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Z4-8

MK3

 Installation and User Guide v1.2

13

Standard two-core screened audio cable may be used for 
the audio signal, and stranded multicore cable with an overall 
screen for the control cable. The number of cores required in 
the latter will be determined by the model of PM microphone 
being used and whether the mixer is a Z4

MK3

 or Z8

MK3

however, note that one additional core will be required if the 
PM Series microphone is to be powered from the Zone Mixer. 
(Note that SA versions of PM Series microphones cannot be 
powered by the Z4MK3 or Z8MK3, and need an external 

PSU).

Connections on the PM microphone are made via the rear 
cable access glands and screw terminal blocks on the internal 

PCB (TERM1, TERM4 and TERM8 in this case). Full connection 

details and notes on power supply considerations can be 
found in the PM Series Installation and User Guide.
The diagram below shows both the cable connections 
between a PM8 and a Z8

MK3

.

 Note that the DC power 

supply connection will not be required if the PM microphone 
is powered by a local PSU.

TERM8

TERM2

TERM1

HOT COLD GND

Z1

Z2

Z3

Z4

Z5

Z6

Z7

Z8

Z1

Z2

Z3

Z4

Z5

Z6

Z7

Z8

Z1

Z2

Z3

Z4

Z5

Z6

Z7

Z8

Z1

Z2

Z3

Z4

Z5

Z6

Z7

Z8

0 V

+ V

PAGING MIC INPUT

ZONE ACCESS

HOT COLD GND

0 V

+ V

PM8 PAGING MICROPHONE

Z8

MK3

 MIXER

This connection only required if 

the PM Series microphone is to 
be powered  from the mixer 

For individual zone paging as described above, the paging mic 
priority trigger should be selected to ‘SW’ by moving J5 on 
each zone sub-board. See page 16 for further information.

Connecting a PM1 paging mic

The PM 1 is a simple, passive paging microphone suitable for 
situations where announcements are always made to the 

same zone(s). It can be connected directly to Z8

MK3

/Z4

MK3

 

zone mixers, the control cable being wired to the pin(s) of 
the Zone Access port corresponding to the zone(s) in which 

announcements are required. Any or all of the zones may be 

paralleled if multiple zones need to operate from the PM1. 
An alternative method for achieving paging to all zones is to 
ignore the control cable altogether and set the paging priority 
trigger for all zones to VOX. By doing so, it is the presence of 
an audio signal from the mic itself that triggers the priority 
circuitry. However, if this method is to be employed, the 
mating multipin connector must be left plugged into the 
PAGING ACCESS control port, with the pins corresponding 
to all the zones that the PM1 is to address connected to 0 V. 
See page 16 for further information.
Either a single 2-pair individually-screened cable may be 

used (this gives the neatest finish), or two separate standard 

microphone cables. 

 

Full connection details can be found in 

the PM1 Installation and User Guide. Note that the PM1 does 
not require DC power.
Connections on the PM1 are made via the rear cable gland in 
the base and the screw terminal blocks on the internal PCB 

(U2 and U3). Full connection details can be found in the PM1 

Installation and User Guide.
The diagram below shows the connections between a PM1 
and a Z8

MK3

. Use of 2-pair cable is assumed; the same wiring 

principle is adopted if separate cables are being used for audio 
and control.

U2 AUDIO

U3 ACCESS

GND

N/C

N/O

HOT

COLD

SCN

Z1

Z2

Z3

Z4

0 V

Z5

Z6

Z7

Z8

+ V

PAGING MIC INPUT

ZONE ACCESS CONNECTOR

CONNECT TO

ZONE(S) IN USE

Z8

MK3

PM1

1

3

2

Music Control

Like many other Cloud products, the Z8

MK3

 and Z4

MK3

 allow 

remote control of music level and source selection in each 
zone. Cloud remote control plates from the RL-1 Series 

(music level only) and RSL-6 Series (music level and source 
selection)  provide  an  elegant  solution,  though  control  via  a 

DC voltage from third-party systems is also possible (see 
page 19

).

Both types of plate connect via the REMOTE SOURCE & 
LEVEL port for the relevant zone (see [13] on page 9

). 

This connector is a 3-pin 5 mm-pitch screw terminal type. 

Summary of Contents for Z4MK3

Page 1: ...10 0 Zone 2 10 0 10 0 10 0 10 0 Zone 3 10 0 10 0 10 0 10 0 Zone 4 10 0 10 0 10 0 10 0 MK3 1 2 3 4 5 6 Eight Zone Venue Mixer 8 Power Mute Zone 1 Zone 2 Zone 3 Zone 4 Zone 5 Zone 6 Zone 7 Zone 8 Music...

Page 2: ...eatures 5 Optional System Components 6 LM 2 Mic line input module with remote music control 6 RSL 6 Series Remote Music Level source Control 6 PM Series paging microphones 7 PM1 paging microphone 7 Bl...

Page 3: ...17 Microphone priority over input at Facility Port 17 OPTIONS AND ADDITIONAL INFORMATION 18 LM 2 active input modules general considerations 18 Connecting multiple LM 2s 18 Using the Facility Ports as...

