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8

English

English

Front Panel

1. Input

Plug your guitar in here. Always use a good quality screened guitar lead.

Clean Channel 

2. Clean Volume 

This controls the volume of the Clean Channel. Turning it clockwise increases 

the volume. At extreme clockwise settings the preamplifer will start to overdrive, 

particularly in the ‘British’ mode.

3. Clean Voice Switch 

This is a momentary switch that selects between the two clean voices. The 

‘American’ setting is very clean and bright but with a solid and tight low end; this 

Voice is selected when the Voice LED is unlit. The ‘British’ setting has a looser bass 

response with warmer mid-range and is very sensitive to the output level of the guitar 

and the player’s dynamics; this Voice is selected when the Voice LED is lit. The EQ 

voicing and valve gain structure is completely reconfigured between each voice.

4. Bass

The Bass control adjusts the amount of bass frequencies in your tone. Fully counter 

clockwise the sound will be tighter in character. Rotating the control clockwise will 

progressively increase the bass response of the channel.

5. Treble

The Treble control allows adjustment of the treble frequencies within the sound. At 

low settings (counter clockwise) the sound will be warm and darker in character. As 

the Treble control is rotated clockwise the sound will become brighter. 

OD (Overdrive) Channel

6. OD Select Switch 

Press this switch to select the OD Channel. When the yellow LED is on, the OD 

Channel is selected. When the yellow LED is off, the Clean Channel is selected.

7. OD Gain

The OD Gain control adjusts the amount of this Channel’s overdrive or distortion. 

Low settings (anti-clockwise) will deliver a clean sound on the edge of break-up. 

As the Gain control is increased clockwise the sound will become more overdriven, 

moving through crunch tones until, at its maximum position, a full distorted tone is 

reached.

8. OD Voice Switch

This is a momentary switch that selects between the two voices of the OD Channel. 

When the small red LED is unlit, this channel has a ‘classic’ but ‘hot-rodded’ overdrive, 

with medium power amp damping. With the red LED lit the overdrive sound has a 

more ‘modern’ voicing that includes a strong mid-emphasised pre-overdrive boost, 

as well as a looser, more aggressive sound due to reduced power amp damping.

9. OD Volume

This control adjusts the overall volume of the OD Channel. Turning it clockwise 

increases the volume.

10. Bass

The Bass control adjusts the amount of low-end frequencies in your tone. This amp 

has an advanced tone shaping circuit which allows the tone to be varied from tight 

and cutting when counter clockwise, to warm and thumping when fully clockwise. 

11. Middle 

The Middle control adjusts the amount of middle frequencies in your tone. The middle 

frequencies are particularly important in setting the amount of ‘body’ your tone has. 

With the Middle control set to its minimum position (fully counter clockwise) the sound 

will be aggressive and scooped, a tone ideal for aggressive rhythm playing. As the 

Middle control is increased (clockwise) the amount of ‘body’ is increased, which is 

more suitable for sustained lead guitar tones.

12. Treble 

The Treble control allows exact adjustment of the treble frequencies within the 

sound. At low settings (counter clockwise) the sound will be warm and darker in 

character.  As  the  Treble  control  is  increased  (clockwise)  the  sound  will  become 

brighter. At the maximum settings the sound will be aggressive and cutting.

13. ISF (Infinite Shape Feature) 

The  patented  ISF  control  works  in  conjunction  with 

the Bass, Middle and Treble controls. It allows you to 

choose the exact tonal signature you prefer. Fully counter 

clockwise has a more American characteristic with a 

tight bottom-end and more aggressive middle, and fully 

clockwise has a British characteristic which is more 

‘woody’ and less aggressive.
Unlike conventional ‘contour’ controls and parametric equalisation systems, the Bass, 

Middle and Treble controls remain interactive with each other just like in a traditional 

guitar amplifier tone stack. This leads to a very familiar, musical response. 

USA

UK

Summary of Contents for HT CLUB 40 MkII

Page 1: ...staramps com Whilst the information contained herein is correct at the time of publication due to our policy of constant improvement and development Blackstar Amplification Ltd reserves the right to a...

Page 2: ...paratus 12 Only use attachments accessories specified by the manufacturer 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 Refer all servicing to qualified s...

Page 3: ...unused for long periods of time Before the unit is switched on the loudspeaker should be connected as described in the handbook using the lead recommended by the manufacturer Always replace damaged f...

Page 4: ...section These two voices provide a broad palette of overdriven tones As with the Clean Channel each of these voices can also be selected by footcontroller When switching between channels the amplifie...

