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Mik-El / Chilton 

 

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Mono Microphone and Line Input.  M1 

 
Dual concentric control, lower Microphone top Line Microphone gain is variable between 
20dB.  A 20 dB pad or attenuator is provided.  Thus should be used when the gain is 
around the 20-30dB mark.  A 48V supply is available for capacitor microphones which are 
not self powered.  The accidental use of this supply on dynamic types will not cause 
damage.  The microphone phase change switches should all point in the same direction 
unless a phase problem is suspected.  Line gain is variable b10dB to -20dB 
therefore with Channel and Group fader at ref. 0-10dBm to +20dBm input will give 0dBm 
on Group meters. 
 
High Frequency shelf control: +-15dBm at 10kHz centre (indent flat) 
 
Switchable High Pass Filter effectively removes low frequency components below 70 Hz at 
the rate of 12dB/octave Pre-EQ 
 
Dual concentric mid sweep control.  100 - 10kHz. 
Lower control knob sweeps 100Hz to 1kHz or with 10 switch depressed 1k - 10kHz 
(overlap provides up to 13kHz) 
Top control knob: Boost or cut +-15dB at frequency selected.  Centre Indent flat (Q 1-5) 
 
Low Frequency shelf control: +-15dB at 100Hz.  Centre indent flat. 
 
Equalisation in circuit with EQ button depressed (Green fisheye).  
High pass filter independent of this control.  
 
Auxiliary 1 Send.  A 1 Pre channel fader (can be linked to Post) 
 
Auxiliary 2 Send.  A 2 Switchable Pre or Post channel fader. 
 
Panning is provided between Left and Right group outputs or can be used as a Group 
Routing switch.  
 
Channel On.  Button down (Green fisheye). 
Note: Both Auxiliary Sends are muted with button UP.  
 
PFL Pre-Fade Listen switch (lockable fisheye) routes the Channel to Cue Loudspeaker, 
Headphones and Control room monitors without affecting the Group output.  Illuminates a 
Green LED on the M3 Monitor module. 
 
Peak Level indicator is illuminated if the channel level appr4dB.  This is 16dB 
below clip point; allow for subsequent EQ adjustment.  Note: (Pre-set adjust -10dB to 
+20dB) 
 
104mm Linear fader. Very high quality plastic conductive with rubber end stops.  Micro 
switch can be fitted for self start or monitor mute. 
 
Rear Panel.  Balanced and floating Microphone or Line inputs 
 
Microphone Input: Connections see block diagram.  Suitable for 200 ohm type 
microphones. 
 
Line Input: Balanced input connect as diagram.  Unbalanced input  Live to pin 2  Common 
to pin 3  Screen only pin 1 
 
Direct Output:  Jack tip Live.  Sleeve Common.  May be wired Pre Fader 
 
Insert:  Jack 3 pole type.  Tip Return.  Ring Send . Sleeve Common. 

Summary of Contents for CM2-4

Page 1: ......

Page 2: ...ectiveness is not the result of misuse accident or modifications The mixer or units thereof will be repaired or replaced free of charge including labour if consigned Carriage Paid to the manufacturer...

Page 3: ...eedle movement indicates Peak Level and an electronic hold giving a decay of 3 seconds from 7 to 1 on the scale Pre Installation Checks The general function of the console can be checked using the int...

Page 4: ...line input gain to 0dB e Channel ON This will give approximately 2dBm PPM 4 1 2 VU 2dB on group meters Increasing this input level Master A1 and AFL by 4dB to 4dB will trip on Channel LED Depressing P...

Page 5: ...nd Channel fader ref 0dB set Balance control to 0 b Switched input gain control 0dB Pressing the PFL button will show PPM 4 or VU 4dB on RH meter Increase input level by 4dB via A1 control channel Pea...

Page 6: ...entre indent flat Equalisation in circuit with EQ button depressed Green fisheye High pass filter independent of this control Auxiliary 1 Send A 1 Pre channel fader can be linked to Post Auxiliary 2 S...

Page 7: ...put meters from tone on test record Balance control will increase gain by max 3dB to Left or Right channel as indicated on scale Auxiliary Send 2 takes a mono mix of L and R channels Pre fader Can be...

Page 8: ...n Jack 3 pole Tip Left Ring Right Sleeve Common Inserts Jack 3 pole Tip Return Ring Send Sleeve Common The fader knobs are off set so may be spaced apart for sub grouping in Mono or closely spaced for...

Page 9: ...alk back to slate group outputs both track indent and fast wind search tone can be recorded Note External Talk back is muted when any button is assigned MON control G is for control room or studio mon...

Page 10: ...nnectors are fully engaged into rear panel before pressing module fully home into the Bus connector If problems are experienced in replacing the far left hand module try removing both middle and botto...

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