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LS4

24dB/Octave Active Stereo Crossover

Congratulations

on the purchase of your new Crate Pro Audio LS4 Crossover. This outstanding device

has been designed with the audio professional in mind, providing the degree of accuracy and level of qual-
ity you demand. Its straight-forward design and simple operation make it easy to use by novices as well.
This owner’s guide is designed to acquaint you with the workings of the crossover and how it may be used
in your sound system and should be read through before using the unit.

Introduction:

Crate’s new LS4 is a rugged multi-purpose active crossover housed in a standard 19” single space rack
enclosure. It features pushbutton selectable two-way stereo or three-way mono operation. All inputs and
outputs are balanced for low noise operation. Each channel features parallel inputs for “daisy-chaining” two
or more units together.

The new LS4 features two Linkwitz-Riley state variable filters that include 24dB/octave slopes and a low “Q”
design for minimal ringing. Each output is in phase at the crossover point, which eliminates the need for
polarity reversal between components. The LS4 also features a 40Hz low cut filter for subsonic filtering and
a 15kHz high cut filter for reduction of hiss. The output level controls  provide 6dB boost at full rotation for
weak input signals. The crossover frequency is continuously variable with between 50Hz and 1kHz or
500Hz and 10kHz. The CD Horn Equalizer switch is a special feature. This switch, when engaged, provides
a boost in the higher frequencies to compensate for the high frequency deficiencies in Constant-Directivity
horns. The inputs are both XLR and 1/4” TRS and can be used as either balanced or unbalanced inputs. All
of the outputs are 1/4” TRS jacks and can also be used either balanced or unbalanced. 

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER.

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

ATTENTION

RISQUE D'ELECTROCUTION

NE PAS OUVRIR

ATTENTION: POUR REDUIRE D'ELECTROCUTION NE PAS

ENLEVER LE COUVERCLE. AUCUNE PIECE INTERNE N'EST REPRABLE

PAR L'UTILISATEUR. POUR TOUTE REPARATION, S'ADRESSER A UN

TECHNICIEN QUALIFIE.

VORSICHT

ELEKTRISCHE SCHLAGGEFAHR

NICHT OFFENEN

VORSICHT: ZUR MINIMIERUNG ELEKTRISCHER SCHLAGGEFAHR NICHT

DEN DECKEL ABENHMEN. INTERNE TEILE KONNEN NICHT VOM

BENUTZER GEWARTET WERDEN. DIE WARTUNG IS QUALIFIZIERTEM

WARTUNGSPERSONAL ZU UBERLASSEN.

THIS EQUIPMENT HAS BEEN DESIGNED AND ENGINEERED TO PROVIDE SAFE AND RELIABLE OPERATION. IN ORDER TO PROLONG THE
LIFE OF THE UNIT AND PREVENT ACCIDENTAL DAMAGES OR INJURY, PLEASE FOLLOW THESE PRECAUTIONARY GUIDELINES:

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT OPEN CHASSIS; DO NOT DEFEAT OR REMOVE THE GROUND PIN OF THE
POWER CORD; CONNECT ONLY TO A PROPERLY GROUNDED AC POWER OUTLET.

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.

CAUTION: NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"
"REFERREZ-VOUS AU MANUAL D'UTILISATION"
"UNBEDINGT IN DER BEDIENUNGSANLEITUNG NACHSCHLAGEN"

EXPLANATION OF
GRAPHICAL SYMBOLS:

"DANGEROUS VOLTAGE"
"DANGER HAUTE TENSION"
"GEFAHLICHE SPANNUNG"

=

=

Table of Contents:

Introduction ..................................................................................2
The Front Panel.............................................................................3
The Rear Panel..............................................................................4
The Low Cut and High Cut Switches ............................................5
The X1/X10 Switch .......................................................................5
The CD Horn EQ Switch...............................................................6
How to Use the Crossover:

With a Subwoofer .............................................................6
For Bi-Amping in a Single Enclosure .................................9
For Tri-Amping ................................................................11
Technical Specifications .....................................back cover

Summary of Contents for Live Sound LS4

Page 1: ...User s Guide for the LS4 24dB Octave Active Stereo Crossover In order to achieve the highest level of performance from your crossover please read this owners guide prior to its use Thank You from...

Page 2: ...nced or unbalanced inputs All of the outputs are 1 4 TRS jacks and can also be used either balanced or unbalanced CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION TO REDUCE THE RISK OF ELECTRIC SHOC...

Page 3: ...encies and 17 sets the crossover point between the mid and high frequencies 7 18 X1 X10 This switch determines the range of the Frequency controls 6 17 When this switch is depressed the crossover freq...

Page 4: ...mode 25 sends the Channel 2 low frequency signal to the channel 2 low frequency amplifier and 29 sends the Channel 1 low frequency signal to the channel 1 low frequency amplifier Mono mode 25 is not...

Page 5: ...below illustrates the effect these switches have on frequency response The Low Cut and High Cut Switches The Low Cut switch 3 14 provides a 6dB octave cut in the amplitude of signals below 40Hz to el...

Page 6: ...he basic connections are illus trated below Connect the line level output of your source mixer preamp etc to the CHANNEL ONE BALANCED INPUT of the LS4 A Connect the LS4 s CHANNEL ONE LOW OUT to the in...

Page 7: ...the location of the two speaker cabinets the subwoofer and the upper range cabinet If the two cabinets are in close proximity to each other and the front faces are aligned a relatively high crossover...

Page 8: ...test CD Position an SPL meter at the center axis of your system at a distance of about 10 feet refer to the illustration below and follow these steps Make sure that all equalization in your system is...

Page 9: ...ers will list the lowest recommended crossover frequency accompanied by the maximum power the unit will handle with different horn types A good rule of thumb is to stay above the recommended frequency...

Page 10: ...s very important Check your speaker manufacturer s specifications for the sen sitivity of each driver and balance the system as described on page 8 using pink noise and or a Real Time Analyzer in conj...

Page 11: ...amp etc to the BALANCED INPUT MONO MODE of the LS4 A Connect the LS4 s LOW OUT MONO MODE to the input jack of the amplifier which will be used to power the low frequency driver B Connect the LS4 s MID...

Page 12: ...z Riley state variable filters Control Range 50 1kHz X1 500 10kHz X10 3 Way Mono Mode Operation Internally Wired Input Impedance10k ohms Input Connections Balanced XLR 1 4 T R S Output Impedance 2 2k...

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