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ABOUT HIGH DEFINITION MICROPHONES™

During the last decade it has become commonplace for sound recording 
and broadcast equipment to accommodate extended frequency responses 
up to and beyond 100kHz. With few exceptions, even the very best of 
conventional professional microphones do not offer frequency responses 
above 20kHz. However, making a High Definition Microphone™ involves far 
more than extending the frequency response. Impulse response, diaphragm 
settling time and pristine low distortion high current electronics are also 
key elements. Earthworks’ founder David Blackmer foresaw the need for 
higher quality microphones. Earthworks has been offering High Definition 
Microphones™, with extended frequency response beyond 40kHz, since 
1996. Earthworks High Definition Microphones™ have an extremely clean, 
natural on-axis pickup, and smooth, uncolored off-axis response due 
to their near-perfect polar patterns. Cardioid models of High Definition 
Microphones provide high front-to-back rejection that makes them superb 
for a wide range of applications including sound reinforcement, broadcast 
in addition to recording of voice and musical instruments. You will hear 
exceptional sound quality that is extremely accurate, detailed, open and 
crystal clear even on 16 bit, 44.1kHz recording systems as well as analog 
or digital sound systems that are limited to a 15kHz or 20kHz bandwidth. 
You will hear a remarkable improvement in sound quality on nearly all 
audio systems when using Earthworks High Definition Microphones™.

EXTENDED FREQUENCY RESPONSE

The FlexWand™ System incorporates a High Definition Microphone™ 

with a 

30kHz high frequency response that enables it to pick up high frequency 
overtones that conventional microphones miss. In addition, it’s extremely 
fast impulse response that allows it to pick up transients far more accurately. 
The exceptionally short diaphragm settling time will enable you to hear subtle 
details that conventional microphones mask. The audible difference between 

an Earthworks High Definition Microphone™ and conventional microphones 

is as dramatic as the difference you see when comparing conventional video 

and high-definition video. It is most impressive.  We again urge you to care

-

fully read the next 8 pages to gain a greater understanding of how fully utilize 
the FlexWand™ System.

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Utilizing Earthworks Near-perfect Polar Response

Near-perfect Polar Response

Conventional cardioid microphones typically have poor polar response. They 

will have a relatively uniform (i.e. flat) frequency response at the front of the 

microphone (on-axis or 0 degrees), meaning they will uniformly reproduce 

high frequencies, mid frequencies and low frequencies with a uniform level.  

However, if you move to either side of the microphone (90 or 270 degrees) 

there will be a dramatic loss in high frequency response. Perhaps the most 

telling demonstration of this is attempting to place three singers on a single 

conventional cardioid microphone (one at the front and the other two sing-

ers on the sides). The singers on the sides of the microphone will sound 

muddled and undefined due to the loss of high frequencies at the sides of 

the microphone (off-axis).  In figure 1a you will see a perfect cardioid polar 

pattern which will pick up all frequencies uniformly at the front and the sides 

of the microphone. Figure 1b shows the polar response of a typical conven-

tional cardioid microphone. Notice the severe loss of high frequencies at 

the sides of the microphone. Figure 1c is the near-perfect polar response 

of an Earthworks microphone. The Earthworks microphone has a uniform 

frequency response at the sides of the microphone that is within 3db of the 

on-axis response at any frequency. 

The Earthworks cardioid microphones will pick up sounds with nearly the same 

fidelity at the front and the sides of the microphone.  This is a remarkable 

technical achievement and one that will provide incredible results for you.

Figure 1.

