Cosmotronic VPRTEX User Manual Download Page 11

PHASE MODULATION

The phase modulation in VORTEX is actually a part of the circuit that also takes care of the wavefolding
and waveshaping. It’s capable of phase modulation by taking the SAW wave and adding a DC offset.
It’s only true phase modulation when using the SAW from VCO1 shaped into a SINE wave*. For the
other waves (SAW, TRAPEZOID and SINE) it is psuedo phase modulation. Interesting timbres can be
achieved by both types of phase modulation with the added benefit of providing a more stable
perceivable pitch than for example exponential FM.

Phase modulation is a kind of modulation that doesn’t affect the core pitch of the oscillator. It merely
shifts the waves on the horizontal axis creating a kind of Doppler-effect. At slower MOD rates this
sounds like a vibrato but the perceived pitch change is a result of the compression and stretching of
the waves, just like when a firetruck passes by. The phase modulation doesn’t affect the TRIANGLE
core of VCO1 and therefore has also no influence on the SINE and SQUARE outputs that are derived
from the core and are used for syncing or modulating VCO2.

The offset used in the circuit is provided by the SINE of VCO2 (when nothing is patched into the MOD
input) and attenuated by the PHASE MOD slider which further controls the DEPTH of the phase
modulation. It’s possible to break the normalization by patching a signal into the MOD input. This input
accepts bipolar signals.

It’s also possible to modulate the DEPTH with the SINE from VCO2

(normalized). The knob is an attenuator for this modulation. You can override this normalization by
patching a signal into the DEPTH input. This input accepts bipolar signals and the knob is an attenuator
for this external modulation.

The range of pseudo phase modulation is +720° for MOD signals around 2.5V and -540° for MOD
signals around -2.5V (with the signal completely unattenuated i.e. with the PHASE MOD slider in the
top position). Anything beyond -2.5V to 2.5 V results in silence. The internal normalized modulator
(SINE of VCO2) is therefore capable of surpassing the audible phase modulation range but by using
the PHASE MOD slider it’s possible to attenuate the signal so it stays within the audible range.

Maximum DEPTH modulation is achieved (with the PHASE MOD slider set-up in such a way that the
phase modulation stays in the audible range i.e. somewhere in the middle or a little bit higher) from
-5V to 5V but this is greatly dependent on the MOD source and PHASE MOD slider settings. It’s
possible to send higher voltages into the DEPTH input to exceed the range capable with the internal
DEPTH modulation but this might result in silence (as explained in the previous paragraph).

* It’s possible to do true phase modulation by folding the SAW into a SINE and filtering

out the glitch in the wave. The max. range of this phase modulation is ± 360°

VORTEX / Complex Oscillator

10

Summary of Contents for VPRTEX

Page 1: ......

Page 2: ...lot of timbral shaping options useful normalizations CV inputs for every parameter and attenuators to control the amounts of both internal and external modulation Contents of the box width 26HP VORTEX...

Page 3: ...odule In doubt do not connect the module to your system MAKE SURE YOU TURN OFF THE POWER TO YOUR SYSTEM BEFORE CONNECTING VORTEX The white line on the back of VORTEX next to the 10 pin header indicate...

Page 4: ...ts bipolar signals and the knob is an attenuator for this signal You can use any signal as the modulator by patching it into the MOD input This input is also normalized to the SINE of VCO2 SHAPE VCO1...

Page 5: ...ing ring modulated You can patch any signal into the MOD input jack it s normalized to the SINE of VCO1 You can further modulate the amount of ring modulation using a signal patched into the DEPTH inp...

Page 6: ...UARE OUTPUT This output is affected by the sync settings and FM VCO2 SQUARE OUTPUT This output is affected by the sync settings and FM VCO2 SINE OUTPUT This output is affected by the waveshaper ring m...

Page 7: ...he internal normalization V OCT inputs By patching a CV signal into either V OCT input it s possible to control the pitch of VCO1 and VCO2 seperately offsetted by the positions of the coarse and fine...

Page 8: ...is normalized to the FM inputs FM INPUTS You can patch any bipolar signal into the FM INDEX inputs The left input controls de global amount of FM for VCO1 the right input controls the global amount of...

Page 9: ...t s possible to modulate the SHAPE parameter using the SINE of VCO2 normalized The knob is an attenuator for this modulation You can override the normalization by patching a signal into the SHAPE inpu...

Page 10: ...You can override this normalization by patching a signal into the FOLD input This input accepts bipolar signals and the knob is an attenuator for this external modulation Maximum modulation is achieve...

Page 11: ...k the normalization by patching a signal into the MOD input This input accepts bipolar signals It s also possible to modulate the DEPTH with the SINE from VCO2 normalized The knob is an attenuator for...

Page 12: ...ll be capable of opening and closing the filter completely Although this filter has a really basic feature set it provides for plenty of additional timbral shaping of whatever is coming out of the MAI...

Page 13: ...e clean waveshapes are available at the dedicated SINE output next to the MAIN output as this output bypasses both the WAVEFOLDER and the LOW PASS FILTER It s possible to modulate the SHAPE parameter...

Page 14: ...ring modulation With the slider in the most upper position full range ringmodulation without amplitude loss or gain is achieved with signals from 5V to 5V You can however send 10V to 10V signals into...

Page 15: ...into the FOLD input This input accepts biploar signals The knob is an attenuator for this external modulation With the slider in the down position the maximum wavefolding is achieved with 5V Sending...

Page 16: ...e 20 Soft sync has a different sonic quality and is able to produce some octave switching effects when changing the relative pitch of the master and slave oscillators Using SYNC can be a method to mak...

Page 17: ...C indicated by the soft synced triangle icon This switch also works when using external SYNC signals SYNC INPUTS The SYNC inputs for VCO1 and VCO2 make it possible to SYNC either or both oscillators t...

Page 18: ...INDEX the resulting sound will lose it s clear pitch though Both VCO1 and VCO2 have a knob for setting the maximum amount of TZFM labeled THRU ZERO The big knob in the center labeled FM INDEX controls...

Page 19: ...ly 3 o clock This can be used to act as a quick and dirty way to transpose any pitch sequence patched into the regular V Oct inputs FM INDEX The big knob in the center of VORTEX controls the global am...

Page 20: ...itude modulation greatly resembles ring modulation but on top of the sidebands the pitch of the carrier is also present at the output This is the main difference between AM and RM PULSE WIDTH ANIMATIO...

Page 21: ...O1 or vice versa Don t forget to audition all the outputs to hear what the effects are There s really no limit to this Experimentation is the key to unlocking many exotic waveforms and interesting tim...

Page 22: ...ADDENDUM VCO1 FLOWCHART VCO2 FLOWCHART FM BUS FLOWCHART VORTEX Complex Oscillator 21...

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