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CX263 Installation and User Guide v1.1

9

INSTALLATION

Hardware Considerations

The CX263 Zone Mixer is built in a 1U-high 19” rack mount 
enclosure. It is recommended that the Zone Mixer is installed 

in a 19” rack wherever possible. The unit is approx. 150 mm 

deep, but 250 mm of rack depth should be available to allow 
for rear connectors and cabling.
The CX263 has low power consumption and there should 
be no thermal problems. Other equipment may be installed 
above or below the CX263.

The choice of location will be dictated by the specifics of the 

system and building layout. It is recommended that wherever 
possible, the CX263 should be mounted in an equipment rack 
along with as many of the music sources (CD players, music 

servers, TV receiver boxes, etc.) and audio power amplifiers 
(driving the zone loudspeakers) as practical.

When deciding the Zone Mixer’s location, bear in mind that 
access to it will probably be required even if a full complement 

of remote controls is being fitted as part of the system, as 

some adjustments can only be made on the mixer itself.

Power Supply

The CX263 is fitted with a Universal power supply which can 

operate on mains voltages from 85 to 253 V. An IEC mains 

cable with a plug appropriate for your country is supplied. The 

unit’s power consumption is 10.3 W.

Fuses and ratings

The only user-accessible fuse is an AC mains fuse on the rear 

panel. 

Only replace a fuse with one of exactly the same 

type. 

The fuse rating is 1 A; the type is a T1A, size 20 x 5 mm, 

with high breaking capacity.

System Connections

Music Sources

Connect the system’s various music sources to inputs 

 

LINE 1

 to 

LINE 6

. The inputs are unbalanced, on standard RCA 

jacks (phono sockets). All six inputs are stereo, with separate 

 

L and R connectors. The channels are summed internally to 

mono as they are fed to Zones 2 and 3, but remain separate 
for the stereo Zone 1. If connecting a mono source with 

only a single output, it may be connected to either the left 

or the right input (but see “Zone Outputs” on page 10 

re  configuring  Zone  1  for  mono  operation). The  sensitivity 

range available should allow most standard items of audio 

equipment such as computers/tablets, music servers and 

media receivers, etc., to operate at a satisfactory level.
Provided the music source is adjacent to the Zone Mixer, 
normal phono-phono (or 3.5 mm jack-to-phono leads can be 
used. Always avoid using pre-made leads of an unnecessary 

length.

If it is necessary to connect an item of source equipment 
with a balanced output, the ideal method is to use a balancing 

transformer between the source and the unbalanced input. 
Suitable audio transformers, which should have a ratio of 1:1, 
are readily available from major audio component suppliers. 

The transformer(s) should be mounted as close to the Zone 

Mixer as practical, and housed in a screened enclosure if 

they are not individually screened. The preferred connection 

method is shown below.

LEFT

+

-

SCN

Unbalanced

inputs

SCN

LEFT

+

-

SCN

Audio balancing transformers

RIGHT

+

-

SCN

Unbalanced

inputs

SCN

RIGHT

+

-

SCN

pin 1 ground

pin 2 hot

pin 3 cold

Balanced outputs (XLRs):

1

2

3

1

2

3

If transformers are not available, a balanced source may feed 

an unbalanced input directly as long as care is taken over how 

the connections are made. A variety of design techniques are 
in use to implement balanced outputs in audio equipment, 

and some designs require different wiring protocols to others. 

Installers are advised to check the manuals with each item 

for guidance on how the outputs should be connected to an 

unbalanced input.
However, the wiring method shown below will work in a large 
number of cases:

Unbalanced

inputs

LEFT

RIGHT

+

+

-

-

SCN

SCN

+

+

-

-

SCN

SCN

When using twin-and-screen

cable, join ‘cold’ to screen at

CX263 end

LEFT

RIGHT

pin 1 ground

pin 2 hot

pin 3 cold

Balanced outputs (XLRs):

1

2

3

1

2

3

Summary of Contents for CX263

Page 1: ...CX263 Installation and User Guide v1 1 CX263 ZONE MIXER Installation and User Guide...

Page 2: ...LATION 9 Hardware Considerations 9 Power Supply 9 Fuses and ratings 9 System Connections 9 Music Sources 9 Microphone inputs 10 Zone Outputs 10 Music Control 10 Music Mute 11 SETTING UP OPERATION 12 M...