Page 5: ...two voices of the OD Channel When the small red LED is unlit this channel has a classic but hot rodded overdrive with medium power amp damping With the red LED lit the overdrive sound has a more moder...

Page 6: ...incorrect value or attempt to bypass it English English 4 Speaker Outputs The output marked 1x16 Ohm is for the connection of a single 16 Ohm extension speaker cabinet The outputs marked 1x8 Ohm or 2...

Page 7: ...the Clean Select and Clean Voice switches for 5 seconds The green LEDs will then flash together to indicate the change of mode The amplifier will retain this mode even when switched off until it is ch...

Page 8: ...ly sized hole for connecting a compatible Kensington Lock to secure the amplifier to a fixed point For more information please refer to www kensington com Technical Specification HT CLUB 40 MkII Power...

Page 9: ...eln Sie Stecker und Buchsen besonders vorsichtig 12 Verwenden Sie ausschlie lich Zubeh r das vom Hersteller f r das Ger t vorgesehen ist 13 Ziehen Sie den Netzstecker des Ger ts bei Gewitter oder wenn...

Page 10: ...dungskontakt des Netzkabels Wenn Sie das Ger t l ngere Zeit nicht verwenden ziehen Sie das Netzkabel Vor dem Einschalten muss der Lautsprecher wie in diesem Handbuch beschrieben mit dem vom Hersteller...

Page 11: ...EQ Sektion verf gen ber diese zwei Voices lassen sich ganz unterschiedliche Overdrive Sounds realisieren Wie im Clean Kanal kann jedes Voicing auch ber den Fu schalter aufgerufen werden Wenn Sie zwis...

Page 12: ...es Voicing ist aktiv wenn die Voice LED leuchtet Wenn Sie zwischen beiden Voicings umschalten wird neben dem EQ auch das Gain Verhalten der R hren ge ndert 4 Bass Der Bass Regler steuert den Anteil de...

Page 13: ...arametrischen EQ Systemen beeinflussen sich die Regler f r Bass Middle und Treble gegenseitig so wie man das aus klassischen Gitarren Stacks her kennt Das f hrt letztlich zu einem vertrauten musikalis...

Page 14: ...em Raum Wenn der Schalter gedr ckt ist Light erzeugt das Reverb den deutlich h henreicheren und luftigeren Charakter eines Platten Halls Die gew hlte Einstellung gilt f r alle Kan le und Voicings 9 Ef...

Page 15: ...nterface Das Audiosignal Ihres Verst rkers wird ber den USB Anschluss gleichzeitig ber vier unabh ngige Kan le an Ihren Computer ausgegeben Kanal 1 Linker Kanal der Stereo Emulation das bearbeitete Gi...

Page 16: ...S 15 im Lieferumfang FS 14 zur Umschaltung der Kan le Voices sowie f r Boost und Reverb optional erh ltlich HT CLUB 50 MkII Leistung RMS 50 Watt R hren 2 x EL34 2 x ECC83 Gewicht kg 14 6 Abmessungen m...

Page 17: ...i car il est compatible avec la tension de l alimentation g n rale de votre secteur Manipulez toujours les cordons d alimentation avec le plus grand soin Remplacez les s ils sont endommag s Ne d tache...

Page 18: ...Comme pour le canal Clean chacune de ces voix peut aussi tre s lectionn e l aide d un contr leur au pied Lorsque vous changez de canal l amplificateur rappellera le r glage Voice sp cifique utilis pou...

Page 19: ...ionne l une des deux voix du canal OD Lorsque le petit t moin rouge est teint ce canal dispose d une saturation classique mais dynamis e avec amortissement moyen de l amplificateur de puissance Quand...

Page 20: ...e prise lectrique compatible avec les exigences de tension de Fran ais Fran ais puissance et de fr quence indiqu es l arri re de l appareil En cas de doute demandez conseil un technicien qualifi 3 Fus...

Page 21: ...IF Ce mode est destin aux personnes souhaitant contr ler les m mes fonctions principales de l ampli l aide d un dispositif de commutation externe qui se connecte via la connexion TRS de la prise Fran...

Page 22: ...a lecture de la piste d accompagnement via la Sortie Emul e 15 Kensington Lock Aussi connu sous le nom de Port de verrouillage Kensington Kensington Security Slot ou K Slot il s agit d un orifice de t...