Page 4: ...t magnitude to constitute a risk of electric shock The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing i...

Page 5: ...technical specifications The Z8MK3 Z4MK3 manual includes full details of the optional LM 2 remote input module Basic information on interfacing Cloud PM Series paging microphones and connecting the RL...

Page 6: ...Control Plate permitting control of zone music level and source The LM 2 connects to one of the unit s Facility Ports via screened Cat 5 cable and the remote inputs are fed to that zone only The mixer...

Page 7: ...12 16 paging mic on page 12 for more information PM1 paging microphone The Cloud PM1 paging microphone is also compatible with the Z8MK3 and Z4MK3 It is a much simpler unit which addresses only one zo...

Page 8: ...HONE 1 adjusts the level of the microphone connected at Mic 1 input in each zone See page 15 4 MICROPHONE 2 adjusts the level of the microphone connected at Mic 2 input in each zone See page 15 5 PAGI...

Page 9: ...7 PAGING MIC GAIN as 4 See page 16 8 PAGING MIC EQ as 5 See page 16 9 PAGING MIC ACCESS PORT 6 pin Z4MK3 or 10 pin Z8MK3 5 mm pitch screw terminal connector for per zone contact closure paging access...

Page 10: ...r has an extra cavity for storing a spare fuse note that the active fuse is that in the inner cavity System Connections Music Sources Connect the system s various music sources to LINE 1 to LINE 6 All...

Page 11: ...pin 2 cold pin 3 hot When using single core cable don t connect cold at the Z8II Z4II Unbalanced input e g phono 1 3 2 SC SCN Z8II Z4II Balanced output pin 1 ground pin 2 cold pin 3 hot Unbalanced in...

Page 12: ...Zone s Music Control Port The LM 2 s upper PCB is fitted with an RJ45 connector labelled OUTPUT Connect this to the Facility Port of the relevant Zone using screened Cat 5 cable with screened RJ45s a...

Page 13: ...responding to the zone s in which announcements are required Any or all of the zones may be paralleled if multiple zones need to operate from the PM1 An alternative method for achieving paging to all...

Page 14: ...fore the RSL 6 will operate the zone s Music Control Port must be enabled by setting the adjacent push button switch 14 on page 9 to REMOTE i e pressing it in In this setting the zone s front panel Mu...

Page 15: ...e rear panel switch setting the front panel control in LOCAL and via a remote plate or other external control in REMOTE If the jumper is set to FR the source selection will always be made with the fro...

Page 16: ...via internal jumpers and should be set to suit the requirements of the installation when the system is installed See page 22 for location of the internal jumpers Mic 1 Mic 2 priority By default fully...

Page 17: ...the priority is selected a signal present at Line 6 will force the zone s source selection to that input when the signal disappears the previously selected source will be restored over the time const...

Page 18: ...acility Port the chain is connected Remember to consider the current drawn by any additional input modules see page 24 for details of current consumption and PSU capability See also the section below...

Page 19: ...hey may be used to receive DC voltages from the external system to effect these adjustments Both music source selection and level can be controlled over their full ranges with a DC voltage of 0 to 10V...

Page 20: ...to be selected The output impedance of the control voltage source should be low enough to overcome the effect of this resistor Fitting loudspeaker EQ cards The Z4MK3 and Z8MK3 are compatible with vari...

Page 21: ...system where four possible music or other audio sources are made available to three or more zones areas Only three are shown for clarity Points to note Area 1 and Area 3 have remote control plates in...

Page 22: ...ase time ABSENT 12 seconds release time 3S J4 Mic priority over facility input OFF No priority ON MIC 1 2 paging mic haveVOX triggered priority over signals at facility port OFF J5 Paging mic priority...

Page 23: ...E 7 Z8MK3 ONLY KEY Jumper with two possible positions black square indicates factory default setting J1 J2 J3 J4 Motherboard jumper locations SOCKET FOR OPTIONAL EQ CARD J8 J1 J4 J5 J2 J6 COMPONENT SI...

Page 24: ...fending signal source can often be identified by setting the volume control to minimum then disconnecting the input leads both left right channels on each line input until the hum disappears This prob...

Page 25: ...Impedance 2 kohms balanced Phantom power 15V PCB jumper for on off Headroom 20 dB Noise 120 dB EIN 22 Hz 22 kHz 150 ohms Equalisation HF 10 dB 5 kHz LF 10 dB 100 Hz Facility Input Input Impedance 10...

Page 26: ...Z4 8MK3 Installation and User Guide v1 2 26...

Page 27: ...Z4 8MK3 Installation and User Guide v1 2 27...

Page 28: ...Z4 8MK3 Installation and User Guide v1 2 28...

Page 29: ...Z4 8MK3 Installation and User Guide v1 2 29...

Page 30: ...Z4 8MK3 Installation and User Guide v1 2 30...

Page 31: ...Z4 8MK3 Installation and User Guide v1 2 31...

Page 32: ...ngland Tel 44 0 114 244 7051 Fax 44 0 114 242 5462 email info cloud co uk web www cloud co uk Cloud Electronics USA 2065 Sidewinder Drive Suite 200 Park City Utah 84060 United States of America Toll F...

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