Fender 1515 Owner'S Manual Download Page 12

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The placement of any speaker can dramatically affect
its sound. Thus, there are several considerations to
review when placing loudspeakers.  For best coverage,
the speakers should be placed or mounted above head
level.  This allows the high-frequencies to reach mem-
bers of the audience located in the back.  The larger the
audience, the higher the speakers should be placed.  

The horn in your ACE Series speakers can be oriented
for “wide” or “tall” coverage.  

Consider speaker placement and coverage needs to
determine the best horn position.  In the “wide” posi-
tion, horizontal coverage is 90° and vertical coverage is
60°.  In the “tall” position, vertical coverage is 90° and
horizontal coverage is 60°.

To rotate the horn, first remove the four corner screws.
Pull the horn out just enough to rotate it, taking care not
to disconnect the wires.  Replace the four corner
screws. 

Other considerations are feedback and bass
performance.  If the speaker is placed near a large, flat
wall, bass output will be increased by approximately 6
dB.  However, placing the speaker near a wall can cause
feedback.  If this occurs, the speaker must be moved.
In general, placing speakers near a wall works best if
the sources feeding the speaker are line level items.  To
reduce microphone feedback, use cardioid pattern
microphones, keeping them behind, and pointed away
from loudspeakers. 

When loudspeakers
are used in stereo,
(either singly or in
clusters), they should
be separated and
angled so that the
coverage patterns
overlap.

When loudspeakers
are clustered, they
should be angled so
that the coverage
patterns do not
overlap.  Speakers
groups of two should
have their horns
oriented in the “wide”
position.  

Loudspeaker groups
of three should have
their horns oriented in
the “tall” position.
For larger venues,
loudspeaker clusters
can be treated as
single units.

Your ACE
loudspeakers can
also be used as
stage monitors
when placed on
their sides.

When used as a stage monitor, the horn should be
rotated to the “wide” position relative to the floor to
provide uniform coverage.  

Larger stages may require additional monitors.

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TALL

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12

Summary of Contents for 1515

Page 1: ......

Page 2: ...ENGLISH PAGES 10 13 ESPANOL PAGINAS 14 17 FRAN AIS PAGES 18 21 ITALIANO PAGINE 22 25 DEUTSCH SEITEN 26 29 30 33...

Page 3: ...to avoid any chance that someone could trip over them Tripping over the cables attached to the speaker can cause the speaker to be knocked over potentially leading to personal injury and damaged equip...

Page 4: ...empre al colocar los cables de altavoz para evitar la posibilidad de que alguien tropiece con ellos o los pise Un enganch n con los cables puede hacer que el altavoz caiga dando lugar a posibles da os...

Page 5: ...e tr bucher dans les c bles peut renverser ou faire tomber les enceintes ce qui pr sente un risque important d accident et de dommages aux enceintes Du fait du niveau sonore lev g n r par ces enceinte...

Page 6: ...sizionati in modo da evitare che si inciampi su di essi in quanto tirando in modo eccessivo i cavi collegati al diffusore questo potrebbe rovesciarsi causando danni fisici e o materiali Le vibrazioni...

Page 7: ...egulieren der Lautst rke vorsichtig vor Allgemeine Sicherheitsvorkehrungen Verlegen Sie die Lautsprecherkabel sorgf ltig damit niemand dar ber stolpern kann Andernfalls k nnte die Box durch den Zug de...

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Page 9: ...w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t...

Page 10: ...vers in the ACE 2012 and ACE 1515 Loudspeakers have 1 3 8 titanium diaphragms and annular phase plugs for superior fre quency response The woofers are designed for maxi mum efficiency and robust power...

Page 11: ...and so on see illustration Each additional loudspeaker in a daisy chain configuration will reduce the total impedance load Never connect a total impedance load below the minimum impedance load rating...

Page 12: ...near a large flat wall bass output will be increased by approximately 6 dB However placing the speaker near a wall can cause feedback If this occurs the speaker must be moved In general placing speak...

Page 13: ...8 in 34 0 mm DIAPHRAGM MATERIAL Titanium Titanium EXIT THROAT 1 in 25 4 mm 1 in 25 4 mm HORN DISPERSION H X V 90 x 60 90 x 60 ROTATABLE Yes Yes DIMENSIONS WEIGHT 46 0 lb 21 0 kg 34 0 lb 15 4 kg HEIGH...

Page 14: ...nen trompetas que pueden ser giradas lo que le permite ajustar el rea a cubrir Esta caracter stica permite al usuario optimizar la dispersi n del sonido dependiendo de la aplicaci n y la orientaci n d...

Page 15: ...reducir la carga de impedancia total Aseg rese siempre de quedar por encima del valor m nimo de carga de impedancia para su amplificador para evitar da os en su equipo Aqu puede ver las cargas de imp...

