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CONNECTING THE 160A TO YOUR SYSTEM

Basic Connection

The 160A has balanced inputs and outputs, and can be used with any line-level device. Some common examples include:
mixing consoles, musical instruments, patch bays and other signal processors. For more specific cabling information, refer
to Installation Considerations, page 12.
For all connections, refer to the following steps:

1.  Turn Off all equipment before making any connections.
2.  Mount the 160A in a 1U rack space (optional).

The 160A requires one rack space (height) and 1 rack space (width). It can be mounted above or below anything that
doesn't generate heat, since it requires no special ventilation. Ambient temperatures should not exceed 95¡F (35¡C)
when equipment is powered.

Note: Avoid over-tightening of rackmounting screws as this could damage the front panel.
Caution: Never remove the cover. There are no user-serviceable parts inside, and you run the risk of an electric shock.

3.  Make connections via XLR or 1/4Ó  TRS jacks according to your requirements.

Typical patch points include: a mixer's channel or subgroup inserts when using the 160A on individual instruments or
tracks; the mixer's main outputs or bus inserts when mixing; an instrument preamp's effects loop when using the 160A
for guitar or bass; main outs of a submixer (e.g., keyboard mixer) as the signal is sent to main mixer; between a DAT's
output and an analog cassette input. When using a chain of processors, the 160A may be placed either before or after
effects or dynamic processors. However, if you are using the 160A for speaker protection, the compressor should be as
close to the amplifier as possible in the signal chain. We recommend you use common sense and experiment with dif-
ferent setups to see which one provides the best results for your needs.

4.  Power On the unit: Securely connect the AC power cord to the unit and mains power.

Note: Check the line voltage. The unit is shipped for 115V or 230V, 50 or 60Hz operation. Refer to the unit's rear panel to verify your unit's precise line volt-
age.

Multi-Channel (Stereo) Connections

Two channels of program material do not necessarily constitute a stereo program. A stereo program is one where the two
channels are recorded and/or mixed to create the illusion of a single unified ÒpanoramaÓ of sound. The stability of the psy-
choacoustic ÒimageÓ of each sound source within the stereo program depends upon its ability to maintain a specific phase
and amplitude relationship from left to right channel.

If two independent compressors are used to process the stereo program, a loud sound occurring in one channel will cause
the image to shift to the opposite side. This can be avoided by linking the two compressors in such a way that both chan-
nels receive the same amount of compression. 

Stereo operation between two 160As can be accomplished by first ÒstrappingÓ the two unit's together, i.e., by connecting
the rear panel STEREO STRAPPING jacks of each unit with a 1/4Ó TRS phone cable. Then, designate one of the two units
to be a ÒMasterÓ (SLAVE button Out) and switch the other unit to ÒSlaveÓ mode (SLAVE button In, SLAVE LED On).

The Master 160A will now respond to the combined inputs of the 160As. The Master's controls will adjust the amount and
nature of the compression and the Slave will track accurately to preserve proper stereo imaging.

Note: Remove the strapping cable if you want to use two 160As independently. When the SLAVE buttons on two strapped units are not depressed, the
160As do not operate independently because the “ring” of the strapping cable still sums the audio of each unit. The strapping cable must be removed for
proper single-channel operation. If both SLAVE buttons are depressed, both units will be bypassed (i.e., fixed at unity gain).

Note: A 160A unit cannot be strapped with a dbx 160XT, 160X, 160, 161 or 162 unit.

10

®

PROFESSIONAL PRODUCTS

dbx 160A  COMPRESSOR / LIMITER 

15 WATTS

100V      50/60Hz

120V      60Hz

MANUFACTURED UNDER ONE OR MORE OF THE FOLLOWING U.S. PATENTS 4,234,804 4,316,107 4,329,598 4,331,931 4,377,792 4,403,199 4,409,500 4,425,551 4,434,380 4,454,433 4,471,324 4,473,793 OTHER PATENTS PENDING

PHONE:
TIP
SLEEVE

PHONE:
TIP
RING
SLEEVE

XLR:
PIN 1
PIN 2
PIN 3

INPUTS

OUTPUTS

DETECTOR

INPUT

STEREO

STRAPPING

TRS 160A ONLY

METER

CALIBRATION

UNBALANCED

BAL / UNBAL

XLR

GND
LIFT

LIFT

A HARMAN INTERNATIONAL
COMPANY
SALT LAKE  CITY, UTAH
MADE IN USA
MODEL 160A
COMPRESSOR/LIMITER

BALANCED

BALANCED

Summary of Contents for 160A

Page 1: ...A Harman International Company MODEL 160A C OM P R ES SOR LI M I TER...

