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78

Proteus

operation manual

HARMONIC WAVEFORMS

70. Oct 1 (Sine)
71. Oct 2 All
72. Oct 3 All
73. Oct 4 All
74. Oct 5 All
75. Oct 6 All
76. Oct 7 All
77. Oct 2 Odd
78. Oct 3 Odd
79. Oct 4 Odd
80. Oct 5 Odd
81. Oct 6 Odd
82. Oct 7 Odd
83. Oct 2 Even
84. Oct 3 Even
85. Oct 4 Even
86. Oct 5 Even
87. Oct 6 Even
88. Oct 7 Even
89. Low Odds
90. Low Evens
91. Four Octaves

Starting from the first octave (fundamental), the
harmonic waveforms contain the harmonics (odd,
even, or all) present in each octave. In each succes-
sive octave the number of harmonics doubles. By
combining (pri/sec or link) the harmonic wave-
forms in various amounts (volume), and transpos-
ing them (coarse/fine tuning), a vast range of tim-
bres may be produced.

The Harmonic Waveforms have been designed so that almost any harmonic combination may
be assembled.

1 2 3 4 5 6 7 8 9 10

15 1617

31

18

1

2

3

4

5

Harmonic

Octave

Frequency (log)

Level

PROTEUS/1 INSTRUMENTS

Proteus/1 Harmonic Waveforms

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Summary of Contents for Proteus

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Page 3: ...Proteus Modulation Sources 29 Envelope Generators 30 Low Frequency Oscillators 31 MidiPatch 32 Keyboard and Velocity Modulation 33 Key Number 34 Velocity Curves 34 Realtime Modulation 35 MIDI Realtime Controls 36 Stereo Mix Outputs 38 EDIT MENU 41 Enabling the Edit Menu 41 Edit Menu Functions Preset Name and Keyboard Character Charts 42 Mix Output 43 Primary Instrument 43 Secondary Instrument 43 K...

Page 4: ...56 Pitch Bend Range 57 Velocity Curve 57 Keyboard Center 58 Keyboard Tuning 58 Preset Links 59 Save Preset 60 PROGRAMMING PROTEUS 63 Linking Presets 63 Editing Presets 64 Proteus Synthesis 66 Using Proteus with a Sequencer 68 Using the 32 Channels 70 Using External Processing 71 Proteus Patch Sheet 72 REFERENCE SECTION 73 Proteus 1 Factory Presets 74 Proteus 1 Instrument Listing 76 Proteus 1 Plus ...

Page 5: ...Proteus operation manual 5 INTRODUCTION Introduction ...

Page 6: ...Proteus operation manual 6 ...

Page 7: ...t and reassemble them into an almost limitless number of entirely new sounds combining parts of one sound with another or with any of a selection of digital waveforms also stored on ROM For example the attack of a flute can be faded out as a vibe tone is faded in giving you a completely new sound The monophonic and true stereo 16 bit samples are arranged into 192 preset locations 64 of which are u...

Page 8: ...ts which can be changed and presets 128 191 are unalterable factory presets Each preset consists of one or more instruments An instrument is a complete set of samples or a digital waveform which covers the entire keyboardrange AninstrumentcanbeassignedtoeachofthePrimaryand Secondary layers of the preset The primary and secondary layers are essentially two complete sounds stacked or placed adjacent...

Page 9: ...etup is highly desirable because of the added realism of stereophonic sound Headphones can be used if an amplifier and speaker system is not available Plug stereo headphones into the Left Main output jack The Right Main output jack serves as a mono output when the left jack is not plugged in If Proteus does not seem to be responding correctly make sure that both Proteus and your MIDI Controller ar...

Page 10: ...us is controlled by MIDI messages received attheMIDIInconnectorwhichhavebeenroutedbyaMIDIswitcher The MIDI switcher allows any MIDI controller such as a MIDI keyboard MIDI wind controller or a computer to be easily connected MIDI Out The MIDI Out jack is normally used to transmit program data to a computer or other device Outputs Proteus has three sets of programmable stereo outputs Main Sub 1 and...

Page 11: ... MIDI In Proteus is controlled by MIDI messages received at the MIDI In connector Connect the MIDI In of Proteus to the MIDI Out connector of a MIDI controller such as a MIDI keyboard MIDI wind controller or MIDI guitar controller MIDI Thru The MIDI Thru jack is used to connect additional MIDI devices onto the MIDI chain MIDI Thru transmits an exact copy of the messages received at the MIDI In jac...

Page 12: ...he effect returns could also be used to sum additional instruments into the main outputs of the Proteus Power Up POWERUP The power switch is located on the left side of the front panel The Proteus and its MIDI controller may be turned on in any order When power is applied the liquid crystal display will light indicating that the Proteus is operating You may have noticed that there is no 110 220 Vo...

Page 13: ...11 Proteus operation manual BASICOPERATION Basic Operation ...

Page 14: ...12 Proteus operation manual ...

Page 15: ...Control This button moves the cursor to the next parameter on the display The cursor is a little flashing line underneath one of the parameters in the display Press the cursor control repeatedly until the cursorisunderneaththedesiredparameter Thecursorcanalsobemoved bidirectionally using the data entry control while the cursor select button isbeinghelddown i e Pressandholdthecursorbuttonandturnthe...

Page 16: ...I Channel Parameters 000 Preset Name Preset Information CHANNELVOLUME Press the cursor key repeatedly until the cursor is underneath the volume value Rotate the data entry control to select volume 00 127 This is the same parameter as MIDI volume control 7 and changes made over MIDI will be shown in the display CHANNEL PAN Press the cursor key repeatedly until the cursor is underneath the pan value...

Page 17: ...in the Master menu page 19 Up to 16 channels can be selected simultaneously 3 Select the desired preset for each of the MIDI channels you wish the Proteus to receive using the MIDI Channel Preset selection screen see previous instructions 4 Proteus will now respond multi timbrally on the MIDI channels you have specified The volume and pan position parameters can be adjusted over MIDI for each MIDI...

Page 18: ...ta entry control until the cursor is underneath the screen title heading Rotate the data entry control to select another screen To modify a parameter Press the cursor key repeatedly or hold the cursor key while turning the data entry control until the cursor is underneath the parameter value Rotate the data entry control to change the value To return to Preset Select mode Press the Master key turn...

Page 19: ...nlyaffectspresetswhichhavetheirindividualpitchbendrange set to global GLOBAL BEND 12 semitones GLOBAL VELOCITY CURVE Incoming velocity data can be modified by a velocity curve in order to provide different types of dynamics in response to your playing or to better adapt to a MIDI controller This function allows you to select one ofthefourvelocitycurvesorleavethevelocitydataunaltered off Global vel...

