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Dangerous Music, Inc.

154 East 2

nd

 Street #4

New York, NY  10009

www.dangerousmusic.com

Dangerous MQ Manual1c.doc

7/9

©2004 Dangerous Music, Inc.

allows signals to go up to +22dBu. In mastering, it is important to be able to modulate the
A/D to full scale without slew rate distortion so the maximum level has migrated to
+18dBu in many mastering houses. We put a switch on the back of 

MQ 

so that either

system could be accommodated without overloading (pinning) the meters. Mastering
compressed material may require the offset even with the maximum system level set to
+18dBu.

Talkback Dim

: There are individual jumpers on the headphone amplifiers that enable the

“cue dim on talkback activation” function. The jumpers can be lifted to provide what is
known as “conductor’s talkback” where communication with the artist happens without
dimming the music feed.

Input shield lifts/chassis isolation

: These jumpers can correct a buzz or hum problem

with unbalanced sources that don’t have a ground reference by connecting the audio
ground to the input cable shield. If a buzz is encountered with an individual input, change
the jumper setting of that input. This will almost always clear up the problem. The
chassis lift jumper is provided if MQ is bolted in a rack with electrically noisy devices
(light dimmer packs for instance) that cause interference. It is not recommended to lift the
ground on AC plugs of equipment to cure ground buzzes. An in depth treatise of this
subject is available in the Monitor manual at dangerousmusic.com.

This is a view of the MQ main board, connectors towards the reader.

Summary of Contents for MQ

Page 1: ...mix level awareness as well as an easy to use dual stereo cue system complete with headphone amplifiers and talkback communications The Metering section has a pair of Sifam Clarity Focus VU movements...

Page 2: ...ook like beauty to a technician or equipment designer If the front panel is hot it is roasting inside the box 3 Avoid areas of high magnetic fields The steel chassis of MQ is designed to shield the ci...

Page 3: ...our MQ 1 The first connector is for the power supply It is good engineering practice to make all the other connections to MQ before applying power 2 The next six connectors are audio inputs that feed...

Page 4: ...Monitor It is easy to incorporate the MQ into other systems by buying or making the appropriate cables using the information on the Connector Pinouts page 8 MQ front panel The cue mixer section is ne...

Page 5: ...to a singer and turn down the bass for instance by assigning the bass to one of the mono inputs pushing the phase switch and adjusting the level control to cancel some of the bass signal in the main m...

Page 6: ...the benefit of the 6VU button on the Monitor The factory calibration for this offset is 4dB to accommodate the two most popular 0VU settings 14dBfs for mastering 4dBu and 14dBfs for recording 8dBu Th...

Page 7: ...The jumpers can be lifted to provide what is known as conductor s talkback where communication with the artist happens without dimming the music feed Input shield lifts chassis isolation These jumper...

Page 8: ...amps 5 15v 9 amps Talkback Remote 1 cable shield 2 relay coil 3 relay common connect pins 2 and 3 to operate the talkback function Slate Out 1 cable shield 2 audio 3 audio Cue Amp Outputs 1 audio com...

Page 9: ...two years from date of purchase when the warranty card is sent back to Dangerous Music Inc before the first period is over Damage caused by improper shipping unauthorized repairs or modifications wil...

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