Page 3: ...ies and RSL 6 Series remote control plates general considerations 15 Control of music source and level via external DC 16 Music level 16 Music source 17 Fitting loudspeaker EQ cards 17 APPENDIX 18 App...

Page 4: ...magnitude to constitute a risk of electric shock The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance servicing ins...

Page 5: ...equire installation by a qualified person CAUTION Mains Fuse Replace the mains fuse only with the same type and rating as marked on the rear panel Fuse type T1AH 250V Fuse rating 1 A Fuse Size 20 mm x...

Page 6: ...dio loudspeakers What s in the box Unpack the CX263 and its accessories with care It is always a good idea to store all packaging if practical in case you ever need to return the unit to your Cloud de...

Page 7: ...MIC 1 LEVEL adjusts level of Mic input 1 in each Zone See page 13 4 MIC 2 LEVEL adjusts level of Mic input 2 in each Zone See page 13 5 MICROPHONE EQ preset controls adjusting HF LF EQ for each Mic I...

Page 8: ...s Zone 1 is stereo Zones 2 3 are mono See Zone Outputs on page 10 6 Zone LF HF preset controls for EQ adjustment in each Zone See EQ on page 14 7 MIC 1 ACC external paging control input for MIC 1 See...

Page 9: ...to Zones 2 and 3 but remain separate for the stereo Zone 1 If connecting a mono source with only a single output it may be connected to either the left or the right input but see Zone Outputs on page...

Page 10: ...en can be left unconnected at the source end if earth loops are a problem 1 3 SCN pin 1 ground pin 2 hot pin 3 cold Balanced inputs XLRs 1 2 3 2 SC SCN CX263 Balanced output pin 1 ground pin 2 cold pi...

Page 11: ...pressing it in In this setting the zone s front panel MUSIC LEVEL and SOURCE controls become inoperative Music Mute External muting of music is available at the MUSIC MUTE connector National or Local...

Page 12: ...rol has no effect on microphone or paging volume Local remote control If a zone has an RL 1 or RSL 6 Series remote control plate connected the rear panel FR REM push button must be set to REM button i...

Page 13: ...suitable It should be noted that Cloud PM Series paging microphones will need to be connected using the analogue interface the CX263 does not support the Cloud Digital Paging Interface also implemente...

Page 14: ...abled independently for each zone by moving internal PCB jumpers J10a J10b Zone 1 J8a J8b Zone 2 and J9a J9b Zone 3 Note that there are two physical jumpers per zone The jumpers should be set to the O...

Page 15: ...J5 and J6 set to ON as required A separate Installation Guide including full setup and operating instructions is supplied with the CDI S200 card RL 1 Series and RSL 6 Series remote control plates gene...

Page 16: ...OURCE CONTROL CX263 NOTE If the control voltage source is not isolated from the power earth there is a small risk of creating a ground loop by linking the mixer technical ground 0 V to the ground 0 V...

Page 17: ...ow enough to overcome the effect of this resistor Fitting loudspeaker EQ cards The CX263 is compatible with various popular installed sound loudspeakers a single channel loudspeaker equalisation modul...

Page 18: ...ereo music and can set its own music source and volume by means of the local RSL 6 remote control optional Areas 2 and 3 are mono only Area 2 is fitted with an RL 1 remote control panel which allows l...

Page 19: ...reo operation STEREO Zone 1 stereo operation MONO Zone 1 L R channels summed STEREO J12 Bypass EQ card Zone 1R PRESENT EQ card socket is bypassed ABSENT EQ card socket is enabled PRESENT J13 Bypass EQ...

Page 20: ...isconnecting the input leads both left right channels on each line input until the hum disappears This problem is often caused by terminating a screened input cable into a signal source positioned a s...

Page 21: ...s Frequency response 3 dB 100 Hz filter to 20 kHz 0 5 dB Distortion 0 05 20 Hz to 22 kHz Gain range 10 dB to 50 dB Input impedance 2 kohms Common mode rejection 70 dB 1 kHz Headroom 20 dB Noise 128 dB...

Page 22: ...www cloud co uk www cloudusa pro...

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