Page 20: ...creen Poly mode Proteus only responds to note information received on the currentlyselectedMIDIchannel onthepresetselectionscreen andplays that channel s associated preset Multi mode Proteus responds to data on any combination of MIDI channels and plays the specific preset associated with each of the MIDI channels Mono mode Proteus responds to data on any combination of MIDI channels but plays eac...

Page 21: ...turned On or Off MIDI OVERFLOW Off MIDI ENABLE When in MIDI Multi mode this function lets you turn each MIDI channel OnorOff ThisisusefulwhenyouhaveotherMIDIdevicesconnectedand do not want the Proteus to respond to the MIDI channels reserved for the other devices MIDI Enable only operates in Multi Mode MIDI ENABLE channel 01 On PRESET CHANGE This function lets the Proteus utilize or ignore incomin...

Page 22: ...e information see MIDI Realtime Controls in the Programming Basics section CONTROLLER A 01 B 02 Next Screen CONTROLLER C 03 D 04 MIDI FOOTSWITCH ASSIGN Like the MIDI Controllers 3 MIDI footswitches can be assigned to MIDI footswitch numbers Footswitches can be assigned numbers from 64 79 Destinations for the footswitch controllers are programmed in the Edit menu FOOTSWITCH 1 64 2 65 3 66 MASTERMEN...

Page 23: ...43 75 120 121 180 12 This chart shows how MIDI preset changes can be re mapped In this example program changes 10 29 have been re mapped All other programs will be selected normally MIDI PROGRAM PRESET Incoming MIDI program changes can be mapped to call a different numbered preset This is a handy feature when you want a specific preset number sent from the master synth to be linked with a specific...

Page 24: ...les Just C Vallotti 19 tone and Gamelan and one user definable tuning User Key Tuning allows you to alter the parameters of the user definable tuning stored in memory The initial frequency of every key can be individually tuned facilitating the creation of microtonal scales Using the cursor key and the data entry control select the key name the MIDI key number and the fine tuning The key name is v...

Page 25: ...eus contains a play only sequencer in order to give you an idea of what is possible using this amazing machine Press the cursor switch to move the cursor to the bottom line of the display The Enter LED will begin flashing Press the Enter switch to start the sequence The Enter LED will be lit and the bottom line of the display will change to Stop Pressing the Enter button again will stop the sequen...

Page 26: ... sounds and waveforms have been truncated looped and processed they are masked into the Proteus ROM Read Only Memory chips Conceptually the sampling process is very simple as shown in the Basic Sampling System diagram As a sound wave strikes the diaphragm of a microphone a corresponding voltage is generated To sample the sound the voltage level is repeatedly measured at a very high rate and the vo...

Page 27: ...PROGRAMMINGBASICS 25 Proteus operation manual Programming Basics PROGRAMMING BASICS ...

Page 28: ...PROGRAMMINGBASICS 26 Proteus operation manual ...

Page 29: ...create new presets using the edit menu Presets can be made up of both a primary and secondary instrument Presets can also be linked with up to 3 additional presets to create layering or splits One way to create a keyboard split is assign an instrument to a specific range and then link it to other presets which fill in the empty keys Using a combination of 4 linked presets and the primary and secon...

Page 30: ...hand turning the knob and the destination is the volume control If we had a device that would automatically turn the volume control we would also call that device a modulation source The Proteusisdesignedsothatforeachofthevariableparameters suchasthe volume there is an initial setting which can be changed by a modulation source Thereforeinthecaseofvolume wehaveaninitialvolumeandwe can change or mo...

Page 31: ...Controllers 4 Any type of MIDI controller data Keyboard Pressure mono aftertouch Key pressure applied after the key is initially pressed Polyphonic Key Pressure Pressure from a controller capable of generating polyphonic pressure data Low Frequency Oscillators 2 Generate repeating waves Envelope Generators 2 Generate a programmable contour which changes over time when a key is pressed FOOTSWITCH M...

Page 32: ...and is a general purpose envelope The Auxiliary Envelope has 6 stages Delay Attack Hold Decay Sustain and Release The Envelope parameters can be described as follows Delay The time between when a key is played and when the attack phase begins Attack The time it takes to go from zero to the peak full level Hold The time the envelope will stay at the peak level before starting the decay phase Decay ...

Page 33: ...e and hold type of wave By examining the diagram of the LFO waveforms you can see how the LFOwillaffectamodulationdestination Supposewearemodulatingthe pitch of an instrument The sine wave looks smooth and will smoothly change the pitch The square wave changes abruptly and will abruptly change the pitch from one pitch to another The sawtooth wave smoothly decreases then abruptly changes back up Th...

Page 34: ...ns You can even modulate other modulators Each patch also has an amount parameter which determines how much modulation is applied to the destination The modulation amount can be positive or negative and will either add or subtract from the initial value Keyboard and velocity sources can be simultaneously patched to any 6 of the 33 destinations for each preset Realtime modula tionsourcescanbesimult...

Page 35: ...dVELOCITYMODULATION The Keyboard and Velocity Modulation diagram shows the possible routing of Key Number which key is pressed and Velocity how hard the key is pressed These modulation sources can control any of the destinations indicated by the small arrows A modulation source can control up to six destinations or one destination can be controlled by up to six modulation sources The possible modu...

Page 36: ...r and the key center were set to middle C the instrument would get progressively louder above middle C and progressively softer below middle C VELOCITYCURVES Incoming velocity values can be scaled by one of the four velocity curves inordertomatchyourplayingstyleorbetteradapttotheMIDIcontroller Experiment with the four curves to find the one that works best for your style and MIDI controller KEY CE...

Page 37: ...tack Decay Primary Decay Secondary Decay Release Primary Release Secondary Release Crossfade LFO 1 Amount LFO 1 Rate LFO 2 Amount LFO 2 Rate Auxiliary Envelope Amount Auxiliary Envelope Attack Auxiliary Envelope Decay Auxiliary Envelope Release Realtime Modulation REALTIMEMODULATION In addition to keyboard and velocity modulation Proteus has multiple realtime modulation sources Realtime modulation...

Page 38: ...teus whichnotewasplayed mayalsosendrealtimecontrol information which simply means occuring in real time or live You may be using a MIDI device other than a keyboard but for simplicity s sake we ll presume that you reusingakeyboard Realtimecontrolsourcesincludesuchthingsas pitch wheels or levers modulation wheels or levers control pedals aftertouch etc and are used to add more expression or control...

Page 39: ... Controller Amount menu in the Edit menu allows you to scale the amounts of each of the controllers by a positive or negative value The signal flow is shown in the diagram below The MIDI controllers A B C D must have both a source 0 31 and a control destination assigned MIDI Realtime Controllers Standard MIDI Controller Numbers 1 Modulation Wheel 2 Breath Controller 3 Pressure Rev 1 DX7 4 Foot Ped...

