14
Feedback on
This function connects the synthesizer’s out-
put to the external input. You can use the
external input amplifier to distort incoming
signals. External Input Volume controls the
amount of feedback or distortion.
Bear in Mind that an external signal source
cannot be used in this modus.
Noise Volume
Here, you can adjust the noise’s volume. If
noise acts as a modulation source, volume
adjustment will not affect the intensity of the
modulation. In this case the modulation si-
gnal will be taken as is before going through
this section.
Noise White/Pink
You can choose the type of noise. Your choice will affect modulati-
on if noise is used as a modulation source. White noise is constant
noise throughout the whole frequency spectrum where as Pink
noise is noise only using frequencies the human ear can perceive.
MODIFIERS
In this section, filters and amplifiers modify the signal. Both filter
and amplifier each have an envelope with attack, decay and sus-
tain. A switch in the controllers section sets Release to the Decay
Time.
Filter
The filter together with the envelopes define the way the sound
progresses. The filter is a 24db/Octave Low pass filter. Frequen-
cies under the cutoff frequency remain unchanged, reason for the
term Low pass. There is a 24db/Octave reduction for frequencies
over the cutoff frequency. With use of DSP-oversampling the filter
remains free of aliasing.
