![ENSONIQ ESQ-M Musician'S Manual Download Page 42](http://html1.mh-extra.com/html/ensoniq/esq-m/esq-m_musicians-manual_2414274042.webp)
41
Waveforms
ESQ-M – Musician's Manual
Some of the ESQ-M's Waveforms (such as the Piano Waveform) have been
Multisampled —
that is,
different waves play in different ranges of the instrument. This is because many sounds lose their realism
if they are transposed too far from their source. The lowest note on a piano, if transposed up three octaves,
doesn't sound like a piano any more. Neither does the highest note transposed
down
three octaves. Or to
use another example — take a recording of a human voice and play it back twice as fast. Does it sound like a
human voice? No. What does it sound like? Chipmunks.
Multisampling means that the low notes of the Piano Waveform were sampled from a low note on the piano,
the middle notes were sampled from a middle note, and so on. So really you get more than 32 Waveforms,
since some of them are actually made up of several Waveforms. You don't have to do anything special
to use these Multisampled Waveforms. The ESQ-M treats each one as a single Waveform, and they are
selected just like the others.
The Synthetic Waveforms can be combined with the Sampled ones, to add harmonic content which
enhances the sound in some way. Any combination of Waveforms is possible, and each will have its own
unique sound.
NAMES
The
ESQ-M's
32 Waveforms are identified by their
Names.
In the
case of the Sampled Wavefouns
especially, you should neither take them too literally, nor let yourself be limited by those Names. Don't,
for example, expect the
VOICE
Waveform to always sound like Vocals — everything depends on the
Program (the Envelopes, the Filter settings, etc.). On the other hand, don't let the Names alone limit what
you try in terms of being creative. For example, if you find that within a certain Program the
BASS
Waveform sounds like a harpsichord, or a kazoo, or whatever, go with it. Your ears are the only valid
judge of what works.
SELECTING A WAVEFORM
Each of the three Oscillators can play a different Waveform within a Program. The Waveforms are
selected from the
Oscillator Pitch
Pages
[OSC1, OSC2
and OSC3]. The Waveform parameter is
selected like any other parameter on the ESQ-M.
To select a Waveform for
Oscillator 1:
1.
Press the
Param
button to put the ESQ-M into Parameter mode.
2.
Press the OSC button on the Control Keypad, then within 2 seconds (while the question mark is
flashing) immediately press
1,
to select
Oscillator
l's
Page.
3.
Press
Scroll
until the Display reads
"WAVE=_________
Now you can use the Data Entry Slider and the Up and Down Arrow buttons to change the Waveform that
OSC1
will play. There are 32 available choices, each with its own Name. Follow the same proce dure
to select a Waveform fo r OSC2 and OSC3. Late r in this section each Waveform is detailed by Name.
CHECK THEM OUT
The best way to understand the Waveforms is not to read about them, but to hear them. Select the
Program called BASIC (it's Program # 112 in the ENSONIQ Voice-80 Cartridge, Volume 1). This
Program has only one Oscillator playing, and all the Envelopes wide open. Select the
OSC1
Page as sh own
above, and Scroll to the
WAVE
parameter. The Sawtooth Wave is se lecte d
(WAVE= SAW).
While repeatedly playing a note or chord on your master keyboard, press the
Up Arrow/Yes
button to step
to the next Waveform. Press it again to hear the next one, and so on. In this way you can liste n to
each Waveform in succ ession, co mpare the m to each other, and co mp are the timbral characteristics
you hear in various ones to their text descriptions below. When you are looking for the right Waveform for a
particular application, let your ears be the guide.
Summary of Contents for ESQ-M
Page 1: ...1...
Page 10: ...9 ESQ M Musician s Manual Section 1 Getting Started...
Page 20: ...ESQ M Musician s Manual Section 3 Getting In Deeper...
Page 26: ...2 Page Missing...
Page 27: ...26 Page Missing...
Page 29: ...Page Intentionally Left Blank...
Page 30: ...ESQ M Musician s Manual Section 3 Global Functions...
Page 40: ...ESQ M Musician s Manual Section 4 Programming the ESQ M...
Page 55: ...54 page intentionally left blank...
Page 56: ...ESQ M Musician s Manual PROGRAMMING PAGES...
Page 83: ...82 Page Intentionally Left Blank...
Page 84: ...ESQ M Musician s Manual Section 5 Saving and Storing Programs and Hidden Functions...
Page 92: ...ESQ M Musician s Manual Section 6 Applications...
Page 93: ...9 Page Intentionally Left Blank...
Page 102: ...ESQ M Musician s Manual Section 7 Appendices...
Page 105: ......
Page 106: ...PCB Structure Part Two...
Page 107: ...106 Page Intentionally Left Blank...
Page 118: ......