Page 40: ...is useful for signal process ing EQ reverb etc of individual sounds prior to final mixdown By panning a preset completely left or right it can be routed to a single output jack Note All presets will be automatically routed to the Main outputs unless plugs are inserted into the Sub 1 or Sub 2 outputs Main Sub 1 Sub 2 Preset 01 Preset 22 Preset 12 Preset 127 MIX OUTPUT Preset 18 Preset 120 L R L R L...

Page 41: ...EDITMENU 39 Proteus operation manual Edit Menu EDIT MENU ...

Page 42: ...EDITMENU 40 Proteus operation manual ...

Page 43: ...ng the preset To enable the Edit menu Press the Edit key lighting the LED The current screen will be the one most recently selected since powering up the machine The cursor will appear underneath the first character of the screen heading on line one To select a new screen Press the parameter key repeatedly or hold the parameter key while turning the data entry control until the cursor is underneat...

Page 44: ... B C D E F G H I J K L M N O P Q R S T U V W X Y Z _ a b c d e f g h i j k l m n o p q r s t u v w x y z 2 Edit Menu Functions EDITMENUFUNCTIONS PRESET NAME Preset Name allows you to name each of the user presets with a name of up to 12 characters Position the cursor under the character location and use the data entry control to change the character The keyboard can also be used to select characte...

Page 45: ...ri I002 Piano Pad SECONDARY INSTRUMENT This function allows you to select which of the available instrument sounds or none will be placed on the secondary layer of the current user preset INSTRUMENT sec I001 Piano KEY RANGE Key range sets the keyboard range of both primary and secondary instruments This sets the keyboard range for the entire preset and will further limit the primary and secondary ...

Page 46: ...it keyboard can be programmed using the primary and secondary instruments Primary Instrument Key Range Key Range Secondary Instrument Key Range PRIMARY KEY RANGE Key range sets the keyboard range of the primary instrument This is useful for creating positional crossfades and keyboard splits between the primary and secondary layers The key range can be set anywhere from C 2 to G8 KEY RANGE pri C 2 ...

Page 47: ...he relative volume differences between instruments VOLUME pri 127 sec 64 PAN Panallowsyoutoindependentlysettheinitialpanpositionoftheprimary and secondary instruments A value of 7 pans the instrument hard left and a value of 7 pans the instrument hard right This pan setting is only valid if P for preset pan is selected in the main display PAN pri 7 sec 7 C 2 C 1 C0 C1 C2 C3 C4 C5 C6 C7 C8 Standard...

Page 48: ...4 semitone intervals approx 1 56 cents The fine tuning range is 1 semitone TUNING fine pri 00 sec 00 CHORUS Chorus thickens the sound by doubling the sound and then detuning it Proteus 1choruscanbeonlybeturnedOnorOff Proteus 2andabove allow you select the chorus amount from a range of 1 to 15 When Chorus is on the number of channels used by an instrument will be doubled CHORUS CHORUS pri On sec Of...

Page 49: ...rovides more realistic effects when working with guitar and wind controllers SOLO MODE pri Off sec On SOUND START This function allows you to set where a sample begins playing when you hit a key A setting of 000 plays a sound from the beginning higher values move the sample start point toward the end of the sound SOUND START pri 000 sec 000 REVERSE SOUND When reverse sound is turned On the instrum...

Page 50: ...meenvelopeparame ters for the primary instrument The parameters are Attack time Hold time Decay time Sustain level Release time and are adjustable from 00 to 99 P A H D S R 00 00 00 99 16 SECONDARY ALTERNATE ENVELOPE PARAMETERS Thisfunctionallowsyoutoadjustthealternatevolumeenvelopeparame ters for the secondary instrument The parameters are Attack time Hold time Decay time Sustain level Release ti...

Page 51: ...sfade is selected a control input is used to fade between the primary and secondary Any modulation source may be used as an input velocity wheel etc Cross switch When cross switch mode is selected the switched layer is selected if the input crosses a certain threshold or if a footswitch controlling cross switch is activated The switch occurs only at the start of the note no further switching takes...

Page 52: ...balance is variable between 000 and 127 XFADE BALANCE 064 Crossfade Direction Crossfading between Primary and Secondary instruments will occur between the values of 12 and 52 Above and below these points the output will be completely Primary or Secondary Primary Only CROSSFADE AMOUNT 40 Secondary Only Equal Amount 128 64 0 32 96 CROSSFADE BALANCE 32 INPUT CROSSFADE 12 52 PRIMARY AMOUNT SECONDARY A...

Page 53: ...mines the point at which cross switching will occur when key position or velocity is controlling cross switch SWITCH POINT 064 c 2 LFO 1 SHAPE and AMOUNT This screen controls the waveshape and amount of Low Frequency Oscillator 1 The LFO can be used to produce vibrato when routed to pitch or tremolo when routed to volume The five LFO waveshapes are Triangle Sine Square Sawtooth and Random The amou...

Page 54: ... established The delay range is variable from 0 to 13 seconds 000 127 LFO Variation sets the amount of random variation of an LFO each time a key is pressed This function is useful for ensemble effects where each note played has a slightly different modulation rate The higher the number the greater the note to note variation in LFO rate LFO variation is variable from 000 127 LFO1 RT DLY VAR 000 00...

Page 55: ... ENVELOPE This is a supplementary utility envelope that can be routed to any realtime control destination The auxiliary envelope parameters are Envelope Amount Delay Attack Time Hold Time Decay Time Sustain Level and Release Time The delay time is variable from 0 to 13 seconds 000 127 The envelope amount is variable from 128 to 127 Negative values will produce inverted envelopes AUX ENV AMT DLY 12...

Page 56: ... 2 Amount Freq Modulation Destinations Pan R L R L Level Level Volume AHDSR Atk Dec Rel DCA DCA Pan Atk Dec Rel Volume AHDSR X Fade Primary Instrument Pitch Sample Start Tone Secondary Instrument Pitch Sample Start Tone VELOCITY VELOCITY CURVE KEY NUMBER KEYBOARD CENTER Keyboard and Velocity Modulation Sources Modulation Sources Key Number and Key Velocity Destinations Off Pitch Primary Pitch Seco...

Page 57: ...s to any of the modulation destinations on Proteus except Tone Sample Start and Pan Up to 8 simultaneous patches may be programmed For each modulation patch there is a source and a destination parameter Place the cursor under the appropriate parameter and change the patch number modu lation source or modulation destination using the data entry control If a parameter is not labeled either primary o...

Page 58: ...nate volume release pri sec both or cross switch between the primary and secondary instruments FOOTSWITCH CTL 1 Sustain MIDI CONTROLLER AMOUNT This function allows you to specify an amount parameter variable from 128 to 127 for each of the MIDI controllers CONTROLLER AMT A 127 B 090 CONTROLLER AMT C 127 D 090 PRESSURE AMOUNT This function allows you to specify an amount parameter for mono or poly ...

