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Positioning your 

airmotiv

™ 

4s

 monitors as satellite speakers in a  

multi-channel mastering or surround sound system

Emotiva’s 

airmotiv

 

4s

 powered monitors work great as satellite speakers in a high-quality  

multi-channel playback or mastering system.  When choosing optimum locations for speakers in 

a multi-channel system, the goal is to optimize the frequency response and imaging. However, 

because more speakers are required, you are more likely to encounter practical constraints on 

where they can be located. Various surround-sound systems and standards also recommend 

slightly different speaker placement for optimum performance.
When listening to most music, the surround speakers are primarily used for ambience 

information. In most movies, important and highly localized information is present in the front 

and side channels. It is therefore more critical that those speakers be placed in their optimum 

locations.  
A typical surround sound system may also use a mix of different models and types of satellite 

speakers (possibly including bipole or dipole speakers for surrounds). For example, a superb 

system could be built by using Emotiva’s 

airmotiv

 

6s

 powered monitors for front speakers and 

airmotiv 4s

 (or 

airmotiv

 

5s

) powered monitors for surrounds. Since all 

airmotiv

 monitors share the 

same basic technology, and are voiced similarly, they will work exceptionally well together in any 

combination in a surround or multi-channel playback system.  
Some systems may also use a mix of 

airmotiv

 powered monitors and traditional speakers and 

amplifiers. For example, if you already own passive monitors and a stereo power amplifier, 

you could upgrade to surround-sound by adding a pre-processor and three 

airmotiv

 powered 

monitors (one front center and two surrounds). This way you would avoid the need for more 

amplifier channels and minimize the number of additional connections. 
Sound is subjective, and both room acoustics and personal preference play a big part in the 

listening experience, so use these guidelines as a starting point, but feel free to experiment until 

you achieve the sound 

you

 like best.

• 

If possible, for best imaging and soundstage, mount all of your 

airmotiv 4s

 speakers upright 

(with the high-frequency transducer on top), vertically (not angled upwards or downwards), 

with the middle of the front baffle at approximately the same height as the listener’s seated 

head height.

• 

Place your left-front and right-front speakers flanking the video display (TV). The distance 

between left-front and right-front speakers is a matter of preference; placing them close to 

the display will tend to focus attention on the picture (especially with smaller displays), while 

moving them further apart will tend to widen the soundstage. Whether to apply toe-in or not 

is also a matter of preference.

Summary of Contents for Airmotiv 4s

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Page 3: ...RESULT IN DAMAGE TO THE UNIT AND THE RISK OF ELECTRIC SHOCK WHICH MAY RESULT IN BODILY INJURY OR DEATH WARNING TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT DISASSEMBLE THE AIRMOTIV 4S THERE ARE NO USER...

Page 4: ...port drivers or controls Care should be taken so that small objects do not fall into the inside of the unit You should seek service for your Airmotiv 4s by qualified service personnel if any of the fo...

Page 5: ...acking 6 The Emotiva Pro airmotiv 4s Powered Monitor 7 Quick Start 8 About Near Field Monitors 9 Speaker Placement 10 Connections 17 Operation 20 Adjustments 21 Care and Maintenance 22 Specifications...

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Page 7: ...livers a fast natural extended low end and a beautifully integrated and cohesive midrange The airmotiv 4s is flat within 3 dB from 52 Hz to 27 kHz amazing for a speaker that occupies less than 1 3 of...

Page 8: ...s you may find that some of the sections of the manual don t apply to you We suggest that you read through the entire manual as we kept things as short and direct as possible Even if you re an expert...

Page 9: ...oom interactions and a soft rubber bottom pad protects the airmotiv 4s and whatever it is resting on and ensures secure slip free positioning on any surface or stand A tough exterior The front baffle...

Page 10: ...acking material into the high frequency transducer or rear port opening It is important to save the box and all packing materials in case your airmotiv 4s monitors ever need to be moved or shipped bac...

Page 11: ...sducer 2 Emotiva s exclusive airmotiv low frequency transducer 3 Power indicator 4 Linear taper tuned port 5 Balanced input XLR 6 Unbalanced input RCA 7 Level trim 8 Low frequency Equalization adjustm...

