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15 

Using the EQ Controls

 – Before you begin to twiddle knobs, let’s talk 

about a few things. Excessive boosting of one or more EQ frequencies may 
cause an overload in the EQ section. If this happens, the Clip light will 
engage. This is a 

Very Bad Thing

 and needs to be corrected immediately. 

 
If EQ clipping occurs, you can either decrease the boost or decrease the 
Input Gain. Remember, too, that our EQ controls are active, and are meant to 
turn both ways – not just UP! This means that you can enhance a certain 
frequency spectrum either by boosting that frequency or by cutting the 
adjacent frequencies. This latter method has the advantage of maximizing 
potential headroom. 
 
If possible, step well forward of your rig to get a better idea of how you will 
sound in the room. You may be surprised at how different you sound once 
you step away from the speakers. 
 

NOTE

: Many players rely on the Enhance Control (and perhaps a little 

Midrange Massage) to get their sound. This method leaves the Bass and 
Treble controls available to dial in to a particularly difficult room. Just 
something to keep in mind, ok? 
 

Setting Bass and Treble 

– OK, now it’s time to set the EQ, beginning with 

the Bass and Treble controls. These controls cover a fairly broad frequency 
spectrum and a little goes a long way. Adjust these controls up or down as 
needed. We suggest playing a few notes in various areas of the neck so you 
can hear what your adjustments have done across the fretboard.  
 

Setting the Midrange

 – Adjusting the Midrange controls will bring you 

either more up-front in the mix or more in the background. As mentioned 
earlier, channel one features two Midrange controls centered on 550Hz and 
2.2KHz. The low position (550Hz) is good for general playing and 
recording. It’s also good for dialing in a good Fretless Bass tone. The high 
position (2.2KHz) is good for getting a more aggressive Rock tone. 
 
Channel Two features a single Midrange control, but allows the user to set 
the center frequency. This is especially useful for Acoustic/Electric Bass 
Guitars and Upright Basses, which may have a resonant peak that cause 
unwanted feedback. By finding the resonant frequency and cutting the 
Midrange, you can eliminate this pesky problem. 
 

Summary of Contents for World Tour 1205

Page 1: ...THE LEADER IN BASS AMPLIFICATION World Tour 1205 Bass Guitar Amplifier Operation Manual Never Compromise 09 20 2005 by U S Music Corp...

Page 2: ...atts 4 Ohms and 600 watts 2 Ohms with both channels driven In Bridge Mode it delivers 1000 Watts RMS 8 Ohms and 1200 watts 4 Ohms Both modes of operation have 3dB of headroom This amplifier offers two...

Page 3: ...result in misuse or damage We ve taken the time to write it which was a lot longer than the time it will take for you to read it Help us help you by taking a few moments to learn how to properly use y...

Page 4: ...6dB gain boost This is great for solos or when the guitarist cranks up his amp Single Channel Select Use this switch to select Channel 1 or Channel 2 from the front panel Dual Channel Select Engage t...

Page 5: ...idrange Control Centered at 550Hz portion of the sound envelope and can be critical to getting your sound right The body of the Bass Guitar sound is in the Midrange High Midrange Control Centered at 2...

Page 6: ...l Control Adjusts overall system output and stage loudness D I Select Allows the user to send the D I before PRE position or after POST position the Tone Control section Some users like to send a sign...

Page 7: ...mplifier Power Rating In Dual Mono or Stereo Mode with both channels driven 325 watts RMS 8 Ohms 500 watts RMS 4 Ohms 600 watts RMS 2 Ohms In Mono Bridge Mode 1000 Watts RMS 8 Ohms 1200 Watts RMS 4 Oh...

Page 8: ...butor for further information Speaker Outputs These consist of two inch jacks and an NL 4 connector sometimes called a Speakon for each amplifier The jacks are wired in parallel The total speaker load...

Page 9: ...Master Volume control will not affect this send This output is designed to use with phantom powered systems However it never hurts to turn off the phantom power at the board if possible For you propel...

Page 10: ...amplifier DO NOT bypass or disconnect any part of your thermal safety system Doing so will immediately void your warranty SECOND REALLY IMPORTANT NOTE Do NOT remove the rubber feet from the bottom of...

Page 11: ...and sides of the unit In the event of thermal shutdown you should eliminate the cause of the thermal problem poor ventilation speaker loads lower than 2 ohms immediately The supplied rack ears can be...

Page 12: ...nnect the outputs of the two individual amplifiers to the same speaker cabinet This is NOT a clever inventive thing to do If you do this you may possibly damage your amplifier and or speaker Don t say...

Page 13: ...two Master Channel and use the front panel switch or footswitch to select the proper channel Turn On Once you ve completed the steps above you can plug in your bass and turn on the unit plug it in fi...

Page 14: ...our endorsers tend to set their EQ generally flat using varying amounts of the Enhance Control to achieve their sound In fact a number of our recording artists tell us that their standard recording s...

Page 15: ...ls available to dial in to a particularly difficult room Just something to keep in mind ok Setting Bass and Treble OK now it s time to set the EQ beginning with the Bass and Treble controls These cont...

Page 16: ...is is Really Neat Thing that many users like to use when recording Engage the Dynamic Boost As mentioned earlier this effect is based on the Fletcher Munson curve and ensures that the bass is full and...

Page 17: ...the EQ settings that were so perfect at home lack definition in a live setting On the other hand the stage settings that worked so well sound harsh and or thin in the absence of other instruments Fre...

Page 18: ...you are uncertain about your future needs always go with the 8 Ohm speaker option so that you can add another speaker later if you need to In general adding more speakers will give you a greater volu...

Page 19: ...tly assaulted by connectors that have picked up debris from dirty stages cases etc This contamination can result in poor contact as well as poor tone and we all know that bad tone is a Very Bad Thing...

Page 20: ...be glad to help you with any questions you may have about our gear Not to brag too much but we think our forum is a Really Neat Thing filled with Really Neat People We re pretty sure you ll think so...

Page 21: ...www eden electronics com Eden Electronics 847 949 0444 C O U S Music Corp 847 949 8444 fax 444 E Courtland Rd Mundelein IL 60060 Eden Never Compromise Note for those who care This manual was written...

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