Page 59: ...city curve in order to provide different types of dynamics in response to your playing or better adapt to the MIDI controller This function allows you to select one of the four velocity curves or leave the velocity data unaltered off In addition the velocity curve can be set to Global which means that the global velocity curve programmed in the Master menu is used VELOCITY CURVE Global 0 20 40 60 ...

Page 60: ...on selects which tuning will be used in the current preset The choices of keyboard tunings are Equal tuning 12 tone equal temperment Standard Western tuning Just C tuning just intonation Based on small interval ratios sweet and pure non beating intervals Vallotti tuning Vallotti and Young non equal temperment Similar to 12 tone equal temperment for a given scale each key has a different character ...

Page 61: ...linked to other presets in order to create layering or keyboard splits The current preset can be linked with up to three other presets Each linked preset can be assigned to a specific range in order to easily create keyboard splits The modulation parameters specified in each preset remain in effect for each preset in the link LINK 1 c 1 f 4 000 Preset Name LINK 2 c 1 f 4 191 Preset Name LINK 3 O f...

Page 62: ...taentrycontrol TheEnter LED will be flashing Pressing the Enter switch will confirm the opera tion Any user preset 64 127 may be selected using the data entry control Writing to a user preset erases the existing preset in that location Make sure that the destination preset does not contain information that you wanted to keep SAVE PRESET to 064 Preset Name To Save a Preset 1 Select the new location...

Page 63: ...61 Proteus operation manual PROGRAMMING PROTEUS Programming Proteus ...

Page 64: ...62 Proteus operation manual ...

Page 65: ...reens 4 Move the cursor to the second line of the display then select the preset that you want to be linked with this preset You may want to play the keyboard as you scroll through the various presets in order to hear the results 5 If you want the link to be a permanent part of the preset be sure to SAVE PRESET CREATE A SPLIT KEYBOARD USING LINKS 1 Follow steps 1 through 4 above 2 Now set the rang...

Page 66: ...cy and press the Edit button CHANGING THE INSTRUMENT Thisisprobablytheeasiestwaytomodifyexistingpresets Scrollthrough the Edit menu functions until you come to INSTRUMENT pri IXXX Instr Name Move the cursor down to the bottom line using the cursor button and change the primary instrument with the data entry control Play the keyboard as you scroll through the various instruments When you find an in...

Page 67: ...dary instruments Chorus works by dou bling the instruments and detuning them slightly Try it CHORUS pri Off sec Off REVERSING THE SOUND A simple concept The instrument sounds can be played in reverse This will normally make an instrument sound quite a bit different It also virtually doubles the number of raw instruments you have to work with and it s fun REVERSE SOUND pri Off sec Off You reprobabl...

Page 68: ...werful technique allows you to combine elements of different instruments together to form completely new sounds New sounds that are totally natural because they are based on natural sounds Proteus also contains many digitally generated waveforms that can be combined with other digital waves or with sampled instruments in order to change the character of the sound perhaps to add a digital edge or a...

Page 69: ... 7 All Alt Envelope On Alt Envelope On A H D S R 00 00 51 00 36 As an example let s combine the electric guitar and a synthesized wave form tocreateanewinstrument RefertotheEditmenuparametersinthe chart below The Electric Guitar is the basic sound and is augmented by a chorused synthesized wave which adds a digital sheen Note that the guitar has a slower attack which completely changes its charact...

Page 70: ...ception with multi timbral sequencing in mind Just take a look at the main screen C01 Vol127 Pan 0 000 Preset Name The preset for each MIDI channel is selected from the main screen Press the cursor button to move the cursor up so that it is underneath the channel number C01 Vol127 Pan 0 000 Preset Name Turn the data entry control and you will see that every MIDI channel has a preset assigned to it...

Page 71: ...mitted from the se quencer before the song actually starts perhaps during a lead in measure or countdown DO NOT send setup information just before the first beat of the song or MIDI timing errors could result INITIAL SETUP In the Master menu 1 Turn ON Multi Mode 2 Turn ON Preset Change enable for each channel 3 Turn OFF MIDI Enable on MIDI channels that are to be used for other synthesizers PRESET...

Page 72: ...off when using Proteus in multi timbral mode Since Proteus dy namically allocates channels as needed to eliminate ripoff you must either play fewer notes use simpler sounds turn off doubling pri sec chorus or linked presets or use MIDI overflow to another Proteus INSTRUMENT DEFINITION If your sequence has a instrumental section using numerous chords it may be advantageous to use a basic preset wit...

Page 73: ...n the clean electric guitar sound If you think about it adding distortion to a clean guitar sound is much closer to the way an electric guitar is normally processed By dedicating one of your old fuzz boxes to a submix out in you can have programmable distortion for use on guitars organs or whatever SUB 2 SUB 1 MAIN L L L R STEREO MONO OUTPUTS R R Ring Tip Fuzzman Fuzz Box Ring Tip Ring Tip Stereo ...

Page 74: ...2 LINK 1 LINK 2 LINK 3 KYBD TUNING VEL CURVE KYBD CENTER CONTROLLER D PRESSURE AMT 4 6 5 7 8 CONTROLLER A CONTROLLER B CONTROLLER C 3 2 1 P BEND RANGE FOOTSWITCH CONTROL CONTROLLER AMOUNT REALTIME MOD CONTROL 1 2 3 4 5 6 KEY VELOCITY CONTROL Pri ATTACK Pri HOLD Pri DECAY Pri SUSTAIN Pri RELEASE Sec ATTACK Sec HOLD Sec DECAY Sec SUSTAIN Sec RELEASE XFADE DIRECTION XFADE MODE FD Xsw XFADE BALANCE XF...

Page 75: ...73 Proteus operation manual Reference REFERENCE SECTION ...

Page 76: ...ard Trumpet 83 83 Orchestral Brass 84 84 Low Octave Bones 91 91 Space Trumpet 123 123 Bone Face 131 323 Trumpet Combo 132 324 New Orchestra 147 339 Section Falls 148 340 Section Horns 170 362 French Horn 171 363 Trombone 2 172 364 Tromb Trumpet REEDS FLUTES 4 260 Stereo Sax 17 273 Verb Flute 35 291 Baritone Sax 115 115 Uboe 130 322 Breathy Flute 132 324 New Orchestra 166 358 Soprano Reed 167 359 A...

Page 77: ... 369 Flint Bass 178 370 Bass Synth 2 179 371 Harmonics TUNED PERCUSSION 12 268 Vibe n Me 13 269 Tiki Threat 44 300 Glockenspiel 45 301 Wide Marimba 61 317 Medicine Drum 76 76 Odd Vibes 77 77 Bright Steel 92 92 Metal Throat 93 93 Light Mallet 94 94 Congablock 108 108 Malletumba 116 116 Vibes Choir 124 124 Tremolo Vibe 126 126 Block Head 140 332 Airimba 141 333 Steel Drums 157 349 Vibe Marimba 180 3...

