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14 

Setting the Compressor

 – If you want to use compression, engage it now 

by turning up the Compressor Threshold control. The compressor light will 
blink when your gain goes above the compression threshold. This will 
generally show up more on the lower notes, or when you employ Slapping. 
(A properly compressed Slap sound is very cool, indeed.) If you only want 
to compress your loudest notes, set this control to occasionally blink when 
you really dig in. If you prefer to have a more compressed sound, you can 
dial in more effect. If you’ve never used compression, we strongly suggest 
you spend some time experimenting with this control. 
 

SETTING YOUR EQ

 

 
The frequencies that you’ll need to boost or cut are dependent upon your 
instrument, playing style, speaker cabinets, and venue. Extreme settings of 
boost or cut are unlikely to be necessary or helpful. We are frequently asked 
to provide suggested settings for various styles of play. We have discovered 
though, that most of our endorsers tend to set their EQ generally flat, using 
varying amounts of the Enhance Control to achieve their sound. In fact, a 
number of our recording artists tell us that their standard recording set-up is 
to have the Enhance set at approximately 9 or 10 O’clock and the tone 
controls set flat. They then send a post-EQ D.I. to the board. 
 
We encourage you to experiment with different settings to obtain the sound 
you desire. On our website (www.eden-electronics.com), you can download 
a “Favorite Settings” chart to record, well, your favorite settings. It’s on the 
Manuals page. 
 

Enhance

 – Once you’ve set your gain, you can move on to setting your EQ, 

beginning with the Enhance control, or Magic Knob, as some call it. The 
Enhance circuitry adds very low bass, upper mids and highs while scooping 
out a bit of low middle. The more Enhance effect you dial in, the greater the 
boost (and cut). As with all of our EQ controls, a little goes a long way.  
 
Slowly bring the Enhance control up while playing. If you turn it up close to 
maximum on the dial and still don’t have your sound, stop there. Return the 
Enhance to OFF or leave it at no more than 12:00 and work with the EQ 
section. 
 

Summary of Contents for World Tour 1205

Page 1: ...THE LEADER IN BASS AMPLIFICATION World Tour 1205 Bass Guitar Amplifier Operation Manual Never Compromise 09 20 2005 by U S Music Corp...

Page 2: ...atts 4 Ohms and 600 watts 2 Ohms with both channels driven In Bridge Mode it delivers 1000 Watts RMS 8 Ohms and 1200 watts 4 Ohms Both modes of operation have 3dB of headroom This amplifier offers two...

Page 3: ...result in misuse or damage We ve taken the time to write it which was a lot longer than the time it will take for you to read it Help us help you by taking a few moments to learn how to properly use y...

Page 4: ...6dB gain boost This is great for solos or when the guitarist cranks up his amp Single Channel Select Use this switch to select Channel 1 or Channel 2 from the front panel Dual Channel Select Engage t...

Page 5: ...idrange Control Centered at 550Hz portion of the sound envelope and can be critical to getting your sound right The body of the Bass Guitar sound is in the Midrange High Midrange Control Centered at 2...

Page 6: ...l Control Adjusts overall system output and stage loudness D I Select Allows the user to send the D I before PRE position or after POST position the Tone Control section Some users like to send a sign...

Page 7: ...mplifier Power Rating In Dual Mono or Stereo Mode with both channels driven 325 watts RMS 8 Ohms 500 watts RMS 4 Ohms 600 watts RMS 2 Ohms In Mono Bridge Mode 1000 Watts RMS 8 Ohms 1200 Watts RMS 4 Oh...

Page 8: ...butor for further information Speaker Outputs These consist of two inch jacks and an NL 4 connector sometimes called a Speakon for each amplifier The jacks are wired in parallel The total speaker load...

Page 9: ...Master Volume control will not affect this send This output is designed to use with phantom powered systems However it never hurts to turn off the phantom power at the board if possible For you propel...

Page 10: ...amplifier DO NOT bypass or disconnect any part of your thermal safety system Doing so will immediately void your warranty SECOND REALLY IMPORTANT NOTE Do NOT remove the rubber feet from the bottom of...

Page 11: ...and sides of the unit In the event of thermal shutdown you should eliminate the cause of the thermal problem poor ventilation speaker loads lower than 2 ohms immediately The supplied rack ears can be...

Page 12: ...nnect the outputs of the two individual amplifiers to the same speaker cabinet This is NOT a clever inventive thing to do If you do this you may possibly damage your amplifier and or speaker Don t say...

Page 13: ...two Master Channel and use the front panel switch or footswitch to select the proper channel Turn On Once you ve completed the steps above you can plug in your bass and turn on the unit plug it in fi...

Page 14: ...our endorsers tend to set their EQ generally flat using varying amounts of the Enhance Control to achieve their sound In fact a number of our recording artists tell us that their standard recording s...

Page 15: ...ls available to dial in to a particularly difficult room Just something to keep in mind ok Setting Bass and Treble OK now it s time to set the EQ beginning with the Bass and Treble controls These cont...

Page 16: ...is is Really Neat Thing that many users like to use when recording Engage the Dynamic Boost As mentioned earlier this effect is based on the Fletcher Munson curve and ensures that the bass is full and...

Page 17: ...the EQ settings that were so perfect at home lack definition in a live setting On the other hand the stage settings that worked so well sound harsh and or thin in the absence of other instruments Fre...

Page 18: ...you are uncertain about your future needs always go with the 8 Ohm speaker option so that you can add another speaker later if you need to In general adding more speakers will give you a greater volu...

Page 19: ...tly assaulted by connectors that have picked up debris from dirty stages cases etc This contamination can result in poor contact as well as poor tone and we all know that bad tone is a Very Bad Thing...

Page 20: ...be glad to help you with any questions you may have about our gear Not to brag too much but we think our forum is a Really Neat Thing filled with Really Neat People We re pretty sure you ll think so...

Page 21: ...www eden electronics com Eden Electronics 847 949 0444 C O U S Music Corp 847 949 8444 fax 444 E Courtland Rd Mundelein IL 60060 Eden Never Compromise Note for those who care This manual was written...

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