ESQ-M – Musician's Manual
[MODES] MODES PAGE
Control s G lide , Sy nc , A M, and M ono Mo des, a s w ell as V oice , Env elop e an d
Oscillator Restart Modes.
All of the Parameters on this Page are part of the
Program
(or patch), and will apply only to the selected
Program.
The Parameters on this Page can be selected by pressing Scroll until the desired parameter is showing
or
by entering the Parameter Number immediately selecting the Page.
MODES PAGE
I
Parameters on this Page:
0
1
2
3
4
5
6
7
AM
GLIDE
MONO
SYNC
RST
VC
RST
ENV
RST
OSC
ENV
CYC
O.
AM
Amplitude Modulation.
When ON, the Amplitude of
Oscillator 1
modulates the
Amplitude of
Oscillator
2. OSC 2's Amplitude Envelope will be ignored. This results in the creation
of "Sideband" frequencies at the sum and difference of the frequencies being played by the two
Oscillators.
When
OSC 1
and OSC 2 are tuned to simple intervals of each other (such as octaves or fifths,
etc.), AM Mode can produce FM-like enharmonics, for bell sounds, etc. When the Oscillators are
tuned to more complex intervals, the effect is more extreme.
Since the Amplitude of
Oscillator
2 is no longer being controlled by DCA 2, you must use DCA 4
and ENV 4 to control the volume of the Sound.
1. GLIDE
Also called
Portamento.
This causes the pitch of the Oscillators to "glide" between notes instead of
the usual abrupt transition. The higher the value, the longer it will take to get from the pitch of the first note
played to that of the second. Ran
g
e: 0 To
63.
NOTE:
The GLIDE function behaves in one of two ways, depending on whether or not
MONO
mode
is engaged:
With
MONO mode
OFF:
The pitch of any note played will 'glide' to its proper pitch from that of the
note played immediately before it, at the rate that has been set. In this mode the GLIDE is
polyphonic,
and whole chords can be made to swoop up and down together. (Very dramatic.)
With
MONO mode
ON:
You have what is called
Fingered Portamento.
If a key is pressed
with no other keys held down, there is no
GLIDE.
If you then play a second key while holding
down the first, the note will glide from the pitch of the first key to that of the second. Release the
second key (still holding the first one down) and it glides back. In other words,
the effect is only
present when a note is played while another key is held down.
You can thus play Staccato
for runs without GLIDE, and Legato for runs with
GLIDE.
Summary of Contents for ESQ-M
Page 1: ...1...
Page 10: ...9 ESQ M Musician s Manual Section 1 Getting Started...
Page 20: ...ESQ M Musician s Manual Section 3 Getting In Deeper...
Page 26: ...2 Page Missing...
Page 27: ...26 Page Missing...
Page 29: ...Page Intentionally Left Blank...
Page 30: ...ESQ M Musician s Manual Section 3 Global Functions...
Page 40: ...ESQ M Musician s Manual Section 4 Programming the ESQ M...
Page 55: ...54 page intentionally left blank...
Page 56: ...ESQ M Musician s Manual PROGRAMMING PAGES...
Page 83: ...82 Page Intentionally Left Blank...
Page 84: ...ESQ M Musician s Manual Section 5 Saving and Storing Programs and Hidden Functions...
Page 92: ...ESQ M Musician s Manual Section 6 Applications...
Page 93: ...9 Page Intentionally Left Blank...
Page 102: ...ESQ M Musician s Manual Section 7 Appendices...
Page 105: ......
Page 106: ...PCB Structure Part Two...
Page 107: ...106 Page Intentionally Left Blank...
Page 118: ......