Page 12: ...e the switch to the correct setting NOTE If you change the voltage setting you will also have to replace the fuse with one of the correct value Correct values are 120 VAC 1A Time Delay 230 VAC 0 5A Ti...

Page 13: ...t so the reflected sound that does arrive later has minimal influence on the overall sound The result is a more accurate and more repeatable presentation of the music By eliminating most of the contro...

Page 14: ...hem close to the recording console and far from any walls or other reflective surfaces to maximize direct sound while minimizing reflected sound Mount your airmotiv 4s powered monitors on separate sta...

Page 15: ...is suggested and mounting them upside down high frequency transducer towards the floor will produce better results in many cases The goal is to maximize direct sound reaching the engineer and minimize...

Page 16: ...shelf may also produce satisfactory results If possible mount your airmotiv 4s speakers upright with the high frequency transducer on top vertically not angled upwards or downwards with the middle of...

Page 17: ...ll produce better results in many cases The goal is to maximize direct sound reaching the listener If possible avoid mounting your speakers in the upper or lower corners of the room doing so will enha...

Page 18: ...same basic technology and are voiced similarly they will work exceptionally well together in any combination in a surround or multi channel playback system Some systems may also use a mix of airmotiv...

Page 19: ...ion isn t optimal but may work reasonably well in some situations If your location permits it the ideal arrangement is to place your left front and right front speakers on stands away from both the fr...

Page 20: ...blocking the rear positioned port and to allow the amplifiers to dissipate heat via the aluminum back plate fins which will get warm in normal operation Positioning your airmotiv 4s monitors as comput...

Page 21: ...speakers and your equipment may result Balanced XLR outputs offer several benefits and are the preferred method for connecting your airmotiv 4s monitors connect a high quality balanced cable between e...

Page 22: ...lanced outputs usually via one or more 1 8 jacks Use a high quality well shielded adapter to connect the output to the unbalanced RCA inputs of your airmotiv 4s speakers A single long Y cable is prefe...

Page 23: ...grounded power connector you may experience more or less hum depending on which way the plug is inserted Cables Always use high quality fully shielded cables Balanced connections and cables are more r...

Page 24: ...irmotiv 4s in the ON position Immerse yourself in the music Level Control With a powered monitor listening level is usually controlled by the source equipment While the airmotiv 4s includes a Level Tr...

Page 25: ...0 Hz If you notice excessive or muddy bass especially if your airmotiv 4s monitors are placed near large surfaces or room corners try setting the Low frequency Equalization to 2 dB or 4 dB High freque...

Page 26: ...careful to avoid excessive pressure Cleaning the High frequency Transducer If dust or fuzz finds its way into the front of the high frequency transducer you can try to dislodge it by blowing gently i...

Page 27: ...LF gain and overall gain calibrated to standard within 1 0 dB High frequency adjustment 4 kHz turnover frequency 0 calibrated 2 dB 2 dB 20 kHz Low frequency adjustment 150 Hz turnover frequency 0 cal...

Page 28: ...receptacle that you re plugged into an active AC outlet of correct voltage and that the fuse in the power receptacle is not blown Check the signal source It s a good idea to verify that your signal s...

Page 29: ...only unbalanced connections are provided It is essential that signal cables used with such equipment be kept short of good quality and not run near power cables In a new installation especially in a...

Page 30: ...exible insulation or that fail to provide full coverage shielding Cables with insufficient mechanical integrity may fail prematurely and cables with poor shielding will be more subject to hum and nois...

Page 31: ...N HOW LONG AN IMPLIED WARRANTY LASTS SO THE ABOVE LIMITATION MAY NOT APPLY TO YOU A claim under this warranty must be made by you within the Term A claim shall not be valid and Warrantor has no obliga...

Page 32: ...DENTAL OR CONSEQUENTIAL DAMAGES SO THE ABOVE LIMITATION OR EXCLUSION MAY NOT APPLY TO YOU How do you get service In order to make a claim under the warranty you must 1 Call or email a customer service...

Page 33: ...curate to the best of our knowledge at the time of publication In keeping with our policy of ongoing product improvement we reserve the right to make changes to the design and features of our products...

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