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8

LS4

24dB/Octave Active Stereo Crossover

How to Use the Crossover (con’t):

With a Subwoofer (con’t):

Now you are ready to adjust the output levels. The easiest way to balance your system is to look at the manufactur-
er’s specifications of your speaker enclosures. Most manufacturers will give a sensitivity spec in terms of one watt
input power at a distance of one meter. For example, if your subwoofer has a sensitivity of 95dB 1W/1m and your
upper range enclosure has a sensitivity of 100dB 1W/1m, then the difference in acoustic output between the two
speakers is 5dB. With your LS4, you can accurately adjust the High Out control down 5dB less than the Low Out
control to compensate for this difference, provided the outputs from the power amps are the same. 

Another way to balance your system is to use a pink noise source. This source may be obtained from a test CD.
Position an SPL meter at the center axis of your system at a distance of about 10 feet (refer to the illustration below)
and follow these steps:

• Make sure that all equalization in your system is either set flat or bypassed. 

• Set the Input level of the LS4 at “10” and the Outputs all the way down.

• Turn up the low output level to “0dB” and measure the average SPL on your meter. Record the measurement.

• Turn the Low Out level of the LS4 back down again.

• Turn the High Out level up until the meter reads the same level as the subwoofer. 

Of course, this will only get the two speakers close to an electrical balance and more equalization will be required
to achieve the best sound and balance.

A more accurate balance can be achieved by using a Real-Time Analyzer. The set up is basically the same as
shown above, but both speakers can be measured in real time. With the pink noise source on, adjust the Low and
High Out levels until they appear balanced on the analyzer screen. Once the levels are balanced you are then
ready to continue equalization of the system.

Summary of Contents for Live Sound LS4

Page 1: ...User s Guide for the LS4 24dB Octave Active Stereo Crossover In order to achieve the highest level of performance from your crossover please read this owners guide prior to its use Thank You from...

Page 2: ...nced or unbalanced inputs All of the outputs are 1 4 TRS jacks and can also be used either balanced or unbalanced CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOC...

Page 3: ...encies and 17 sets the crossover point between the mid and high frequencies 7 18 X1 X10 This switch determines the range of the Frequency controls 6 17 When this switch is depressed the crossover freq...

Page 4: ...mode 25 sends the Channel 2 low frequency signal to the channel 2 low frequency amplifier and 29 sends the Channel 1 low frequency signal to the channel 1 low frequency amplifier Mono mode 25 is not...

Page 5: ...below illustrates the effect these switches have on frequency response The Low Cut and High Cut Switches The Low Cut switch 3 14 provides a 6dB octave cut in the amplitude of signals below 40Hz to el...

Page 6: ...he basic connections are illus trated below Connect the line level output of your source mixer preamp etc to the CHANNEL ONE BALANCED INPUT of the LS4 A Connect the LS4 s CHANNEL ONE LOW OUT to the in...

Page 7: ...the location of the two speaker cabinets the subwoofer and the upper range cabinet If the two cabinets are in close proximity to each other and the front faces are aligned a relatively high crossover...

Page 8: ...test CD Position an SPL meter at the center axis of your system at a distance of about 10 feet refer to the illustration below and follow these steps Make sure that all equalization in your system is...

Page 9: ...ers will list the lowest recommended crossover frequency accompanied by the maximum power the unit will handle with different horn types A good rule of thumb is to stay above the recommended frequency...

Page 10: ...s very important Check your speaker manufacturer s specifications for the sen sitivity of each driver and balance the system as described on page 8 using pink noise and or a Real Time Analyzer in conj...

Page 11: ...amp etc to the BALANCED INPUT MONO MODE of the LS4 A Connect the LS4 s LOW OUT MONO MODE to the input jack of the amplifier which will be used to power the low frequency driver B Connect the LS4 s MID...

Page 12: ...z Riley state variable filters Control Range 50 1kHz X1 500 10kHz X10 3 Way Mono Mode Operation Internally Wired Input Impedance10k ohms Input Connections Balanced XLR 1 4 T R S Output Impedance 2 2k...

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