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The JOYSTICK allows for altering two bipolar control voltages simultaneously. These 
control voltages can be applied to the control parameters on other “modules” e.g. 
Oscillator pitch, Filter cutoff frequency, VCA gain and others. The X and Y level 
controls define the range of the control voltages where maximum range is -5V to 
+5V. The joystick is connected to pins 15 and 16 on the patch matrix, and there’s a 
hidden feature – the control voltage from user-defined MIDI CC messages is added 
to the Joystick’s voltage. For even more extensive control over parameters on the 
instrument, the RECORDING of  joystick movements has been implemented. To 
record a joystick movement, push and hold the REC/CLEAR button and move the 
joystick. You can record up to 8” of motion. Playback starts  half a second after the 
REC button is released, and the bicolour LEDs will give visual feedback on the CVs 
going the output. If you move the joystick during playback, the recorded CV is 
overdubbed, and playback resumes in half a second after no motion is detected. To 
clear the recording, double tap the REC/CLEAR button. The Joystick module also 
features a manual GATE button that controls the TRAPEZOID generator described 
above. You also can record a GATE PATTERN – push and hold the REC/CLEAR 
button and push the GATE button to record a gate pattern. You can record up to 8” 
of gate patterns. To clear the recording, double tap the REC/CLEAR button.

The SYNTRX II has two external audio signal inputs and you can use the instrument 
as an FX unit for external signal treatment or to inject the external signal into 
advanced patches and generate completely new sounds.
INPUT 1 comes with an input LEVEL attenuator and an ENVELOPE FOLLOWER 
(E.F.). The envelope follower will do two things: 1) extract a gate from the incoming 
signal, 2) extract the envelope or, in other words, control voltage that follows the 
change of the amplitude of the incoming signal. The basics of the envelope follower 
operation are shown in the image below. The envelope follower works the best with 
audio signals that have beats and it has four controls. The gate THRESHOLD knob 
sets the threshold (upper level) of gate detection. A signal below the threshold will be 
interpreted as a gate and the LED will turn on to indicate the presence of the gate. 
The switch TO GATE sends an extracted gate to the gate ORing circuit, and it’s 
added to other incoming gates (one from an external keyboard, internal sequencer 
or GATE button). The DECAY knob adjusts the decay time of the envelope – at 0 
setting it’s sharp and follows the amplitude of the incoming signal, at more clockwise 
settings, the decay time is extended. The EF LEVEL knob is the envelope follower 
output CV attenuverter. It determines how much CV is sent to the Env. Follower 
output. The Inverted signal (counter clockwise setting of the EF LEVEL knob) is useful 
for ducking audio outputs in a beat with a signal applied to INPUT 1. The INPUT1 is 
normalled to the SCOPE OUTPUT, so, if nothing is patched into the INPUT 2 jack 
socket, a signal from the SCOPE OUTPUT is automatically routed to INPUT 2.

JOYSTICK

INPUT 1

GATE/SEQ

REC/CLEAR

LEVEL

LEVEL

INPUT 1 / E.F.

LEVEL

THRESH

DECAY

EF LEVEL

TO GATE

OUTPUT LEVEL

LONG DECAY

SHORT DECAY

ENVELOPE

GATE

TRESHOLD

TIME

12

Summary of Contents for SYNTRX II

Page 1: ...USER MANUAL...

Page 2: ...ES THE INTERFACE CONNECTIONS THE MODULES THE PATCH MATRIX PATCH MATRIX CONNECTIONS PATCH MATRIX IN USE BUILDING PATCHES MIDI IMPLEMENTATION CONFIGURATION SETTINGS SAFETY INSTRUCTIONS DISPOSAL 27 27 25...

Page 3: ...encer all arranged around our signature matrix mixer and topped off with powerful FX on our new DSP platform Introducing The SYNTRX II a new dark horse for experimental sonic rides Two perfectly stabl...

Page 4: ...Y PWM SAW TIME LEVEL PAN LEVEL PAN LEVEL FEEDBACK S H RATE LEVEL TUNE SHAPE OCTAVE TUNE HPF LPF LEVEL RESONANCE INPUT 2 NOISE OUTPUT FILTER RINGMODULATOR SOURCE B LEVEL CHANNEL 2 CHANNEL 1 LEVEL LEVEL...

Page 5: ...as well as two configurable CC messages refer to the MIDI configuration page Connect a monitoring headphones here This is the external audio Input 1 It comes with an envelope follower so you can turn...