 Differences Between a Perfect, Conventional and an Earthworks Cardioid Microphone

(1b) Conventional Cardioid Microphone

(1c) Earthworks Cardioid Microphone

 (1a) Textbook 

Perfect Cardioid 

Microphone                          

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THE UNIQUE TECHNOLOGY INCORPORATED IN THE FLEXWAND™ WILL PROVIDE 

EXCEPTIONAL RESULTS. HOWEVER, THESE MICROPHONES DO NOT WORK LIKE 

CONVENTIONAL MICROPHONES, SO TO ACHIEVE THE GREATEST RESULTS, PLEASE 

TAKE THE TIME TO READ THE NEXT FEW PAGES:

Summary of Contents for FlexWand FW430

Page 1: ...37 Wilton Rd Milford NH 03055 603 654 2433 ext 114 www earthworksaudio com email sales earthworksaudio com Printed in U S A User s Manual FW430 FW430 HC High Definition Microphone System A Microphone Boom and Stand in a Single Unit ...

Page 2: ...on from the band Congratulations on your purchase of the innovative Earthworks High Defini tion Microphone FW430 FlexWand System We know you will be thrilled with the results you achieve using the FlexWand System for both live per formance and recording Enclosed with your Earthworks FW430 FlexWand System FlexWand Models FW430 FW430 HC with cast iron base or FW430TPB FW430 HC TPB with tripod base 1...

Page 3: ...difference you see when comparing conventional video and high definition video It is most impressive We again urge you to care fully read the next 8 pages to gain a greater understanding of how fully utilize the FlexWand System 2 Utilizing Earthworks Near perfect Polar Response Near perfect Polar Response Conventional cardioid microphones typically have poor polar response They will have a relativ...

Page 4: ...hone How Earthworks Near perfect Polar Response Can Benefit You There are several ways near perfect polar response can benefit you 1 Use of fewer microphones 2 Ability to place microphones closer to the sound source for more gain before feedback 3 No spotlighting or highlighting 4 More rejection of sounds from the rear of the microphone 5 Instruments or singers on the sides of the microphone enjoy...

Page 5: ...owever when you have all 3 it is somewhat remarkable The near perfect polar response provides a smooth off axis response in addition to a much wider pick up pattern with the full frequency response of the micro phone With a wider pick up pattern the microphone can be moved closer to the source in this case singers and obtain even more gain before feedback Spotlighting Conventional microphones typi...

Page 6: ... 500Hz and 4kHz 9b Conventional Cardioid Microphone 9c Earthworks Cardioid Microphone Figure 9 Differences in the Rear Polar Response Between a Perfect Conventional and an Earthworks Cardioid Microphone 9a Textbook Perfect Cardioid Microphone 8 What we have reviewed so far is technical information shown on charts and graphs Now lets look at what happens in the actual use and application of these t...

Page 7: ...re feedback It is suggested that when mik ing choirs that you use a high pass filter low cut on your console and set it somewhere in the 120Hz range This will increase your gain before feedback even more You can also achieve more gain before feedback by boosting the FlexWand with EQ at 1 5kHz and 5kHz If this starts to sound too thin you can boost at 500Hz to add some warmth and bottom end The inf...

Page 8: ...ole on the tripod base D Push the sleeve all the way down and then tighten the setscrew E The FW430 FlexWand Comes in Two Versions The FW430 comes with a 12 lb cast iron base and the FW430TPB comes with a collapsible tripod base Connecting the Tripod Base to the FW430TPB When screwing the FW430 in the cast iron base first place the cast iron base on the floor Then by holding the stand section A ca...

Page 9: ... Positioning the Microphone Head with the FlexWand at Maximum Height Figure 19 FW430 series used in miking a children s choir at maximum height The near perfect cardioid pattern of the FlexWands allow placing the micro phone heads as close as 18 inches in front of the singers and still have a uniform balanced pickup with no highlight ing or spotlighting of the singers directly in front of the micr...

Page 10: ...re 21b Now position the wand at several an gles at greater and less than 45 degrees see Figure 22 to see how the large flex is much more rigid The large flex can be made even more rigid by sliding the sleeve up to cover three fourths of the large flex see Figure 21c These adjustments are ideal when you want to position the wand at any position between straight up to a 90 degree angle If you want t...

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