C
OBRA
-4 S
YSTEM
The active 4-way Cobra-4
System in its standard confi guration
is designed for throws of up to 80
meters in medium-sized marquees,
halls and open-air venues.
It is capable of generating at a
FOH position 30 meters distant a
sound pressure level of 110 dB in
the mid-high frequency range and
120 dB in the bass – exactly what
the typical Top 40 band requires.
Through the use of two Cobra-4
Tops and one Cobra-4 Far, opti-
mum line-array performance can
be obtained even from a typical
Cobra-4
COMPACT LINE-ARRAY ACTIVE 4-WAY SYSTEM
EASE FOCUS
A very wide variety of configurations can be mechanically simulated and
checked acoustically as early as the planning stage using the software
application EASE Focus. After download of EASE Focus from DYNACORD
web site, you can consult all the electrical and mechanical specifications of
the Cobra cabinets and also calculate automatically the optimal suspension
points of the grid for different loads and rigging angles.
94
OPTIMIZED FACTORY PRESETS INCLUDING FIR-TUNE
LINEARIZATION ARE AVAILABLE FOR DSP 600,
P 64 AND PowerH AMPLIFIERS WITH RCM-26
UNDER IRIS-NET
stacked configuration without
time-consuming adjustments. For
large distances, the top position in
the stack is reserved for a Cobra-4
Far unit, which has a coverage
pattern of 90° (horizontally) and
5° (vertically) in the high frequen-
cy range.
For the low frequency and midrange,
the same components are used
as in the Cobra-4 Top, providing
the ideal extension for the low-
and midrange line array. In all,
eight Cobra-PWH bass horns are
needed to generate the pressure
and projection in the bass region
required by typical Top 40 bands.
Depending upon the geometry of
the room, these can be stacked
or arranged as a horizontal bass
array.
The Cobra-4 System can be driven
either by ready-wired and pre-pro-
grammed amp racks, comprising
a controller, power amplifiers and
AF- and AC connector panels, or by
individual (user-configured) racks.
When PowerH power amplifiers are
used in conjunction with RCM-26
modules, advantage can be taken
of FIR-linearized presets.
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Summary of Contents for VL 62
Page 8: ...BOSCH PRODUCTION SYSTEMS 8...
Page 12: ...12 D LITE SERIES...
Page 14: ...D LITE SERIES 14 D Lite Series LOUDSPEAKER SYSTEMS D 8 D 11A D 8W D 12 D 8A D 12W...
Page 20: ...D 8A 20...
Page 22: ...D 11A 22 Distorsion free clear sound at peak levels...
Page 27: ...D 12 3 27 Uncolored extremely low distortion vocal reproduction...
Page 29: ...D 15 3 29 15 3 DESIGNS ARE AMONG THE CLASSICS OF PRO AUDIO HISTORY MONG THE DIO HISTORY 29 Y...
Page 30: ...SUB 112 30...
Page 46: ...46 VARILINE...
Page 47: ...47 VARILINE VL 62 VL 62W VL 262 VL 262W VL 122 VL 152 VL 212 SUB 18 SUB 28 VariLine...
Page 48: ...VARILINE 48 VariLine MULTIFUNCTIONAL SPEAKER LINE VL 62 VL 262W VL 62W VL 122 VL 262 VL 152...
Page 62: ...62 MONITOR SPEAKERS...
Page 63: ...63 MONITOR SPEAKERS CXM 15 CXM 15W AM 12 Monitor Speakers...
Page 66: ...66 POWERMAX 5...
Page 67: ...67 POWERMAX 5 F 150 F 8 PowerMax 5...
Page 68: ...POWERMAX 5 68...
Page 70: ...70 XA 2 SYSTEMS...
Page 71: ...71 XA 2 SYSTEMS FX 12 FX 20 Xa 2 System...
Page 78: ...78 COBRA SYSTEM...
Page 90: ...SYSTEM RACKS 90 System Racks 90...
Page 95: ...COBRA 4 SYSTEM 95...
Page 96: ...96 ALPHA SYSTEMS...
Page 97: ...97 ALPHA SYSTEMS X 1 B 3 Alpha System...
Page 99: ...ALPHA X 1 AND ALPHA B 3 99...