Page 6: ...ave is being modified by the incoming CV In the middle setting both waves are shaped in the left setting pulse width modulation is applied in the right setting the sine wave is shaped Please note that...

Page 7: ...the OSC2 SHAPE switch will determine which wave is being modified by the incoming CV In the middle setting no wave shaping is applied in the left setting pulse width modulation is applied in the right...

Page 8: ...ith the LPF lowpass filter cutoff knob set to 10 the lowpass filter is all the way open and the filter becomes a highpass filter with the HPF knob controlling its cutoff frequency With the HPF highpas...

Page 9: ...ltage steps Experiment with various inputs and S H RATE settings With high S H RATE settings and an audio signal applied to the S H Input you can achieve an analogue bitchrush effect The RINGMODULATOR...

Page 10: ...ockwise otherwise when the gate will be off the envelope will start looping Also with the external gate signal applied the ON knob will have no effect the ON time is defined by the gate length The out...

Page 11: ...st basic patch that involves EFFECTS is shown on page 21 of this manual The OUTPUT AMPLIFIER section is for the final treatment of the audio signal before it is sent to the headphones output and to th...

Page 12: ...rnal signal treatment or to inject the external signal into advanced patches and generate completely new sounds INPUT 1 comes with an input LEVEL attenuator and an ENVELOPE FOLLOWER E F The envelope f...

Page 13: ...hing is patched into the INPUT 2 jack socket a signal from the SCOPE OUTPUT is automatically routed to INPUT 2 The SCOPE is used to monitor both the CV and audio signal levels in the SYNTRX II patches...

Page 14: ...or 2 Oscillator 1 RECALL SAVE SHIFT PATCH The SYNTRX II has a digitally controlled analogue PATCH MATRIX It s a mixer buffered multiple matrix so when designing patches you can mix up to 16 inputs to...

Page 15: ...ated with the configurable MIDI controller Selectable between the pulse output of Oscillator 3 and Sample Hold CV output SIGNAL INPUTS CONTROL INPUTS Ch1 Output Scope Ch2 Output Envelope Signal Filter...

Page 16: ...een matrix and text modes Refer to configuration settings on page 26 Recalling patches Push the RECALL button to access the saved patches mode Use the encoders to navigate to one of the saved patches...

Page 17: ...the X encoder The matrix will indicate play directions forward FWD backward BWD ping pong PP and random RND You can select a CLOCK SOURCE of the sequencer by pushing and holding the PATCH button and r...

Page 18: ...dicated by the LED dot in the bottom right corner of the matrix Please note that you can attenuate these modulation sources with the LEVEL potentiometers on the joystick The step count and a play dire...

Page 19: ...el Ringmod A Effects 1 2 Oscillator frequency 1 2 3 SOURCES TREATMENTS Oscillator 3 S H Noise Input 1 Env Follower Input 2 Env signal Filter Trapezoid Ring mod Effects Joystick Oscillator 2 Oscillator...

Page 20: ...tor will alter the gain of the VCA therefore you will hear the change of loudness of the sound on the output 20 SIGNAL INPUTS CONTROL INPUTS Ch1 Output Scope Ch2 Output Envelope Signal Filter Decay Os...

Page 21: ...vement of the Joystick and the pitch of the Oscillator 1 will be modulated by the vertical movement of the Joystick Set the Joystick signal levels to desired amount and enjoy modulation madness Rememb...

Page 22: ...and INVERT the signal Then send the inverted signal to Output level of Channel 2 Now the volume of the channel 1 is changing depending on the frequency of the Oscillator 3 and the volume of channel 2...

Page 23: ...between Envelope Signal level DRY and Effects level WET settings will provide you desired DRY WET mix 23 SIGNAL INPUTS CONTROL INPUTS Ch1 Output Scope Ch2 Output Envelope Signal Filter Decay Oscillat...

Page 24: ...CV is patched into the relevant inputs MIDI note messages control the pitch of the VCOs if external CV is used MIDI notes are added to the external analogue CV so you can use the MIDI keyboard or seq...

Page 25: ...D mode is activated FEEDBACK ON THE REVERB Instead of the default tone adjustment on the reverberation effect you can have a feedback adjustment At the maximum clockwise setting of the FEEDBACK knob t...

Page 26: ...he right encoder a setup screen appears Here you need to set the top right and bottom left corners of the randomization area Use the encoders to navigate to the top left corner of the intended area an...

Page 27: ...he Warranty does not apply to instruments with visual damage SYNTRX II must be shipped in the original packaging only Any instrument shipped to us for return exchange and or warranty repair must be in...

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