Page 78: ...wn Trumpet 19 Dark Soft Trumpet Soft blown Trumpet with a darker tone 20 Hard Trumpet Hard blown Trumpet 21 Dark Hard Trumpet Hard blown Trumpet with a darker tone 22 Horn Falls Descending pitch Trumpets 23 Trombone 1 Trombone 24 Trombone 2 Trombone 25 French Horn French Horn 26 Brass 1 Combination Trombone Soft Trumpet 27 Brass 2 Combination Trombone Hard Trumpet 28 Brass 3 Combination Trombone S...

Page 79: ...nthesizer with a darker tone 48 Percussive Organ Classic Tone Wheel Organ sound 49 Marimba Marimba 50 Vibraphone Vibraphone 51 All Percussion balanced levels 52 All Percussion unbalanced levels 53 Standard Percussion Setup 1 54 Standard Percussion Setup 2 55 Standard Percussion Setup 3 56 Kicks 57 Snares 58 Toms 59 Cymbals 60 Latin Drums 61 Latin Percussion 62 Agogo Bell 63 Woodblock 64 Conga 65 T...

Page 80: ... first octave fundamental the harmonic waveforms contain the harmonics odd even or all present in each octave In each succes sive octave the number of harmonics doubles By combining pri sec or link the harmonic wave forms in various amounts volume and transpos ing them coarse fine tuning a vast range of tim bres may be produced The Harmonic Waveforms have been designed so that almost any harmonic ...

Page 81: ... Cycle 3 107 Wind Cycle 1 108 Wind Cycle 2 109 Wind Cycle 3 110 Wind Cycle 4 111 Organ Cycle 1 112 Organ Cycle 2 MULTI CYCLE WAVEFORMS 113 Noise 114 Stray Voice 1 115 Stray Voice 2 116 Stray Voice 3 117 Stray Voice 4 118 Synth String 1 119 Synth String 2 120 Animals 121 Reed 122 Pluck 1 123 Pluck 2 124 Mallet 1 125 Mallet 2 The multi cycle cycle waveforms are short sections of sampled sounds These...

Page 82: ... Tom Tom 14 Tom Tom Reverb Snare 1 Reverb Kick 1 14 Tom Tom Electro Cymbal Reverb Click Closed HiHat 1 Big HiHat Closed HiHat 2 Open HiHat 2 Ride Cymbal Rude Crash Agogo Bell Finger Snap Agogo Bell Standard 1 MIDI Key 36 48 60 72 84 96 Instrument 53 Reverb Kick 1 Kick 2 Kick 3 Reverb Snare 1 Snare 2 Snare 3 Reverb Click Closed HiHat 1 Big HiHat Closed HiHat 2 Open HiHat 2 Ride Cymbal Rude Crash El...

Page 83: ... 96 Instrument 55 Guiro Down Guiro Up Conga Open Slap Conga Timbale Rimshot Timbale Strike Snare 3 Kick 3 Reverb Snare 1 Reverb Kick 1 10 Tom Tom 10 Tom Tom 10 Tom Tom 14 Tom Tom 14 Tom Tom Snare 2 Kick 2 14 Tom Tom Reverb Click Closed HiHat 2 Open HiHat 2 Closed HiHat 1 Big HiHat Ride Cymbal Rude Crash Electro Cymbal Finger Snap Wood Block Maracas Cabasa Agogo Bell Rosewood Claves Electro Cymbal ...

Page 84: ... MIDI Key 36 48 60 72 84 96 Instrument 58 Snares Reverb Snare 1 Snare 2 Snare 3 MIDI Key 36 48 60 72 84 96 Instrument 57 Kicks Reverb Kick 1 Kick 2 Kick 3 MIDI Key 36 48 60 72 84 96 Instrument 56 Kicks Snares Toms PROTEUS 1 PERCUSSION INSTR UMENTLOCATIONS ...

Page 85: ... Slap Conga Conga Open Slap Conga Open Slap Conga Conga Conga Open Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Closed Slap Conga Open Slap Conga Conga Conga Conga Open Slap Timbale Strike Timbale Strike Timbale Rimshot Timbale Strike Timbale Strike Timbale Rimshot Conga ...

Page 86: ...ment 68 Percussion FX 1 Reverb Snare 1 Reverb Click Rude Crash Guiro Up Conga Open Slap Finger Snap Big HiHat Electro Cymbal Ride Cymbal Open HiHat 2 MIDI Key 36 48 60 72 84 96 Instrument 67 PROTEUS 1 PERCUSSIONINSTR UMENTLOCATIONS Agogo Bell Conga Ride Cymbal Instruments 62 64 66 Agogo Bell Conga Ride Cymbal MIDI Key 36 48 60 72 84 96 ...

Page 87: ...85 Proteus operation manual PROTEUS 1 Plus 2 PRESETS and INSTRUMENTS ...

Page 88: ...linked to another preset S Synthesized the preset was created in Proteus not sampled Proteus 1 Plus 2 Orchestral Presets ENSEMBLES 390 Quintoctave 417 Violin Oboe 418 Oboe Strings 422 Strgs Winds 423 Pizz Piccolo 424 Divertimento 425 Pluck d Bois 426 Clarinola 435 Flute Oboe 436 Clar Bassoon 446 Piano Winds 499 SawBass Lead 511 Piano Pizz PERCUSSION 455 Timpani 456 Tam Tam 457 Tubular Bells 458 Ti...

Page 89: ...athetic 492 Glitter God 493 Tinker Bell 494 Bronze Pad 495 ShimmerWays 496 Link2Shimmer 497 Analog Pad 502 Square One 503 Square Link 504 Nice Night 505 Prophet Lead 506 Prophet Link 507 Mystery Scene 508 ElectricLady 509 AnalogueMood 510 Kosmos Keys TEXTURES 462 Magic Bells 472 Pipe Dream 477 Whistl n Joe 478 Winter Signs 489 Wrong Room 498 Electrovocal SOUND EFFECTS 480 Cyberspace 481 Grim Reape...

Page 90: ...lin with no vibrato 130 Quartet 1 Celli Viola Violin 131 Quartet 2 Bass Celli Violas Violins 132 Quartet 3 Celli Viola Violin 133 Quartet 4 Celli Violin 134 Pizz Basses Bass section plucked 135 Pizz Celli Celli section plucked 136 Pizz Violas Viola section plucked 137 Pizz Violin Violin section plucked 138 Pizzicombo Pizzicato Bass Celli Violas Violins 139 Bass Clarinet Sustained Bass Clarinet 140...

