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Chroma

The color or chroma content of a signal, consisting of the hue and saturation of
the image. See also Color Difference.

Component

In a component video system, the totality of the image is carried by three
separate but related components. This method provides the best image fidelity
with the fewest artifacts, but it requires three independent transmission paths
(cables). The commonly used component formats are Luminance and Color
Difference (Y/Pr/Pb), and RGB. It was far too unwieldy in the early days of color
television to even consider component transmission.

Composite

Composite television dates back to the early days of color transmission. This
scheme encodes the color difference information onto a color subcarrier. The
instantaneous phase of the subcarrier is the color’s hue, and the amplitude is the
color’s saturation or intensity. This subcarrier is then added onto the existing
luminance video signal. This trick works because the subcarrier is set at a high
enough frequency to leave spectrum for the luminance information. But it is not a
seamless matter to pull the signal apart again at the destination in order to
display it or process it. The resultant artifacts of dot crawl (also referred to as
chroma crawl) are only the most obvious result. Composite television is the most
commonly used format throughout the world, either as PAL or NTSC. It is also
referred to as Encoded video.

Color Difference

Color Difference systems take advantage of the details of human vision. We have
more acuity in our black and white vision than we do in color. This means that
we need only the luminance information to be carried at full bandwidth, we can
scrimp on the color channels. In order to do this, RGB information is converted to
carry all of the luminance (Y is the black and white of the scene) in a single
channel. The other two channels are used to carry the “color difference”. Noted as
B-Y and R-Y, these two signals describe how a particular pixel “differs” from
being purely black and white. These channels typically have only half the
bandwidth of the luminance.

Decibel (dB)

The decibel is a unit of measure used to express the ratio in the amplitude or
power of two signals. A difference of 20 dB corresponds to a 10:1 ratio between
two signals, 6 dB is approximately a 2:1 ration. Decibels add while the ratios
multiply, so 26 dB is a 20:1 ratio, and 14 dB is a 5:1 ratio. There are several
special cases of the dB scale, where the reference is implied. Thus, dBm refers to
power relative to 1 milliwatt, and dBu refers to voltage relative to .775V RMS.
The original unit of measure was the Bel (10 times bigger), named after
Alexander Graham Bell.

BrightEye-9

TM

Summary of Contents for BrightEye 45

Page 1: ...lifier The information in this user guide is organized into the following sections Product Overview Applications Rear Connections Operation Front Panel Status Indicators Warranty and Factory Service S...

Page 2: ...th an optical launch power attenuator multi mode fiber can also be used for longer cable runs Refer to the functional block diagram below This is a simple device with no USB port and no interface to t...

Page 3: ...istances up to 20 kilometers of single mode fiber Another advantage of using optical signal distribution is the electrical isolation provided allowing complete freedom from ground loops HD Optical Con...

Page 4: ...ted optical carrier in accordance with SMPTE 297M It also conforms to high definition and ASI specifications The output wavelength is 1310 nm nanometers with a nominal output power of 7 dBm It is capa...

Page 5: ...stments required for this unit Front Panel Indicators The front panel of the converter shown in the figure above provides the following status indicators for the video input and power to the unit In I...

Page 6: ...autho rization Factory Service If you require service under warranty or not please contact Ensemble Designs and ask for Customer Service before you return the unit This will allow the service technic...

Page 7: ...s 15 dB Output DC None AC coupled Optical Output Number One Type SMPTE 297M Optical equivalent of 259M Wavelength 1310 nm Power 7 dBm Fiber Type Single mode Multi mode compatible with 8 dB attenuation...

Page 8: ...times which are required in CRT displays to allow the electron beam to be repositioned for the start of the next line or field They are also used to carry synchronizing pulses which are used in transm...

Page 9: ...re only the most obvious result Composite television is the most commonly used format throughout the world either as PAL or NTSC It is also referred to as Encoded video Color Difference Color Differen...

Page 10: ...ge of the gaps in the transmission which correspond to the horizontal and vertical intervals of the television waveform This technique an be very cost effective in transmission and routing but can als...

Page 11: ...nal 24 frames that make up each second of film they just project each one twice IRE Video level is measured on the IRE scale where 0 IRE is black and 100 IRE is full white The actual voltages that the...

Page 12: ...it does not require that the two endpoint devices have any electrical con nection to each other This can be very advantageous in large facilities where problems with ground loops appear And secondly...

Page 13: ...this relationship is not the same at the beginning of each frame In PAL the pattern repeats ever 4 frames 8 fields which is also known as the Bruch Blanking sequence In NTSC the repeat is every 2 fram...

Page 14: ...d is particularly severe with consumer type hetero dyne systems like VHS Time base error will render a signal unusable for broadcast or editing purposes Tri Level Sync An analog sync reference signal...

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