this volume control is located pre effects loop, it also determines the effects send level
for Channel 2. The red LED to the right of the knob lights up to indicate Channel 2 is on.
both c
24 Master A/B
25 Master A
26 Master B
23 Mid Boost
A tip from the designer:
A tip from the designer:
This voicing feature operates globally, affecting
hannels by boosting specific
midrange frequencies when activated. The LED above the button lights up to indicate
is activated. It may also be switched using a Z-9 Custom Footswitch (S.A.C.
F1-6 and F2-6, page 26) connected to the S.A.C. Port (34) or a footswitch connected to
jack (36).
targets and shapes specific midrange bands crucial in voicing a guitar's
sound. This tone-shaping option is remotely controllable via footswitch, so you can
adapt the amp's fundamental sound on the fly, say to better support rhythm guitar
work, singing leads, and slashing power chords. With a handy MIDI switcher such as
the ENGL Z-11, you can assign CH 1 / CH 2 channel switching, Hi Gain boost,
st
and other functions to different MIDI presets and control these switching and sound-
shaping functions remotely in any configuration using a MIDI footboard.
Switches back and forth between the Master A and Master B control knobs. The LEDs
next to the knobs light up to indicate which Master control knob is active the red LED
for
, the green LED for
.
You can switch between
and
using a Z-9 Custom Footswitch (S.A.C.
F1-1, page 26) connected to the S.A.C. Port (34) or a footswitch connected to jack (36).
Master A volume knob. Located post effect loops, it controls power amp output. The
red LED to the right of the knob lights up to indicate Master A is enabled and
determining the master level.
Master B volume knob. Located post effect loops, it controls power amp output. The
green LED to the right of the knob lights up to indicate Master B is enabled and
determining the master level.
If you want to experience real remote control convenience, try an ENGL Z-9 foot
controller. You can dial in different levels for
and
, assign these
settings to any channel and gain mode, and access them directly via the four channel
switches on the Z-9 foot controller. This gives you a range of alternatives that you can
apply to different playing styles and musical genres to great dramatic effect. What's
more, you can use Channel 1 (Clean & Crunch mode) for rhythm or cleaner lead lines
and Channel 2's overdriven preamp stage for power chords and soloing, and go from
soft to loud at the touch of a button. Beyond that, you can also broaden the volume
and tonal ranges by working your guitars' volume knob. If your arsenal includes MIDI
gear - for instance, the Z-11 ENGL MIDI Switcher in combination with the Z-9 Custom
Footswitch - you may use the amp's Master A/B circuit to swiftly and conveniently set
Mid Boost
Mid Boost
Mid Boo
Master A
Master B
Master A
Master B
Master A
Master B
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