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Compressor

Compressor

is used to increase sustain, tighten up the guitar signal, and prevent the signal

from clipping the input of other effects. It sets a maximum boundary (Threshold) for the
strength of a signal. If a signal exceeds the Threshold, it is squeezed back into compliance
based upon the compression Ratio setting.

Comp On/Off -

The 

Number 1 Knob

turns the Compressor on (

ON

) and off (

OF

).

Attack -

The 

Number 2 Knob

adjusts the length of time it takes for the Compressor to

respond to a signal exceeding the Threshold. Values include:

fast

,

meDIUM

, and

slOw

.

Ratio -

The 

Number 3 Knob

adjusts the input to output ratio once the Threshold has been

exceeded. For instance, a Ratio of 4 to1 means that a signal exceeding the Threshold
by 4 dB will only be allowed 1 dB of increased output. Ranges include:

1.2-1

(1.2 to

1),

1.5-1

(1.5 to 1),

1.8-1

(1.8 to 1),

2.0-1

(2 to 1),

2.5-1

(2.5 to 1),

3.0-1

(3

to 1),

4.0-1

(4 to1),

5.0-1

(5 to 1),

8.0-1

(8 to 1),

10-1

(10 to 1),

20-1

(20 to

1), and 

00-1

(infinity to 1).

Threshold -

The 

Number 4 Knob

adjusts the maximum strength the signal is allowed to

reach before the compressor begins to work. Ranges from 

1

to 

99

.

Gain -

The 

Number 5 Knob

adjusts the Output Gain from the Compressor. Ranges from 

0

to 

(dB).

Amp Modeling/Cab

Amp Modeling

is a technology which applies the tone of one of several vintage or modern

amps to your guitar signal. The RP300A’s Amp Modeling also provides an acoustic guitar
simulation. The Amp Modeling section includes an A and a B channel. Each channel can be
individually programmed to include different settings for Amp Gain, Amp Level, Cabinet Type,
Mic Position, and EQ. This allows you to switch from a clean to a distorted setting while
retaining all other Effects settings. Switching Amp channels is accomplished instantly with the

Amp A/B  Footswitch

.

The 

Cabinet Modeling

simulates different types of miked speaker cabinets. You have your

choice of 6 Cabinet Types and 4 Mic Placements in relationship to each speaker cabinet.

Amp Channel -

The 

Number 1 Knob

selects the 

A

or 

B

channel. You may also use the

A/B Footswitch

to select the amp channel during the editing process.

Amp Type  -

The 

Number 2 Knob

selects one of the  Amp Models or Acoustic Simulator.

Choices include:

Marshall® is a registered trademark of Marshall Amplification Plc. Vox® is a registered trademark of Korg UK. Fender,
Matchless, and Mesa Boogie, are trademarks of their respective companies and are in no way associated with DigiTech.

Amp Gain -

The 

Number 3 Knob

adjusts the Gain (distortion) for the selected Amp

Model (not available for Acoustic). The Gain parameter ranges from 

0

to 

99

.

Amp Level -

The 

Number 4 Knob

adjusts the Level (volume) of the selected Amp Model.

The Level parameter ranges from 

1

to 

99

.

Cabinet-Mic -

The 

Number 5 Knob

selects the type of simulated Speaker cabinet as well

as mic placement in relation to the speaker. Your choices include:

DIRECT 

- Turns the modeling off

BLKFAC

- Based on a  ‘65 Fender Twin Reverb

BOUTIQ

- Based on a Matchless DC30

RECTIF

- Based on a Mesa Dual Rectifier

HOTROD

- Based on a Mesa Boogie Mark II C

tweeD

- Based on a ‘57 Fender Tweed Deluxe

CLEAN1

- Based on a Vox AC30 top boost

CLEAN2

- A clean tube combo setting 

STACK

- Based on a Marshall JCM900

CRUNCH

- A nice crunchy combo

HIGAIN

- Based on a Johnson JM150 High Gain

FUZZ

- A vintage fuzz distortion

ACOUST

- A flat top acoustic guitar

11

Summary of Contents for Artist RP300A

Page 1: ...User s Guide...

Page 2: ...who should refer to the table below The green yellow wire shall be connected directly to the units chassis WARNING If the ground is defeated certain fault con ditions in the unit or in the system to w...

Page 3: ...ar ticularly at plugs convenience receptacles and the point where they exit from the apparatus Use only with the cart stand tripod bracket or table specified by the manufacture or sold with the appara...

Page 4: ...obligation or liability in connection with the sale of this product In no event shall Digitech or its dealers be liable for special or consequential damages or from any delay in the performance of th...

Page 5: ...o offer by going through this User s Guide with your RP300A in front of you It is your key to unlocking the full potential within the RP300A Included Items Before you get started please make sure that...

