12
The Aux Input to Reverb
This input jack allows you to share the reverb processor in Access with the other instruments in
your band or with other tracks in your recordings. Here are a couple of points to help you get the
most out of this handy little feature.
First of all, the amount of signal level you send to the Aux Input to Reverb is controlled by your
mixer. The Input level knob on Access is used only to set the input level of your microphone or
line input to the harmony processor. The Clip LED on Access is used to monitor when the com-
bination of the Aux Send to Reverb and the mic/line signals is near clipping.
Second, any instruments you send to the Aux Input to Reverb will come out of Access’ stereo (or
mono) output
100% wet
. This is important. You’ll need to mix the dry sound from your instru-
ments through your mixer to achieve a nice wet/dry balance.
Third, you’ll probably want to set Access’ Global Mix and Global Reverb parameters to On. This
configures Access so that if you’re changing programs to make different harmony sounds, the
reverb mix and reverb types will stay the same.
Finally, leave adding reverb to your instruments to last. It’s important to get your dry mix of
vocal, instruments, and harmonies right first. Only when your dry mix sounds good should you
add some of Access’ reverb to the lead voice and harmonies. As a final touch, turn up the aux
send on the channels you want to send through Access’ reverb.
Turning the reverb on and off with the optional FS300 footswitch will affect the instrument
reverb also.
This input jack allows you to share the reverb processor in Vocalist with the other instruments in
your band or with other tracks in your recordings. Here are a couple of points to help you get the
most out of this handy little feature.
First of all, the amount of signal level you send to the Aux Input to Reverb is controlled by your
mixer. The Input level knob on the Vocalist is used only to set the input level of your microphone or
line input to the harmony processor. The Clip LED on Access is used to monitor when the combination
of the Aux Send to Reverb and the mic/line signals is near clipping.
Second, any instruments you send to the Aux Input to Reverb will come out of the Vocalists’ stereo (or
mono) output 100% wet. This is important. You’ll need to mix the dry sound from your instruments
through your mixer to achieve a nice wet/dry balance.
Third, you’ll probably want to set Vocalists’ Global Mix and Global Reverb parameters to On. This
configures Vocalists so that if you’re changing programs to make different harmony sounds, the
reverb mix and reverb types will stay the same.
Finally, leave adding reverb to your instruments to last. It’s important to get your dry mix of
vocal, instruments, and harmonies right first. Only when your dry mix sounds good should you
add some of Vocalists' reverb to the lead voice and harmonies. As a final touch, turn up the aux
send on the channels you want to send through Access’ reverb.
Turning the reverb on and off with the optional FS300 footswitch will affect the instrument
reverb also.
Summary of Contents for VOCALISTVR
Page 1: ...Vocalist VR...
