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APPLICATIONS

The dbx 160A is capable of handling a wide range of applications. In the studio, the 160A can be used on everything
from vocals to percussion. In live sound reinforcement, the 160A can allow the engineer to get that Òfat studio soundÓ
out of the drum kit or provide protection limiting for the speakers. It is also an excellent line driver, perfect for sending
signals down long cables to power amp stacks or from remote broadcast trucks. In radio or television broadcast, the
160A will produce stable voice levels, even with non-professional subjects.

OPERATING CONTROLS

Front Panel

BYPASS Button and LED:

Depress this button to create aÓhard-wire bypassÓ of the 160A's circuitry (i.e., unaltered input signal will pass through
the unit even if it is unplugged).

In Bypass mode, the input is sent directly to the output, bypassing the 160A's processing and controls and presenting
unaltered input signal at the 160A's OUTPUT. Bypass mode is especially useful for making comparisons between
processed and unprocessed signals. 

The BYPASS LED turns On in Bypass mode if the 160A is being provided with AC power.

SLAVE Button and LED:

When two 160As are connected via their rear panel STEREO STRAPPING jacks, depressing the SLAVE button on one
160A of the stereo pair determines that the other 160A will be the Master (i.e., the controlling unit). 

Note: When two 160As are strapped together and the SLAVE buttons on both units are NOT depressed, the 160As DO NOT operate independently
because the “ring” of the strapping cable still sums the audio of each unit. The strapping cable must be removed for proper single-channel operation. If
both SLAVE buttons are depressed, both units will be bypassed (i.e., fixed at unity gain).

The LED above the SLAVE button turns On when the 160A is in Slave mode, indicating that the front panel functions
(with the exception of BYPASS and LEVEL display) are deactivated and under control of the Master 160A.

THRESHOLD Control:

Adjust this knob to set the threshold of compression -40dBu (7.8mVRMS) to +20dBu (7.8VRMS).

OverEasy Button:

Depress this button to select the OverEasy¨ compression characteristic. The amber THRESHOLD LED turns On when
the signal is in the OverEasy region. When this button is out, the 160A operates as a hard knee compressor/limiter.

In Hard Knee mode, the threshold of compression is defined as that point above which the output level no longer
changes on a 1:1 basis with changes in the input level. See Figure 1.

In OverEasy mode, the threshold of compression is defined as the middle of the OverEasy threshold region, that is,
Òhalf-wayÓ into compression, as shown in Figure 2.

THRESHOLD LEDs:

These three LEDs indicate the relationship of the input signal level to the threshold of compression. The green
ÒBELOWÓ LED is On when the signal is below threshold and the red ÒABOVEÓ LED is On when the signal is above
threshold. When the 160A is switched to OverEasy mode, the amber LED is On when the signal is in the OverEasy
region (See Figure 2).

COMPRESSION RATIO Control:

Rotate this control clockwise to increase the amount of compression from 1:1 (no compression) up to infinity:1 (no
increase in output level, regardless of input level increases above threshold); further clockwise rotation increases com-
pression into the I region, up to a maximum of 1:1 (i.e., a 1dB increase in input level above threshold causes
a 1dB decrease in output level). In the I region, the 160A inverts the program dynamics for special effects.

dbx 160A  COMPRESSOR / LIMITER

3

1 6 0 A

C O M P R E S S O R / L I M I T E R

LEVEL

INPUT

OUTPUT

BYPASS

SLAVE

OVEREASY

THRESHOLD

COMPRESSION

RATIO

OUTPUT

GAIN

DISPLAY

+20dBu

+10

0

-40dBu

-1:1

-2:1

-5:1

10:1

6:1

4:1

1:1

+20dB

+10

0

-20dB

-10

2:1

3:1

-30

-20

-10

BELOW

ABOVE

-40

30

20

15

10

8

6

5

4

3

2

1

0

1

2

4

6

10

20+

GAIN REDUCTION

:1

Summary of Contents for 160A

Page 1: ...A Harman International Company MODEL 160A C OM P R ES SOR LI M I TER...

Page 2: ...t or in the system to which it is connected can result in full line voltage between chassis and earth ground Severe injury or death can then result if the chassis and earth ground are touched simultan...

Page 3: ...ON 2 INTRODUCTION 2 APPLICATIONS 3 OPERATING CONTROLS 3 OPERATING NOTES 5 CONNECTING THE 160A TO YOUR SYSTEM 10 INSTALLATION CONSIDERATIONS 12 TECHNICAL SUPPORT FACTORY SERVICE 13 WARRANTY 13 SPECIFIC...

Page 4: ...0 161 or 162 unit True Power Summing When two 160A units are slaved together the RMS energy of the signal presented to the slave unit is summed with the RMS energy of the signal presented to the maste...

Page 5: ...cating that the front panel functions with the exception of BYPASS and LEVEL display are deactivated and under control of the Master 160A THRESHOLD Control Adjust this knob to set the threshold of com...

Page 6: ...OUTPUT to be either balanced with respect to ground or single ended to ground unbalanced with very little difference less than 0 5dB in output level For proper unbalanced operation the unused pin eit...

Page 7: ...his level will pass through the 160A unprocessed except for fixed gain changes directed by the OUT PUT GAIN control See Figure 1 Page 4 In OverEasy Mode OVEREASY button depressed signals begin to grad...

Page 8: ...OLD control for 10dB to 12dB of gain reduction Compression lessens the loudness variations among the strings and increases the bass inherent sustain Other instruments such as horns vary in loudness de...

Page 9: ...hic Equalizer or a vocal effects device e g reverb delay distortion can be added to further toughen the performance It is also possible to separate certain vocals or instruments from a mono program al...

Page 10: ...ne amplifier adjust the COMPRESSION RATIO control fully counterclockwise 1 1 position THRESHOLD fully clockwise 20 and OUTPUT GAIN to whatever setting is required for the application Remember excessiv...

Page 11: ...n equalizer in the detector path to the 160A it can be made more sensitive to frequencies in the range handled by the sensitive drivers The system can then be run at higher lev els and will only be dr...

Page 12: ...not necessarily constitute a stereo program A stereo program is one where the two channels are recorded and or mixed to create the illusion of a single unified panorama of sound The stability of the...

Page 13: ...t the track s output level using the 160A s OUTPUT GAIN control or the mixer s volume fader the latter here is great for track fade outs If the 160A is post fader i e the 160A is connect ed to mixer i...

Page 14: ...e jacks The 160A can be used with either balanced or unbalanced sources and outputs can be used with either balanced or unbalanced loads provided you use proper cabling A balanced line is defined as t...

Page 15: ...portation charges to the factory dbx will pay return shipping if the unit is still under warranty Shipping Instructions Use the original packing material if it is available Mark the package with the n...

Page 16: ...ge Variable from 20dB to 20dB Threshold Range 40dBu to 20dBu Threshold Characteristic Selectable OverEasy or Hard Knee Compression Ratio Variable 1 1 to 1 thru to 1 1 60dB Maximum Compression Attack T...

Page 17: ...NOTES dbx 160A COMPRESSOR LIMITER 15...

Page 18: ...NOTES 16 PROFESSIONAL PRODUCTS dbx 160A COMPRESSOR LIMITER...

Page 19: ......

Page 20: ...Utah 84070 Phone 801 568 7660 Fax 801 568 7662 Int l Fax 219 462 4596 Questions or comments E mail us at customer dbxpro com or visit our World Wide Web home page at www dbxpro com 18 2040 C 7 98 A H...

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