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• Line input level: PROCESS switch set to Bypass, METER switched to Output

• Line output level: PROCESS switch set to Active, METER switch set to Output

• Compressor gain reduction:  PROCESS switch set to Active or Bypass, METER switch set to G.R. 

• “0 VU”  is calibrated to +4 dBu for the input and output VU modes and 0 dB of gain reduction in

G.R. mode.

VU meters are calibrated in Volume Units to give an average signal level reading. The key term here
is “average” because VU meters show the average difference between the peaks and valleys in the
level of the program material. While VU meters generally show an accurate level for a synthesizer
pad sound where the dynamic differences are slight, they will let brief peaks through that don’t reg-
ister on the needle such as those from an energetic Bass guitar track. See the Application Notes sec-
tion at the end of this manual for more information on VU metering.

TRIM 

This trimpot allows adjustment of the 0 VU setting for gain reduction display only. This is precisely
set at the factory however it may need re-calibration from time to time. To adjust, set the Meter
mode to show gain reduction and use a jeweler’s flathead screwdriver to align the needle with the 0
VU mark.

GATE THRESHOLD

This control determines the level at which the noise gate closes. Turning the control clockwise raises
the threshold at which the gate will open. For example, if you have set the threshold to -20 dBu,
only signals louder than -20 dBu open the gate and thus, be audible. The gate is fully open or “off”
in the furthest left (counter-clockwise) position. The indicator LED shows that the gate is closed.

GATE ATTENUATION

When the gate closes, this control sets how much level reduction is desired. The reasoning behind
this is that you don’t always want the gate to close fully. A slight attenuation will reduce, but not
eliminate crowd noises for instance. Less gate attenuation will also make the opening time as fast as
possible because although the gate is extremely fast, it will always open more quickly when starting
from an intermediate level. If the attenuation is set to 0 attenuation the gate is inactive regardless of
the threshold setting.

DE-ESS ATTENUATION

This knob is used to adjust the amount of gain reduction applied to sibilant vocal frequencies that
result from “ess”, “tee”, “ch” and “dee” sounds. When the De-ess control is turned clockwise, a pro-
gram peak above the 4.5 kHz knee frequency will cause the de-esser to quickly “duck” the audio
down and back up again. Because the gain reduction is broadband (all frequencies) this is optimized
for vocal de-essing only and it is not suitable for full program material. The LED shows when sibi-
lants are being attenuated.

Summary of Contents for VCS1

Page 1: ......

Page 2: ...ide reasonable protection against harmful interference in a res idential installation This equipment generates uses and can radiate radio fre quency energy and if not installed and used in accordance...

Page 3: ...Front Panel 5 Output Control 5 Clip LED 5 Tube Gain Control 5 VU Meter 5 Trim Adjustment 6 Gate Threshold Attenuation 6 De ess Control 6 Peak Limiter 7 Compressor Controls 7 Meter Function Switch 8 Au...

Page 4: ...upply to maximize signal to noise performance and transient response The premium grade 12AX7A vacuum tubes used in the VTP 1 are manufactured in Russia and hand tested and graded specifically for the...

Page 5: ...Connection Examples The following diagrams show a few ways in which the VCS 1 can be used 2...

Page 6: ...e jacks to be used if balancing is desired The 1 4 TRS inputs can also be used with an unbalanced source using a standard two conductor cable Plugging a 1 4 connector into the phone jack input will ov...

Page 7: ...LINE OUTPUT This output is servo balanced producing 4 nominal level to XLR and 1 4 TRS connectors Unbalanced cables may be used also 4...

Page 8: ...ing indicator to warn you of quick transient peaks that can cause audible output distortion The Clip LED will light when the signal is 3 dB below the onset of clipping Critical points in the audio pat...

Page 9: ...termines the level at which the noise gate closes Turning the control clockwise raises the threshold at which the gate will open For example if you have set the threshold to 20 dBu only signals louder...

Page 10: ...RATIO This control varies the amount of squeeze you need for the audio material that exceeds your threshold setting Turning the control clockwise from the 1 1 off position increases the ratio from ge...

Page 11: ...shold the Soft Knee setting will initiate a more gentle transition to com pression from just below the threshold This results in more natural sound even with higher ratios and attack times The Hard kn...

Page 12: ...t distort and low level notes that disappear in the mix Switch in the Auto setting and start with a ratio of 4 1 Auto is best for reducing release time chattering on sustained bass notes but you can s...

Page 13: ...S 1 s 4 5 kHz you can connect an equalizer into the Sidechain In this way you can experiment with the opti mum frequency by boosting individual frequencies until you find the correct one Because sibil...

Page 14: ...ed from the Sidechain Return works also Understanding VU Meter and Clip LED Readings The functions of the VU Meter and Clip LED combine to give an excellent indication of average and peak levels The b...

Page 15: ...12...

Page 16: ...tip hot Output Impedance 100 Nominal Output Level balanced or unbalanced 4 dBu Maximum Output Level balanced or unbalanced 21 dBu Side Chain Send Connector 1 4 TRS tip hot Type Impedance balanced Impe...

Page 17: ...pass 3 dB 4 5 kHz Vacuum Tube Circuit Type Class A high voltage parallel triode design Tube Complement Single 12AX7A per channel Saturation User variable Power Requirements Operating Voltage 120 V AC...

Page 18: ...15 DIGITECH VCS 1 SIGNAL FLOW DIAGRAM One Channel Only...

Page 19: ...Printed in the USA 18 2202 A...

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