4. HIGH FREQUENCY LEVEL CONTROLS
[HIGH FREQUENCY LEVEL CONTROLS PICTURED ABOVE]
Feature:
Individual Left and Right or M and S Controls in the MASTERING version.
Benefit:
Identical to the low frequency level controls, discrete left and right controls allow for the
correction of any stereo low frequency imbalance in .5 dB steps. Left channel need a hint more
than the right? Pull it up a half dB or so as needed.
Benefit:
Leverage the BAX for M/S stereo tracking or mixing. Adjust the high frequencies in the M/S
stereo field (M/S mode).
Feature:
Stepped attenuators.
Benefit:
Stepped knobs provide for the repetition of previous settings with deadly accuracy. Producer
requesting a touch more air? Return to your prior settings and add judiciously as required.
5. HIGH FREQUENCY SHELF
[HIGH FREQUENCY SHELF KNOB PICTURED ABOVE]
Feature:
Broad bandwidth shelving EQ that affects several octaves.
Benefit:
Unlike a surgical or chainsaw EQ that targets problems like string buzz, but often comes with
an audio sacrifice, the BAX EQ is shapely, sweet with minimized phase delay for subtle, sexy
sonic sculpting.
Tip:
The frequencies noted on the faceplate reside in the middle of this slope, thus corresponding
with the most audible band. The highest frequency shoulder is approximately twice the listed
frequency (where the cut/boost is exactly 5dB). So for example, when modifying 1.6kHz, a
5dB boost occurs at 3.2kHz.
Summary of Contents for BAX EQ
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