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1 Input: 

Input¼" unbalanced input. Plug your guitar cord in here.

2 Clean: 

Input sensitivity control (Gain) for the Clean and the Crunch channels.

    (Clean: set the Gain-button 11 to the Lo position, Crunch: set the Gain-button 11 to the Hi position).
    A TIP from the Designer: Gain settings depend on what type of pickups are installed in your guitar. 
    The recommended setting for humbuckers or active pickups lies between the 10 and 1 o’clock 
    positions and 12 to 3 o’clock for single coils for a pure clean response; the Gain button must be in 
    the OFF-position.

3 Bright: 

Alters the EQ by boosting the upper treble range; effectiveness decreases at higher 

    Gain (2,4) settings; the Bright feature affects all channels.
    A TIP from the Designer: For a crisp glassy tone, set the Bright switch to the On position. This
    setting boosts the treble response of muddy pickups.

4 Lead: 

Gain control pot for the Soft Lead channel and the Heavy Lead channel. It controls the amount 

    of preamp overdrive in the Lead mode. (Soft Lead: set the Gain-button 11 to the Lo position, Heavy   
    Lead: set the Gain-button to the Hi position).

    CAUTION: Extremely high gain and volume levels in the Lead mode can produce  
    strong feedback. Avoid feedback squeals, they lead to hearing loss and damaged speakers!

    A TIP from the Designer: To get Crunch-sounds and Rhythm-sounds set this control between 
    the 9 and 12 o´clock´s position (depending on the type of pick-up) and leave the Gain 11 pusbutton 
    in the Off-position. 

5 Bass:

 Bottom end voicing control of the preamps´s passive EQ.

6 Middle:

 Mid-range voicing control of the preamp´s passive EQ.

7 Treble: 

Upper range voicing control of the preamp´s passive EQ.

    

A

 

TIP from the Designer: To get an idea of this amp's capabilities, I suggest you set the tone control 

    pots Bass (5), Middle (6), Treble (7) and Lead Presence (8) to the 12 o'clock position. For extremely 
    soft lead, blues or jazz sounds, try setting the Treble knob to somewhere in the 8-to-11 o'clock range. 
    For aggressive metal riffs or spanky funk sounds, go for something in the range of 11 to 3 o'clock. 

8 Lead Presence: 

This control defines the Treble response in the poweramp stage for 

    the Lead channel.
    A TIP from the Designer: When you've adjusted the amp to relatively loud levels and high Gain 
    settings reduce the amount of Lead Presence (8) and Treble (7) to prevent annoying feedback that is 
    generated when your guitar's pickups and the speaker interact—something in the 8-to-12 o'clock 
    range should do just fine. 

9 Reverb: 

Reverb control, adjusts the portion of the reverb signal and increases reverb intensity 

    if you rotate it clockwise; the reverb can be switched on/off via the respective footswitch connected 
    to jack 19 or 21.

Frontpanel

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Screamer 50

 

- delivers the sonic goods—tons of tone and palette of hip sounds from squeaky clean 

to hi-gain shred and everything in between. This all-tube beast is your first choice for many different 
sound styles! With a host of practical features and a clearly-arranged control panel, handling this amp is a 
piece of cake. The Screamer's opulent visuals are certainly arresting, but its unique, creamy tube tone and 
silky spring reverb truly set this amplifier apart. The Screamer comes complete with a bit of technical 
wizardry which you'll find useful where it counts most—out there in the real world of rehearsing and 
gigging. Among these features are a Lo/Hi Gain switch, which in effect doubles your choice of channels 
from two—Clean and Lead—to four—the afore-mentioned, plus Crunch and Heavy Lead. You also get two 
different connection systems for different footswitches-conventional ¼" jacks as well as a port for the 
ENGL compact footswitch Z-5 (optional). And then there's the ingenious feature "V.L.S.", an adapted 
version of the extremely popular and highly practical Master A/B switching circuit found on high-end 
ENGL heads.
Quality components, excellent workmanship and strict quality control ensure this amp retains its value.
You'll find guidelines on care and maintenance of tube amps on the last page of the manual.
Please read and heed these before operating your amp. You'll also come across boxes shaded grey
throughout the manual. These are located between the descriptions of the amp's functions and
contain handy tips on the preceding function. All critical information pertaining to the operation of
this amp is preceded by "NOTE" or "CAUTION." Please pay particular attention to these safety tips.
The ENGL team wishes you all the best—may you and your amp enjoy a "harmonically rich" future
together!

Clean

Lead

Reverb

Lead

Volume

Master

Clean

Lead

Bass

Middle

Treble

Power

Stand By

Bright

Screamer 50

Gain

Lo/Hi

Amp

Tube

Input

15

Lead

Presence

Summary of Contents for Screamer 50

Page 1: ...Please first read this manual carefully Operator s Manual Guitar Amplifier Screamer 50 Tube Amp ...

Page 2: ...in settings reduce the amount of Lead Presence 8 and Treble 7 to prevent annoying feedback that is generated when your guitar s pickups and the speaker interact something in the 8 to 12 o clock range should do just fine 9 Reverb Reverb control adjusts the portion of the reverb signal and increases reverb intensity if you rotate it clockwise the reverb can be switched on off via the respective foot...

Page 3: ...compatible If you choose to use the ENGL Z 3 basic plastic version without LED display or ENGL Z 4 rugged metal version with LED display footswitches you won t encounter any compatibility problems 10 Lead Volume Volume control for the Lead channel pre FX loop influences the Send level Use this knob to dial in the desired balance of levels between the Lead and Clean channels 11 Gain Lo Hi When you ...

Page 4: ...e or destroy the power amp Ensure your cabinet s specifications match the respective output s specs Possible speaker combinations 1 x 8 ohms or 2 x 16 ohms Jacks 25 and 26 or 1 x 16 ohms Jack 27 or 2 x 8 ohms Jacks 27 and 28 29 Line Out Ground This switch assigns Pin 1 of the XLR socket to ground position Ground to Pin 1 You ll find this option is handy when you want to shield the circuit you have...

Page 5: ...USTOM FOOTSWITCH PORT OVERLOAD GROUND TO PIN 1 GROUND LIFTED LINE OUT GROUND REPLACE FUSE ONLY WITH SAME TYPE AND RATING V L S RATIO 8 16 OR 16 AND OR 16 8 OR 8 AND 16 OHMS SERIAL 1 x 16 OHMS USE LEFT JACK 2 x 8 OHMS 8 OHMS PARALLEL 1 x 8 OHMS 2 x 16 OHMS COMBO INTERNAL SPEAKER R The different options for controlling the Screamer 50 amp remotely 1 ENGL Custom Footswitch Z 5 Connect it to the Custo...

Page 6: ...the following This guitar amplifier can produce high volume levels Exposure to high volume levels may cause hearing damage Leave tube replacement and power amp biasing to qualified professionals Be sure the unit is switched off and unplugged Caution Tubes can get very hot and burn skin when touched Always use high quality cables Never plug the amp into an ungrounded outlet Never bridge a defective...

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