Page 16: ...en graves Si coloca el altavoz cerca de una superficie grande y plana la salida de bajos aumentar en aproximadamente 6 dB Tambi n el colocar el altavoz cerca de una pared puede producir realimentaci n...

Page 17: ...nio GARGANTA DE SALIDA 1 pulgadas 25 4 mm 1 pulgadas 25 4 mm TROMPETA DISPERSION H X V 90 x 60 90 x 60 POSIBILIDAD DE GIRO S S DIMENSIONES PESO 46 0 libras 21 0 kg 34 0 libras 15 4 kg ALTURA 27 6 pulg...

Page 18: ...part des enceintes concur rentes Les enceintes ACE disposent d une trompe rotative permettant de modifier l angle de dispersion Cette fonction permet l utilisateur d optimiser la couverture sonore en...

Page 19: ...ce totale de charge Veillez rester en dessus de l imp dance minimale de charge support e par l amplificateur pour viter tout dommage Voici l imp dance totale de charge en fonction du nombre d enceinte...

Page 20: ...re vis Vous devez aussi prendre en compte le Larsen et le ren dement dans les basses fr quences Si l enceinte est plac e proximit d un grand mur plat les basses fr quences seront accentu es d environ...

Page 21: ...1 W 1 m 95 dB 95 dB WOOFER TAILLE 15 pouces 381 mm 12 pouces 305 mm TWEETER COMPRESSION DIAPHRAGME 34 mm 34 mm MAT RIAU DIAPHRAGME Titane Titane SORTIE DE TROMPE 1 pouce 25 4 mm 1 pouce 25 4 mm TROMPE...

Page 22: ...chi di potenza in grado di danneggiare seriamente qualsiasi altro sistema di diffusione Dotati di trombe orientabili che consentono regolazioni accurate per la direzione dell emissione sonora i diffu...

Page 23: ...d una configurazione Daisy Chain riduce il carico d impedenza totale Perci onde prevenire danneggiamenti opportuno mantenere il carico d impedenza totale al di sopra del carico minimo supportato dall...

Page 24: ...equenze Se il diffusore si trova vicino ad un ampia parete piana i bassi aumenteranno di circa 6dB Tuttavia la posizione ravvicinata ad una parete pu causare l insorgere di feedback In questo caso occ...

Page 25: ...25 4 mm 1 in TROMBA DISPERSIONE H X V 90 x 60 90 x 60 ROTAZIONE Si Si DIMENSIONI PESO 21 0 kg 46 0 lb 15 4 kg 34 0 lbs ALTEZZA 700 mm 27 6 in 620 mm 24 4 in LARGHEZZA FRONTE 485 mm 19 1 in 415 mm 16...

Page 26: ...rden Die H rner der ACE Lautsprecher sind drehbar um deren Reichweite zu variieren Abh ngig von der Anwendung und Ausrichtung der Lautsprecher l sst sich damit die Klangstreuung optimieren Die Kompres...

Page 27: ...Box usw siehe Abb Jede zus tzliche Box in einer Kette verringert die Gesamtimpedanzlast Bleiben Sie unbedingt ber dem Mindestimpedanzlast Nennwert Ihres Verst rkers um die Anlage nicht zu besch digen...

Page 28: ...rlegungen sind Feedback und Bass Wiedergabe Wenn die Box in der N he einer gro en glatten Wand steht erh ht sich die Bass Ausgabe um etwa 6 dB Die Wandn he kann allerdings auch Feedback verursachen In...

Page 29: ...34 0 mm 1 3 8 in 34 0 mm 1 3 8 in MEMBRANMATERIAL Titan Titan AUSGANGSTRICHTER 25 4 mm 1 in 25 4 mm 1 in HORN STREUUNG H X V 90 x 60 90 x 60 DREHBAR Ja Ja ABMESSUNGEN GEWICHT 21 0 kg 46 0 lbs 15 4 kg...

Page 30: ...f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 30 A A A A C C C C E E E E 2 2 2 2 0 0 0 0 1 1 1 1 2 2 2 2 A A A A C C C C E E E E 1 1 1 1 5 5 5 5 1 1 1...

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Page 32: ...w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 32...

Page 33: ...w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 33...

Page 34: ...f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 34 A A A A C C C C E E E E 2 2 2 2 0 0 0 0 1 1 1 1 2 2 2 2 A A A A C C C C E E E E 1 1 1 1 5 5 5 5 1 1 1...

Page 35: ...w ww ww w f f e e n n d d e e r r c co om m w ww ww w m m r r g g e e a a r r h h e e a a d d n ne et t 35 N N N N o o o o t t t t e e e e s s s s...

Page 36: ...F FENDER MUSICAL INSTRUMENTS CORPORATION CORONA CA USA Fender is a registered trademark of FMIC Other trademarks are properties of their respective owners Copyright 2004 FMIC All rights reserved P N 0...

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