth 08H 0 127 00H 7FH Noise Gate Threshold 09H 00H Low 09H 01H Medium 09H 02H High Expression Pedal Assignment 0AH 00H Volume 0AH 01H Gain 0AH 02H Treble 0AH 03H Middle 0AH 04H Bass 0AH 05H Presence 0AH 06H Reverb 0AH 07H Effects L...

Page 31: ...ransmission continues until all the information has been sent After the last packet the End of File message is sent The System Exclusive device ID must be set to Omni or the same as the transmitting device ID to accomplish the data transfers NOTE Data values are displayed in hexadecimal with H for clarification VALUE DESCRIPTION F0H Start of System Exclusive Message 7EH Universal Message nnH nn De...

Page 32: ...d Write down the message exactly as it appears and contact your local Fender repair center with this infor mation The unit is not responding to any MIDI program change messages from external devices Make sure the MIDI Receive channel is set properly Make sure the MIDI Cables are connected properly The unit is not responding to any MIDI Continuous Controller Messages from external devices Make sure...

Page 33: ...LEMENT Celestion Two 2 x G12T 100 12 inch 8 ohm FUSES PRIMARY F4A 125V for 100V and 120V units F2A 250V for 230V and 240V units SECONDARY digital supply F2A analog supply Two 2 x T1A FOOTSWITCH FOUR BUTTON Quick access key recall functions 5 pin DIN MIDI type cord ONE BUTTON Reverb Effects Bypass and Vibratone rotor speed select standard one button toggle type P N 099 4055 000 or 00 57172 000 EXPR...

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Page 36: ...P N 064391 REV A ...

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