successfully. You can cancel the copy operation by releasing the key, but only for as
long as the LED lights up continuously.
will flash in a pattern of
five short bursts. More info about the Status LED on page 26.
Further indicator functions:
; description in section 28, page 13.
Power Tube Monitor
IMPORTANT note; please read and heed
More good-to-know info:
CAUTION:
A tip from the designer:
CAUTION:
A tip from the designer:
:
MIDI preset 1 activates when the amp is powered up. If you want to edit and/or store
other MIDI presets, you must connect a MIDI foot board or another MIDI send device
to the
port (33) and use this outboard device to select the desired MIDI preset
on the amp.
Note that the Status LED also indicates the status of components unrelated to
and
. The microcontroller runs a short system check after you switch the amp on.
Should it find a defect in the memory chip (EEPROM), the LED
Press the Write/Copy copy button to confirm that you got the message. Once you have
done this, the system will be ready to run, although you may encounter problems
when attempting to select or store MIDI preset.
The Status LED serves a third display function. As described in section 53 on page 20
and page 23, it indicates that no speaker is connected to the power amp outputs.
This knob determines the Lead I channel's input sensitivity and preamp saturation
level.
Extremely high gain and volume levels in Lead mode can produce powerful
feedback. Avoid feedback squeals; they can lead to hearing loss and damage
speakers! At higher volumes, back off the Gain, Treble and Presence levels in order to
prevent unchecked feedback!
The two Lead channels' fundamental tones are not worlds apart:
boasts slightly
less gain and bottom end, but its speedier response makes it a great choice for brisk
riffing and lightning lead runs. The Lead I channel is voiced with scooped mids, making
it an excellent choice for dialing in hip heavy metal sounds.
This knob determines the Lead II channel's input sensitivity and preamp saturation
level.
Extremely high gain and volume levels in Lead mode can produce powerful
feedback. Avoid feedback squeals; they can lead to hearing loss and damage
speakers! At higher volumes, back off the Gain, Treble and Presence levels in order to
prevent unchecked feedback!
The two Lead channels' fundamental tones are not worlds apart:
boasts a bit
more gain and bottom end than
, and works very well for fat, in-your-face solos
and chunky riffs with a big bottom end with plenty of low-frequency punch. Its
response is not quite as speedy as
, and the low-end can turn muddy at high
Gain settings in combination with high-testosterone pickups. Note that certain
midrange frequencies are boosted in the Lead II channel for a punchier tone, ensuring
your lead lines cut through.
MIDI In
Write
Copy
Lead I
Lead II
Lead I
Lead I's
16 Lead I Gain
17 Lead II Gain
10