Page 91: ... Age 178 Iron Plate 179 Aluminum 180 Lead Beam 181 Steel Extract 182 Winter Glass 183 Town Bell Wash 184 Orchestral Bells 185 Tubular SE 186 Soft Bell Wave 187 Swirly 188 Tack Attack 189 Shimmer Wave 190 Moog Lead 191 B3 SE 192 Mild Tone 193 Piper 194 Ah Wave 195 Vocal Wave 196 Fuzzy Clav 197 Electrhode 198 Whine 1 199 Whine 2 200 Metal Drone 201 Silver Race 202 Metal Attack 203 Filter Bass Timpan...

Page 92: ...90 Proteus operation manual ...

Page 93: ...91 Proteus operation manual PROTEUS 2 PRESETS and INSTRUMENTS ...

Page 94: ...85 Piccolodeeyo 131 Recorder E 135 Asian Reed E 154 Krummhorns E 156 Soft Flute 157 Hi Wind Solo 158 Verb Clarinet 159 PiccoloPeace 160 Flute Oboe 161 Clar Flute 162 Clar Bassoon 163 Double Reeds 164 Bassoon Horn 165 Alto Flute 184 Clarinet Bb 185 Clarinet A 186 BassClar Bb 187 EngHorn F ENSEMBLES 21 Strgs Flutes 22 Resting Pad 23 Divertimento 34 Epilogue 35 Wind Stack 49 BrassStrings 61 Harpstrin...

Page 95: ...oy 82 The Machine 90 Wrong Room 93 Electrovocal 97 Vertigo Pad 103 Psychlotron 108 Vampirical 113 114 Sardonicus 116 Lo Wind Inst 127 Ascending SOUND EFFECTS 66 Portamento F 68 Cyberspace 71 Grim Reaper 75 Darn Saucers 78 Astral Flute 86 Infinite One 100 Magic Bells E 110 Galapagos 118 Wind Chimes E 119 Boat Haus 125 Whistl n Joe 133 Dream Garden 138 Grandfather BASS 69 PizzMoogBass 79 Kool Bass 8...

Page 96: ... Viola Bowed Solo Cello with natural vibrato 17 Solo Violin Bowed Solo Cello with natural vibrato 18 Quartet 1 Cello Viola Violin 19 Quartet 2 Bass Cello Viola Violin 20 Quartet 3 Cello Viola Violin 21 Quartet 4 Cello Violin 22 Gambambo Cello Violin with no vibrato 23 Pizz Basses Bass section plucked 24 Pizz Celli Celli section plucked 25 Pizz Violas Viola section plucked 26 Pizz Violin Violin sec...

Page 97: ...lophone Xylophone 54 Celesta Celesta 55 Triangle Triangle 56 Bass Drum Bass Drum 57 Snare Drum See Snare Drum Chart 58 Piatti Piatti 59 Temple Block Temple Block 60 Glockenspiel Glockenspiel 61 Percussion 1 See Percussion 1 Chart 62 Percussion 2 See Percussion 2 Chart 63 Low Percussion 2 Same as Percussion 2 but at lower pitch 64 High Percussion 2 Same as Percussion 2 but at higher pitch 65 Tubula...

Page 98: ...ct 3 Odd 81 Oct 4 Odd 82 Oct 5 Odd 83 Oct 6 Odd 84 Oct 7 Odd 85 Oct 2 Even 86 Oct 3 Even 87 Oct 4 Even 88 Oct 5 Even 89 Oct 6 Even 90 Oct 7 Even 91 Low Odds 92 Low Evens 93 Four Octaves As an example this chart shows the harmonics present in the Octave 5 Odd waveform These are the same waveforms that are in the Proteus 1 and are very useful either to accent certain harmonics in the sampled sounds ...

Page 99: ...r 5ths 112 Filtered Saw 113 Ice Bell 114 Bronze Age 115 Iron Plate 116 Aluminum 117 Lead Beam 118 Steel Extract 119 Winter Glass 120 Town Bell Wash 121 Orchestral Bells 122 Tubular SE 123 Soft Bell Wave 124 Swirly 125 Tack Attack 126 Shimmer Wave 127 Moog Lead 128 B3 SE 129 Mild Tone 130 Piper 131 Ah Wave 132 Vocal Wave 133 Fuzzy Clav 134 Electrhode 135 Whine 1 136 Whine 2 137 Metal Drone 138 Silv...

Page 100: ... Arco Celli Arco Violas Arco Violins MIDI Key 36 48 60 72 84 96 Instrument 12 Arco Violas Arco Violins Arco Celli Strings 2 MIDI Key 36 48 60 72 84 96 Instrument 13 Arco Violins Arco Celli Strings 3 MIDI Key 36 48 60 72 84 96 Instrument 14 Arco Violas Arco Violas Strings 1 2 and 3 ...

Page 101: ...0 72 84 96 Instrument 20 Arco Viola Arco Cello Arco Cello Quartet 2 MIDI Key 36 48 60 72 84 96 Instrument 19 Arco Viola Arco Viola Arco Violins Arco Violin Arco Cello Quartet 1 MIDI Key 36 48 60 72 84 96 Instrument 18 Arco Viola PROTEUS 2 INSTRUMENT LOCATIONS Quartets 1 2 and 3 ...

Page 102: ...hone Triangle Percussion 3 MIDI Key 36 48 60 72 84 96 Instrument 70 Timpani Tam Tam Brass Tamborine Rim Shot Bass Drum Percussion 2 MIDI Key 36 48 60 72 84 96 Instrument 62 Snare Drum Rim Click Snare Roll Temple Block Xylophone Piatti Piatti Triangle PROTEUS 2 INSTRUMENT LOCATIONS Percussion 1 2 and 3 ...

Page 103: ...assoon Oboe Pizzicato Violas Pizzicato Basses Pizzicombo MIDI Key 36 48 60 72 84 96 Instrument 27 Pizzicato Celli Pizzicato Violins Special Effects Timpani Tam Tam Tubular Bell Brass Tambourine Tubular Bell MIDI Key 36 48 60 72 84 96 Instrument 71 Transpositions Pizz Woodwinds FX PROTEUS 2 INSTRUMENT LOCATIONS ...

Page 104: ...Proteus operation manual 102 ...

Page 105: ...Proteus operation manual 103 PROTEUS 3 PRESETS and INSTRUMENTS ...

Page 106: ... Udu Grande 370 179 Drum Stacks 371 186 Log Shaker 378 189 Panned Perc 381 TUNED PERCUSSION 32 Temple Gong 38 Baya Suwuk 52 Sake Bell 54 Brite Bonang 63 Shinto 67 Miya Daiko 75 Tabla Tarang 85 Saronkembe 88 Bali Bells T 89 Stereo Shake 92 Bender Bells 94 Flautaland 107 Heavy Tibet 113 Afro Mallets 118 Sandrum 122 Balafon 124 Vodun Drums 130 The Temple 322 134 Punch Ocarina 326 136 Stereo Steel 328...