Page 2: ...t or in the system to which it is connected can result in full line voltage between chassis and earth ground Severe injury or death can then result if the chassis and earth ground are touched simultan...

Page 3: ...ON 2 INTRODUCTION 2 APPLICATIONS 3 OPERATING CONTROLS 3 OPERATING NOTES 5 CONNECTING THE 160A TO YOUR SYSTEM 10 INSTALLATION CONSIDERATIONS 12 TECHNICAL SUPPORT FACTORY SERVICE 13 WARRANTY 13 SPECIFIC...

Page 4: ...0 161 or 162 unit True Power Summing When two 160A units are slaved together the RMS energy of the signal presented to the slave unit is summed with the RMS energy of the signal presented to the maste...

Page 5: ...cating that the front panel functions with the exception of BYPASS and LEVEL display are deactivated and under control of the Master 160A THRESHOLD Control Adjust this knob to set the threshold of com...

Page 6: ...OUTPUT to be either balanced with respect to ground or single ended to ground unbalanced with very little difference less than 0 5dB in output level For proper unbalanced operation the unused pin eit...

Page 7: ...his level will pass through the 160A unprocessed except for fixed gain changes directed by the OUT PUT GAIN control See Figure 1 Page 4 In OverEasy Mode OVEREASY button depressed signals begin to grad...

Page 8: ...OLD control for 10dB to 12dB of gain reduction Compression lessens the loudness variations among the strings and increases the bass inherent sustain Other instruments such as horns vary in loudness de...

Page 9: ...hic Equalizer or a vocal effects device e g reverb delay distortion can be added to further toughen the performance It is also possible to separate certain vocals or instruments from a mono program al...

Page 10: ...ne amplifier adjust the COMPRESSION RATIO control fully counterclockwise 1 1 position THRESHOLD fully clockwise 20 and OUTPUT GAIN to whatever setting is required for the application Remember excessiv...

Page 11: ...n equalizer in the detector path to the 160A it can be made more sensitive to frequencies in the range handled by the sensitive drivers The system can then be run at higher lev els and will only be dr...

Page 12: ...not necessarily constitute a stereo program A stereo program is one where the two channels are recorded and or mixed to create the illusion of a single unified panorama of sound The stability of the...

Page 13: ...t the track s output level using the 160A s OUTPUT GAIN control or the mixer s volume fader the latter here is great for track fade outs If the 160A is post fader i e the 160A is connect ed to mixer i...

Page 14: ...e jacks The 160A can be used with either balanced or unbalanced sources and outputs can be used with either balanced or unbalanced loads provided you use proper cabling A balanced line is defined as t...

Page 15: ...portation charges to the factory dbx will pay return shipping if the unit is still under warranty Shipping Instructions Use the original packing material if it is available Mark the package with the n...

Page 16: ...ge Variable from 20dB to 20dB Threshold Range 40dBu to 20dBu Threshold Characteristic Selectable OverEasy or Hard Knee Compression Ratio Variable 1 1 to 1 thru to 1 1 60dB Maximum Compression Attack T...

Page 17: ...NOTES dbx 160A COMPRESSOR LIMITER 15...

Page 18: ...NOTES 16 PROFESSIONAL PRODUCTS dbx 160A COMPRESSOR LIMITER...

Page 19: ......

Page 20: ...Utah 84070 Phone 801 568 7660 Fax 801 568 7662 Int l Fax 219 462 4596 Questions or comments E mail us at customer dbxpro com or visit our World Wide Web home page at www dbxpro com 18 2040 C 7 98 A H...

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