Appendix B: FX TRACK PARAMETERS
B-5
LFO1 (page 1)
SPD
(LFO1 Speed) sets the speed of LFO1. It is synced to the
BPM. For LFO1 to be synced to straight beats, try settings of 16,
32 or 64. The value is bi-polar, meaning the LFO shape can be
played backwards by using negative values.
MUL
(LFO1 Multiplier) multiplies the
SPD
parameter by the set
factor.
FAD
(LFO1 Fade In/Out) offers the possibility to fade in/out the
LFO modulation. Positive values give a fade-out, negative values
give a fade-in. A mid position (0) will result in no fade in/out.
SPH
(LFO1 Start Phase) sets sets the start position (phase) of
LFO1 when trigged.
MOD
(LFO1 Trig Mode) sets the LFO1 envelope action when a
note is trigged. There are five settings:
•
FRE is the default free-running mode. It makes LFO1 run
continuously, never restarting or stopping.
•
TRG makes LFO1 restart when a note is played.
•
HLD makes LFO1 run free in the background, but when a
note is played the output LFO1 level is latched and held still
until the next note is played.
•
ONE will make LFO1 start from the beginning when a note
is played, run for one cycle and then stop. This makes it
function similarly to an envelope.
•
HLF will make LFO1 start from the beginning when a note
is played, run for half a cycle and then stop.
WAV
(LFO1 Waveform) sets the LFO1 waveform.
DST
(LFO1 Destination A) selects the first of the two available
destinations for LFO1. Confirm a selection by pressing
[YES/
SAVE]
.
DEP
(LFO1 Depth A) sets how much LFO1 will modulate the
destination chosen by the first
DST
parameter. The knob is bipo-
lar (both negative and positive modulation depth is possible).
DST
(LFO1 Destination B) selects the second of the two availa-
ble destinations for LFO1. Confirm a selection by pressing
[YES/
SAVE]
.
DEP
(LFO1 Depth B) sets how much the LFO1 will modulate the
destination chosen by the second
DST
parameter. The knob is
bipolar (both negative and positive modulation depth is possible).
LFO2 (page 2)
SPD
(LFO2 Speed) sets the speed of LFO2. It is synced to the
BPM. For LFO2 to be synced to straight beats, try settings of 16,
32 or 64. The value is bi-polar (the LFO shape can be played
backwards by using negative values).
MUL
(LFO2 Multiplier) multiplies the
SPD
parameter by the set
factor.
FAD
(LFO2 Fade In/Out) offers the possibility to fade in/out the
LFO modulation. Positive values give a fade-out, negative values
give a fade-in. A mid position (0) will result in no fade in/out.
SPH
(LFO2 Start Phase) sets the start position (phase) of LFO2
when trigged.
MOD
(LFO2 Trig Mode) sets the LFO2 envelope action when a
note is trigged. There are five settings:
•
FRE is the default free-running mode. It makes LFO2 run
continuously, never restarting or stopping.
•
TRG makes LFO2 restart when a note is played.
•
HLD makes LFO2 run free in the background, but when a
note is played the output LFO2 level is latched and held still
until the next note is played.
•
ONE will make LFO2 start from the beginning when a note
is played, run for one cycle and then stop. This makes it
function similarly to an envelope.
•
HLF will make LFO2 start from the beginning when a note
is played, run for half a cycle and then stop.
WAV
(LFO2 Waveform) sets the LFO2 waveform.
DST
(LFO1 Destination A) selects the first of the two available
destinations for LFO2. Confirm a selection by pressing
[YES/
SAVE]
.
DEP
(LFO2 Depth A) sets how much LFO2 will modulate the
destination chosen by the first
DST
parameter. The knob is bipo-
lar (both negative and positive modulation depth is possible).
DST
(LFO2 Destination B) selects the second of the two availa-
ble destinations for LFO2. Confirm a selection by pressing
[YES/
SAVE]
.
DEP
(LFO2 Depth B) sets how much the LFO2 will modulate the
destination chosen by the second
DST
parameter. The knob is bi-
polar (both negative and positive modulation depth is possible).
FX LFO
The FX LFO menu consists of two LFOs dedicated to modulating FX track parameters.
Summary of Contents for Analog Four
Page 1: ......
Page 4: ......
Page 11: ...ANALOG KEYS BACKGROUND 3 ...
Page 90: ...CREDITS AND CONTACT INFORMATION 82 ...
Page 102: ...B 6 Appendix B FX TRACK PARAMETERS ...
Page 122: ...D 14 Appendix D MIDI ...
Page 124: ...E 2 Appendix E ANALOG KEYS ARCHITECTURE ...
Page 128: ...4 INDEX ...
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