Page 107: ...Tent 334 144 Raga 336 BASS 56 Pizz Bass 70 Reso Bass 81 Basov Chorus 98 Krafter Bass 125 Bass 191 Default 383 SYNTH PADS 39 Peter s Pad 47 Dulcet Bow 59 Mizmarized 71 Europa I 77 Eurostructur 95 On Land 101 Brass Pad 102 Requiem 105 Dream III 107 Heavy Tibet 109 Asiatic Drone 111 Xanax 114 Europa II 116 New Jerusalem 120 Good Breath 143 Big Theme 335 146 Ersatz Ahs 338 152 Lhasa 344 155 Netherworl...

Page 108: ... 121 Tanzanian Shaker Wooden Shaker from Tanzania AUSTRALIA 4 Down Under Combination See Down Under Chart 37 Roarer Catcher Combination Bull Roarer Spirit Catcher 38 Bull Roarer Australian Aerophone wood plate and cord 40 Didjeridu Combination A B C Didjeridus 41 Didjeridu A Tubular Australian Trumpet looped pattern 42 Didjeridu B Australian Trumpet looped tone 43 Didjeridu C Australian Trumpet si...

Page 109: ... Indian Low Tabla tone slightly rising pitch 101 Baya Slap Indian Low Tabla slap 102 Baya Hit Indian Low Tabla sharp hit 103 Tabla Tone Indian High Tabla tone 104 Tabla Mute A Indian High Tabla dull mute 105 Tabla Mute B Indian High Tabla strong mute 106 Tabla Mute C Indian High Tabla high pitched mute 107 Tabla Open Indian High Tabla slightly tonal mute 108 China Gong Chinese Brass Gong 109 Nepal...

Page 110: ...Ram s Horn 27 Shofar B Hebrew Ceremonial Horn 1 semitone rise fall 28 Shofars Combination Shofar A Shofar B 31 Ney Flute Side Blown Wooden Flute 52 Mid East Drum Combination See Mid Eastern Drum Chart 80 Deff Slap Egyptian Frame Drum 81 Deff Mute Egyptian Frame Drum muted 82 Bendir Middle Eastern 16 Gut Snare Drum 83 Req Open Middle Eastern Tambourine 84 Req Slap Middle Eastern Tambourine slapped ...

Page 111: ...omplex attack 16 Waterphone 2 Bowed Water Vessel simple attack 39 Spirit Catcher Aerophone rubber band on wooden kite 63 Plexitones Combination Plexitone styles 68 Snare Drum Standard Double headed Side Drum 69 Kick Drum Double headed Bass Drum 70 Hi Hat Closed Hi hat Cymbal Closing 71 Hi Hat Open Hi hat Cymbal Open 124 Plexi Tone Six foot Plexiglass Tube 125 Plexi Slap A Six foot Plexiglass Tube ...

Page 112: ...en 144 Oct 5 Even 145 Oct 6 Even 146 Oct 7 Even 147 Low Odds 148 Low Evens 149 Four Octaves SINGLE CYCLE WAVEFORMS 150 Synth Cycle 1 151 Synth Cycle 2 152 Synth Cycle 3 153 Synth Cycle 4 154 Fundamental Gone 1 155 Fundamental Gone 2 156 Bite Cycle 157 Buzzy Cycle 1 PROTEUS 3 INSTRUMENTS Proteus 3 Harmonic Waveforms The Harmonic Waveforms are extremely useful They can be used to add specific harmon...

Page 113: ...riangle 174 Square 175 Sawtooth 176 Sawtooth Odd Gone 177 Ramp 178 Ramp Even Only 179 Violin Essence 180 Buzzoon 181 Brassy Wave 182 Reedy Buzz 183 Growl Wave 184 HarpsiWave 185 Fuzzy Gruzz 186 Power 5ths 187 Filtered Saw 188 Ice Bell 189 Bronze Age 190 Iron Plate 191 Aluminum 192 Lead Beam 193 Steel Extract 194 Winter Glass CONTRIVED INSTRUMENTS 195 Asian Gongs 1 196 Asian Gongs 2 197 Suwak Wave ...

Page 114: ...Harmonica Instrument 1 Renaissance Castanet Crotales MIDI Key Wood Block Maraca A Maraca B Maraca C Maraca D 36 48 60 72 84 96 Troubadour Harp Ocarina Instrument 2 East Indian Baya Tone Tamburas MIDI Key Crickets 36 48 60 72 84 96 Accordion Sitar Baya Hit Baya Slap Tabla Tone Tabla Mute A Tabla Mute B Tabla Mute C Tabla Open Clapper Stick Renaissance East Indian Folk America ...

Page 115: ...t Catcher Didjeridu A Didjeridu B Didjeridu C Instrument 52 Middle Eastern Drum Deff Slap MIDI Key 36 48 60 72 84 96 Deff Mute Bendir Req Open Req Slap Instrument 53 Udu Drum Udu Tone MIDI Key 36 48 60 72 84 96 Udu Release Udu Finger Udu Slap PROTEUS 3 INSTRUMENT LOCATIONS Down Under Middle Eastern Drum Udu Drum ...

Page 116: ...Bata Ipu Tone Bata Enu Tone Bata Ipu Tone Bata Ipu Slap Bata Enu Tone Bata Hi Tone Bata Hi Tone Bata Hi Slap Bata Hi Slap Bata Hi Mute Bata Hi Slap Bata Hi Slap Bata Ipu Tone Bata Ipu Slap Bata Enu Tone Bata Ipu Tone Bata Ipu Slap Bata Hi Tone Bata Hi Tone Bata Hi Mute Bata Hi Slap Bata Hi Mute Bata Hi Slap Bata Hi Slap Bata Ipu Slap Bata Enu Tone Bata Hi Mute Bata Hi Slap Bata Hi Slap Bata Ipu To...

Page 117: ...aron Log Drum Crotale Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Tabla Open Tabla Mute A Instrument 65 All Percussion 1 Kick Drum MIDI Key Clapper Stick Snare Drum Wood Block 36 48 60 72 84 96 Hi hat Closed Hi hat Open Rosewood Tick Nepal Cymbal Nepal Cymbal Nepal Cymbal Nepal Cymbal Nepal Cymbal Surdo Mute Bendir Deff Slap Deff Mute Req Open Req Slap Maraca A Maraca B Udu Tone Udu Rel...