Page 6: ...bs adjust the Parameter values listed directly above each knob for the selected effect When the Drum Machine is on these knobs control the Pattern Tempo and Level In Tuner mode these knobs are used to...

Page 7: ...ct your instrument to this jack 2 Jam A Long Learn A Lick Jack Connect this jack to the headphone output of a tape or CD player in order to jam along with the music or to record a musical passage into...

Page 8: ...r amp If connecting to a mixing console be sure to selecton one of the RP300A s Speaker Cabinet models See page 12 for more on using the Speaker Cabinet modeling Stereo Operation For stereo operation...

Page 9: ...lume all the way down 2 Connect the plug of the PS0913B power supply to the Power Jack on the rear panel of the RP300A 3 Connect the other end of the PS0913B power supply to an AC outlet and turn the...

Page 10: ...volume Bypass Mode The RP300A Presets can be bypassed for a clean unprocessed guitar tone To bypass the RP300A press both the Up and Down Footswitches simultaneously The Display will read Bypass indi...

Page 11: ...speed Your interval choices include 1 4 3 8 1 2 5 8 3 4 7 8 and Full speeds 6 Pressing the Up Footswitch steps back through the loop at 1 second intervals 7 The Expression Pedal will control output le...

Page 12: ...th the Matrix LEDs to choose the effect you wish to edit Successive presses of the Select button will advance to the next Effect in the Matrix 4 Use the 5 Knobs to change parameter values 5 Store your...

Page 13: ...cter location Then repeat step 2 to select the desired alpha numeric character 4 Once the desired name is shown in the display press the Store button again to enter the second stage of the storing pro...

Page 14: ...ds without having to change guitars during a performance Wah is an effect controlled by the Expression Pedal As the Expression Pedal is rocked back and forth it makes the guitar sound as if it is sayi...

Page 15: ...p Level Cabinet Type Mic Position and EQ This allows you to switch from a clean to a distorted setting while retaining all other Effects settings Switching Amp channels is accomplished instantly with...

Page 16: ...designed to close after every note depending on the Pluck Sensitivity This allows automatic volume swells to occur on a note for note basis Gate On Off The Number 1 Knob turns the Noise Gate on ON and...

Page 17: ...thicker sound Parameter 1 The Number 2 Knob adjusts the rate Speed of the modulation Ranges from 1 to 99 Parameter 2 The Number 3 Knob adjusts the intensity Depth of the modulation Ranges from 1 to 9...

Page 18: ...g the phase of the signal This means that when you begin to play the phaser may be at the any random point of the phase With a Triggered Phaser every time the signal exceeds the Sensitivity level sett...

Page 19: ...Tech products The YaYa is controlled by the Expression Pedal and combines the characteristics of a wah and a flanger together providing a unique talk box type of effect As the Expression Pedal is rock...

Page 20: ...g type of effect as if two guitars were playing the same part together Parameter 1 The Number 2 Knob adjusts the amount of pitch difference applied to the copied signal Ranges from 18 to 18 Mod Level...

Page 21: ...ical environments It can provide the tight acoustics of a small room or the ambience of huge arena Reverb Type The Number 1 Knob selects the Type of Reverb or acoustic environment The RP300A provides...

Page 22: ...nner SPEED Speed DEPTH Depth YaYa PEDAL Pedal DEPTH Depth RANGE Range Auto Ya SPEED Speed DEPTH Depth RANGE Range SynthTalk ATTACK Attack RELEAS Release VOX Vox SENSTV Sensitivity Envelope Filter AMOU...

Page 23: ...ws 1 Press the Select button until the Expression row has been selected indicated by the LED lighting on the Expression row 2 Rotate the Number 1 Knob to select whether you want to assign LFO TR LFO T...

Page 24: ...the Select button and press the Store button The display will read RESET indicating that the RP300A has reset the original factory set tings At this point the RP300A will automatically advance to the...

Page 25: ...en showing DONE with the V Switch sensitivity value in the numeric Display and VSWTCHOn or VSWTCHOf depending on whether the V Switch is on or off You can audition the V Switch sensitivity by applying...

Page 26: ...19 U A 39 U A 20 U A 40 James Fukai Evil D Dan Donegan Joey Z Dan Donegan Joey Z Jennifer Batten Metal Mike Chlasciak Jennifer Batten Metal Mike Chlasciak Mike Einziger Metal Mike Chlasciak Mike Einz...

Page 27: ...Effects Pickup Simulator Wah Compressor Amp and Acoustic Guitar Models 3 band EQ Noise Gate Auto Swell Pluck Gate Cabinet Modeling Mic Placement Chorus Flange Triggered Flange Phaser Triggered Phaser...

Page 28: ...ndy Parkway Sandy Utah 84070 USA PH 801 566 8800 FAX 801 566 7005 DigiTech and RP300A are trade marks of the Harman Music Group Inc Copyright the Harman Music Group Printed in the USA 02 2003 Manufact...

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