Page 23: ...EL CABLE DE CORRIENTE EL CABLE DE CORRIENTE DEBER DE SER DESCONECTADO CUANDO LA UNIDAD NO VAYA A SER USADA DURANTE UN TIEMPO ANTES DE ENCENDER UN CABEZAL LA PANTALLA DEBERA ESTAR CONECTADA COMO SE DE...

Page 24: ...mplia gama de tonos saturados Como con el Clean Channel cada una de estas voces tambi n se puede seleccionar por el pedal o footcontroller Al cambiar entre los canales el amplificador llamar a la conf...

Page 25: ...elecciona entre las dos voces del canal OD Cuando el LED rojo peque o est apagado este canal tiene unoverdrive cl sico pero hot rodded con una amortiguaci n de potencia media del amplificador Con el L...

Page 26: ...otencia y frecuencia indicados en el panel posterior En caso de duda obtenga asesoramiento de un t cnico calificado Espa ol Espa ol 3 Fusible H T El valor del fusible H T se especifica en el panel tra...

Page 27: ...2 v as con conexi n de jack TRS MODO ALTERNATIVO Este modo est destinado a personas que desean controlar las mismas caracter sticas principales del amplificador mediante un dispositivo de conmutaci n...

Page 28: ...iliza para la supervisi n de audio o la reproducci n de pistas de acompa amiento a trav s de la salida emulada 15 Kensington Lock Tambi n conocido como Kensington Security Slot o K Slot este es un ori...

Page 29: ...57 56 Japanese Japanese...

Page 30: ...59 58 n HT MkII UK HT MkII 2 ISF www blackstaramps com HT MkII EQ HT MkII EQ 2 ISF ISF 3 5 10 EL34 USB 4 USB Japanese Japanese...

Page 31: ...61 60 XLR 2 S 1 2 3 LED LED EQ 4 5 OD 6 OD OD LED OD LED 7 OD OD Japanese Japanese...

Page 32: ...63 62 8 OD OD 2 LED LED 9 OD OD 10 11 12 13 ISF ISF 14 15 16 10 EL34 HT MkII 17 18 19 30 19 18 1 2 3 H T H T USA UK Japanese Japanese...

Page 33: ...1x8 2 16 Ohm 16 X X 16 X 16 1 16 X X 2 16 X 8 X X 1 16 1 8 2 16 5 XLR XLR 6 XLR 7 4x12 1X12 XLR 8 9 10dBV 4dBV 4dBV 10dBV 10 11 12 5 5 FS 14 FS 14 OD1 OD 2 FS 14 OD1 OD2 2 1 13 2 2 FS 15 2 FS 15 FS 15...

Page 34: ...5 2 14 p USB AMP AMP LED 14 USB B USB PC Mac USB www blackstaramps com usbrecording USB USB 4 1 2 3 EQ DAW 4 Reamp Reamp DAW 100 100 HT MkII 1 2 RE AMP 1 2 USB AMP AMP LED AMP USB AMP USB USB PC Mac P...

Page 35: ...69 68 15 K www kensington com HT 40 MkII RMS 40 2 x EL34 2 x ECC83 kg 24 mm 588 x 480 x 260 FS 15 FS 14 HT 50 MkII RMS 50 2 x EL34 2 x ECC83 kg 14 6 mm 558 x 220 x 245 FS 15 FS 14 Japanese Japanese...

Page 36: ...dBA Slow Response 8 90 6 92 4 95 3 97 2 100 1 102 1 105 110 or less 115 All electrical and electronic products should be disposed of separately from the municipal waste stream via designated collectio...

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Page 40: ...bo Wpjdf 6 MFE UST UJQ SJOH 2 3 2 3 3 6 3 6 25 VTC MFE 26 VTC C VTC QD Nbd VTC xxx cmbdltubsbnqt dpn0vtcsfdpsejoh VTC VTC VTC 5 2 3 4 5 211 211 BLACK IU Tubhf NlJJ 2 3 VTC MFE VTC VTC VTC 27 L Tmpu xx...

Page 41: ...81 80 IU DMVC 51 NlJJ 51 3 FM45 3 FDD94 35 699 591 371 GT 26 GT 25 IU DMVC 61 NlJJ 61 3 FM45 3 FDD94 25 7 669 331 356 GT 26 GT 25 BLACK BLACK...

Page 42: ...Club 50 MkII Front Panel HT Club 50 MkII Rear Panel STANDBY POWER VOLUME LEVEL ISF BASS MIDDLE TREBLE MASTER N O I T A S I L A U Q E D O R E W O P TREBLE INPUT BASS VOLUME 10 0 10 0 10 0 10 0 10 0 10...

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