Page 118: ...LTERNATE ATTACK Time sec 50 99 80 75 60 40 30 20 15 10 5 0 Knob 4 60 20 15 9 2 2 1 2 6 4 25 125 0 DELAY Time sec 75 127 100 96 80 64 40 32 20 10 5 000 Knob 3 5 13 7 6 2 4 2 2 5 1 5 1 6 25 125 0 AUXILIARY ATTACK Time sec 50 99 88 75 60 40 30 20 15 10 5 0 Knob 5 25 136 99 23 9 2 75 1 5 8 5 25 125 0 LFO RATES Rate Hz 40 127 80 60 50 30 25 20 15 10 5 000 Knob 3 3 25 16 10 7 2 2 1 8 1 33 8 6 1 052 Dela...

Page 119: ...IDI In Out Thru Data Encoding 16 bit Linear Sample Playback Rate 39kHz Signal to Noise 90 dB Dynamic Range 90 dB Frequency Response 20Hz 18kHz THD N 05 IMD 05 Power Requirements 25 watts Operating Temperature 110 F Max Dimensions H 1 75 W 19 L 8 5 Weight Proteus 1 4lb 7oz 2 Kg Proteus 1 Plus 2 4lb 7oz 2 Kg Proteus 2 4lb 7oz 2 Kg or 4lb 12 5 oz 2 173Kg Proteus 3 4lb 7oz 2 Kg ...

Page 120: ...0 note off Key Pressure An kk pp Program Change Cn pp Channel Pressure Dn pp Pitch Wheel En ll mm l lsb m msb Realtime Controller Bn cc vv cc 00 31 Footswitch Bn cc vv cc 64 79 vv 64 on Volume Bn 07 vv Pan Bn 0A vv 0 hard left 127 hard right Reset All Controllers Bn 79 00 ignored in omni mode All Notes Off Bn 7B 00 ignored in omni mode Omni Mode Bn 7D 00 forces all notes controls off Mono Mode Bn ...

Page 121: ...ement values with sign extension out to the most significant bit bit 13 This convention applies to all data words regard less of the parameter s value range Command Message Comments Preset Data Request F0 18 04 dd 00 ll mm F7 ll preset lsb mm preset msb 7F 7F all user presets 7E 7F all factory presets Preset Data F0 18 04 dd 01 ll mm cs F7 cs checksum sum of all data bytes Parameter Value F0 18 04...

Page 122: ...a single block one complete preset using system exclusive commands A preset data request may be issued by a host computer to which the machine will respond sendingthedatablockfortherequestedpreset Conversely thecomputer may send new preset data which will replace the specified preset cur rently in the machine Additionally a front panel command will transmit one or all user presets for backup onto ...

Page 123: ...ng the preset number and before the checksum PRESET PARAMETERS Parameter Number Parameter Name 0 11 preset name 12 ascii characters 12 14 link 1 3 15 18 low key 0 3 19 22 high key 0 3 23 pri instrument 24 pri sample start offset 25 pri tuning coarse 26 pri tuning fine 27 pri volume 28 pri pan 29 pri delay 30 pri low key 31 pri high key 32 pri alt attack 33 pri alt hold 34 pri alt decay 35 pri alt ...

Page 124: ... 61 crossfade balance 62 crossfade amount 63 switch point 64 LFO 1 shape 65 LFO 1 frequency 66 LFO 1 delay 67 LFO 1 variation 68 LFO 1 amount 69 LFO 2 shape 70 LFO 2 frequency 71 LFO 2 delay 72 LFO 2 variation 73 LFO 2 amount 74 aux delay 75 aux attack 76 aux hold 77 aux decay 78 aux sustain 79 aux release 80 aux amount 81 86 key vel source 1 6 87 92 key vel dest 1 6 93 98 key vel amount 1 6 99 10...

Page 125: ...spose 262 global pitch bend range 263 global velocity curve 264 MIDI mode 265 MIDI overflow 266 269 controller A D numbers 270 272 footswitch 1 3 numbers 273 mode change enable 274 device ID number 384 399 MIDI channel enable 400 415 MIDI program change enable 416 431 mix out per MIDI channel 512 639 MIDI program preset map Program Mapping MIDI program changes will normally correspond to internal ...

Page 126: ...30 0x406 F0 18 04 dd 00 06 08 F7 0 3 0 255 3 F0 18 04 dd 00 7D 7F F7 4 5 256 383 4 F0 18 04 dd 00 7C 7F F7 Theoriginalcommandsforrequestinguserpresets 1 64 127 andfactory presets 2 0 63 are still supported to retain compatibility with existing software Master Settings Request A new command has been added which requests the master settings as a group The master settings request is F0 18 04 dd 08 F7...

Page 127: ...oneconfigurationtoanother Forexample itshould be possible to exchange presets between a Proteus 2 and an expanded Proteus 1 if the instruments come from common sound sets In order to achieve this compatibility between different Proteus configu rations it is necessary to include the sound set number as part of the instrument number when exchanging data The instrument number as expressedoverMIDI now...

Page 128: ... respond to this command with the configuration message F0 18 04 dd 0D pl pm s1 l1 m1 s2 l2 m2 F7 where pl and pm are the lsb and msb of the total number of presets s1 and s2 are the ID numbers of the sound sets contained in this unit and n1 l1 m1 and n2 l2 m2 represent the lsb and msb of the number of instruments in each sound set If no expansion set is present s2 will be 7F and n2 will be zero I...

Page 129: ...nd Sets above in lsb msb format fol lowed by the instrument name 11 ascii characters plus a zero termina tor for a total of 14 decimal bytes The first instrument is 1 as displayed on Proteus The total number of instrument names is equal to n1 n2 in the configuration message above Proteus firmware earlier than version 2 10 will not respond to this command PRESET LIST A new MIDI command has been add...

Page 130: ...the same sound sets Parameters on the Master Performance System such as effects which do not exist on the Proteus modules will be set to a default value Presets will be placed into the matching location on the Master Performance System and will overwrite presets currently residing there If there is no RAM location on the Master PerformanceSystemcorrespondingtothatofProteus thenthepresetwill simply...

Page 131: ...IDI 18 instrument 6 43 45 instrument list Proteus 1 76 79 Proteus 1 Plus 2 88 89 Proteus 2 94 97 Proteus 3 106 111 inputs 7 9 intonation See keyboard tuning K key number 34 key number chart 23 42 key range 43 45 key velocity 29 velocity modulation 33 54 keyboard center 34 58 keyboard tuning See master tune L layer 6 27 44 59 LFO definition 31 programming 51 52 54 55 time chart 116 link 59 M mappin...

Page 132: ...s 3 104 105 naming 34 recording into a sequencer 22 saving presets 60 selection 14 preset change via MIDI 19 69 R random wave 31 51 realtime modulation 35 55 release 30 reverse sound 47 65 ripoff 70 S sampling basic decription 24 sampled sound listing 76 saving presets 60 sawtooth wave 31 51 secondary 6 43 45 sequencer external sequencer setup 68 70 Proteus demo sequences 23 recording presets into...

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