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METER FUNCTION

This switch allows you to toggle the VU meter display between monitoring input level, output level
or gain reduction. In the G.R. (gain reduction) setting, the meter needle will center on the 0VU por-
tion of the legend and swing to the left indicating how much attenuation is occurring due to the
compressor or peak limiter. When this switch is in the Output position and the channel is active
(Process switch is in the Active position), the VU meter will show output level. Switching the
Process switch to Bypass while in the Output position causes the VU meter to display input level.
Further information on setting levels with the VU meters is available in the Applications section.

AUTO 

The Auto switch enables a circuit that overrides the manual Attack and Release controls. When the
Auto switch is “In”, the attack and release timing will depend on the changing dynamics of the input
signal. Auto can be used to make setup faster or to emulate the sound of “classic” compressors. The
Auto circuit can also be used to reduce fast release time distortion on signals with sustained low fre-
quency content such as bass guitar.

KNEE

The Knee switch allows you to select a “Hard” or “Soft” transition into compression. As the audio
signal approaches the threshold, the Soft Knee setting will initiate a more gentle transition to com-
pression from just below the threshold. This results in more natural sound even with higher ratios
and attack times. The Hard knee is more useful for obvious compression effects and is particularly
useful for peak limiting.

Note: The Threshold control is calibrated for Hard Knee. When using Soft Knee you will need
to raise the threshold by 10 dB to achieve similar compression.

PROCESS

This switch allows you to bypass each channel individually. When in the Bypass position, the
Output and Tube Gain controls are bypassed and all dynamics circuitry is removed from the audio
path. In the Active position, all dynamic circuitry and level controls are active. The Bypass function
is essential for comparing the original audio with any changes you have made. It is also important
for matching input and output levels if you have adjusted either the Tube Gain or Output controls. 

STEREO LINK 1>2

The Stereo Link circuit assesses relative power of the left and right channels of stereo input material
to preserve proper left/right balance under compression. When this switch is in the In position, the
dynamic controls for Channel 1 become the master for both channels. Because Channel 1 is the
master, the LEDs and controls in Channel 2 will become inactive. 

With Stereo Link engaged:

• Tube Gain from Channel 1 affects both channels

• Output controls are independent

• Bypass controls are independent

Summary of Contents for VCS1

Page 1: ......

Page 2: ...ide reasonable protection against harmful interference in a res idential installation This equipment generates uses and can radiate radio fre quency energy and if not installed and used in accordance...

Page 3: ...Front Panel 5 Output Control 5 Clip LED 5 Tube Gain Control 5 VU Meter 5 Trim Adjustment 6 Gate Threshold Attenuation 6 De ess Control 6 Peak Limiter 7 Compressor Controls 7 Meter Function Switch 8 Au...

Page 4: ...upply to maximize signal to noise performance and transient response The premium grade 12AX7A vacuum tubes used in the VTP 1 are manufactured in Russia and hand tested and graded specifically for the...

Page 5: ...Connection Examples The following diagrams show a few ways in which the VCS 1 can be used 2...

Page 6: ...e jacks to be used if balancing is desired The 1 4 TRS inputs can also be used with an unbalanced source using a standard two conductor cable Plugging a 1 4 connector into the phone jack input will ov...

Page 7: ...LINE OUTPUT This output is servo balanced producing 4 nominal level to XLR and 1 4 TRS connectors Unbalanced cables may be used also 4...

Page 8: ...ing indicator to warn you of quick transient peaks that can cause audible output distortion The Clip LED will light when the signal is 3 dB below the onset of clipping Critical points in the audio pat...

Page 9: ...termines the level at which the noise gate closes Turning the control clockwise raises the threshold at which the gate will open For example if you have set the threshold to 20 dBu only signals louder...

Page 10: ...RATIO This control varies the amount of squeeze you need for the audio material that exceeds your threshold setting Turning the control clockwise from the 1 1 off position increases the ratio from ge...

Page 11: ...shold the Soft Knee setting will initiate a more gentle transition to com pression from just below the threshold This results in more natural sound even with higher ratios and attack times The Hard kn...

Page 12: ...t distort and low level notes that disappear in the mix Switch in the Auto setting and start with a ratio of 4 1 Auto is best for reducing release time chattering on sustained bass notes but you can s...

Page 13: ...S 1 s 4 5 kHz you can connect an equalizer into the Sidechain In this way you can experiment with the opti mum frequency by boosting individual frequencies until you find the correct one Because sibil...

Page 14: ...ed from the Sidechain Return works also Understanding VU Meter and Clip LED Readings The functions of the VU Meter and Clip LED combine to give an excellent indication of average and peak levels The b...

Page 15: ...12...

Page 16: ...tip hot Output Impedance 100 Nominal Output Level balanced or unbalanced 4 dBu Maximum Output Level balanced or unbalanced 21 dBu Side Chain Send Connector 1 4 TRS tip hot Type Impedance balanced Impe...

Page 17: ...pass 3 dB 4 5 kHz Vacuum Tube Circuit Type Class A high voltage parallel triode design Tube Complement Single 12AX7A per channel Saturation User variable Power Requirements Operating Voltage 120 V AC...

Page 18: ...15 DIGITECH VCS 1 SIGNAL FLOW DIAGRAM One Channel Only...

Page 19: ...Printed in the USA 18 2202 A...

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